Adobe AUDITION 3 User Manual page 120

Traditional options
Click Traditional to specify ratios and thresholds. You can choose Compress, Flat, or Expand for up to six sections
or stages, each with its own ratio and threshold setting. For example, to create a 3:1 compressor above -20 dB, choose
Compress, and then specify a 3:1 ratio and a threshold of -20 dB. If you also want to expand 2:1 below -20 dB, choose
Expand, and then specify a 2:1 ratio.
Note: Threshold settings must decrease as you move down the list.
Attack/Release options
Click Attack/Release to determine how quickly signals that cross the threshold are processed.
Amplifies or attenuates the signal depending on the amplitude detected. Specify the following
Gain Processor
settings as desired:
•
is gain applied to the output signal. It's the last step performed on the audio.
Output Gain
•
Determines the time in milliseconds that it takes for the processed output signal to reach its specified
Attack Time
output volume. If a quiet portion suddenly drops 30 dB, the specified amount of time passes before the output
actually drops to its corresponding volume level.
•
Determines how long it takes for the end of a previous output level to reach the specified output
Release Time
volume. For example, where the Attack Time is the time it takes for the start of a pulse to reach the desired output
volume, the Release Time is the time it takes for the end of the pulse to reach the desired level.
Note: If the sum of Attack and Release times is too short (less than about 30 milliseconds), audible effects, such as a
vibrating noise, can be heard at around 1000 Hz/milliseconds total. For example, if the Attack and Release times are
each set to 5 milliseconds (for a sum of 10 milliseconds), then a vibrating noise can be heard at 100 Hz.
•
Uses both channels to find a single input dB value, so that both channels are amplified together by
Joint Channels
the same amount (thus preserving the stereo center-channel image). For instance, a loud drum beat on the left
channel will cause the right channel to be reduced in level by an equal amount.
Determines the current waveform input amplitude, which is used as the input side of the dynamics
Level Detector
processor. Specify the following settings as desired:
•
is gain applied to the signal before it goes into the Level Detector (the section that detects the current
Input Gain
level).
•
is applied when the current amplitude information is retrieved and determines the time in milli-
Attack Time
seconds that it takes for the processed output signal to reach its specified output volume. If a quiet portion suddenly
drops 30 dB, the specified amount of time passes before the output actually drops to its corresponding volume level.
•
is applied when the current amplitude information is retrieved and determines how long it takes for
Release Time
the end of a previous output level to reach the specified output volume. For example, where the Attack is the time it
takes for the start of a pulse to reach the desired output volume, the Release is the time it takes for the end of the pulse
to reach the desired level.
• is provided for backward compatibility. It is a graph interpretation method that is slightly outdated
Peak mode
and a bit more difficult to use than RMS. It is equivalent to twice the RMS value (for example, -20 dB in RMS mode
equals -40 dB in Peak mode).
• is a graph interpretation method that more closely matches the way people hear volume. This mode
RMS mode
causes the output to be exactly the RMS amplitude that is specified in the graph. For example, a limiter (flat
horizontal line) at -10 dB causes the RMS amplitude of the result to average -10 dB (where 0 dB is a maximum
amplitude sine wave without clipping).
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