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3.2 MICROPHONE INPUT MODULE WITH SENDS
A
A
G A I N
T R I M
B
B
I N P U T
P G M
AU D
U T L
OUTPUT
1
2
P R E
0
S E N D S
I N
L
R
PAN
0
5
1 0
1 5
2 0
3 0
4 0
5 0
6 0
7 0
SOLO
CUE
ON
OFF
PACIFIC RESEARCH & ENGINEERING
•
The INPUT buttons select the Input source, typically microphones, con-
nected to the A and B inputs of the module.
•
The recessed GAIN TRIM controls set the microphone preamplifier gain for
the microphones connected to the two inputs.
•
The OUTPUT buttons assign the module's audio to any combination of the
PROGRAM, AUDITION and UTILITY output buses.
•
The SEND-1, SEND-2 and PRE-fader buttons assign the pre- or post-fader
microphone audio to the console's Send & Return module. The rotary control
adjusts the Send level for both Send outputs.
•
The PAN control, with INsert switch, allows positioning of the microphone
signal within the stereo sound field.
•
The mixing fader is a stepless, infinite resolution control with a reference line
at the -15 dB point. The reference is the nominal position for a properly
adjusted input level to achieve "0" VU on the console output meters.
•
The electronic alternate-action CUE button routes the pre-fader audio to the
console Cue monitoring and metering systems. The CUE button lamp flashes
to indicate its ON status. A steady lamp indication is available with the
installation of an optional jumper wire in the lamp driver logic (reference
Section 5.4).
•
The electronic alternate-action SOLO button routes the input signal (after the
fader and pan controls) to the console SOLO monitoring and metering
systems. The SOLO button lights to indicate its ON status.
•
The ON button turns the module on and initiates the appropriate muting
commands, as set during installation. In addition, the ON button may be
optionally set to provide a momentary cough function while held depressed
(reference Section 2.9.1).
•
The OFF button turns the module off and cancels the muting commands.
52
BMX SERIES III CONSOLE
REVISION C
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