Distortion - Access Virus Rack XL User Manual

In the signal path. the filter is located at the out-
put of the pre-delay. This means that the filter
also influences pre-delay feedback (REVERB
FEEDBACK, see below) when you use this pa-
rameter.
01111111111111111112
1 REVERB
Color
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REVERB CLOCK
When you set it to OFF, the absolute predelay
time is determined in milliseconds. If you select
a note value, then the predelay time is set to the
value of this note. The absolute length of this
note value depends on the value entered to
CLOCK TEMPO in the global clock generator
(refer to this section). In this case, the absolute
predelay time in milliseconds is ignored.
01111111111111111112
1 REVERB
Clock
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REVERB OUTPUT SELECT
Here you can select the external or internal out-
put for the REVERB section.
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1 REVERB
OutSel Out1+2≤
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TYPE
Here's a rundown on the various DISTORTION
modes:
-10≤
- OFF The signal is not processed.
- LIGHT, SOFT, MIDDLE, HARD Different an-
alog distortion curves with different charac-
teristics and intensities.
- DIGITAL Digital distortion with hard clipping.
- SHAPER Sine characteristic curve with sev-
eral wave cycles. With the Shaper, you can
drastically warp signals. In some cases, the
results are similar to the spectra of linear fre-
quency modulations.
- RECTIFIER Continuous rectification of the
signal; this type of distortion is independent
of the given level.
- BITREDUCER Continuous reduction of the
digital signal's bit depth; generates digital
quantization noise.
Off≤
- RATEREDUCER Continuous reduction of
the digital sampling rate; generates digital
aliasing.
- LOWPASS 1-pole low-pass filter for moder-
ate processing of high frequencies.
- HIGHPASS 1-pole high-pass filter for mod-
erate processing of low frequencies.
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ACCESS VIRUS RACK XL OS5

DISTORTION

1 DISTORTION
Type Light≤
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Distortion