Using The Hold (Hold Delay); Chorus - Boss GT-PRO Owner's Manual

Chapter 4 Introduction to Effects and Parameters

Using the HOLD (Hold Delay)

* Recording and playback of performances and other operations
are carried out with pedals while Hold is in effect. Connect
external pedals (foot switches) or an FC-200.
1. Referring to p. 62–p. 67 of "Chapter 6 Using Pedals to
Control the Effects," assign the following functions to
the connected external pedal (or foot switch) or FC-200
pedals.
Target: Hold Dly Rec/Dub
Target: Hold Dly Stop
2. Press [DELAY], then press PARAMETER [
so that "Type" is displayed.
* If the delay is off, pressing [DELAY] once switches the delay
on.
3. Rotate the PATCH/VALUE dial to select "Hold."
* After switching to HOLD, you cannot perform any operation
during the 2.8-second period before the unit switches to
recording standby. Wait for at least 2.8 seconds before moving
on to the next step.
4. Press [EXIT] to return to the Play screen.
5. Press the pedal to which Hold Dly Rec/Dub is
assigned.
Recording starts when you press the pedal.
The bank indicated in the left part of the display flashes
while recording is in progress.
6. Press the pedal to which Hold Dly Rec/Dub is assigned
again to stop recording.
Playback of the recorded content begins simultaneously
(and the bank indicated in the left part of the display
lights).
* The maximum recording time is 2.8 seconds. If the recording
time exceeds 2.8 seconds, the recording stops automatically,
and the recorded content is then played back.
* An oscillating sound may be audible with extremely short
recording times.
7. When layering recordings, repeat Steps 5 and 6.
* The recorded content is cleared when the Type or patch is
switched to a different setting or when the power is turned off.
8. To return to recording standby, press the pedal to
which Hold Dly Stop is assigned.
The unit returns to recording standby, and the bank
indicated in the left part of the display goes blank for a
set interval and then flashes.
* When playback is stopped, the recorded content is erased.
* To start recording again, wait 2.8 seconds, then carry out step 5.
34
Source Mode: Normal
Source Mode: Normal
] [

CHORUS

In this effect, a slightly detuned sound is added to the
original sound to add depth and breadth.
Parameter/
Range
On/Off
Off, On
Mode
Mono, Stereo1, Stereo2 Selection for the chorus mode.
Mono
]
This chorus effect outputs the same sound from both L and R.
Stereo1
This is a stereo chorus effect that adds different chorus sounds to L
and R.
Stereo2
This is a stereo chorus effect produced by synthesizing the spatial
characteristics of the direct sound and the effect sound.
Rate
0–100,
BPM –BPM
* When set to BPM, the value of each parameter will be set according to
the value of the Master BPM (p. 55) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song (synchronizing the cycle to one-half or one-fourth of the BPM
when the set cycle rate is increased).
When setting to BPM, press PARAMETER [
display the Master BPM settings screen.
Depth
0–100
To use it for doubling effect, set the value to "0."
Pre Delay
0.0 msec–40.0 msec
By setting a longer pre delay time, you can obtain an effect that
sounds like more than one sound is being played at the same time
(doubling effect).
Low Cut (Low Cut Filter)
Flat, 55 Hz–800 Hz
This lets you cut the low-end component below the set frequency to
create a clear, distinct low end, thereby bringing out the high end of
the effect. When "Flat" is selected, the low cut filter will have no ef-
fect.
High Cut (High Cut Filter)
700 Hz–11.0 kHz, Flat
This allows you to get a mild effect sound by cutting the high-end
component above the set frequency. When "Flat" is selected, the
high cut filter will have no effect.
Effect Level
0–100
Explanation
Turns the CHORUS effect on/off.
Adjusts the rate of the chorus effect.
] several times to
Adjusts the depth of the chorus effect.
Adjusts the time needed for the effect sound
to be output after the direct sound has been
output.
This sets the frequency at which the low cut
filter begins to take effect.
This sets the frequency at which the high cut
filter begins to take effect.
Adjusts the volume of the effect sound.