Guitar Amp Simulator; Compressor; Limiter - Roland Integra-7 Parameter Manual

Supernatural sound module
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30: Guitar Amp Simulator

This is an effect that simulates the sound of a guitar amplifier .
L in
Pre Amp
R in
Parameter
Value
Amp Sw
OFF, ON
JC-120,
CLEAN TWIN,
MATCH DRIVE,
BG LEAD,
MS1959I,
MS1959II,
MS1959I+II,
Amp Type
SLDN LEAD,
METAL5150,
METAL LEAD,
OD-1, OD-2
TURBO,
DISTORTION,
FUZZ
Amp Volume #
0–127
Amp Master #
0–127
LOW, MIDDLE,
Amp Gain
HIGH
Amp Bass
Amp Middle
0–127
Amp Treble
Amp Presence
0–127
Amp Bright
OFF, ON
Speaker Sw
OFF, ON
(See the table
Speaker Type
below .)
Mic Setting
1, 2, 3
Mic Level
0–127
Direct Level
0–127
Pan #
L64–63R
Level #
0–127
Specifications for each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units .
Type
Cabinet
SMALL 1
small open-back enclosure 10
SMALL 2
small open-back enclosure 10
MIDDLE
open back enclosure
L out
Pan L
Speaker
Pan R
R out
Explanation
Turns the amp switch on/off .
Type of guitar amp
Volume and amount of distortion
of the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble
frequency range
*
Middle cannot be set if
"Match
Drive"
is selected as the Pre Amp
Type .
Tone for the ultra-high frequency
range
Turning this
"On"
produces a
sharper and brighter sound .
*
This parameter applies to the
"JC-120," "Clean Twin,"
and
"BG
Lead"
Pre Amp Types .
Determines whether the signal
passes through the speaker (ON), or
not (OFF) .
Type of speaker
Adjusts the location of the
microphone that's capturing the
sound of the speaker .
This can be adjusted in three steps,
from 1 to 3, with the microphone
becoming more distant as the value
increases .
Volume of the microphone
Volume of the direct sound
Stereo location of the output
Output Level
Speaker
Microphone
dynamic
dynamic
12 x 1
dynamic
Type
Cabinet
JC-120
open back enclosure
BUILT-IN 1
open back enclosure
BUILT-IN 2
open back enclosure
BUILT-IN 3
open back enclosure
BUILT-IN 4
open back enclosure
BUILT-IN 5
open back enclosure
BG STACK 1
sealed enclosure
BG STACK 2
large sealed enclosure
MS STACK 1
large sealed enclosure
MS STACK 2
large sealed enclosure
METAL STACK large double stack
2-STACK
large double stack
3-STACK
large triple stack

31: Compressor

Flattens out high levels and boosts low levels, smoothing out
fluctuations in volume .
L in
Compressor
R in
Compressor
Parameter
Value
Attack #
0–127
Threshold #
0–127
Post Gain
0–+18 dB
Low Gain
-15–+15 dB
High Gain
-15–+15 dB
Level #
0–127

32: Limiter

Compresses signals that exceed a specified volume level, preventing
distortion from occurring .
L in
Limiter
R in
Limiter
Parameter
Value
Release #
0–127
Threshold #
0–127
1 .5:1, 2:1, 4:1,
Ratio
100:1
Post Gain
0–+18 dB
Low Gain
-15–+15 dB
High Gain
-15–+15 dB
Level #
0–127
MFX Parameters
Speaker
Microphone
12 x 2
dynamic
12 x 2
dynamic
12 x 2
condenser
12 x 2
condenser
12 x 2
condenser
12 x 2
condenser
12 x 2
condenser
12 x 2
condenser
12 x 4
condenser
12 x 4
condenser
12 x 4
condenser
12 x 4
condenser
12 x 4
condenser
L out
2-Band EQ
R out
2-Band EQ
Explanation
Sets the speed at which
compression starts
Adjusts the volume at which
compression begins
Adjusts the output gain .
Gain of the low frequency range
Gain of the high frequency range
Output Level
2-Band EQ
L out
R out
2-Band EQ
Explanation
Adjusts the time after the signal
volume falls below the Threshold
Level until compression is no longer
applied .
Adjusts the volume at which
compression begins
Compression ratio
Adjusts the output gain .
Gain of the low frequency range
Gain of the high frequency range
Output Level
83

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