Gt -> Flanger (Guitar Amp Simulator -> Flanger) - Roland SH-4d Owner's Manual

MFX Parameters
Parameter Value
BUILT-IN 3
BUILT-IN 4
BUILT-IN 5
BG STACK 1
BG STACK 2
MS STACK 1
MS STACK 2
METAL STACK
2-STACK
3-STACK
Chorus Sw OFF, ON
Cho 0.0–100 [ms]
PreDly
C. Rate 0.05–10.00 [Hz]
Cho Depth 0–127
D100: 0W–D0:
Cho Bal
100W
Level 0–127
Gt -> Flanger (Guitar Amp Simulator -> Flanger)
Parameter Value
Pre Amp OFF, ON
Sw
JC-120
CLEAN TWIN
MATCH DRIVE
BG LEAD
MS1959I
ATyp MS1959II
MS1959I+II
SLDN LEAD
METAL 5150
METAL LEAD
OD-1
OD-2 TURBO
DISTORTION
FUZZ
Drive 0–127
Master Lv 0–127
Gain LOW, MIDDLE, HIGH
154
open back enclosure
open back enclosure
open back enclosure
sealed enclosure
large sealed enclosure
large sealed enclosure
large sealed enclosure
large double stack
large double stack
large triple stack
Chorus on/off
Adjusts the delay time from the direct sound until the chorus sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the volume balance between the sound that is sent through the chorus (W) and the
sound that is not sent through the chorus (D).
Output Level
Turns the amp switch on/off.
Type of guitar amp
This models the sound of the Roland JC-120.
This models a Fender Twin Reverb.
This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.
This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late '70s to '80s.
This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
This models the sound input to Input II on a Marshall 1959.
The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with
a stronger low end than I.
This models a Soldano SLO-100. This is the typical sound of the eighties.
This models the lead channel of a Peavey EVH 5150.
This is distortion sound that is ideal for performances of heavy riffs.
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
This is the high-gain overdrive sound of the BOSS OD-2.
This gives a basic, traditional distortion sound.
A fuzz sound with rich harmonic content.
Volume and amount of distortion of the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Explanation
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 4
12 x 4
12 x 4
12 x 4
12 x 4
Explanation
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser