S.dcmtr (Stereo Decimator) - Korg R3 Effect Manual

Effect guide
gain levels, tending to cause distortion. Lower settings
of this value will produce linear response.
Phase
Turns phase reversal on/off.
With the Invert setting, the phase of the signal will be in-
verted between stage 1 and stage 2. Since "Bias" is ap-
plied to the inverted signal in stage 2, this will change
the tonal character.
With the Normal setting, the phase will not be reversed.
Tu2LoCut (Tube2 Low Cut)
Sets the cutoff frequency for the low cut filter of stage 2.
Tu2HiCut (Tube2 High Cut)
Sets the cutoff frequency for the high cut filter of stage 2.
Tu2 Gain (Tube2 Gain)
Sets the input gain for stage 2.
Tu2 Bias (Tube2 Bias)
Sets the bias voltage for stage 2.
☞p.9 "Tu1 Bias (Tube1 Bias)"
Tu2 Satu (Tube2 Saturation)
Sets the input/output response for stage 2.
☞p.9 "Tu1 Satu (Tube1 Saturation)"
OutLevel (Output Level)
Sets the output level.
10
Mic/Pre Amp - Saturation
Out
Saturation = 0
Saturation = 50
Saturation = 100
In
Bias = 0
[Normal, Inverted]
[000...127]
[000...127]
[–Inf, –40...+24dB]
[000...100%]
[000...100%]
[000...127]
10. S.Dcmtr
(Stereo Decimator)
This effect creates a rough sound like a cheap sampler
by lowering the sampling frequency and data bit length.
You can also simulate noise unique to a sampler (alias-
ing).
Stereo In - Stereo Out
Left
Pre LPF Bit
Decimator
Sampling Frequency
LFO
Decimator
Pre LPF Bit
Right
Pre LPF
Selects whether the harmonic noise caused by a decrease
in sampling frequency is generated or not.
If a sampler with a very low sampling frequency re-
ceives very high-pitched sound that could not be heard
during playback, it could generate pitch noise that is un-
related to the original sound. Set "Pre LPF" to On to pre-
vent this noise from being generated.
If you set the "Fs" to about 3kHz and set "Pre LPF" to
Off, you can create a sound like a ring modulator.
HighDamp
Sets the ratio of cut of the high range.
Fs
Sets the sampling frequency.
Bit
Sets the data bit length.
If you set a smaller value for the "Bit" parameter, the
sound may be distorted. The volume level may also be
changed. Use "OutLevel" to adjust the level.
OutLevel (Output Level)
Sets the output level.
FsModInt (Fs Modulation Intensity)
Sets the depth of sampling frequency LFO modulation.
LFO Sync (LFO BPM Sync)
Specifies whether the internal LFO cycle will synchro-
nize to the tempo specified by the [TEMPO] knob or
MIDI clock.
☞p.5 "LFO Sync (LFO BPM Sync)"
LFO Freq (LFO Frequency)
Sets the LFO speed. This parameter will be displayed
and can be set if "Mod Src" is LFO and "BPM Sync" is
Off.
☞p.5 "LFO Freq (LFO Frequency)"
SyncNote (LFO SyncNote)
Sets the internal LFO frequency as a proportion of the
tempo set by the [TEMPO] knob if "BPM Sync" is On.
☞p.5 "SyncNote (LFO SyncNote)"
Dry / Wet
High Damp Output Level
High Damp Output Level
Dry / Wet
[Off, On]
[000...100%]
[01.0k...48.0kHz]
[04...24bit]
[000...127]
[–63...+63]
[Off, On]
[0.01...100.0Hz]
[8/1...1/64]