Related Manuals for Roland JUNO-Di Editor
Summary of Contents for Roland JUNO-Di Editor
- Page 1 JUNO-Di Editor Owner’s Manual Copyright © 2009 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
-
Page 2: Table Of Contents
Detailed Editing for a Rhythm Set 4-3. Initializing a value..........6 (RHYTHM Parameters)...... 44 4-4. About the KEYBOARD button......6 5. Notes Concerning Use of JUNO-Di Editor Together Editing a Rhythm Set........... 44 with JUNO-Di Librarian ........7 Initializing a Rhythm Set ..........44 6. -
Page 3: Using The Juno-Di Editor
* The first time you use JUNO-Di Editor, it may take as long as one minute or more for the program to start up. This is because the software needs to obtain all the preset names from the JUNO-Di, then save them as a file on your computer’s hard disk. -
Page 4: About The Menus
* The “Open” command of the toolbar does the same thing in Windows. The “Save” and “Save As” commands will save a file that preserves the current state of JUNO-Di Editor. * The “Save” command of the toolbar does the same thing in Windows. -
Page 5: Using The Juno-Di Editor
To synchronize the JUNO-Di with the Editor, click the [SYNC] button. This is a command that you will need to use only if using JUNO-Di Editor together with JUNO-Di Librarian. For details, refer to 5. Notes Concerning Use of JUNO-Di Editor Together with JUNO-Di Librarian (p. 7). -
Page 6: 4-2. How To Edit Values
Using the JUNO-Di Editor 4-2. How to edit values You can edit values by clicking (and dragging) the buttons, sliders, or knobs. • If you feel that the sliders and knobs in the panel are too small, and find it difficult to make detailed settings, try clicking (and holding) a knob or slider and then dragging the mouse farther away. -
Page 7: Notes Concerning Use Of Juno-Di Editor Together With Juno-Di Librarian
If you have performed one of the above operations in JUNO-Di Librarian and then move to JUNO-Di Editor, you must be sure to click the [SYNC] button located in the top line of JUNO-Di Editor’s main window before you begin editing. -
Page 8: If The Display Indicates "Unable To Read/Write Data
• When the JUNO-Di and the computer are not connected properly • When a large number of notes are being sounded • When playbacking with the player • When JUNO-Di Editor and JUNO-Di Librarian simultaneously attempt to read (or write) data... -
Page 9: Overview
Overview When using the JUNO-Di as a MIDI sound module, you can use it in How the JUNO-Di is Organized either Performance mode or in Patch mode. Patch Mode and Performance Mode Basic Structure Patch Mode Broadly speaking, the JUNO-Di consists of a controller section, a In Patch mode you can use a connected keyboard or other device to sound generator section, and a song player section. - Page 10 Overview How a Patch is Structured The JUNO-Di will enter Performance mode if you turn on Split, Dual, or Super Layer. Of the sixteen parts of the performance, Split or Dual use parts 1 and 2, and Super Layer uses parts 1 through 5. Patches are the basic sound configurations that you play during a performance.
- Page 11 Overview Calculating the Number of Voices Being Used LFO (Low Frequency Oscillator) Use the LFO to create cyclic changes (modulation) in a sound. The The JUNO-Di is able to play up to 128 notes simultaneously. JUNO-Di has two LFOs. Either one or both can be applied to effect the WG (pitch), TVF (filter) and/or TVA (volume).
