Inputs And Outputs - Mirage DSK-1 Manual

Any Lower sound can be loaded in the Mirage along with any Upper sound. Suppose, for
example, that you want the piano sound in the lower half, and the sax in the upper half. Simply
load Lower Sound #1 from the diskette with the Piano, and then load Upper Sound #1 from the
diskette with the Upright Bass & Sax, as described in the section CHANGING SOUNDS. Now
you have, in the Mirage's internal memory, piano in the Lower and sax in the Upper keyboard.
You can now save this combination to a blank formatted diskette (see SAVING SOUNDS AND
PROGRAMS) so that you can later load them in together, By making your own custom disks in
this way you can optimize your performance set-up.
As with sound data, the Mirage has a section of its internal memory reserved for storing
sequences that you record or load from diskette. The internal memory holds one 333-note
sequence. Loading a sequence from diskette will replace the sequence in the internal memory.
Overdubbing or recording over a sequence in the Mirage internal memory will not affect the
sequence data stored on a diskette, unless you deliberately save the new sequence over an
existing one. See the Sequencer section for details on recording, saving and loading sequences.

INPUTS AND OUTPUTS

The back panel of the Mirage contains inputs and outputs for power, audio signal, Foot Switch
and MIDI interface connections. Several of these connections have multiple functions that are
controlled by parameters from the front panel. Consult the PARAMETER APPENDIX for a
complete description of the parameters and their functions.
When using the Mirage in stereo (see
Page 9), connect this jack to one channel
of your mixer and pan that channel
right. When nothing is plugged in here,
all audio will be routed to the Left/Mono output. Specs: Low impedance, high gain audio output.
Nom. output 800mV. Impedance 1K ohms.