Roland Integra-7 Parameter Manual
  1. Manuals
  2. Brands
  3. Roland Manuals
  4. Recording Equipment
  5. INTEGRA-7
  6. Parameter manual

Roland Integra-7 Parameter Manual

Supernatural sound module
Hide thumbs Also See for Integra-7:
Table of Contents

Advertisement

Quick Links

See also: Owner's Manual , Owners & Installation Manual

Advertisement

Table of Contents
loading

Related Manuals for Roland Integra-7

Summary of Contents for Roland Integra-7

  • Page 2: Table Of Contents

    Contents Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SuperNATURAL Drum Kit (SN-D) .
  • Page 3 Distortion -> Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Copyright © 2012 ROLAND CORPORATION All rights reserved .

  • Page 4: Studio Set

    Studio Set Top Screen Part number, TYPE1 Tone number/name Tone type/bank Solo and mute on/off for each part Studio set number/name TYPE2 Part number, Tone type/bank/name Solo and mute on/off for each part [SHIFT] [ENTER] There are two types of top screen: TYPE 1 and TYPE 2 . Use to switch between them .

  • Page 5: Studio Set Common

    Studio Set – GENERAL tab STUDIO SET COMMON In the top screen, press the [MENU] button . Choose “STUDIO SET COMMON,” and press the [ENTER] button . Parameter Value Explanation GENERAL tab Tempo for the studio set MEMO Studio Set Tempo If the system setting “Tempo Assign Source”...

  • Page 6: Part View

    Studio Set – TONE tab PART VIEW In the top screen, press the [PART VIEW] button . The PART VIEW -ALL- screen appears . Some of the part parameters are not shown in the PART VIEW -ALL- screen . [PART VIEW] Press the button again .

  • Page 7: Eq Tab

    Studio Set – EQ tab Parameter Value Explanation “legato” You can add legato when performing monophonically . The term refers to a playing style in which notes are smoothly connected to create a flowing feel . This creates a smooth transition between notes, which is effective when you wish to simulate the hammering-on and pulling-off techniques used by a guitarist .

  • Page 8: Pitch Tab

    Studio Set – PITCH tab Parameter Value Explanation Level Velocity Fade Upper Fade Lower Range Lower Range Upper Determines what will happen to the tone’s level when the tone is played at a velocity greater than Velo Range Upper . If you don’t want the tone to sound at all, set this parameter to “0.”...

  • Page 9: Offset Tab

    Studio Set – OFFSET tab Parameter Value Explanation When portamento is used, this specifies the time over which the pitch will change . Higher settings will cause the pitch change to the next note to take more time . If you want to use the Portamento “TONE.”...

  • Page 10: Scale Tab

    Studio Set – SCALE tab Parameter Value Explanation SCALE tab These are templates that set all of the Scale Tune C–B settings . CUSTOM: Specify the tuning individually for Scale Tune C–B . EQUAL: Equal temperament JUST-MAJ: Just intonation (major) CUSTOM, JUST-MIN: Just intonation (minor) EQUAL, PYTHAGORE: Pythagorean tuning JUST-MAJ,...

  • Page 11: Motional Surround

    Studio Set – COMMON tab MOTIONAL SURROUND [MOTIONAL SURROUND] Press the button . Press the [ENTER] button . Parameter Value Explanation COMMON tab Room Type ROOM1, ROOM2, HALL1, HALL2 Specifies the room type . Room Size SMALL, MEDIUM, LARGE Specifies the room size . Motional Surround Depth 0–100 Specifies the depth of the Motional Surround effect .

  • Page 12: Effects Routing

    Studio Set – CONTROL tab EFFECTS ROUTING [EFFECTS] In the top screen, press the button . Motional surround : OFF Motional surround : ON Parameter Value Explanation Specifies whether Multi-Effect will be used (ON) or not used (OFF) . MFX Switch OFF, ON You can also set this in the tone MFX tab for each type .

  • Page 13: Studio Set Effects

    Studio Set – COMP+EQ OUTPUT tab STUDIO SET EFFECTS In the EFFECTS ROUTING screen, move the cursor to the effect that you want to edit, and press the [ENTER] button . MFX and COMP+EQ can be set individually for each tone . Parameter Value Explanation...

  • Page 14: Master Eq Tab

    Studio Set – MASTER EQ tab Parameter Value Explanation MASTER EQ tab Master EQ Switch OFF, ON Master EQ on/off setting EQ Low Freq 200, 400 [Hz] Frequency of the low range EQ Low Gain -15–+15 [dB] Gain of the low frequency range 200, 250, 315, 400, 500, 630, 800, EQ Mid Freq 1000, 1250, 1600, 2000, 2500, 3150,...

  • Page 15: Supernatural Acoustic Tone (Sn-A)

    SuperNATURAL Acoustic Tone (SN-A) TONE EDIT (SN-A) For each tone, there are instrument settings (INST) and multi-effect settings (MFX) . The instrument settings let you make settings for the tone and its parameters . INST [EDIT] In the top screen, press the button .