-
Page 12: About The Effects
Overview Effects in Patch Mode About the Effects The multi-effects, chorus and reverb effects can be set up individually The JUNO-Di has built-in effect units, and you can independently edit for each patch/rhythm set. each unit’s settings. Adjusting the signal level to be sent to each effects unit (Send Level) Multi-Effects provides control over the effect intensity that’s applied to each tone. -
Page 13: About Memory
Overview Rewritable Memory About Memory User Memory Patch and performance settings are stored in what is referred to as memory. There are three kind of memory: temporary, rewritable, and User memory is where you normally store the data you need. non-rewritable. -
Page 14: System Parameters
SYSTEM Parameters COMMON Parameter Value Explanation MASTER LEVEL 0–127 Volume of the entire JUNO-Di Overall tuning of the JUNO-Di MASTER TUNE 415.3–466.2 Hz The display shows the frequency of the A4 note (center A). Specifies whether currently sounding notes will continue sounding when another patch or rhythm set is selected (ON), or not (OFF). -
Page 15: Scale Tune For Patch Mode
SYSTEM Parameters SCALE TUNE for Patch Mode Parameter Value Explanation PATCH SCALE TUNE The JUNO-Di allows you to play the keyboard using temperaments other than equal temperament. The pitch is specified in one-cent units relative to the equal tempered pitch. One-cent is 1/100th of a semitone. One set of Scale Tune settings can be created in Patch mode. -
Page 16: Effects Parameters
EFFECTS Parameters Applying Effects How Effects are Handled in Each Mode Patch mode (p. 23) In Patch mode, you can apply multi-effects (MFX), chorus, and reverb to each patch or rhythm set; the same effect will be applied to each tone. -
Page 17: Patch Effects
EFFECTS Parameters PATCH EFFECTS In Patch mode you can use one multi-effect (MFX), one chorus, and one reverb. Signal Flow and Parameters (ROUTING) Here you can make overall settings for effects, such as the output destination and level of the various signals. Parameter Range Explanation... - Page 18 EFFECTS Parameters Parameter Range Explanation Type of reverb OFF, OFF: Reverb will not be used REVERB, REVERB: Basic reverb SRV ROOM, REVERB (Type) SRV ROOM: Reverb that simulates the reverberation of a room in greater detail SRV HALL, SRV HALL: Reverb that simulates the reverberation of a hall in greater detail SRV PLATE, SRV PLATE: Simulation of a plate echo (a reverb device that uses a metal plate) GM2 REVERB...
-
Page 19: Perform Effects
EFFECTS Parameters PERFORM EFFECTS In Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. The three multi-effects, chorus, and reverb can each use the effect settings of the performance, or the effect settings of the patch or rhythm set assigned to the specified part. In addition, the three multi-effects can not only be used individually but also as a combination of multi-effects. - Page 20 EFFECTS Parameters Parameter Range Explanation Multi-effect parameter settings used by the performance PERFORM, MFX1–3 SOURCE PERFORM: Use the multi-effect settings of the performance 1–16 1–16: Use the multi-effect settings of the patch or rhythm set assigned to the specified part Chorus parameter settings used by the performance PERFORM, CHORUS SOURCE...
-
Page 21: Multi-Effect Settings (Mfx, Mfx 1-3)
EFFECTS Parameters Multi-Effect Settings (MFX, MFX 1–3) Parameter Range Explanation Turns the multi-effect on/off ON/OFF OFF, ON * The effect on/off settings cannot be saved. Selects the type of multi-effect used by MFX. 00: THROUGH– TYPE 79: VOCODER Choose “00: THROUGH” if you don’t want to apply a multi-effect. 0–127 Volume of the sound that has been processed by the multi-effect SEND LEVEL... -
Page 22: Chorus Settings (Chorus)
EFFECTS Parameters A performance contains parameters that specify whether specific MIDI messages will be received for each MIDI channel (p. 62). If you want to use multi-effect control, make sure that reception is enabled for the corresponding MIDI message. If MIDI messages cannot be received, multi- effect control will not work. -
Page 23: Detailed Editing For A Patch (Patch Parameters)
Detailed Editing for a Patch (PATCH Parameters) “Editing” is the process of modifying the values of the JUNO-Di’s Editing a Patch various settings (parameters). This chapter explains the procedure for patch editing, and how the patch parameters work. Select from the “EDIT” menu. The JUNO-Di’s patches are organized into two groups: User and Preset. -
Page 24: Stereo Wave Settings
Detailed Editing for a Patch (PATCH Parameters) Stereo Wave Settings Note when selecting a waveform Some of the waves that make up a tone key are stereo. The JUNO-Di uses complex PCM waveforms as the basis for its sounds. For this reason, you should be aware that if you specify a With stereo waves, the name of a left-channel wave ends in “L”, while waveform that is very different than the original waveform, the result the name of a right-channel wave ends in “R.”... -
Page 25: Patch Parameters
Detailed Editing for a Patch (PATCH Parameters) PATCH Parameters SUMMARY SYSTEM COMMON Parameter Value Explanation MASTER LEVEL 0–127 Volume of the entire JUNO-Di PATCH RX/TX CH 1–16 Channel used to transmit and receive MIDI messages for the Keyboard part in Patch mode (Patch Rx/Tx Channel) PATCH COMMON Parameter... - Page 26 Detailed Editing for a Patch (PATCH Parameters) Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation Basic waveform for a tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side WAVE NUMBER Off, 1–...
