Filter And Equalizer Effects - Adobe AUDITION 3 User Manual

When designing a reverb, cut some of the high frequencies to simulate their absorption by surrounding walls. In
addition, when echoing, frequencies generally aren't boosted. However, you can create interesting effects by entering
positive values. Boosting a Low Cut Filter while reducing the feedback setting is identical to reducing a High Cut Filter
and increasing the feedback setting.
Provides the following options for use with stereo source audio. To spread out the effect in the stereo
Channels menu
domain, at least one delay unit in the group should be cross-channel or single-channel:
•
Adds delay to only the left channel.
Left Only
•
Adds delay to only the right channel.
Right Only
•
Adds delay to both channels.
Discrete Stereo
•
Maps the delay for the left channel to the right channel and vice-versa.
Stereo Swap
•
Delays audio from the right channel and adds it to the left channel.
From Right To Left
•
Delays audio from the left channel and adds it to the right channel.
From Left To Right
•
From Center To Surround
relative to the right-channel delay.

Filter and equalizer effects

Dynamic EQ effect (Edit View only)
The Filter And EQ > Dynamic EQ effect varies the amount of equalization over time. For example, during the first
half of a waveform, you can boost high frequencies; during the second half, you can change the bandwidth of affected
frequencies. The Dynamic EQ dialog box provides three areas of controls: Gain, Frequency, and Q (bandwidth).
Frequency graph of Dynamic EQ effect (Rhythmic Sweep preset)
See also
"About process effects" on page 104
"Apply individual effects in Edit View" on page 107
"Control effects settings with graphs" on page 104
"Use effect presets" on page 104
"Add preroll and postroll to effects previews" on page 107
Delays audio common to both channels and inverts phase of the left-channel delay
ADOBE AUDITION 3.0 128
User Guide