Roland SP-404MKII Manual
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Roland SP-404MKII Manual

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SP-404MK2 (Version 3.00)
Reference Manual

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  • Page 1 SP-404MK2 (Version 3.00) Reference Manual...

  • Page 2: Table Of Contents

    Table of contents Table of contents Marking and Splitting Samples (MARK) ......46 Introduction ................4 Using a Marker to Split and Assign a Sample to a Pad (CHOP) ....................48 What You Should Know About This Unit (How Data is Making Fade-in/Fade-out Settings (ENVELOPE) ....
  • Page 3 Table of contents Deleting All Set Markers from a Sample ......93 Isolator ................... 129 DJFX Looper ................. 130 Editing a Sample in DJ Mode ..........94 Scatter .................... 130 Downer ..................130 Monitoring with Headphones (CUE) ......95 Ha-Dou ................... 130 Ko-Da-Ma ..................

  • Page 4: Introduction

    Introduction Introduction The SP-404MK2 lets you do everything from audio sampling to editing, creating your own songs and performing... all in one unit. This Reference Manual assumes that your unit is using software version 3.00 or later. What You Should Know About This Unit (How Data is Organized) The SP-404MK2 handles a large amount of data, including audio materials and data used to create songs.

  • Page 5: Banks And Projects

    Introduction A collection of 16 patterns is a called a “bank”, and you can store up to 10 banks (A–J). Banks and Projects The 10 banks of samples and 10 banks of patterns are collectively managed as a “project”. The SP-404MK2 can store 16 different projects.

  • Page 6: Getting Things Ready

    Introduction Getting Things Ready Now, let’s get ready to use the SP-404MK2. This section explains how to prepare and connect to external equipment for outputting sound, as well as the different ways to power this unit. Connecting External Equipment To prevent malfunction and equipment failure, always turn down the volume, and turn off all the units before making any connections.
  • Page 7 Introduction Connecting to a Computer or Mobile Device You can transmit and receive audio and MIDI data by connecting a USB cable from your computer or mobile device (smartphone or tablet) to the SP-404MK2. You don’t need to install a device driver on your computer or other device to do this (the SP-404MK2 supports USB Audio Device Class 2.0 specs).

  • Page 8: About The Power Supply

    Introduction About the Power Supply Connect the included adaptor to the DC IN jack of this unit, and plug the adaptor into an AC outlet. ● You can also use this unit without an adaptor, such as by supplying power to the USB port or by using batteries. Powering the Unit via USB Port Using Batteries →...
  • Page 9 Introduction This unit uses six AA batteries (rechargeable Ni-MH or alkaline). The unit can run for 3.5 hours on rechargeable Ni-MH batteries (1,900 mAh), and for 2.5 hours on alkaline batteries. (Note that these times may differ depending on the conditions of use and of the batteries.) If you handle batteries improperly, you risk explosion and fluid leakage.

  • Page 10: Turning The Power On/Off

    Introduction The USB port on the device from which this unit draws power must supply 5 V of output voltage and at least 1.5 A of output current. When not enough power is supplied to the USB port In the event that not enough power is supplied to the USB port of this unit (such as when you try to supply power from a USB Type-A connector or when the output current is less than 1.5 A), the message “Switch to batteries”...
  • Page 11 Introduction Turning the Power Off Turn the volume of this unit and of your amp and speakers all the way down. Turn off the power of your amp and speakers. Slide the [POWER] switch of this unit to “OFF” to turn off this unit.

  • Page 12: Playing Back Samples (Sample Mode)

    Playing Back Samples (SAMPLE MODE) Playing Back Samples (SAMPLE MODE) There are many preset samples available on this unit by factory default. When you turn on the SP-404MK2, the pads light up orange and the unit enters sample mode. If the unit is not in sample mode, press the [EXIT] button a number of times. When the pads are blinking blue, press the [EXIT] button a number of times and then press the [PATTERN SELECT] button.

  • Page 13: Adjusting The Volume For All Banks (Bank Volume)

    Playing Back Samples (SAMPLE MODE) Adjusting the Volume for All Banks (BANK VOLUME) Adjusts the volume for the specified bank overall. This lets you adjust the volume if the volume varies between banks. Hold down the [SHIFT] button and press the bank [A/F]–[E/J] buttons. The BANK VOLUME screen appears.

  • Page 14: Playing Back A Sample To The Tempo Of A Song (Bpm Sync)

    Playing Back Samples (SAMPLE MODE) Playing Back a Sample to the Tempo of a Song (BPM SYNC) You can synchronize the tempo (playback speed) of one sample with another sample. You can also synchronize the tempo of a sample with that of an external device that’s playing, such as a musical instrument or computer.

  • Page 15: Playing Back Only While A Pad Is Pressed (Gate)

    Playing Back Samples (SAMPLE MODE) Playing Back Only While a Pad is Pressed (GATE) This switches the gate function on/off. When the [GATE] button is on, samples play back only while the pads are pressed (gate playback). When the [GATE] button is off, samples begin playing back each time a pad is pressed. You can also use the gate function with the [EXT SOURCE] button.

  • Page 16: Playing Back Samples Only One Time (One-Shot Playback)

    Playing Back Samples (SAMPLE MODE) Playing Back Samples Only One Time (One-shot Playback) When the sample playback mode is set to one-shot playback, the sample plays back once to the end when you press a pad. The pad’s operations are disabled (ignored) until playback is finished. Even if a phrase that’s shorter than the sample length is recorded in a pattern, the sample plays back to the end without returning to the beginning (no retriggering).

  • Page 17: Playing Back Samples Repeatedly (Loop)

    Playing Back Samples (SAMPLE MODE) Playing Back Samples Repeatedly (LOOP) Use the loop function to make a sample play back repeatedly. The loop settings can be made per sample. When the [LOOP] button is turned on, the loop switches between playback and stopping with each press of the pad (trigger playback).

  • Page 18: Playing Back A Sample In Reverse (Reverse)

    Playing Back Samples (SAMPLE MODE) Playing Back a Sample in Reverse (REVERSE) You can use the reverse function to play back samples in reverse (from end to start). Press pads [1]–[16] to select the sample you want to play back in reverse. Press the [REVERSE] button to turn reverse playback on (the button lights up).

  • Page 19: Playing Back Samples In Detailed Steps (Roll)

    Playing Back Samples (SAMPLE MODE) Playing Back Samples in Detailed Steps (ROLL) You can use the roll function to repeatedly play back samples at a set interval. Hold down the [ROLL] button and press pads [1]–[16]. The sample plays back as a roll. You can play back up to four samples at the same time as a roll.
  • Page 20 Playing Back Samples (SAMPLE MODE) When the roll interval is set to 1/64–1/8, the sample plays back as a roll. When the roll interval is set to 1/4, the sample plays back in a loop. Making the roll playback interval shorter (faster) partway through You can shorten the roll interval while it is playing back.

