Time Control Delay; Time Skip Delay; Parameter Value; Low Gain -15- +15 Db - Roland MC-909 Owner's Manual

46: TIME CONTROL DELAY

This lets you smoothly vary the delay time. As the delay time is
varied, the pitch will change correspondingly; lengthening the delay
time will lower the pitch, and shortening it will raise the pitch.
fig.MFX46
L in
Balance D
Time Control Delay
Feedback
R in
Balance D
Parameter Value Description
Delay #1 0–4000 ms, Adjusts the time until the delay is
note heard.
Feedback -98– +98 % Adjusts the amount of the delay
#2 that's fed back into the effect. Nega-
tive (-) settings invert the phase.
Accelera- 0–15 Adjusts the time over which the De-
tion lay Time changes from the current
setting to a specified new setting.
HF Damp 200–8000 Adjusts the frequency above which
Hz, BY- sound fed back to the effect is fil-
PASS tered out. If you do not want to filter
out any high frequencies, set this
parameter to BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W– Volume balance between the direct
D0:100W sound (D) and the delay sound (W)

Level

0–127 Output level
(MFX2 only)
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
The rate of change for the Delay
Time directly affects the rate of
pitch change.

47: TIME SKIP DELAY

A delay that changes the delay time in stair-step fashion.
fig.MFX47
L in
Balance D
Time Skip Delay
Feedback
R in
Balance D
Parameter Value Description
Delay #1 0–4000 ms, Adjusts the time until the delay is
note heard.
Skip Rate 0.05–10.0 Frequency at which the delay time
Hz, note will change
Feedback -98– +98 % Adjusts the amount of the delay
#2 sound that's fed back into the effect.
Negative (-) settings invert the
phase.
Accelera- 0–15 Adjusts the time over which the De-
tion lay Time changes from the current
setting to its specified new setting.
HF Damp 200–8000 Adjusts the frequency above which
Hz, BY- sound fed back to the effect is fil-
PASS tered out. If you don't want to filter
out any high frequencies, set this
parameter to BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W– Volume balance between the direct
D0:100W sound (D) and the delay sound (W)
Level 0–127 Output level
note:
fig.notelist2.e
(Sixty-fourth-note triplet), (Sixty-fourth note),
(Thirty-second note), (Sixteenth-note triplet),
(Eighth-note triplet),
(Sixteenth note),
(Eighth note), (Quarter-note triplet),
(Quarter note), (Half-note triplet),
(Whole-note triplet), (Dotted half note),
(Double-note triplet), (Dotted whole note),
Multi-Effects List
(MFX2 only)
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
(Thirty-second-note triplet),
(Dotted thirty-second note),
(Dotted sixteenth note),
(Dotted eighth note),
(Dotted quarter note), (Half note),
(Whole note),
(Double note)
107