Selecting Pixels - MACROMEDIA FIREWORKS MX 2004-USING FIREWORKS Use Manual

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To select everything on every layer in the document:
Choose Select > Select All.
Note: Select All does not select hidden objects.
To deselect all selected objects:
Choose Select > Deselect.
Note: You must deselect the Single Layer Editing preference to select all visible objects on all
layers in a document. When you choose the Single Layer Editing preference, only objects on the
current layer are selected. For more information, see
To hide the path selection feedback of a selected object:
Choose View > Hide Edges.
Note: You can use the Layers panel or the Property inspector to identify the selected object when
the outline and points are hidden.
To hide selected objects:
Choose View > Hide Selection.
Note: Hidden objects are not exported. (This does not apply to slice and hotspot web objects on
the Web Layer.)
To show all objects:
Choose View > Show All.
Note: To hide objects whether they are selected or not, you can click or drag along the Eye column
in the Layers panel.

Selecting pixels

You can edit pixels over an entire canvas or choose one of the selection tools to constrain your
editing to a particular area of an image:
The Marquee tool selects a rectangular area of pixels in an image.
The Oval Marquee tool selects an elliptical area of pixels in an image.
The Lasso tool selects a freeform area of pixels in an image.
The Polygon Lasso tool selects a straight-edged freeform area of pixels in an image.
The Magic Wand tool selects an area of similarly colored pixels in an image.
The pixel selection tools draw selection marquees that define the area of selected pixels. After you
draw the selection marquee, you can manipulate it by moving it, adding to it, or basing another
selection on it. You can edit the pixels inside the selection, apply filters to the pixels, or erase pixels
without affecting the pixels beyond the selection. You can also create a floating selection of pixels
that you can edit, move, cut, or copy.
10
Chapter 1: Selecting and Transforming Objects
"Organizing layers" on page
131.

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