Recording Types - Saadat DENA 650 User Manual

Chapter 5: Recording Operation
NTOE

See the System settings chapter to view the recording settings.

Recording Types

Manual Recording
Press Mode key on the screen or the control panel to toggle between Manual 1+1, Manual 3, Manual 3+1
and Manual 6.
Press the Start/Stop key on the control panel to start recording. The recording will continue until you press
this key again.
Press ▲Lead and Lead▼ keys to switch lead (lead group) during the recording. Note that you can only
record the selected lead (s).

Manual 1+1: In this mode, a selected lead and a Rhythm lead will be recorded.
In the recording paper, the first waveform indicates the waveform of selected lead and the second
one is the waveform of selected Rhythm lead.

Manual 3: In this mode, 3 selected leads will be recorded.

Manual 3+1: In this mode, 3 selected leads and a Rhythm lead will be recorded.
In the recording paper, the first 3 waveforms indicate the waveform of selected leads and the last
one is the waveform of selected Rhythm lead.

Manual 6: In this mode, 6 selected leads will be recorded.
Automatic Recording
Press Mode key on the screen or the control panel to toggle between Auto 1+1, Auto 3, Auto
3+1 and Auto 6.
By pressing Start/Stop key on the control panel, recording starts and ends after 3 to 12 seconds
based on selected option.
It is not possible to toggle between different leads using ▲Lead and Lead▼ keys.

Auto 1+1: In this mode, a Rhythm lead will be recorded along with the other leads (individually).
In the recording paper the first waveform indicates the selected lead and the second one is the
waveform of Rhythm lead.

Auto 3: In this mode, the leads will be recorded in groups of three.

Auto 3+1: In this mode, a Rhythm lead will be recorded along with the other leads (in groups of
three).
In the recording paper the first three waveforms indicate the selected leads and the other one is the
waveform of Rhythm lead.

Auto 6: In this mode, the leads will be recorded in groups of six.
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