  • Page 16: Inst Tab

    SuperNATURAL Acoustic Tone (SN-A) – INST tab Parameter Value Explanation This adjusts the time delay until the vibrato (pitch modulation) effect begins . Higher settings will produce a longer delay time before vibrato begins, while lower settings produce a shorter time . Vibrato Delay -64–+63 This effect does not apply to instruments of the Organ, Bell/Mallet, or Percussion categories .
  • Page 17 SuperNATURAL Acoustic Tone (SN-A) – INST tab INST INST BANK NAME Category BANK NAME Category ExSN1 ExSN3 Ryuteki Flute LP Guitar Rear E .Guitar ExSN1 ExSN3 Tsugaru Plucked/Stroke LP Guitar Front E .Guitar ExSN1 ExSN3 Sansin Plucked/Stroke 335 Guitar Half E .Guitar ExSN1 ExSN3...

  • Page 18: Supernatural Inst Parameters

    SuperNATURAL Acoustic Tone (SN-A) – INST tab SuperNATURAL INST Parameters Ac.Piano INT 001: Concert Grand INT 002: Grand Piano1 INT 003: Grand Piano2 INT 004: Grand Piano3 INT 005: Mellow Piano INT 006: Bright Piano INT 007: Upright Piano INT 008: Concert Mono INT 009: Honky-tonk • Differences in your playing strength will smoothly change the tone character in a natural way . Parameter Value Explanation When the keys are pressed on an acoustic piano, the strings for keys that are already pressed also vibrate sympathetically .
  • Page 19 SuperNATURAL Acoustic Tone (SN-A) – INST tab • Differences in your playing strength will smoothly change the tone character in a natural way . • A key-off noise typical of that instrument will be heard when you release the key . Parameter Value Explanation...
  • Page 20 SuperNATURAL Acoustic Tone (SN-A) – INST tab Parameter Value Explanation FAST: The percussion sound will disappear immediately, producing a sharp attack . Percussion Slow FAST, SLOW SLOW: The percussion sound will disappear slowly, producing a more gentle attack . Percussion Slow Time 0–127 Decay time of the percussion sound when Percussion Slow is set to SLOW Percussion Fast Time...
  • Page 21 SuperNATURAL Acoustic Tone (SN-A) – INST tab Parameter Value Explanation Adjusts the volume of the string grazing or picking noise . Noise Level (CC16) -64–+63 This has no effect on the ExSN4 001: Ukulele . Adjusts the deviation in the timing of sound production by the strings when strumming Strum Speed (CC17) -64–+63 with Strum Mode turned on .
  • Page 22 SuperNATURAL Acoustic Tone (SN-A) – INST tab Ac.Bass INT: 041 Acoustic Bass ExSN3: 006 Acoustic Bass 2 • Rapid legato playing in an interval of two semitones or less will produce either a slide or a hammering-on effect, depending on how fast you play . Parameter Value Explanation Noise Level (CC16) -64–+63...
  • Page 23 SuperNATURAL Acoustic Tone (SN-A) – INST tab ExSN1: 005 Tsugaru ExSN1: 006 Sansin • Play strongly to produce a bend-up effect that is distinctive of the shamisen . • Rapid legato playing in an interval of two semitones or less will produce a slide effect . •...
  • Page 24 SuperNATURAL Acoustic Tone (SN-A) – INST tab Strings INT: 045 Violin INT: 046 Violin 2 INT: 047 Viola INT: 048 Cello INT: 049 Cello 2 INT: 050 Contrabass • When you play multiple keys simultaneously, the vibrato will automatically be limited so that chords will sound natural . • Note ranges corresponding to open strings will produce an open-string sound without vibrato . However, this is valid only if the Part View parameter Vibrato Depth is set to 0 for the note range of the open string (upper limit Violin: note no .
  • Page 25 SuperNATURAL Acoustic Tone (SN-A) – INST tab Brass INT: 057 Trumpet INT: 058 Trombone INT: 059 Tb2 CupMute INT: 060 Mute Trumpet INT: 061 French Horn ExSN5: 001 Classical Trumpet ExSN5: 002 Frugal Horn ExSN5: 003 Trumpet 2 ExSN5: 004 Mariachi Tp ExSN5: 005 Trombone 2 ExSN5: 006 Bass Trombone ExSN5: 007 Tuba ExSN5: 008 StraightMute Tp ExSN5: 009 Cup Mute Trumpet ExSN5: 0010 French Horn 2 ExSN5: 0011 Mute French Horn • By setting Bend Range to Tone, you can use the pitch bend lever to create discontinuous pitch changes or falls that are typical of a brass instrument . Moving the pitch bend lever in the upward direction will create a discontinuous pitch change typical of brass instruments .
  • Page 26 SuperNATURAL Acoustic Tone (SN-A) – INST tab INT: 074 Uilleann Pipes INT: 075 Bag Pipes • While playing legato, a distinctive ornamental sound will be produced when you play strongly . • CC80 values in the range of 64–127 will sound a drone . Values in the range of 0–63 will silence the drone . Parameter Value Explanation...
  • Page 27 SuperNATURAL Acoustic Tone (SN-A) – INST tab • If Bend Range is set to Tone, you can use the pitch bend lever to create glissando or fall effects . Moving the pitch bend lever in the upward direction will produce a glissando effect . Moving the pitch bend lever in the downward direction will produce a fall effect .

