only one Studio 4, you'll use only the first
eight rows and columns in the MIDI Rout-
ing, Channelizing and Muting areas. Also,
you'll use only eight of the timecode rout-
ing squares.
The RCM window illustrates its active
regions by dimming all unused portions
of the grid as shown in Figure 7.1. The
window's title bar indicates whether the
Studio 4 is connected to the Modem port,
Printer port, or both (2 cables).
RCM Window with Two Studio 4's
in a Single Network
If you have a second Studio 4 connected
as shown in Figure 7.3, your Studio 4 net-
work contains sixteen MIDI ins and
sixteen MIDI outs. Rows 9-16 and col-
umns 9-16 represent the second Studio 4.
MACINTOSH
SMPTE
PORT B
PORT A
IN
OUT
9VDC
B
A
8
7
6
THRU
THRU
16
15
14
SMPTE
PORT B
PORT A
IN
OUT
9VDC
B
A
8
7
6
THRU
THRU
16
15
14
Optional 2nd cable
Figure 7.3: Two Networked Studio 4's
Studio 4 Manual
CHAPTER 7: Routing, Channelizing and Muting Window
Set to 1-8
MIDI OUT
MIDI IN
5
4
3
2
1
6
5
4
3
2
13
12
11
10
9
14
13
12
11
10
MIDI OUT
MIDI IN
5
4
3
2
1
6
5
4
3
2
13
12
11
10
9
14
13
12
11
10
Set to 9-16
As shown in Figure 7.4, the entire RCM
window grid is active when you connect
two Studio 4's to a single network. Also,
notice that both Studio 4's are repre-
sented in the timecode routing area. The
window's title bar indicates whether the
network is connected to the Modem port,
Printer port, or both (2 cables).
Figure 7.4: RCM Window for Two Studio 4's in a
Single Network
1
9
RCM Window with Two or More
1
9
Studio 4's in Two Networks
As discussed in the previous sections, if
you have either one or two Studio 4's in a
single network (or a 2-cable network),
you'll have only one Routing, Channeliz-
ing and Muting window.
However, if you have two Studio 4 net-
works (one network connected to each
Macintosh serial port), you'll have two
Routing, Channelizing and Muting win-
dows (one for each port). From the
41
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