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AM Style ...............................................................................................................................17
Using Omnia ONE AM with Early PWM Transmitters ................................................... 17
The Factory Presets ........................................................................................................... 17
Increasing Density/Loudness ............................................................................................ 19
Adding More Detail - When Loudness Isn't the Last Word .......................................... 19
Air-Sound Equalization Changes ...................................................................................... 20
Thunder Bass .................................................................................................................... 20
Multicast/DAB Style ............................................................................................................21
Purpose .............................................................................................................................. 21
Overview ........................................................................................................................21
Codec Provisioning ........................................................................................................21
Omnia ONE Multicast and HD Radio ........................................................................22
Loudness Processing and Codecs ..................................................................................... 23
A Word About Density, Clarity, and Intelligibility .......................................................... 23
Quality Versus Density ..................................................................................................... 23
Increasing Density/Loudness ............................................................................................ 24
Adding More Detail-When Loudness Isn't the Last Word ............................................ 25
Equalization (EQ) Changes ............................................................................................... 25
Thunder Bass .................................................................................................................... 26
Coded Audio Considerations ............................................................................................ 26
Studio Pro Style ....................................................................................................................27
Purpose .............................................................................................................................. 27
Delay Throughput ............................................................................................................. 27
Equalization (EQ) Changes ............................................................................................... 27
Presets ............................................................................................................................... 28
Bass Enhancement ............................................................................................................ 28
Chapter-4: Main Menu Selections ..............................................................................................29
Preset ........................................................................................................................................ 29
Processing ................................................................................................................................ 29
Save Preset ............................................................................................................................30
Delete Preset .........................................................................................................................30
Rename Preset ......................................................................................................................31
<-Exit ................................................................................................................................ 31
Adjust Processing .................................................................................................................31
FM Style ........................................................................................................................... 32
<-Exit .............................................................................................................................32
Pre-processing ................................................................................................................33
Wideband AGC (Automatic Gain Control) ...................................................................33
Enhancers .......................................................................................................................34
Xover (Crossover) ..........................................................................................................35
Low Band AGC .............................................................................................................36
Mid Band AGC ..............................................................................................................36
Pres Band AGC (Presence Band AGC) .........................................................................36
High Band AGC .............................................................................................................36
Low Band Limiter ..........................................................................................................37
x3
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