  • Page 28: Performance Variation Sounds

    SuperNATURAL Acoustic Tone (SN-A) – INST tab Percussion INT: 052 Timpani • You can play a roll by operating the Modulation controller (CC01) while playing a note . • You can use CC18 to simulate the muting technique of using your hand to press down on the timpani . Parameter Value Explanation...
  • Page 29 SuperNATURAL Acoustic Tone (SN-A) – INST tab INST Variation BANK NAME Clav CA Combo Glockenspiel Dead Stroke Vibraphone Dead Stroke Tremolo Sw Marimba Dead Stroke Xylophone Dead Stroke Tubular Bells Dead Stroke TW Organ French Accordion Italian Accordion Harmonica Bandoneon Nylon Guitar Mute Harmonics...
  • Page 30 SuperNATURAL Acoustic Tone (SN-A) – INST tab INST Variation BANK NAME ExSN1 Santoor Mute Tremolo ExSN1 Yang Chin Mute Tremolo ExSN1 Tin Whistle Ornament ExSN1 Ryuteki Staccato Ornament ExSN1 Tsugaru Strum Up Picking Auto Bend ExSN1 Sansin Strum Up Picking Auto Bend ExSN1 Koto...

  • Page 31: Mfx Tab

    SuperNATURAL Acoustic Tone (SN-A) – MFX tab Parameter Value Explanation MFX tab MFX Switch OFF, ON Switches the multi-effect (MFX) on/off . Use this parameter to select from among the 67 available MFXs . For details on MFX parameters, MFX Type 0–67 refer to “MFX Parameters”...

  • Page 32: Supernatural Synth Tone (Sn-S)

    SuperNATURAL Synth Tone (SN-S) TONE EDIT (SN-S) Each tone has three sets (Partial 1–3) of OSC, FILTER, AMP, and LFO settings, in addition to multi-effect (MFX) settings . PARTIAL 3 PARTIAL 2 PARTIAL 1 FILTER AFTERTOUCH MOD LFO MISC In the top screen, press the [EDIT] button .
  • Page 33 SuperNATURAL Synth Tone (SN-S) – COMMON tab Parameter Value Explanation Turns ring modulator on/off . By multiplying partial 1’s OSC and partial 2’s OSC, this creates a complex, metallic-sounding waveform like that of a bell . The partial 1’s OSC waveform will change as shown in the illustration, and partial 2’s OSC will be output with its original waveform .

  • Page 34: Osc Tab

    SuperNATURAL Synth Tone (SN-S) – OSC tab Parameter Value Explanation OSC tab Partial Switch OFF, ON Use these buttons to turn on the partial that you want to be heard . This waveform contains a sine wave fundamental plus a fixed proportion of sine wave harmonics at all integer multiples of that fundamental .

  • Page 35: Amp Tab

    SuperNATURAL Synth Tone (SN-S) – AMP tab Parameter Value Explanation This button selects the slope (steepness) of the filter . For the LPF Level -24 dB FILTER Slope -12, -24 [dB] -12 dB Cutoff Frequency frequency FILTER Cutoff 0–127 Specifies the cutoff frequency . Here’s how you can make the filter cutoff frequency to vary according to the key you play .

  • Page 36: Lfo Tab

    SuperNATURAL Synth Tone (SN-S) – LFO tab Parameter Value Explanation Specify this if you want to vary the volume according to the position of the key that you play . -100, -90, -80, -70, -60, -50, -40, -30, With the C4 key (middle C) as the base volume, “+”...

  • Page 37: Mod Lfo Tab

    SuperNATURAL Synth Tone (SN-S) – MOD LFO tab Parameter Value Explanation MOD LFO tab Selects the MODULATION LFO waveform . There is an LFO that is always applied to the partial, and a MODULATION LFO for applying modulation when the pitch bend/modulation lever is moved away from yourself .

  • Page 38: Mfx Tab

    SuperNATURAL Synth Tone (SN-S) – MFX tab Parameter Value Explanation MFX tab MFX Switch OFF, ON Specifies whether MFX will be used (ON) or not used (OFF) . Use this parameter to select from among the 67 available multi-effects . MFX Type 0–67 For details on multi-effects parameters, refer to...

  • Page 39: Supernatural Drum Kit (Sn-D)

    SuperNATURAL Drum Kit (SN-D) TONE EDIT (SN-D) Each kit has settings for 62 drum instruments, in addition to multi-effect (MFX) settings . You can assign a different note number that will sound each of the 62 partials . For the one part specified by the Drum Comp+EQ Assign setting, you’ll be able to use six sets of compressor + equalizer units to make the sound more consistent or to adjust the tonal character .

  • Page 40: Comp Tab

    SuperNATURAL Drum Kit (SN-D) – COMP tab Parameter Value Explanation Output Assign PART, COMP+EQ1–6 Specifies for each drum inst how the sound will be output . COMP tab COMP + EQ can be used only for the part specified by the Drum Comp+EQ Assign setting . Comp 1–6 Switch OFF, ON Compressor on/off setting...

  • Page 41: Supernatural Drum Inst List

    SuperNATURAL Drum Kit (SN-D) – MFX CTRL tab SuperNATURAL Drum Inst List The following table shows support for the Ambience Level parameter of the COMMON tab and the Stereo Width parameter of the DRUM INST tab . Variation indicates support for the performance variation in the DRUM INST tab . Stereo Ambience Bank...
  • Page 42 SuperNATURAL Drum Kit (SN-D) – MFX CTRL tab Stereo Ambience Bank No . Inst Name Type Variation Width Level Med HH Pedal Hi-Hat Flam/Buzz ü ü Standard HH Cl Hi-Hat Flam/Buzz ü ü Standard HH Op Hi-Hat Flam/Buzz ü ü Standard HH Pdl Hi-Hat Flam/Buzz...
  • Page 43 SuperNATURAL Drum Kit (SN-D) – MFX CTRL tab Stereo Ambience Bank No . Inst Name Type Variation Width Level Vibra-slap Percussion Flam/Buzz High Bongo 1 Percussion Flam/Buzz/Roll ü Low Bongo 1 Percussion Flam/Buzz ü High Bongo 2 Percussion Flam/Buzz Low Bongo 2 Percussion Flam/Buzz MuteHi Conga 1...
  • Page 44 SuperNATURAL Drum Kit (SN-D) – MFX CTRL tab Stereo Ambience Bank No . Inst Name Type Variation Width Level Slap Flam/Buzz Scratch Push Flam/Buzz Scratch Pull Flam/Buzz Gt Fret Noise Flam/Buzz Gt Cutting Up Nz Flam/Buzz Gt Cutting Dw Nz Flam/Buzz AcBass Noise Flam/Buzz...
  • Page 45 SuperNATURAL Drum Kit (SN-D) – MFX CTRL tab Stereo Ambience Bank No . Inst Name Type Variation Width Level ExSN6 CarPassing 5 ExSN6 CarPassing 6 ExSN6 Car Crash 1 L>R ü ExSN6 Car Crash 1 R>L ü ExSN6 Car Crash 2 L>R ü...
  • Page 46 SuperNATURAL Drum Kit (SN-D) – MFX CTRL tab Stereo Ambience Bank No . Inst Name Type Variation Width Level ExSN6 Horse 2 R>L ü ExSN6 Horse 3 L>R ü ExSN6 Horse 3 R>L ü ExSN6 Birds 1 ü ExSN6 Birds 2 ü...

  • Page 47: Pcm Synth Tone (Pcms)

    PCM Synth Tone (PCMS) TONE EDIT (PCMS) Each tone has settings for four sets (Partial 1–4) of WAVE, TVF, TVA, and LFO×2, in addition to multi-effect (MFX) settings . You can create sounds by combining four partials . Each partial can be turned on/off, allowing you to specify which partial (s) will be heard . PARTIAL 4 PARTIAL 3 PARTIAL 2...
  • Page 48 PCM Synth Tone (PCMS) – COMMON tab Parameter Value Explanation “stretched tuning” This setting allows you to apply to the patch . (Stretched tuning is a system by which acoustic pianos are normally tuned, causing the lower range to be lower and the higher range to be higher than the mathematical tuning ratios would otherwise dictate .) With a setting “OFF,”...
  • Page 49 PCM Synth Tone (PCMS) – COMMON tab Parameter Value Explanation This setting specifies whether the Legato Switch will be used (ON) or not (OFF) . Legato Switch is valid when the Mono/Poly parameter is set to “MONO.” With the Legato Switch “ON,”...

  • Page 50: Wave Tab

    PCM Synth Tone (PCMS) – WAVE tab Parameter Value Explanation When portamento is used, this specifies the time over which the pitch will change . Higher settings Portamento Time 0–127 will cause the pitch change to the next note to take more time . WAVE tab Partial Switch OFF, ON...
  • Page 51 PCM Synth Tone (PCMS) – WAVE tab Parameter Value Explanation Partial Delay This produces a time delay between the moment a key is pressed (or released), and the moment the partial actually begins to sound . You can also make settings that shift the timing at which each partial is sounded . This differs from the Delay in the internal effects, in that by changing the sound qualities of the delayed partials and changing the pitch for each partial, you can also perform arpeggio-like passages just by pressing one key .

  • Page 52: Pmt Tab

    PCM Synth Tone (PCMS) – PMT tab Parameter Value Explanation PMT tab Determines how partial 1 and 2, or partial 3 and 4 are connected . The following 10 different types of combination are available . TYPE 1 With this type, partial 1 and 2 (or 3 and 4) are independent .
  • Page 53 PCM Synth Tone (PCMS) – PMT tab Parameter Value Explanation When a Structure Type of TYPE 3 or TYPE 4 is selected, you can adjust the depth of the booster . The booster increases the input signal in order to distort the sound . This creates the distortion effect frequently used with electric guitars .

  • Page 54: Pitch Tab

    PCM Synth Tone (PCMS) – PITCH tab Parameter Value Explanation Level Velocity Fade Lower Fade Upper Range Upper Range Lower This determines what will happen to the tone’s level when the tone is played at a velocity greater than its specified velocity range . Velo Fade Upper 0–127 Higher settings produce a more gradual change in volume .

  • Page 55: Pitch Env Tab

    PCM Synth Tone (PCMS) – PITCH ENV tab Parameter Value Explanation Specifies the degree of pitch change in semitones when the Pitch Bend lever is all the way right . Pitch Bend Range Up “12,” 0–+48 For example, if this parameter is set to the pitch will rise one octave when the pitch bend lever is moved to the right-most position .

  • Page 56: Tvf Tab

    PCM Synth Tone (PCMS) – TVF tab Parameter Value Explanation TVF tab Selects the type of filter . A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities . No filter is used . Low Pass Filter .

  • Page 57: Tvf Env Tab

    PCM Synth Tone (PCMS) – TVF ENV tab Parameter Value Explanation Use this parameter if you want the cutoff frequency to change according to the key that is pressed . “+” Relative to the cutoff frequency at the C4 key (center C), positive settings will cause the cutoff “-”...

  • Page 58: Tva Tab

    PCM Synth Tone (PCMS) – TVA tab Parameter Value Explanation Use this setting if you want the TVF envelope times (Time 2–Time 4) to be affected by the keyboard “+” location . Based on the TVF envelope times for the C4 key (center C), positive settings will cause “-”...

  • Page 59: Tva Env Tab

    PCM Synth Tone (PCMS) – TVA ENV tab Parameter Value Explanation Sets the pan of the partial . “L64” is far left, “0” is center, and “63R” is far right . L64–63R Partial Pan You can control this parameter using the Matrix Control . Use this parameter if you want key position to affect panning .

  • Page 60: Output Tab

    PCM Synth Tone (PCMS) – OUTPUT tab Parameter Value Explanation Specify the TVA envelope levels (Level 1–Level 3) . These settings specify how the volume will change at each point, relative to the standard volume (the Partial Level value specified in the TVA screen) .

  • Page 61: Step Lfo Tab

    PCM Synth Tone (PCMS) – STEP LFO tab Parameter Value Explanation Raises or lowers the LFO waveform relative to the central value (pitch or cutoff frequency) . Positive “+” Offset -100, -50, 0, +50, +100 settings will move the waveform so that modulation will occur from the central value upward . Negative “-”...

  • Page 62: How To Apply The Lfo

    PCM Synth Tone (PCMS) – How to Apply the LFO Parameter Value Explanation How to Apply the LFO Apply the LFO gradually after the key is pressed Delay high (more) Time Fade Time Pitch Cuto Frequency Depth Level Note on low (less) Parameter Explanation Fade Mode ON < Delay Time The time from when the keyboard is played until the LFO begins to be applied .

  • Page 63: Ctrl Tab

    Ordinarily, if you wanted to change partial parameters using an external MIDI device, you would need to send System Exclusive messages-MIDI messages designed exclusively for the INTEGRA-7 . However, System Exclusive messages tend to be complicated, and the amount of data that needs to be transmitted can get quite large .
  • Page 64 PCM Synth Tone (PCMS) – MTRX CTRL1–4 tab Parameter Value Explanation Selects the partial parameter that is to be controlled when using the Matrix Control . The following parameters can be controlled . “OFF.” When not controlling parameters with the Matrix Control, set this to Up to four parameters can be specified for each Matrix Control, and controlled simultaneously .

  • Page 65: Mfx Tab

    PCM Synth Tone (PCMS) – MFX tab Parameter Value Explanation MFX tab MFX Switch OFF, ON Specifies whether tone MFX will be used (ON) or not used (OFF) . Use this parameter to select from among the 67 available multi-effects . For details on multi-effects MFX Type 0–67 parameters, refer to...

  • Page 66: Pcm Drum Kit (Pcmd)

    PCM Drum Kit (PCMD) TONE EDIT (PCMD) Each kit has 88 sets (Partial 1–88) of WAVE, TVF, and TVA settings, in addition to multi-effect (MFX) settings . Each partial has four wave generators . You can assign a different note number that will sound each of the 88 partials . For the one part specified by the Drum Comp+EQ Assign setting, you’ll be able to use six sets of compressor + equalizer units to make the sound more consistent or to adjust the tonal character .

