Yamaha AW4416 Reference Manual page 144

GATE REVERB, REVERSE GATE
Early reflections with gate, and early reflections with reverse gate.
Parameter
TYPE Type-A, Type-B
ROOMSIZE 0.1–20.0
LIVENESS 0–10
INI.DLY 0.0–500.0 ms
DIFF. 0–10
DENSITY 0–100%
ER NUM. 1–19
FB.GAIN –99 to +99%
HI.RATIO 0.1–1.0
HPF Thru, 21 Hz–8.0 kHz
LPF 50 Hz–16.0 kHz, Thru
MIX BAL. 0–100 [%]
MONO DELAY
Basic repeat delay.
Parameter
DELAY 0.0–2730.0 ms
FB.GAIN –99 to +99%
HI.RATIO 0.1–1.0
HPF Thru, 21 Hz–8.0 kHz
LPF 50 Hz–16.0 kHz, Thru
MIX BAL. 0–100 [%]
STEREO DELAY
Basic stereo delay.
Parameter
DELAY L 0.0–1350.0 ms
FB.G L –99 to +99%
DELAY R 0.0–1350.0 ms
FB.G R –99 to +99%
HI.RATIO 0.1–1.0
HPF Thru, 21 Hz–8.0 kHz
LPF 50 Hz–16.0 kHz, Thru
MIX BAL. 0–100 [%]
Range
Type of early reflection simulation
Reflection spacing
Early reflections decay characteristics (0 = dead, 10 = live)
Initial delay before reverb begins
Reverb diffusion (left–right reverb spread)
Reverb density
Number of early reflections
Feedback gain
High-frequency feedback ratio
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Mix balance of the effects and dry sounds
Range
Delay time
Feedback gain (plus values for normal-phase feedback, minus values
for reverse-phase feedback)
High-frequency feedback ratio
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Mix balance of the effects and dry sounds
Range
Left channel delay time
Left channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
Right channel delay time
Right channel feedback (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
High-frequency feedback ratio
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Mix balance of the effects and dry sounds
Description
Description
Description
— Reference Guide
Appendix
9
Appendix–