  • Page 21: Setting A Fixed Sample Volume (Fixed Velocity)

    Playing Back Samples (SAMPLE MODE) Setting a Fixed Sample Volume (FIXED VELOCITY) You can set the sample’s velocity so that it always plays back at 127 (the maximum). Hold down the [SHIFT] button and press the pad [1]. “FIXED VELOCITY ON” is shown. The sample velocity is fixed at 127. To cancel this setting, hold down the [SHIFT] button again and press pad [1].

  • Page 22: Changing The Sample Volume For Playback (16 Velocity)

    Playing Back Samples (SAMPLE MODE) Changing the Sample Volume for Playback (16 VELOCITY) You can use the 16 VELOCITY function to change a sample’s velocity (volume) in steps when it plays back. Press pads [1]–[16] to select the sample you want to use with the 16 VELOCITY function. Hold down the [SHIFT] button and press the pad [2].

  • Page 23: Playing Back Samples In Scale Pitches (Chromatic)

    Playing Back Samples (SAMPLE MODE) Playing Back Samples in Scale Pitches (CHROMATIC) You can play back samples (changing their pitches) as a chromatic scale with the pads. Press pads [1]–[16] to select the sample to use in chromatic mode. Hold down the [SHIFT] button and press the pad [4]. The unit enters chromatic mode.

  • Page 24: Muting The Playback Of A Sample (Pad Mute)

    Playing Back Samples (SAMPLE MODE) Muting the Playback of a Sample (PAD MUTE) You can momentarily mute (silence) the playback of a sample. By using part mute on a sample that’s playing back, you can create a break. When a pattern is selected (the pad lights up purple), the pad can’t be muted. To mute a pad, press the [PATTERN SELECT] button and switch to sample mode (the pad lights up orange).

  • Page 25: Playing Back Multiple Pads At The Same Time (Pad Link Groups)

    Playing Back Samples (SAMPLE MODE) Playing Back Multiple Pads at the Same Time (PAD LINK GROUPS) The PAD LINK GROUPS function lets you group multiple pads (up to four) into one group. By setting a group ahead of time, you can make all the pads in the group play back just by operating a single pad within that group.

  • Page 26: Preventing Samples From Playing Back At The Same Time (Mute Group)

    Playing Back Samples (SAMPLE MODE) Preventing Samples from Playing Back at the Same Time (MUTE GROUP) The MUTE GROUP function lets you group together all the samples that should not play at the same time (in other words, the samples you don’t want to layer). When you try and play the samples within that group all at the same time, only the sample that started playing back last is heard.

  • Page 27: Stopping All Sample Playback (Stop)

    Playing Back Samples (SAMPLE MODE) Stopping All Sample Playback (STOP) You can make all samples and patterns that are currently playing back stop. Press the [EXIT] button quickly four times. All samples and patterns that are playing back stop. You can also press the [EXIT] button while holding down the [SHIFT] button to stop all samples and patterns that are playing back.

  • Page 28: Disabling Buttons That Are Not Used When Playing Live (Live Mode)

    Playing Back Samples (SAMPLE MODE) Disabling Buttons that Are Not Used When Playing Live (LIVE MODE) Normally, the buttons related to features like sampling and editing are not used when you are playing live. Accidentally pressing these buttons while you’re performing live might be a show-stopper. By turning live mode on, you can disable these buttons and avoid such accidents.

  • Page 29: Using The Effects

    Using the Effects Using the Effects You can use the built-in effects on the SP-404MK2 to process the audio in unique ways. Use the built-in effects on the SP-404MK2 by assigning them to a bus (an audio routing inside the SP-404MK2). With BUS 1 and BUS 2, you can apply the effects that are appropriate for your performance, per sample.

  • Page 30: Assigning Effects To Bus 1 And Bus 2

    Using the Effects Press the buttons of the effects you want to apply, including the [FILTER+DRIVE] button, the [RESONATOR] button, the [DELAY] button, the [ISOLATOR] button, the [DJFX LOOPER] button, and the [MFX] button. This turns the effects on. Press pads [1]–[16] to play back the samples. Effects are applied to the samples.

  • Page 31: Using The Mfx Effects

    Using the Effects Set which effect is applied to the bus beforehand. For details, refer to “Assigning Effects to BUS 1 and BUS 2(P.30)”. Press the [BUS FX] button to select BUS 2. Hold down the [REMAIN] button and press the pad [1]. The playback audio for the sample assigned to pad [1] is sent to the effect assigned to BUS 2.
  • Page 32 Using the Effects You can also access the effect sub-parameters by holding down the [VALUE] knob and operating the knobs.

  • Page 33: Editing The Effects

    Using the Effects Editing the Effects When you press an effect button (such as the [FILTER+DRIVE] button) to turn the effect on, the effect edit screen appears. Turn the [CTRL 1]–[CTRL 3] knobs while the effect edit screen is displayed to edit the main parameters of the effect. You may be able to access the sub-parameters by holding down the [VALUE] knob, depending on the effect.

  • Page 34: Turning Effects On/Off At The Desired Timing

    Using the Effects Turning Effects On/Off at the Desired Timing You can make effects apply only while you hold down the effect buttons (EFFECT GRAB). This lets you quickly turn an effect on/off in time with what you play. Play back a sample. While holding down the [VALUE] knob, press an effect button (such as the [FILTER+DRIVE] button).

  • Page 35: Temporarily Output Only The Effect Sound (Mute Bus)

    Using the Effects Temporarily Output Only the Effect Sound (MUTE BUS) You can temporarily mute the audio (the sample playback sound or the audio coming into the INPUT jack) that’s sent to a bus, and output only the sound of the effect. This lets you output just the sound of reverberation or delay feedback to create a break when you’re playing.
  • Page 36 Using the Effects Individually selecting the bus to mute with MUTE BUS When MUTE BUS is turned on, you can individually select the buses on which audio is muted. For details, refer to the “Mute Bus” parameter listing in the “EFX SET(P.127)”.

  • Page 37: Sampling (Sampling)

    Sampling (SAMPLING) Sampling (SAMPLING) You can sample (record) the sound that’s inputted into this unit to create your own samples (audio data materials). Configuring the Sampling Settings (RECORD SETTING) Here you can configure the settings for sampling, such as the recording level, as well as apply input effects to the sound input from an external source.
  • Page 38 Sampling (SAMPLING) Use the [VALUE] knob to move the cursor to the parameter that you want to edit. Use the [CTRL 1]–[CTRL 3] knobs to adjust the parameters. For details on the various effect parameters, refer to “MFX List(P.129)”. Some effect parameters may be shared in common, depending on the bus to which the effect is assigned. For details, see “How the effect parameters are saved and shared(P.33)”.