  • Page 67: Wave Tab

    PCM Drum Kit (PCMD) – WAVE tab Parameter Value Explanation For each drum partial, specify whether MIDI Hold-1 messages will be received (ON), or not (OFF) . Partial Rx Hold-1 OFF, ON NOTE “NO-SUS” is selected for Partial Env Mode parameter (p . 66), this setting will have no effect . The sound will play back until the end of the waveform (or the end of the envelope, whichever comes first) .

  • Page 68: Wmt Tab

    PCM Drum Kit (PCMD) – WMT tab Parameter Value Explanation WMT tab WMT Velocity Control determines whether a different drum partial is played (ON) or not (OFF) depending on the force with which the key is played (velocity) . WMT Velocity Control OFF, ON, RANDOM When set to “RANDOM,”...

  • Page 69: Tvf Tab

    PCM Drum Kit (PCMD) – TVF tab Parameter Value Explanation Specify the pitch envelope levels (Level 0–Level 4) . It determines how much the pitch changes from the reference pitch (the value set with Coarse Tune or Fine Tune on the Pitch screen) at each “+”...

  • Page 70: Tvf Env Tab

    PCM Drum Kit (PCMD) – TVF ENV tab Parameter Value Explanation Selects one of the following seven curves that determine how keyboard playing dynamics “FIXED” (velocity) influence the cutoff frequency . Set this to if you don’t want the Cutoff frequency to be affected by the keyboard velocity .

  • Page 71: Tva Env Tab

    PCM Drum Kit (PCMD) – TVA ENV tab Parameter Value Explanation Set this when you want the volume of the drum partial to change depending on the force with which you press the keys . Set this to a positive “+”...

  • Page 72: Eq Tab

    PCM Drum Kit (PCMD) – EQ tab Parameter Value Explanation Comp 1–6 Threshold 0–127 Level above which compression is applied Comp 1–6 Ratio 1:1–inf:1 Compression ratio Comp 1–6 Output Gain 0–+24[dB] Level of the output sound EQ tab COMP + EQ can be used only for the part specified by the Drum Comp+EQ Assign setting . EQ 1–6 Switch OFF, ON Equalizer on/off...

  • Page 73: Mfx Parameters

    MFX Parameters The multi-effects feature 67 different kinds of effects . Some of the effects consist of two or more different effects connected in series . Parameters marked with a sharp “#” can be controlled using a Multi-Effects Control (p . 97) . (Two setting items will change simultaneously for “#1”...

  • Page 74: Low Boost

    MFX Parameters 01: Equalizer 03: Low Boost This is a four-band stereo equalizer (low, mid x 2, high) . Boosts the volume of the lower range, creating powerful lows . L in L out L in L out 4-Band EQ Low Boost 2-Band EQ R in...

  • Page 75: Auto Wah

    MFX Parameters 05: Enhancer 07: Humanizer Controls the overtone structure of the high frequencies, adding Adds a vowel character to the sound, making it similar to a human sparkle and tightness to the sound . voice . L in L out 2-Band L in Enhancer...
  • Page 76 MFX Parameters 10: Phaser 2 Specifications of each Speaker Type This simulates an analog phaser of the past . The speaker column indicates the diameter of each speaker unit (in inches) and the number of units . It is particularly suitable for electric piano . L in L out Phaser...

  • Page 77: Step Phaser

    MFX Parameters 12: Step Phaser 13: Multi Stage Phaser The phaser effect will be varied gradually . Extremely high settings of the phase difference produce a deep phaser effect . L in L out 2-Band L in L out Step Phaser Pan L Multi Stage 2-Band...

  • Page 78: Ring Modulator

    MFX Parameters 15: Ring Modulator 17: Auto Pan This is an effect that applies amplitude modulation (AM) to the Cyclically modulates the stereo location of the sound . input signal, producing bell-like sounds . You can also change the modulation frequency in response to changes in the volume of the L in L out Auto Pan...

  • Page 79: Rotary 1

    MFX Parameters 20: Rotary 2 Parameter Value Explanation This type provides modified response for the rotary speaker, with the Timing of volume changes in levels low end boosted further . for even-numbered steps (step 2, step 4, step 6 . . .) . Shuffle # 0–127 This effect features the same specifications as the VK-7’s built-in...

  • Page 80: Rotary 3

    MFX Parameters 21: Rotary 3 22: Chorus This type includes an overdrive . By distorting the sound you can This is a stereo chorus . A filter is provided so that you can adjust the produce the intense organ sound used in hard rock . timbre of the chorus sound .

  • Page 81: Flanger

    MFX Parameters 23: Flanger 24: Step Flanger This is a stereo flanger . (The LFO has the same phase for left and This is a flanger in which the flanger pitch changes in steps . The right .) It produces a metallic resonance that rises and falls like a jet speed at which the pitch changes can also be specified in terms of a airplane taking off or landing .

