What Do You Want To Do With This Unit - Yamaha DSP-Z11 Owner's Manual

Quick start guide

What do you want to do with this unit?

Using various input sources
• Basic operations of this unit
• Using your iPod with this unit
• Enjoying the contents stored on your PC
• Enjoying Internet radio programs and Podcasts
• Using USB devices with this unit
Using various sound features
• Using various sound field programs
• Using the Pure Direct mode for high fidelity sound
• Adjusting the tonal quality of the speakers
• Customizing the sound field programs
Additional features
• Setting the remote control
• Displaying the current input source signal information in the
GUI
• Saving and recalling the system settings of this unit
(System Memory)
• Controlling this unit using a Web browser
• Using headphones
• Using this unit in multiple rooms simultaneously
(multi-zone configuration)
• Automatically turning off this unit
18
En
Manually adjusting various parameters of
☞ P. 50
• Setting the language of the GUI menu
☞ P. 64
• Assigning the input/output jacks on this unit
☞ P. 66
☞ P. 69
• Setting the parameters for each input source
☞ P. 69
• Setting the parameters related to the volume level
☞ P. 54
• Adjusting the tonal quality of each channel manually by using
the parametric equalizer
☞ P. 61
• Adjusting the audio and video synchronization
☞ P. 61
• Muting the selected speaker channel
☞ P. 72
• Setting the parameters related to the video signals
• Setting the basic speaker configuration
☞ P. 102
• Setting the network parameters
☞ P. 95
• Setting the parameters of the multi-zone feature
• Protecting the various settings
☞ P. 96
☞ P. 101 Adjusting the advanced parameters
☞ P. 51
• Setting the speaker impedance of the connected speakers
☞ P. 111
• Setting the language of the GUI menu
☞ P. 52
• Setting the video format of the connected video monitor
• Setting the parameters of this unit to default values
this unit
☞ P. 95
☞ P. 81
☞ P. 81
☞ P. 86
☞ P. 87
☞ P. 88
☞ P. 89
☞ P. 89
☞ P. 83
☞ P. 92
☞ P. 92
☞ P. 94
☞ P. 119
☞ P. 120
☞ P. 120
☞ P. 127