  • Page 39: Sampling

    Sampling (SAMPLING) Sampling This shows how to sample (record) the audio that’s inputted into this unit to create your own samples. Press the [REC] button. Empty pads to which samples haven’t been assigned blink red. The metronome sounds when the “Metronome:REC” parameter is “ON” (the SYSTEM parameter “CLICK(P.124)”). Press pad [9] while holding down the [SHIFT] button to turn the metronome sound on/off.
  • Page 40 Sampling (SAMPLING) Press the [START/END] button. END Snap is enabled. “END Snap ON” is displayed, and the [START/END] button lights up. To disable END Snap, press the [START/END] button again. “END Snap OFF” is displayed, and the [START/END] button blinks. Sample by following steps 2 and onward in “...

  • Page 41: Resampling A Sample (Resample)

    Sampling (SAMPLING) Resampling a Sample (RESAMPLE) Resampling means sampling a sample itself while it’s playing back. You can sample the sound of a sample to which effects are applied, or sample the sound of multiple samples that are playing back at the same time, creating a single sample. Also, by turning the pattern sequencer on beforehand (the [PATTERN SELECT] button lights up), you can resample a pattern in the same way as you would resample a sample.

  • Page 42: Sampling What You Previously Played (Skip-Back Sampling)

    Sampling (SAMPLING) Sampling What You Previously Played (SKIP-BACK SAMPLING) You can sample what you played up to 25 seconds ago (default) using the skip-back sampling function, which works even if you hadn’t started sampling. This lets you “go back in time” to sample a passage you played well during repeated practice, or to sample a phrase you played well when you were just improvising.
  • Page 43 Sampling (SAMPLING)

  • Page 44: Editing A Sample (Sample Edit)

    Editing a Sample (SAMPLE EDIT) Editing a Sample (SAMPLE EDIT) You can edit the playback speed, waveform and other parameters for the samples. Setting the Playback and Loop Regions (START/END) You can prevent unnecessary parts of a sample from playing, such as silence or noise at the beginning or at the end. This shows you how to set the start point (where a sample begins playing back) and the end point (where a sample stops playing back).

  • Page 45: Processing A Sample

    Editing a Sample (SAMPLE EDIT) Processing a Sample You can use the start point and end point settings to process a sample. Note that this operation directly processes the original sample data. Once you process a sample in this way, it cannot be restored.

  • Page 46: Marking And Splitting Samples (Mark)

    Editing a Sample (SAMPLE EDIT) Marking and Splitting Samples (MARK) You can split a sample up into multiple smaller samples. To split a sample, you must first mark the locations where the sample is to be split using markers. Here we explain about the different ways to add markers. Adding a marker at the desired location You can choose where to place a marker (the location where the sample is to be split) while looking at the sample’s waveform.
  • Page 47 Editing a Sample (SAMPLE EDIT) The sample plays back. Press the pads [2]–[16] that are blinking blue, at the timing where you want to add a marker. This adds the marker to the sample. You can press pads [1]–[16] to preview the audio at the corresponding marker. Automatically adding markers based on conditions (AUTO MARK function) You can use the AUTO MARK function to automatically add markers based on certain conditions you specify.

  • Page 48: Using A Marker To Split And Assign A Sample To A Pad (Chop)

    Editing a Sample (SAMPLE EDIT) Using a Marker to Split and Assign a Sample to a Pad (CHOP) Splits the sample at the marker positions, and assigns the resulting samples to separate pads. Follow the steps in “ (P.46)” to add a marker where you want to split Marking and Splitting Samples (MARK) the sample.

  • Page 49: Making Fade-In/Fade-Out Settings (Envelope)

    Editing a Sample (SAMPLE EDIT) Making Fade-in/Fade-out Settings (ENVELOPE) This shows how to set the changes in volume when playing back a sample. You can use fade-in settings (making the volume gradually get louder) and fade-out settings (making the volume gradually get softer).
  • Page 50 Editing a Sample (SAMPLE EDIT) When you change the following parameters while holding down the [REMAIN] button, you can change the parameters of other samples registered to the same bank simultaneously. ● ATTACK ● HOLD ● RELEASE ● BPM SYNC ●...
  • Page 51 Editing a Sample (SAMPLE EDIT) For samples with the [GATE] button turned on (->Playing Back Only While a Pad is Pressed (GATE)(P.15)), if you release your finger from the pad while the sample is playing back, the fade-out begins at that timing.

  • Page 52: Changing The Pitch Or Playback Speed Of A Sample (Pitch/Speed)

    Editing a Sample (SAMPLE EDIT) Changing the Pitch or Playback Speed of a Sample (PITCH/SPEED) Here’s how to change the pitch (key) or playback speed of a sample. You can independently edit the pitch and playback speed, or make a sample’s length match that of the tempo. Press the [PITCH/SPEED] button.
  • Page 53 Editing a Sample (SAMPLE EDIT) [SHIFT] button + FIXED FIXED VELOCITY turns off. Pad [1] VELOCITY FIXED VELOCITY turns on. Plays back with a fixed sample velocity of 127 (the maximum). When you change the following parameters while holding down the [COPY] button, you can change the parameters of other samples registered to the same mute group simultaneously.

  • Page 54: Displaying Parameters Set In A Sample

    Editing a Sample (SAMPLE EDIT) Displaying Parameters Set in a Sample Hold down the [REMAIN] button to show the sample parameters assigned to the currently selected pad. When a sample is playing back, this shows the remaining playback time.

  • Page 55: Initializing The Sample Parameters (Init Param)

    Editing a Sample (SAMPLE EDIT) Initializing the Sample Parameters (INIT PARAM) This restores the parameters set in a sample (such as the start point, end point, tempo and so on) to their default values. Hold down the [SHIFT] button and press the pad [6]. A confirmation message appears.

  • Page 56: Organizing The Samples

    Editing a Sample (SAMPLE EDIT) Organizing the Samples This section explains the functions for making effective use of the samples. Exchanging (Swapping) Samples Between Pads Here’s how to exchange (swap) the samples that are assigned to two different pads. Hold down the [SHIFT] button and press the pad [5]. The EXCHANGE PAD screen appears.