- Page 27 Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation CUTOFF ★ 0–127 Frequency at which the filter begins to have an effect on the waveform’s frequency components (Cutoff Frequency) Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the RES ★...
-
Page 28: Common
Detailed Editing for a Patch (PATCH Parameters) COMMON Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation PATCH NAME — Patch name Type (category) of the patch CATEGORY — * If you select “NO ASSIGN” as the category, it won’t be possible to select the patch on the JUNO- Di itself. - Page 29 Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation How notes will be managed when the maximum polyphony is exceeded (128 voices) LAST: The last-played voices will be given priority (Notes will be turned off in order, beginning with LAST, PRIORITY the first-played note.)
-
Page 30: Structure
Detailed Editing for a Patch (PATCH Parameters) STRUCTURE Structure changes how a tone is sounded. Parameter Value Explanation Determines how tone 1 and 2, or tone 3 and 4 are connected. TONE 1 & 2, 3 & 4 TYPE 1–10 The following 10 different Types of combination are available. - Page 31 Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation Specifies the amount of boost that is applied (when the Structure Type is 03 or 04) 0, +6, The booster distorts the sound by boosting the input signal, producing the distortion TONE 1 &...
- Page 32 Detailed Editing for a Patch (PATCH Parameters) This modifies Waveforms/Pitch/Pitch Envelope. Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation Basic waveform for a tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side WAVE NUMBER L/R Off, 1–...
- Page 33 Detailed Editing for a Patch (PATCH Parameters) TONE DELAY This produces a time delay between the moment a key is pressed (or released), and the moment the tone actually begins to sound. You can also make settings that shift the timing at which each tone is sounded. This differs from the Delay in the internal effects, in that by changing the sound qualities of the delayed tones and changing the pitch for each tone, you can also perform arpeggio-like passages just by pressing one key.
- Page 34 Detailed Editing for a Patch (PATCH Parameters) PITCH ENV (WAVE PITCH ENVELOPE) Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation Depth of the Pitch envelope DEPTH -12–+12 Higher settings will cause the pitch envelope to produce greater change. Negative (-) settings will invert the shape of the envelope.
-
Page 35: Tvf
Detailed Editing for a Patch (PATCH Parameters) A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation... - Page 36 Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation Curve that determines how keyboard playing dynamics (velocity) will affect the cutoff frequency Set this to “FIX” if you don’t want the Cutoff frequency to be affected by the keyboard velocity.
-
Page 37: Tva
Detailed Editing for a Patch (PATCH Parameters) TVA adjusts the volume. Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation Volume of the tone LEVEL ★ 0–127 This setting is useful primarily for adjusting the volume balance between tones. Curve that determines how keyboard playing dynamics (velocity) will affect the volume Set this to “FIX”... - Page 38 Detailed Editing for a Patch (PATCH Parameters) AMP ENV (TVA ENVELOPE) Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation Use this setting if you want the TVA envelope times (T2–T4) to be affected by the keyboard location. TIME KF Based on the TVA envelope times for the C4 key (center C), positive (+) settings will cause notes higher -100–+100...
-
Page 39: Lfo
Detailed Editing for a Patch (PATCH Parameters) An LFO (Low Frequency Oscillator) causes change over a cycle in a sound. Each tone has two LFOs (LFO1/LFO2), and these can be used to cyclically change the pitch, cutoff frequency and volume to create modulation-type effects such as vibrato, wah and tremolo. Both LFOs have the same parameters so only one explanation is needed. - Page 40 Detailed Editing for a Patch (PATCH Parameters) Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42) Parameter Value Explanation ON-IN, How the LFO will be applied ON-OUT, FADE MODE OFF-IN, * Set this according to your purpose as described in “How to Apply the LFO” (below). OFF-OUT Time over which the LFO amplitude will reach the maximum (minimum) FADE TIME...