  • Page 82: Hexa-Chorus

    MFX Parameters 25: Hexa-Chorus 27: Space-D Uses a six-phase chorus (six layers of chorused sound) to give This is a multiple chorus that applies two-phase modulation in stereo . richness and spatial spread to the sound . It gives no impression of modulation, but produces a transparent chorus effect .

  • Page 83: Guitar Amp Simulator

    MFX Parameters 30: Guitar Amp Simulator Type Cabinet Speaker Microphone This is an effect that simulates the sound of a guitar amplifier . JC-120 open back enclosure 12 x 2 dynamic BUILT-IN 1 open back enclosure 12 x 2 dynamic L in L out Pan L...

  • Page 84: Gate

    MFX Parameters 33: Gate 34: Delay Cuts the reverb’s delay according to the volume of the sound This is a stereo delay . sent into the effect . Use this when you want to create an artificial- When Feedback Mode is NORMAL: sounding decrease in the reverb’s decay .

  • Page 85: Modulation Delay

    MFX Parameters 35: Modulation Delay 36: 3Tap Pan Delay Adds modulation to the delayed sound . Produces three delay sounds; center, left and right . When Feedback Mode is NORMAL: Balance D 2-Band L in L out Balance D 2-Band L in L out Balance W...

  • Page 86: Multi Tap Delay

    MFX Parameters 38: Multi Tap Delay 39: Reverse Delay This effect provides four delays . Each of the Delay Time parameters This is a reverse delay that adds a reversed and delayed sound to the can be set to a note length based on the selected tempo . You can input sound .

  • Page 87: Time Ctrl Delay

    MFX Parameters 40: Time Ctrl Delay 42: Bit Crasher A stereo delay in which the delay time can be varied smoothly . This creates a lo-fi sound . Balance D L in L out Bit Crasher 2-Band EQ L in 2-Band EQ L out Time Ctrl Delay...

  • Page 88: 2Voice Pitch Shifter

    MFX Parameters 44: 2Voice Pitch Shifter 45: Overdrive -> Chorus Shifts the pitch of the original sound . This 2-voice pitch shifter has L out L in two pitch shifters, and can add two pitch shifted sounds to the Balance D original sound .

  • Page 89: Overdrive -> Delay

    MFX Parameters 47: Overdrive -> Delay 50: Distortion -> Delay The parameters are essentially the same as in “47: Overdrive g L out L in Delay,” with the exception of the following two . Balance D Balance W OD Drive g Dst Drive, OD Pan g Dst Pan Overdrive Delay L out...

  • Page 90: Od/Ds -> Autowah

    MFX Parameters 52: OD/DS -> AutoWah Parameter Value Explanation L in L out Tone of the bass/mid/treble Amp Bass frequency range Overdrive/ Auto 2-Band Distortion Simulator Amp Middle 0–127 “Match Middle cannot be set if Drive” is selected as the Pre Amp R in R out Amp Treble...

  • Page 91: Guitarampsim -> Flanger

    MFX Parameters 54: GuitarAmpSim -> Flanger Type Cabinet Speaker Microphone Balance D MS STACK 1 large sealed enclosure 12 x 4 condenser L out L in MS STACK 2 large sealed enclosure 12 x 4 condenser Feedback Balance W METAL STACK large double stack 12 x 4 condenser Pre Amp...

  • Page 92: Guitarampsim -> Delay

    MFX Parameters Specifications of each Speaker Type Parameter Value Explanation The speaker column indicates the diameter of each speaker unit (in Selects whether the sound will be inches) and the number of units . Speaker Sw OFF, ON sent through the speaker simulation (ON) or not (OFF) Type Cabinet Speaker...

  • Page 93: Ep Ampsim -> Tremolo

    MFX Parameters 57: EP AmpSim -> Tremolo Parameter Value Explanation L in L out Type of speaker LINE, OLD, NEW, If LINE is selected, the sound will EP Amp Speaker Tremolo Speaker Type WURLY, TWIN not be sent through the speaker simulation .

  • Page 94: Ep Ampsim -> Phaser

    MFX Parameters 60: EP AmpSim -> Phaser 61: EP AmpSim -> Delay L in Balance D L out L out L in Speaker Phaser Time Ctrl Balance W EP Amp Delay Speaker R in Resonance R out Balance W R in Feedback R out Balance D...

  • Page 95: Enhancer -> Chorus

    MFX Parameters 62: Enhancer -> Chorus 64: Enhancer -> Delay L in L out L in L out Enhancer Enhancer Balance D Balance D Balance W Balance W Chorus Delay Balance W Balance W Feedback R in R out R in R out Enhancer Enhancer...

  • Page 96: Flanger -> Delay

    MFX Parameters 66: Flanger -> Delay Parameter Value Explanation Balance D Adjusts the proportion of the L in L out Flanger flanger sound that is fed back into -98–+98 % Balance D Feedback “-” Feedback # the effect . Negative settings will Balance W invert the phase .