  • Page 57: Copying All Samples In A Bank To Another Bank

    Editing a Sample (SAMPLE EDIT) Copying all samples in a bank to another bank This is how to copy all the samples in a bank to another bank. Hold down the [COPY] button and press the [EXIT] button. The COPY BANK PAD screen appears. Press the bank [A/F]–[E/J] buttons to select the bank to copy (source).
  • Page 58 Editing a Sample (SAMPLE EDIT) Press the [VALUE] knob or [DEL] button. The pad’s sample is deleted. You can’t restore a pad’s sample after it has been deleted. If you want to keep your data or make sure it doesn’t get accidentally modified, we recommend that you follow the steps “Backing up Your Data (BACKUP)(P.120)”...

  • Page 59: Combining Samples To Create A Pattern (Pattern Sequencer)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Combining Samples to Create a Pattern (PATTERN SEQUENCER) You can record the order in which the samples play back, so that multiple samples play back at the timing you choose. The data in which the playback order is recorded is called a “pattern”.

  • Page 60: Creating A New Pattern (Real-Time Recording)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Creating a New Pattern (Real-time Recording) Here’s how to create a pattern by recording what you play on the keyboard and how you operate the controllers, just as-is. Press the [PATTERN SELECT] button. Press the [REC] button.

  • Page 61: Adding A Count-In Before Recording A Pattern

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) ● You can press the [REC] button while a pattern is playing back to switch to pattern recording. Note that recording starts at the beginning of the pattern. If you’ve pressed the [REC] button in the middle of the pattern, the message “Wait for REC” appears.

  • Page 62: Creating A New Pattern (Tr-Rec)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Creating a New Pattern (TR-REC) Here’s how to create a pattern by setting the sample playback timing at the position you like on the steps. This method of recording is suitable for creating drum patterns. Press the [PATTERN SELECT] button.
  • Page 63 Combining Samples to Create a Pattern (PATTERN SEQUENCER) Controller Parameter Value Explanation SUBSTEP You can split up the steps into multiple and separate units (sub steps). You can also configure how the split sub steps are played. * This is enabled when MODE is “TRIG”. Value Pattern [CTRL 1] knob...
  • Page 64 Combining Samples to Create a Pattern (PATTERN SEQUENCER) When you are finished recording the pattern, press the [EXIT] button twice. Press the [EXIT] button once to finish recording. The recorded pattern is automatically saved to the pad. Press twice to stop pattern playback. Functions you can use during TR-REC input You can use the controllers in combination during TR-REC input to perform the following operations.

  • Page 65: Converting Patterns To Samples

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Converting Patterns to Samples Here’s how to convert a performance that’s recorded in a pattern into a sample. There are two ways to convert performance data to a sample, each with their own characteristics. Differences between bouncing and resampling Type How each type works differently...

  • Page 66: Converting Patterns To Samples (Bounce)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) If you decide to cancel sampling, press the [EXIT] button. To exit sampling, press the [REC] button again. “Bouncing” is another method you can use to convert a pattern into a sample. For details, refer to “Converting Patterns to Samples (BOUNCE)(P.66).”...

  • Page 67: Selecting A Pattern Bank

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Selecting a Pattern Bank Select the bank to use from the 10 available banks (A–J). Press the bank [A/F]–[E/J] buttons. The bank switches. Each time you press the bank [A/F] button, the bank switches between A and F. When bank A–E is selected, the bank [A/F]–[E/J] button lights up.

  • Page 68: Playing Back Patterns In Order (Pattern Chain)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Playing Back Patterns in Order (PATTERN CHAIN) Pattern chain is a function that lets you play back patterns you’ve created with the pattern sequencer, in a specified order. You can record and play back up to 16 patterns with a single pattern chain. Up to 16 pattern chains can be stored per project. Creating a pattern chain Use the pattern sequencer to create patterns beforehand ( Creating a New Pattern (Real-time...
  • Page 69 Combining Samples to Create a Pattern (PATTERN SEQUENCER) The unit enters pattern sequencer mode. While holding down the [HOLD] button, press pads [1]–[16] to select the pattern chain number to play back. The PATTERN CHAIN screen appears. Press the [SUB PAD] button. The selected pattern chain plays back.
  • Page 70 Combining Samples to Create a Pattern (PATTERN SEQUENCER) Press the [SUB PAD] button. Sampling begins when the selected pattern chain starts playing back. If you decide to cancel sampling, press the [EXIT] button. When pattern chain repeat is set to “REPEAT Off”, sampling ends at the same time as pattern chain playback ends. To exit sampling, press the [REC] button.

  • Page 71: Recording Effect Operations To A Pattern (Efx Motion Rec)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Recording Effect Operations to a Pattern (EFX MOTION REC) Here’s how to record your effect on/off and effect parameter ([CTRL 1]–[CTRL 3] knob) operations to a pattern in real time. Press the [PATTERN SELECT] button. Pads to which patterns are assigned light up purple.

  • Page 72: Deleting Effect Operations Recorded In A Pattern (Efx Motion Erase)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Deleting Effect Operations Recorded in a Pattern (EFX MOTION ERASE) Here’s how to delete effect operations that you recorded using the steps shown in “Recording Effect Operations to a Pattern (EFX MOTION REC)(P.71)”...

  • Page 73: Recording Pad Mute Operations To A Pattern (Pad Mute Motion Rec)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Recording Pad Mute Operations to a Pattern (PAD MUTE MOTION REC) Here’s how to record the pad mute on/off operations to a pattern in real time. Press the [PATTERN SELECT] button. Pads to which patterns are assigned light up purple. Press pads [1]–[16] to select the pattern to which you want to record the pad mute operations.

  • Page 74: Deleting Pad Mute Operations Recorded In A Pattern (Pad Mute Motion Erase)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Deleting Pad Mute Operations Recorded in a Pattern (PAD MUTE MOTION ERASE) Here’s how to delete pad mute operations that you recorded using the steps shown in “Recording Effect Operations to a Pattern (EFX MOTION REC)(P.71)”...

  • Page 75: Editing A Pattern (Pattern Edit)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Editing a Pattern (PATTERN EDIT) You can change the length of a pattern or change the range within which it plays back. You can also copy and chain patterns, and delete unwanted sections of a pattern. Press the [PATTERN SELECT] button.

  • Page 76: Aligning The Playback Timing Of Samples Inputted To A Pattern (Quantize)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Press the [PATTERN EDIT] button. Press pads [1]–[16] to select the pattern you want to edit. The pattern edit screen appears. Set the range you want to keep within the pattern in the LOOP START and LENGTH parameters (“ Editing (P.75)”).
  • Page 77 Combining Samples to Create a Pattern (PATTERN SEQUENCER) Controller Parameter Value Explanation Lower values make the quantization less obvious, and a value of 0% results in no quantization. If you’ve selected “SHUFFLE” for the QTZ parameter, a value of 50% makes the notes play at equal intervals, and larger values make the notes play like dotted notes.