-
Page 41: Velocity Range
Detailed Editing for a Patch (PATCH Parameters) STEP LFO Parameter Value Explanation When generating an LFO waveform from the data specified in LFO Step 1–16, specify whether the level will change abruptly at each step or will be connected linearly. TYPE1, STEP TYPE TYPE2... -
Page 42: Key Range
Detailed Editing for a Patch (PATCH Parameters) KEY RANGE You can use the note number to control the way each Tone is played. fig.TMT-K.e The tone sounded The tone sounded Level in the lower range in the upper range Pitch Key Fade Lower Key Fade Upper Key Range Upper... -
Page 43: Control Sw
Detailed Editing for a Patch (PATCH Parameters) Parameter Value Explanation OFF, PITCH, CUTOFF, RESONANCE, LEVEL, PAN, OUTPUT LEVEL, CHORUS SEND, REVERB SEND, LFO1/2 PCH DEPTH, LFO1/2 TVF DEPTH, LFO1/2 TVA DEPTH, Tone parameters that are to be controlled when using the Matrix Control LFO1/2 PAN DEPTH, Up to four parameters can be specified for each Matrix Control, and controlled LFO1/2 RATE,... -
Page 44: Detailed Editing For A Rhythm Set (Rhythm Parameters)
Detailed Editing for a Rhythm Set (RHYTHM Parameters) “Editing” is the process of modifying the values of the JUNO-Di’s Editing a Rhythm Set various settings (parameters). This chapter explains the procedure for editing a rhythm set, and describes the function of the rhythm set parameters. -
Page 45: Stereo Wave Settings
Detailed Editing for a Rhythm Set (RHYTHM Parameters) Stereo Wave Settings Note when selecting a waveform The JUNO-Di uses complex PCM waveforms as the basis for its Some of the waves that make up a rhythm set key are stereo. sounds. -
Page 46: Rhythm Parameters
Detailed Editing for a Rhythm Set (RHYTHM Parameters) RHYTHM Parameters SUMMARY SYSTEM COMMON Parameter Value Explanation MASTER LEVEL 0–127 Volume of the entire JUNO-Di PATCH RX/TX CH 1–16 Channel used to transmit and receive MIDI messages for the Keyboard part in Patch mode (Patch Rx/Tx Channel) RHYTHM COMMON Parameter... - Page 47 Detailed Editing for a Rhythm Set (RHYTHM Parameters) Parameter Value Explanation Waves comprising the rhythm tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is WAVE NUMBER L/R Off, 1– also specified.
- Page 48 Detailed Editing for a Rhythm Set (RHYTHM Parameters) Parameter Value Explanation Type of filter OFF: No filter is used. LPF: Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency in order to round off, or un-brighten the sound. BPF: Band Pass Filter.
- Page 49 Detailed Editing for a Rhythm Set (RHYTHM Parameters) Parameter Value Explanation Volume of the rhythm tone LEVEL 0–127 This setting is useful primarily for adjusting the volume balance between rhythm ones. L64–0–63R Left/right position of the rhythm tone TVA envelope times AMP ENV A 0–127 Higher settings will lengthen the time until the next volume level is reached.
-
Page 50: Common (Rhythm Common)
Detailed Editing for a Rhythm Set (RHYTHM Parameters) COMMON (RHYTHM COMMON) Parameter Value Explanation RHYTHM NAME — Rhythm set name LEVEL 0–127 Volume of the rhythm set Specifies how the unprocessed sound of the patch (rhythm set) will be output MFX: Output in stereo via the multi-effect. -
Page 51: Wmt (Rhythm Key Wmt)
Detailed Editing for a Rhythm Set (RHYTHM Parameters) WMT (RHYTHM KEY WMT) WMT modifies waveforms/pitch/pitch envelope. Parameter Value Explanation Waves comprising the rhythm tone When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is WAVE NUMBER L/R Off, 1–... -
Page 52: Pitch (Rhythm Key Pitch)
Detailed Editing for a Rhythm Set (RHYTHM Parameters) PITCH (RHYTHM KEY PITCH) Parameter Value Explanation Pitch at which a rhythm tone sounds TUNE COARSE C-1–G9 Set the coarse tuning for Waves comprising the rhythm tones with the WAVE COARSE TUNE parameter (p. -
Page 53: Tvf (Rhythm Key Tvf)
Detailed Editing for a Rhythm Set (RHYTHM Parameters) TVF (RHYTHM KEY TVF) A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Parameter Value Explanation Type of filter OFF: No filter is used. LPF: Low Pass Filter. - Page 54 Detailed Editing for a Rhythm Set (RHYTHM Parameters) FILTER ENV (TVF ENVELOPE) Parameter Value Explanation Depth of the TVF envelope DEPTH -63–+63 Higher settings will cause the TVF envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. Curve that determines how keyboard playing dynamics (velocity) will affect the TVF envelope Set this to “FIX”...