  • Page 97: About The Step Reset Function

    MFX Parameters About the STEP RESET function Controlling a MFX via MIDI (MFX CONTROL) 04: Step Filter You can use MIDI messages such as control change messages to “MFX control the principal MFX parameters . This capability is called 18: Slicer CONTROL (multi-effects control).” The above types contain a sixteen-step sequencer . For these types, The parameters that can be controlled are preset for each MFX type, you can use a MFX CONTROL to reset the sequence to play from “#”...

  • Page 98: Chorus, Reverb

    Chorus, Reverb Chorus Parameters Parameter Value Explanation Send Level to Adjusts the amount of chorus sound that 0–127 Reverb will be sent to the reverb . The chorus section can be used as a delay . Select either chorus or delay, and specify how the chorus/delay sound will be heard .
  • Page 99 MEMO...

  • Page 100: Supernatural Tone Cc Assign

    SuperNATURAL Tone CC Assign SuperNATURAL Acoustic (SN-A) INST CC16 CC17 CC18 CC19 BANK NAME Category Concert Grand Ac .Piano Grand Piano1 Ac .Piano Grand Piano2 Ac .Piano Grand Piano3 Ac .Piano Mellow Piano Ac .Piano Bright Piano Ac .Piano Upright Piano Ac .Piano Concert Mono Ac .Piano...
  • Page 101 SuperNATURAL Tone CC Assign – SuperNATURAL Acoustic (SN-A) INST CC01 AFTERTOUCH CC80 CC81 CC82 CC65 (SYS_CTRL1) * 3 (SYS_CTRL2) * 4 BANK NAME Concert Grand Portamento Vibrato * 2 Grand Piano1 Portamento Vibrato * 2 Grand Piano2 Portamento Vibrato * 2 Grand Piano3 Portamento Vibrato * 2...
  • Page 102 SuperNATURAL Tone CC Assign – SuperNATURAL Acoustic (SN-A) INST CC16 CC17 CC18 CC19 BANK NAME Category Cello 2 Strings Noise Level Contrabass Strings Noise Level Harp Plucked/Stroke Mute GlissandoMode Timpani Percussion Roll Speed Mute Strings Strings HoldLegato Mode Marcato Strings Strings HoldLegato Mode London Choir...
  • Page 103 SuperNATURAL Tone CC Assign – SuperNATURAL Acoustic (SN-A) INST CC01 AFTERTOUCH CC80 CC81 CC82 CC65 (SYS_CTRL1) *3 (SYS_CTRL2) *4 BANK NAME Cello 2 Staccato Pizzicato Tremolo Portamento Dynamics+Vib Vibrato Contrabass Staccato Pizzicato Tremolo Portamento Dynamics+Vib Vibrato Harp Nail Glissando Vibrato Vibrato Roll Sw/Dynamics Timpani...
  • Page 104 SuperNATURAL Tone CC Assign – SuperNATURAL Acoustic (SN-A) INST CC16 CC17 CC18 CC19 BANK NAME Category ExSN2 Baritone Sax Noise Level Growl Sens Bend Mode ExSN2 English Horn Wind Noise Level Growl Sens Bend Mode ExSN2 Bass Clarinet Wind Noise Level Growl Sens Bend Mode ExSN2...
  • Page 105 SuperNATURAL Tone CC Assign – SuperNATURAL Acoustic (SN-A) INST CC01 AFTERTOUCH CC80 CC81 CC82 CC65 (SYS_CTRL1) * 3 (SYS_CTRL2) * 4 BANK NAME ExSN2 Baritone Sax Staccato Fall SubTone Porta/Glissando Dynamics+Vib Vibrato ExSN2 English Horn Staccato Porta/Glissando Dynamics+Vib Vibrato ExSN2 Bass Clarinet Staccato Porta/Glissando...

  • Page 106: Supernatural Drum (Sn-D)

    SuperNATURAL Tone CC Assign – SuperNATURAL Drum (SN-D) SuperNATURAL Drum (SN-D) Bank No . Inst Name CC01 (* 5) Bank No . Inst Name CC01 (* 5) Studio Kick Standard HH Pdl Pop Kick Jazz HH Close Jazz Kick Jazz HH Open Rock Kick Jazz HH Pedal Studio Kick 2...
  • Page 107 SuperNATURAL Tone CC Assign – SuperNATURAL Drum (SN-D) Bank No . Inst Name CC01 (* 5) Bank No . Inst Name CC01 (* 5) Low Bongo 1 Gt Fret Noise High Bongo 2 Gt Cutting Up Nz Low Bongo 2 Gt Cutting Dw Nz MuteHi Conga 1 AcBass Noise...
  • Page 108 SuperNATURAL Tone CC Assign – SuperNATURAL Drum (SN-D) Bank No . Inst Name CC01 (* 5) Bank No . Inst Name CC01 (* 5) ExSN6 Car Crash 2 L>R ExSN6 Rain 2 Dynamics ExSN6 Car Crash 2 R>L ExSN6 Thunder 1 ExSN6 Car Crash 3 L>R ExSN6...

Table of Contents