  • Page 78: Organizing The Pattern Data

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Organizing the Pattern Data This section explains the functions for making effective use of the patterns. Exchanging (Swapping) Patterns Between Pads Here’s how to exchange (swap) the patterns that are assigned to two different pads. You can’t perform the following operations while a pattern is playing back.

  • Page 79: Extracting Specific Samples (Pads) From A Pattern

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Press the [VALUE] knob or [COPY] button. This copies the pattern. Performing this operation overwrites (erases) the pattern in the copy destination pad. Extracting Specific Samples (Pads) from a Pattern You can create a pattern using only specific samples that were taken from a pattern that you’ve inputted using multiple samples. Following the steps in “...

  • Page 80: Protecting A Pattern (Protect)

    Combining Samples to Create a Pattern (PATTERN SEQUENCER) Press the [VALUE] knob or [COPY] button. All the patterns in the bank are copied to the specified bank. Performing this operation overwrites (erases) the pattern in the copy destination pad. Protecting a Pattern (PROTECT) This function prevents the samples and patterns assigned to a pad from being overwritten by being copied or edited, or accidentally deleted.
  • Page 81 Combining Samples to Create a Pattern (PATTERN SEQUENCER) Press the bank [A/F]–[E/J] buttons. Select a bank to delete. Press the [VALUE] knob. The patterns in the selected bank are deleted. You can’t restore a pad’s pattern after it has been deleted. If you want to keep your data or make sure it doesn’t get accidentally modified, we recommend that you follow the steps in “Backing up Your Data (BACKUP)(P.120)”...

  • Page 82: Setting The Tempo

    Setting the Tempo Setting the Tempo You can set the tempo data for samples and patterns. This tempo data can be used to change the sample playback speed and pitch, so that you can play in tempo with other songs. Here we explain about the different tempo data used by this unit.

  • Page 83: Setting The Tempo Data In A Sample

    Setting the Tempo Setting the Tempo Data in a Sample You can set the tempo (BPM) of a sample to make the sample play back in sync with the tempo. Setting the tempo in AUTO mode Here’s how to detect and set the tempo of a sample. Press the [PITCH/SPEED] button.
  • Page 84 Setting the Tempo You can also set the tempo using the tap tempo function. “Setting the Tempo in Time with the Rhythm (Tap Tempo)(P.86)”...

  • Page 85: Setting The Tempo For A Bank Or Project

    Setting the Tempo Setting the Tempo for a Bank or Project By setting a tempo (BPM) for a bank, the same tempo is used for all patterns within the same bank or project during playback. The tempo you set becomes the base tempo when playing back samples using BPM SYNC. Hold down the [SHIFT] button and press the pad [11].

  • Page 86: Setting The Tempo In Time With The Rhythm (Tap Tempo)

    Setting the Tempo Setting the Tempo in Time with the Rhythm (Tap Tempo) This feature lets you set the tempo in an intuitive way by tapping the pad in time, as if you were clapping out the beat (Tap Tempo). This is useful function when you want to play in time with other instruments or to the rhythm of a song.

  • Page 87: Mixing The Samples (Dj Mode)

    Mixing the Samples (DJ MODE) Mixing the Samples (DJ MODE) You can assign two samples to CH1 and CH2 and mix them freely. Press the bank [D/I] button and the [E/J] button simultaneously. The unit enters DJ MIXER mode. Select the samples to respectively assign to CH1 and CH2. Press the [VALUE] knob.
  • Page 88 Mixing the Samples (DJ MODE) When pad [10] is pressed, the CH1 sample follows the tempo of the CH2 sample. When pad [12] is pressed, the CH2 sample follows the tempo of the CH1 sample. CH1: Pad [2] BPM+ Speeds up the tempo. CH2: Pad [4] CH1: Pad [6] BPM-...

  • Page 89: Playing Back Samples While In Dj Mode (Pad Mode)

    Mixing the Samples (DJ MODE) This lets you change how the pitch sounds (how the audio is processed) when changing the playback speed of a sample in DJ mode. For details, refer to “DJ mode TS type(P.124)”. Playing Back Samples While in DJ Mode (PAD MODE) In this mode (pad mode), you can temporarily change the pad arrangement to the same arrangement used in sample mode, while still retaining the same functions of DJ mode.

  • Page 90: Playing Back Patterns While In Dj Mode

    Mixing the Samples (DJ MODE) Playing Back Patterns While in DJ Mode In DJ mode, you can play back the patterns that you created. Press the [PATTERN SELECT] button. Press pads [1]–[16] to select a pattern to play back. Press the [PATTERN SELECT] button. Press the [PATTERN EDIT] button.

  • Page 91: Playing Back A Sample From The Marker Position

    Mixing the Samples (DJ MODE) Playing Back a Sample from the Marker Position You can play back a sample from the position of the marker that’s set for that sample. Press pad [13] or [15]. The corresponding samples play back. Hold down the [SHIFT] button and press pads [1]–[16].

  • Page 92: Adding A Marker While Playing Back A Sample

    Mixing the Samples (DJ MODE) Adding a Marker While Playing Back a Sample You can add markers while playing samples in DJ mode. Play back a sample. Hold down the [SHIFT] button and press the [MARK] button at the position where you want to add a marker.

  • Page 93: Deleting All Set Markers From A Sample

    Mixing the Samples (DJ MODE) Deleting All Set Markers from a Sample While in DJ mode, you can delete the markers you’ve set for samples. Hold down the [SHIFT] and [DEL] buttons, and press pads [1]–[16]. Select the marker to delete. The relationship between the markers to delete and the pads are as follows.

  • Page 94: Editing A Sample In Dj Mode

    Mixing the Samples (DJ MODE) Editing a Sample in DJ Mode You can edit the samples that are used in DJ mode. Press the [VALUE] knob. A menu appears. Use the [VALUE] knob to select “CH1 EDIT” or “CH2 EDIT,” and press the [VALUE] knob. The sample edit screen appears.

  • Page 95: Monitoring With Headphones (Cue)

    Monitoring with Headphones (CUE) Monitoring with Headphones (CUE) Adjusts the balance of the audio output from the PHONES jack. When the sample audio is sent to CUE, the audio is only output from the PHONES jack (and is not output to the LINE OUT jack or USB port).

  • Page 96: Inputting Sound From An Electronic Musical Instrument, Mic Or Guitar

    Inputting Sound from an Electronic Musical Instrument, Mic or Guitar Inputting Sound from an Electronic Musical Instrument, Mic or Guitar You can connect your electronic musical instrument, mic or guitar to the SP-404MK2 for audio input. Connect an electronic musical instrument to the LINE IN jack(s) on the rear panel. When using a mic or guitar, plug them into the INPUT jack on the front panel.

