Yamaha NUAGE FADER Ncs500-FD Operation Manual page 8

Controls and Functions
2
4
6
1
Adjusts the various parameters. The color of the LED on
the [Multi function knob] changes depending on the type
of the controllable parameter.
2
Selects and turns on/off the controllable parameters of the
1
[Multi function knobs].
3
The [e] (edit) button is used to activate Channel Setting
mode in order to edit the channel in question. If the [e]
buttons for two different channels are pressed at the same
time, it will be possible to edit both of those channels
3
simultaneously. If you again press the [e] button for a
channel being edited, the "Mixer" will reappear.
5
When you press [e] button while holding down the
appropriate button(s) in the "MODIFIER Section"
7
(page
Modifier button
[SHIFT]
8
9
4
Turns Read Automation on (lit) and off (dim). If you hold
)
down one [R] button and press another, Read Automation
between the two can be turned on and off.
!
When you press [R] while holding down the appropriate
@
button(s) in the "MODIFIER Section"
function changes as follows.
#
Modifier button
[SHIFT]
[ALT]
5
Turns Write Automation on (lit) and off (dim). If you hold
$
down one [W] button and press another, Write Automation
between the two can be turned on and off.
When you press [W] while holding down the appropriate
button(s) in the "MODIFIER Section"
function changes as follows.
Modifier button
[SHIFT]
[ALT]
[Multi function knob]
[Multi function button A]/[Multi function
button B]
[e] (edit) button
21), the function changes as follows.
Function
When editing one channel, the display will
switch to show two channels being edited.
When editing two channels, the display will
switch to show only the selected channel.
[R]
Function
Turns Read Automation on for a number of
successive channels.
Turns Read Automation on and off for all
channels.
[W]
Function
Turns Write Automation on for a number of
successive channels.
Turns Write Automation on and off for all
channels.
NUAGE FADER Operation Manual
Description of the Device
(page 21), the
(page 21), the
8