-
Page 55: Tva (Rhythm Key Tva)
Detailed Editing for a Rhythm Set (RHYTHM Parameters) TVA (RHYTHM KEY TVA) This adjusts the volume. Parameter Value Explanation Volume of the rhythm tone LEVEL 0–127 This setting is useful primarily for adjusting the volume balance between rhythm ones. Curve that determines how keyboard playing dynamics (velocity) will affect the volume Set this to “FIX”... -
Page 56: Velocity (Rhythm Key Velocity Range)
Detailed Editing for a Rhythm Set (RHYTHM Parameters) OUTPUT Parameter Value Explanation SEND LEVEL OUT 0–127 Level of the signal that is sent to the output destination specified by OUTPUT ASSIGN (Output Level) SEND LEVEL (OUTPUT ASSIGN = MFX) CHO (Chorus Send) 0–127 Level of the signal sent to chorus for each rhythm tone if the tone is sent through MFX REV (Reverb Send) -
Page 57: Detailed Editing For A Performance (Perform Parameters)
Detailed Editing for a Performance (PERFORM Parameters) The JUNO-Di’s performances are organized into two groups: User Editing a Performance and Preset. PRST (Preset) Select from the “EDIT” menu. These are the performances that are built into the JUNO-Di. Initializing a Performance You can modify the currently selected performance and WRITE (save) it at number 501 and following. -
Page 58: Perform Parameters
Detailed Editing for a Performance (PERFORM Parameters) PERFORM Parameters Parameter Value Explanation PERFORM NAME — Performance name PART 1–16 Part number PATCH NAME — Patch name assigned to the part Type (category) of the patch CATEGORY — * “NO ASSIGN” can’t be selected on the JUNO-Di itself. MIXER MFX/CHORUS/REVERB Switch The internal effects of the JUNO-Di are switched on/off as a whole. - Page 59 Detailed Editing for a Performance (PERFORM Parameters) MIXER Parameter Value Explanation PART 1–16 SOLO OFF, ON Switch this to ON if you want to hear the part by itself. Mutes or un-mutes (OFF) each part. Use this setting when, for example, you want to use the instrument for karaoke by muting the part playing the melody, or when you want to play something using a separate sound MUTE OFF, ON...
-
Page 60: All Parameters (All Params)
Detailed Editing for a Performance (PERFORM Parameters) ALL PARAMETERS (ALL PARAMS) Parameter Value Explanation SOLO OFF, ON Switch this to ON if you want to hear the part by itself. Mutes or un-mutes (OFF) each part. Use this setting when, for example, you want to use the instrument for karaoke by muting the part playing the melody, or when you want to play something using a separate sound module. - Page 61 Detailed Editing for a Performance (PERFORM Parameters) Parameter Value Explanation OFFSET -64–+63 Adjusts the cutoff frequency for the patch or rhythm set assigned to a part. COF (Cutoff) OFFSET -64–+63 Adjusts the Resonance for the patch or rhythm set assigned to a part. RES (Resonance) OFFSET -64–+63...
-
Page 62: Midi (Perform Midi Setting)
Detailed Editing for a Performance (PERFORM Parameters) MIDI (PERFORM MIDI SETTING) Parts 1–16 of a performance correspond to MIDI channels 1–16 of MIDI messages received from an external MIDI device. For each channel you can specify whether MIDI message reception will be enabled (on) or disabled (off). You can also enable reception for only specific types of messages. -
Page 63: Keyboard Range
Detailed Editing for a Performance (PERFORM Parameters) KEYBOARD RANGE Parameter Value Explanation Specifies, for each part, whether or not the keyboard controller section will be connected to SWITCH OFF, ON the internal sound generator. LOWER C-1 –(UPPER) Lowest note that the tone will sound for each part Highest note that the tone will sound for each part When the KEY RANGE (p. -
Page 64: Effects List
Effects List Multi-Effects Parameters (MFX1–3, MFX) The multi-effects feature 79 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a Multi-Effects Control (p. 21) or Matrix Control (p. 42). (Two setting items will change simultaneously for “#1”... - Page 65 When Using 3D Effects Some effect parameters (such as RATE or DELAY TIME) can be set in The following 3D effects utilize RSS (Roland Sound Space) technology terms of a note value. to create a spaciousness that cannot be produced by delay, reverb, Such parameters have a RATE SYNC switch that lets you specify chorus, etc.