  • Page 97: Inputting Audio From A Computer Or Mobile Device (Usb Audio)

    Click the “Hardware and Sound” icon, and then click the “Sound” icon. If the panel is displaying as icons or in classic view, double-click the [Sound] icon. Click the [Playback] tab. Click “Speakers SP-404MKII-G”, and click the “Set Default” button. Click the [OK] button. For macOS Open the System Preferences.

  • Page 98: Selecting A Project

    Selecting a Project Selecting a Project Here’s how to recall a project (1–16). Once a project is recalled, the unit is ready to play back samples and create patterns. Hold down the [SHIFT] button and press the [SUB PAD] button. The SELECT PROJECT screen appears.

  • Page 99: Organizing Projects

    Organizing Projects Organizing Projects On this unit, you can copy projects and delete projects you no longer need. Copying a Project Here’s how to copy a project. Hold down the [SHIFT] button and press the [SUB PAD] button. The SELECT PROJECT screen appears. Press the [COPY] button.

  • Page 100: Deleting A Project

    Organizing Projects Deleting a Project Here’s how to delete projects you don’t need. Hold down the [SHIFT] button and press the [SUB PAD] button. The SELECT PROJECT screen appears. Press the [DEL] button. The project deletion screen appears. Press pads [1]–[16] to select the project to delete. If you decide to cancel deleting, press the [EXIT] button.

  • Page 101: Customizing This Unit

    Customizing This Unit Customizing This Unit You can customize the design of this unit to match your tastes. Attaching/Removing the Faceplate of This Unit You can remove the faceplate of this unit to customize the top panel. ● Make sure you don’t cut your fingers on the edges when removing or attaching the faceplate. ●...
  • Page 102 Customizing This Unit To attach the faceplate, follow the steps for removing the top panel in reverse order. Use a commercially available hex wrench (2 mm) to attach the two screws (at the far side of the unit) circled in red. Install the two screws (at the front of the unit) circled in blue.

  • Page 103: Customizing The Opening Screen

    Customizing This Unit Customizing the Opening Screen You can use your own custom images for the opening screen. Two opening images can be registered per project. Steps for setting your custom image data as the opening image You must perform the following operations (summarized) to use your custom image data as the opening image. Create your custom image ( (P.104)).

  • Page 104: Customizing The Screen Saver

    Customizing This Unit Customizing the Screen Saver You can set your own custom image as the screen saver image. A maximum of 16 screen saver images can be registered per project. Steps for using your custom images as the screen saver You must perform the following operations (summarized) to use your custom images as the screen saver.

  • Page 105: Saving The Screen Saver Image To A Project

    Customizing This Unit Saving the Screen Saver Image to a Project Here’s how to save your custom image to a project. As an example, the following shows how to edit the custom image for the screen saver of project 01. Prepare the image to use for the screen saver, and edit the settings to use a custom screen saver (“...

  • Page 106: Configuring The Various Settings (Utility)

    Configuring the Various Settings (UTILITY) Configuring the Various Settings (UTILITY) This menu lets you edit the parameters and view information related to the overall unit. Editing the Settings Related to this Unit (System) Here’s how to configure the overall settings for this unit. Hold down the [SHIFT] button and press the pad [13].

  • Page 107: Configuring The Pad-Related Settings (Pad Setting)

    Configuring the Various Settings (UTILITY) Configuring the Pad-related Settings (PAD SETTING) The pad setting screen lets you configure various pad-related settings. Hold down the [SHIFT] button and press the pad [13]. The UTILITY MENU screen appears. Use the [VALUE] knob to select “PAD SET”, and press the [VALUE] knob. The pad setting screen appears.

  • Page 108: Configuring The Effect Settings (Efx Set)

    Configuring the Various Settings (UTILITY) Configuring the Effect Settings (EFX SET) This shows how to edit the routing (connection order) for the effects built into this unit, and how to configure the effects to use. Hold down the [SHIFT] button and press the pad [13]. The UTILITY MENU screen appears.

  • Page 109: Adding Effects To The Overall Sound (Bus 3, Bus 4)

    Configuring the Various Settings (UTILITY) The position of the effect assigned to BUS 1 and BUS 2 changes each time you press the [VALUE] knob (“Using the Effects(P.29)”). To finish making the settings, press the [EXIT] button. Adding Effects to the Overall Sound (BUS 3, BUS 4) Here’s how to apply effects to the overall sound output from this unit.

  • Page 110: Editing The Effects For Bus 3 And Bus 4

    Configuring the Various Settings (UTILITY) From the top screen, you can also make this screen appear by pressing pad [16] while holding down the [SHIFT] button. Turn the [CTRL 3] knob to select “FAVORITE”. Turn the [VALUE] knob to select “FAVORITE 1” through “FAVORITE 16”. The effects you selected in “FAVORITE 1”...

  • Page 111: Assigning The Desired Effect To An Effect Button (Direct Fx)

    Configuring the Various Settings (UTILITY) To edit BUS 3 and BUS 4, you must select a favorite from “FAVORITE 1” to “FAVORITE 16” in the “FAVORITE” tab screen. Turn the [VALUE] knob to set the parameter to edit. Use the [CTRL 1]–[CTRL 3] knobs to edit the parameter. To finish making settings, press the [EXIT] button.

  • Page 112: Configuring The Input Effects (Input Fx)

    Configuring the Various Settings (UTILITY) Use the [VALUE] knob to select the effect, and press the [VALUE] knob. The effect is assigned to the effect button you selected. After this, you can use the effect buttons on the top panel to switch the assigned effects on/off.

  • Page 113: Sending The Audio Input From The Input Jack To A Bus

    Configuring the Various Settings (UTILITY) To finish making settings, press the [EXIT] button. Sending the Audio Input from the INPUT Jack to a Bus You can set the bus to which the playback audio signals coming into the INPUT jack are sent (meaning which effects are used). Hold down the [SHIFT] button and press the pad [13].

  • Page 114: Importing/Exporting (Using The Sd Card)

    Configuring the Various Settings (UTILITY) Importing/Exporting (Using the SD Card) Using a SD card lets you import the samples you like into the SP-404MK2, or exchange patterns and other data between different SP-404MK2 units. To work with data on the SD card, the SD card folder structure must be set up as shown below.
  • Page 115 Configuring the Various Settings (UTILITY)

  • Page 116: Importing Samples (Import Sample)

    Configuring the Various Settings (UTILITY) Some memory card types or memory cards from some manufacturers may not record or play back properly on the unit. Importing Samples (IMPORT SAMPLE) You can import commercially available audio material or audio material created on your computer from an SD card. Using your computer or similar device, save the samples you wish to import to the “IMPORT”...

  • Page 117: Exporting Samples (Export Sample)

    Configuring the Various Settings (UTILITY) When importing a sample to a pad that already has an assigned sample (pads that are lit up red), a confirmation message appears, asking if you want to overwrite the sample. To overwrite the sample and import a new sample, turn the [VALUE] knob to select “OK,” and press the [VALUE] knob. Performing this operation overwrites (erases) the sample in the copy destination pad.

  • Page 118: Importing A Project (Import Project)

    Configuring the Various Settings (UTILITY) Importing a Project (IMPORT PROJECT) You can import a project into this unit that was created on a different SP-404MK2 and exported to an SD card. Follow the steps in “ (P.119)” to export the project(s) to an SD card. Exporting a Project (EXPORT PROJECT) Insert the SD card on which the projects are saved into the SD card slot of this unit.

  • Page 119: Exporting A Project (Export Project)

    Configuring the Various Settings (UTILITY) When you import a project to a project number that already contains a project (the pad lights up red), a message is shown to confirm the overwrite-save. To import and overwrite, turn the [VALUE] knob to select “OK”, and press the [VALUE] knob. Performing this operation overwrites (erases) the project in the import destination.

  • Page 120: Backing Up Your Data (Backup)

    Configuring the Various Settings (UTILITY) Never turn off the power or remove the SD card while the screen indicates “Working...”. Backing up Your Data (BACKUP) By backing up the data on this unit, you can transfer your data to another SP-404MK2 or restore your data in the event that something happens to it.

  • Page 121: Formatting An Sd Card

    Configuring the Various Settings (UTILITY) Use the [VALUE] knob to select “RESTORE”, and press the [VALUE] knob. The backup number selection screen appears. Use the [VALUE] knob to select a backup number which you want to restore (01–64), and press the [VALUE] knob.

  • Page 122: Restoring The Factory Settings (Factory Reset)

    Configuring the Various Settings (UTILITY) Restoring the Factory Settings (FACTORY RESET) This operation restores the sample and pattern data as well as the system settings saved on this unit to their factory defaults. Doing this causes all data saved on this unit to be lost. To save the data of this unit, use the backup function to make a backup (Backing up Your Data (BACKUP)(P.120)).

  • Page 123: Appendix

    Appendix Appendix Parameter Guide SYSTEM GENERAL Parameter Value Explanation This sets how the values change when you move the knobs. When you move a knob, control data is only outputted when the position of the knob reaches or “catches up” to the value of its internal parameter. Edit Knob CATCH ●...
  • Page 124 Appendix Parameter Value Explanation Recording time: 25 sec (max.) Long Recording time: 40 sec (max.) This selects the point (time) at which reverse playback begins when you press the [REVERSE] button during sample playback. Reverse Type Starts reverse playback at the sample’s end point. This works the same as the SP-404SX. Starts reverse playback immediately from the playback position of the current sample.
  • Page 125 Appendix Parameter Value Explanation Specifies the tempo source. The tempo automatically synchronizes to the MIDI clocks if MIDI clocks are input via the Auto MIDI IN connector or the USB port. MIDI Sync Internal The tempo specified on this unit is used. MIDI The tempo synchronizes to the MIDI clocks received via the MIDI IN connector.

  • Page 126: Pad Set

    Appendix VERSION Displays the version of this unit. PAD SET TRIGGER Parameter Value Explanation Sets how the volume changes according to how hard you strike a pad. This is the standard setting. This produces the most natural balance between playing dynamics and volume change.

  • Page 127: Efx Set

    Appendix Parameter Value Explanation Default, 1–127, Changes the pad color for each bus through which sample audio is sent. White This can be set for BUS 1, BUS 2 and DRY respectively. BUS1 Color This is enabled when Pad LED Mode is “BUS”. BUS2 Color ●...
  • Page 128 Appendix Parameter Value Explanation Filter+Drive, Resonator, Sync Delay, Isolator, DJFX Looper, Scatter, Downer, Ha- You can assign the Dou, Ko-Da-Ma, Zan-Zou, To-Gu-Ro, SBF, Stopper, Tape Echo, TimeCtrlDly, Super effects you like to the Filter, WrmSaturator, 303 VinylSim, 404 VinylSim, Cassette Sim, Lo-fi, Reverb, effect buttons on the Direct FX1–...

  • Page 129: Mfx List

    Appendix MFX List Filter+Drive This is a filter with overdrive. It cuts the specified frequencies and adds distortion. Parameter Value Explanation CUTOFF 20–16000 (Hz) Sets the cutoff frequency range in which the filter works. 0–100 Adjusts the filter’s resonance level. RESONANCE The larger the value, the more that the frequency range set in CUTOFF is emphasized.

  • Page 130: Djfx Looper

    Appendix DJFX Looper This effect loops the sound in short cycles. You can vary the playback direction and playback speed of the input sound to get a turntable-type effect. Parameter Value Explanation 0.230–0.012 Sets the length of the loop. LENGTH (sec) -100–100 Sets the playback direction and playback speed.

  • Page 131: Ko-Da-Ma

    Appendix Ko-Da-Ma This creates a reverberating audio effect. Parameter Value Explanation 1/32, 1/16T, 1/32D, 1/16, 1/8T, 1/16D, Sets how much the effect sound is delayed. TIME 1/8, 1/4T, 1/8D, 1/4, 1/2T, 1/4D, 1/2, 1/1T, 1/2D, 1/1 FEEDBACK 0–99 (%) Adjusts how much the effect sound is repeated. SEND 0–100 Adjusts the volume of sound sent to the effect.

  • Page 132: Sbf

    Lowers the volume according to the playback speed. Tape Echo This is a virtual tape echo effect that gives a realistic tape delay sound. The effect simulates the tape echo section of a Roland RE-201 Space Echo. Parameter Value Explanation 10–800 (ms)

  • Page 133: Super Filter

    Appendix Parameter Value Explanation OFF, ON When this is ON, the effect sound synchronizes SYNC with the tempo. Super Filter This is a filter with an extremely sharp slope (attenuation characteristics). The cutoff frequency can be varied cyclically. Parameter Value Explanation 0–100 Sets the frequency range in which the filter works (the cutoff frequency).

  • Page 134: Cassette Sim

    Adjusts the amount of boost/cut of the low-frequency range. EQ HIGH -15–15 (dB) Adjusts the amount of boost/cut of the high-frequency range. LEVEL 0–100 Adjusts the volume of the effect sound. JUNO Chorus This effect models the chorus section of the Roland JUNO-106 and JX series.

