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DELAY Group
Delay patterns
here
make the
use
of a stereo configuration; the delay
time
can
be
set
independently for the left
and right
channels
.
The natural damping of
high
frequencies for more accurate reproduction of the decay of
high
frequencies
in an
actual
room can
be
achieved
by using the high damp
parameter.
10. STEREO DELAY
A stereo delay effect having two
delay
systems, each of which has a feedback circuit that sends part of the
sound back to the delay again
.
All parameters except
delay
time
are
set to the
same
value for the two delays.
EFFECT 1 Stereo
Dela~
TiMe
L [MS]
L~50
R260 F+50 HD10
L+00 H+00 70:30
A
B
C
0
E
F
G
M
Ciiiiiiiit tiiiiiiiiiiit Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit
DELAY
DELAY
11. CROSS DELAY
A stereo delay in which the feedback signal of
each
delay crosses over
and
is routed to the other
delay.
EFFECT
1 Cross
Dela~
L180
R360 F+§0 HD10
Feedback
[%]
L+00
H+00 70:30
A
B
C
0
E
F
G
M
Ciiiiiiiit
tiiiiiiiiiiit Ciiiiiiiit Ciiiiiiiit . . . . , Ciiiiiiiit Ciiiiiiiit Ciiiiiiiit
~L
Delay Time Left
0-500 [mSec]
[fil
R
Delay Time Right
0-500 [mSec]
@]F
Feedback
-99-+99 [%]
@]HD
High
Damp
0-99 [%]
(f]L
EQLow
-
12-
+12
[dB]
@]H
EQHigh
-12-
+12 [dB]
IB1
DRY:EFF Balance DRY. 99:1 -1:99, EFF
DELAY
DELAY
Time between the direct sound and effect sound of
the
left
channel (Input A or C)
Time between the direct sound and
effect
sound of the
right
channel (Input B or D)
Amount of
feedback
(negative
values
produce
inverted
phase)
The larger the value set, the faster the frequencies are
damped.
Control
for
cutting
or boosting
the
low
frequency
components.
Control for cutting or boosting the high frequency
components.
Output balance of direct sound and effect sound
42
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