-
Page 66: Equalizer
Effects List EQUALIZER ISOLATOR This is a four-band stereo equalizer (low, mid x 2, high). This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying fig.MFX-01 ranges. -
Page 67: Super Filter
Effects List SUPER FILTER STEP FILTER This is a filter with an extremely sharp slope. The cutoff frequency can This is a filter whose cutoff frequency can be modulated in steps. You be varied cyclically. can specify the pattern by which the cutoff frequency will change. fig.MFX-05 fig.MFX-06 L in... -
Page 68: Auto Wah
Effects List Parameter Value Explanation AUTO WAH Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer Cyclically controls a filter to create cyclic change in timbre. duration. Manual # 50: Vowel 1 and 2 will be of equal 0–100 fig.MFX-08 duration. -
Page 69: Phaser
Effects List Parameter Value Explanation PHASER Selects whether the left and right phase of the modulation will be A phase-shifted sound is added to the original sound and modulated. the same or the opposite. INVERSE: The left and right fig.MFX-11 phase will be opposite. -
Page 70: Infinite Phaser
Effects List INFINITE PHASER STEP RING MODULATOR A phaser that continues raising/lowering the frequency at which the This is a ring modulator that uses a 16-step sequence to vary the sound is modulated. frequency at which modulation is applied. fig.MFX-14 fig.MFX-16 L in L out... -
Page 71: Auto Pan
Effects List AUTO PAN SLICER Cyclically modulates the stereo location of the sound. By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a fig.MFX-18a backing phrase. This is especially effective when applied to sustain- L in L out Auto Pan... -
Page 72: Rotary
Effects List Parameter Value Explanation ROTARY Adjusts the rate at which the woofer rotation speeds up when the Woofer Trans Up 0–127 The Rotary effect simulates the sound of the rotary speakers often used rotation is switched from Slow to Fast. -
Page 73: Flanger
Effects List FLANGER Parameter Value Explanation Type of filter This is a stereo flanger. (The LFO has the same phase for left and OFF: no filter is used LPF: cuts the frequency range right.) It produces a metallic resonance that rises and falls like a jet Filter Type OFF, LPF, HPF above the Cutoff Freq... -
Page 74: Tremolo Chorus
Effects List TREMOLO CHORUS 3D CHORUS This is a chorus effect with added Tremolo (cyclic modulation of This applies a 3D effect to the chorus sound. The chorus sound will be volume). positioned 90 degrees left and 90 degrees right. fig.MFX-27 fig.MFX-29 L in... -
Page 75: 3D Flanger
Effects List Parameter Value Explanation 3D FLANGER Adjusts the delay time from when Pre Delay 0.0–100 msec the direct sound begins until the This applies a 3D effect to the flanger sound. The flanger sound will flanger sound is heard. be positioned 90 degrees left and 90 degrees right. -
Page 76: 2Band Flanger
Effects List 2 BAND FLANGER 2 BAND STEP FLANGER A flanger that lets you apply an effect independently to the low- A step flanger that lets you apply an effect independently to the low- frequency and high-frequency ranges. frequency and high-frequency ranges. fig.MFX-33 fig.MFX-34 L in... -
Page 77: Overdrive
Effects List OVERDRIVE VS DISTORTION Creates a soft distortion similar to that produced by vacuum tube This is a distortion effect that provides heavy distortion. The amplifiers. parameters are the same as for “37: VS OVERDRIVE.” fig.MFX-35 fig.MFX-38 L in L out L in L out... -
Page 78: Compressor
Effects List Specifications for each Speaker Type LIMITER The speaker column indicates the diameter of each speaker unit (in Compresses signals that exceed a specified volume level, preventing inches) and the number of units. distortion from occurring. Type Cabinet Speaker fig.MFX-41 SMALL 1 small open-back enclosure... -
Page 79: Delay (13 Types)
Effects List DELAY LONG DELAY This is a stereo delay. A delay that provides a long delay time. When Feedback Mode is NORMAL: fig.MFX-44 2-Band fig.MFX-43a L in L out Balance D 2-Band L in L out Pan L Long Delay Delay Balance W Pan R... -
Page 80: Serial Delay
Effects List SERIAL DELAY MODULATION DELAY This delay connects two delay units in series. Feedback can be Adds modulation to the delayed sound. applied independently to each delay unit, allowing you to produce When Feedback Mode is NORMAL: complex delay sounds. fig.MFX-46a Balance D fig.MFX-45... -
Page 81: 3Tap Pan Delay
Effects List 3TAP PAN DELAY MULTI TAP DELAY Produces three delay sounds; center, left and right. This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also fig.MFX-47 Balance D set the panning and level of each delay sound. -
Page 82: Reverse Delay
Effects List REVERSE DELAY SHUFFLE DELAY This is a reverse delay that adds a reversed and delayed sound to the Adds a shuffle to the delay sound, giving the sound a bouncy delay input sound. A tap delay is connected immediately after the reverse effect with a swing feel. -
Page 83: 3D Delay
Effects List Parameter Value Explanation 3D DELAY Adjusts the amount of the delay that’s fed back into the effect. Feedback # -98–+98% This applies a 3D effect to the delay sound. The delay sound will be Negative (-) settings invert the phase. -
Page 84: Tape Echo
A virtual tape echo that produces a realistic tape delay sound. This In addition to a lo-fi effect, this adds various types of noise such as simulates the tape echo section of a Roland RE-201 Space Echo. white noise and disc noise. -
Page 85: Lofi Compress
Effects List LOFI COMPRESS TELEPHONE This is an effect that intentionally degrades the sound quality for This effect produces a muffled sound, like that heard through a telephone. creative purposes. fig.MFX-59 fig.MFX-57 L in L out Telephone 2-Band L in L out Compressor Lo-Fi... -
Page 86: Pitch Shifter
Effects List Parameter Value Explanation PITCH SHIFTER Pitch2 Coarse #2 -24-+12 semi Pitch2 Fine #2 -100-+100 cent A stereo pitch shifter. Settings of the Pitch Shift 2 Pitch2 Delay 0–1300 msec, note sound. fig.MFX-61 The parameters are the same as Pitch2 Feedback # -98–+98% for the Pitch Shift 1 sound. -
Page 87: Reverb
Effects List Parameter Value Explanation REVERB High Gain -15–+15 dB Gain of the high range Volume balance between the Adds reverberation to the sound, simulating an acoustic space. Balance # D100:0W–D0:100W direct sound (D) and the reverb fig.MFX-64 sound (W) 2-Band Level # 0–127... -
Page 88: Overdrive → Delay
Effects List OVERDRIVE → DELAY DISTORTION → FLANGER The parameters are essentially the same as in fig.MFX-68 L out L in “67: OVERDRIVE → FLANGER,” with the exception of the following Balance D two. Balance W Overdrive Drive → Distortion Drive, Overdrive Delay Overdrive Pan... -
Page 89: Enhancer → Flanger
Effects List ENHANCER → FLANGER CHORUS → DELAY fig.MFX-73 fig.MFX-75 Balance D Balance D L in L out Enhancer L in L out Feedback Balance D Balance W Balance W Balance W Flanger Chorus Delay Balance W Balance W Balance W Feedback R in Enhancer... -
Page 90: Chorus → Flanger
Effects List Parameter Value Explanation Parameter Value Explanation Adjusts the proportion of the Delay delay sound that is fed back into Depth # 0–127 Depth of the effect -98–+98% Feedback # the effect. Negative (-) settings will Depth to which the damper pedal is invert the phase. - Page 91 Effects List Chorus Parameters The JUNO-Di’s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, and the characteristics of the selected effect type. Parameter Value Explanation If you specify the delay time as a note value, slowing down the Selects either Chorus or Delay.
- Page 92 Effects List Reverb Parameters These settings allow you to select the desired type of reverb, and its characteristics. Parameter Value Explanation Parameter Value Explanation Type of reverb GM2 REVERB OFF: Reverb is not used. REVERB: Normal reverb Type of reverb OFF, SRV ROOM: This simulates typical room Character...