  • Page 135: Flanger

    Appendix Parameter Value Explanation JUNO 1, JUNO 2, JUNO12, JX-1 1, Sets the type of effect. MODE JX-1 2 NOISE 0–100 Adjusts the volume of noise generated by the effect. 100-0–0-100 (%) Adjusts the volume balance between dry (the original sound) and effect BALANCE sound.

  • Page 136: Slicer

    Appendix Slicer This slices the sound up into small pieces, creating the impression that a backing phrase is being played. This slices up the sound at certain intervals into 16 parts (16 steps), breaking the sound into a rhythm that follows the sequence pattern (a pattern used for slicing up the sound).

  • Page 137: Ring Mod

    Appendix Parameter Value Explanation UNISON, TINY, SMALL, Sets the octave of the resonator. SPREAD MEDIUM, HUGE CHARACTER 0–100 Adjusts the brightness and detuning of the sound. SCALE C maj–B maj, C min–B min Sets the composite notes (chord) to resonate. FEEDBACK 0–99 (%) Adjusts the amount of feedback for the effect.

  • Page 138: Equalizer

    Appendix Equalizer This is a three-band equalizer. Parameter Value Explanation -15–15 (dB) Adjusts the amount of boost/cut of the low- LOW GAIN frequency range. -15–15 (dB) Adjusts the amount of boost/cut of the MID GAIN mid-frequency range. -15–15 (dB) Adjusts the amount of boost/cut of the HIGH GAIN high-frequency range.

  • Page 139: Back Spin

    Appendix Parameter Value Explanation PITCH -12–+12 Adjusts the volume of the pitch shifter for the effect sound. BALANCE 100-0–0-100 (%) Adjusts the volume balance between the dry (original) sound and effect sound. FEEDBACK 0–99 (%) Adjusts the amount of feedback for the effect. CLOUDY 0–100 Adjusts the thickness of the effect sound.

  • Page 140: Harmony

    * This is enabled with INPUT FX. Parameter Value Explanation Selects the guitar amp type. Models the sound of a Roland JC-120. TWIN Models a Fender Twin Reverb. AMP TYPE Models a lead guitar sound played using a MESA/Boogie combo amp.
  • Page 141 Appendix Value of CC#83 Effect name Direct FX2 Direct FX3 Direct FX4 Direct FX5 Scatter Downer Ha-Dou Ko-Da-Ma Zan-Zou To-Gu-Ro Stopper Tape Echo TimeCtrlDly Super Filter WrmSaturator 303 VinylSim 404 VinylSim Cassette Sim Lo-fi Reverb Chorus JUNO Chorus Flanger Phaser Slicer Tremolo/Pan Chromatic PS...
  • Page 142 Appendix Value of CC#83 Effect name Resonator Hyper-Reso Chromatic PS Reverb Ha-Dou Zan-Zou Sync Delay TimeCtrlDly Ko-Da-Ma Tape Echo Chorus JUNO Chorus Flanger Phaser Slicer Tremolo/Pan To-Gu-Ro DJFX Looper Scatter SX Reverb SX Delay Cloud Delay 40–127 – INPUT FX (MIDI ch 5) Value of CC#83 Effect name (OFF)

  • Page 143: List Of Shortcut Keys

    Appendix List of Shortcut Keys You can quickly recall a desired function or screen by pressing a button or pad while holding down the [SHIFT] button. ● Shortcuts that use the [SHIFT] button(P.143) ● Shortcuts that use the [REMAIN] button(P.144) ●...

  • Page 144: Shortcuts That Use The [Remain] Button

    Appendix While holding down the Function Explanation [SHIFT] button TR-REC Switches to pattern recording using TR-REC. This lets you record a sample onto the pattern that’s playing back. [REC] button * Enabled only when playing back a pattern Bank [A/F]–[E/J] buttons BANK VOLUME Adjusts the volume for the specified bank overall.

  • Page 145: Shortcuts That Use The [Del] Button

    Appendix Shortcuts that use the [DEL] button While holding down the [DEL] button Function (explanation) Deletes the effect operations recorded using EFX MOTION REC from a pattern. [MARK] button * Enabled on the pattern edit screen Deletes the pad mute operations recorded using EFX MOTION REC from a pattern. [REVERSE] button * Enabled on the pattern edit screen [EXIT] button...

  • Page 146: Shortcuts Used In Tr-Rec

    Appendix Operation Parameter Explanation – The [SHIFT] button remains in a “pressed-down” state. This makes it easier to select [SHIFT] button + [REMAIN] a marker and play back. button Press the [EXIT] button to cancel this behavior. [SHIFT] button + [MARK] –...

  • Page 147: Error Messages

    Appendix Error Messages Error messages Explanation Action The batteries are nearly depleted. Replace the batteries, or switch to an AC adaptor. Battery Low! “About the Power Supply(P.8)” → Unsupported The file type is not supported on this unit. Check the file extension, format and folder directory. FILE “Importing/Exporting (Using the SD Card)(P.114)”...

  • Page 148: Audio Diagram

    Appendix Audio Diagram...

  • Page 149: Main Specifications

    TRS/MIDI connecting cable: BOSS BMIDI series, BOSS BCC series Options (sold separately) Wireless MIDI Expression Pedal: BOSS EV-1-WL * This document explains the specifications of the product at the time that the document was issued. For the latest information, refer to the Roland website.

  • Page 150: Midi Implementation Chart

    Appendix MIDI Implementation Chart Model: SP-404MK2 Date: Mar. 9, 2023 Version: 3.00 Function Transmitted Recognized Remarks Basic Default × (MIDI mode A) × (MIDI mode A) Channel 1–10 (MIDI mode B) 1–10 (MIDI mode B) Changed × (MIDI mode A) ×...
  • Page 151 Appendix Function Transmitted Recognized Remarks *3: Output when MIDI Sync Out is “ON” and when there is no tempo input from an external device. *4: Enabled when this unit is in remote mode (when a tempo signal is received from an external device). *5: All samples stop playing back when the MIDI cable is unplugged.

  • Page 152: Midi Note Map

    Appendix MIDI Note Map MIDI Mode MIDI Channel CH 1 … CH 10 CH 1–9 CH 2–10 Note Number BANK … BANK BANK BANK Blank … Blank Blank Blank (for Note Offset) (for Note Offset) A³6 F´6 E³6 C´6 B³5 A³5 F´5 E³5...
  • Page 153 Appendix MIDI Mode C´2 EXT SOURCE Blank … Blank B³1 A³1 F´1 E³1 C´1 B³0 A³0 F´0 E³0 C´0 Blank Blank (for Note Offset) (for Note Offset) C´-1 EXT SOURCE...
  • Page 154 Appendix SP-404MK2 (Version 3.00) Reference Manual Roland Corporation ©2021 Roland Corporation...

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