Access VIRUS Owner's Manual

Owner's manual (296 pages)

User manual (198 pages)

User manual (227 pages)

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INTRODUCTION ................................................................................................................................. 3

A DETAILED INTRODUCTION FOR NOVICES....................................................................................... 5

Cable Connections........................................................................................................................... 5

Listening to the Factory sounds ........................................................................................................ 6

Listening to the Multi Programs........................................................................................................ 6

Your First Sound Program ................................................................................................................ 6

The Amplifier Envelope .................................................................................................................... 7

The First Filter ................................................................................................................................. 8

Filter Moulation ............................................................................................................................... 9

The Saturation Stage ...................................................................................................................... 11

The Second Filter ........................................................................................................................... 11

The First Oscillator ........................................................................................................................ 14

The Second Oscillator .................................................................................................................... 15

The MIXER Section......................................................................................................................... 17

The LFOs ....................................................................................................................................... 18

LFO 1 ............................................................................................................................................ 18

LFO 2 ............................................................................................................................................ 20

LFO 3 ............................................................................................................................................ 21

Volume and Panorama Position...................................................................................................... 21

Velocity ......................................................................................................................................... 22

Twin Mode .................................................................................................................................... 22

The Chorus/Flanger Effect............................................................................................................... 22

The Delay Effect............................................................................................................................. 23

More to Come ............................................................................................................................... 23

COMPREHENSIVE OVERVIEW............................................................................................................ 24

Operating Modes........................................................................................................................... 24

Operating Conventions .................................................................................................................. 25

Parameter Selection and Data Entry............................................................................................ 25

Knob Mode ............................................................................................................................... 25

Display of Numeric Parameter Values ........................................................................................ 26

Operating Modes....................................................................................................................... 28

Multi Single Mode ................................................................................................................. 28

The Store Modes ....................................................................................................................... 28

Controller Assignments.............................................................................................................. 28

Edit Mode.................................................................................................................................. 29

THE PARAMETERS.............................................................................................................................. 30

Sound Parameters with a Dedicated Control Element...................................................................... 30

Master Volume.......................................................................................................................... 30

Definable 1/2............................................................................................................................. 30

Transpose.................................................................................................................................. 30

LFO 1........................................................................................................................................ 30

LFO 2........................................................................................................................................ 31

Oscillator 1 ............................................................................................................................... 32

Oscillator 2 ............................................................................................................................... 33

Mixer ........................................................................................................................................ 34

Filters........................................................................................................................................ 34

Filter Routing............................................................................................................................. 35

Amplifier ................................................................................................................................... 37

Sound Parameters in the Edit Menu (Single) ................................................................................... 38

Edit Mode.................................................................................................................................. 38

Output ...................................................................................................................................... 38

Table of Contents

Summary of Contents for Access VIRUS

Page 1: Table Of Contents
TABLE OF CONTENTS INTRODUCTION ..........................3 A DETAILED INTRODUCTION FOR NOVICES..................5 Cable Connections........................... 5 Listening to the Factory sounds ......................6 Listening to the Multi Programs......................6 Your First Sound Program ........................ 6 The Amplifier Envelope ........................7 The First Filter ..........................8 Filter Moulation ..........................
Page 2 VIRUS Owner’s Manual Twin Mode..........................39 Chorus ............................40 Delay ............................41 Punch ............................43 Oscillator 1 ..........................43 Oscillator 2 ..........................44 Oscillators Phase Init ......................... 44 Sub Oscillator ........................... 44 Noise ............................45 Filters............................45 LFO 1............................46 LFO 2............................
Page 3: Introduction
The Virus offers a maximum of twelve voices. In Multi Mode, these can be allocated dynamically to sixteen simultaneously available sounds. You have no less than two audio oscillators plus one suboscillator, a noise generator, two Multi Mode filters, two envelopes, a stereo VCA, three LFOs and a saturation stage (SATURATOR) for cascade filtering, tube and distortion effects.
Page 4 However, we will guarantee that you will change your mind the first time you carry your Virus into a rehearsal room and find that you are not even winded. The long-term benefits become apparent when your chiropractor stops sending you Christmas cards.)
Page 5: A Detailed Introduction For Novices
„bricks“ is missing. Cable Connections Before you connect the Virus to an AC outlet and the rest of your equipment, ensure that all of the devices are switched OFF.
Page 6: Listening To The Factory Sounds
MULTI button and select these combination programs via the VALUE button. The Virus features „only“ 128 multiprograms, so you don’t have to switch back and forth between banks they way you just did while activating single programs.
Page 7: The Amplifier Envelope
Take a look at the display of the Virus to gain an impression of the difference between these two values. It shows two numeric values when you dial a pot: at the left you can see the value stored in the sound program and at the right, the numeric equivalent to the value determined by the current position of the pot.
Page 8: The First Filter
Think of the CUTOFF pot as a bouncer and the Virus as your pub. You can tell it which frequencies to let in and which frequencies to keep out. The frequencies above the so-called cutoff or filter frequency are suppressed, those below it remain...
Page 9: Filter Moulation
Of course we don’t want to require you to execute every sound modification manually by twiddling pots. All kinds of sound modifications in the Virus can be executed automatically much in the way of your previous experiments with the volume controls: The amplifier envelope can be described as a variable curve which, depending on the type and duration of attack, hold and release data, automatically influences (turns it up or down) an imaginary volume pot.
Page 10 If you turn the pot counter-clockwise towards the negative control range, the KEY FOLLOW effect is reversed. With the Virus, you will encounter this feature - intensity control via a bipolar parameter - again in conjunction with other modulation sources and targets.
Page 11: The Saturation Stage
The Saturation Stage In the signal chain of the Virus, Filter 1 is followed by a saturation stage. It enables you to add overtones to the filtered signal via distortion. Locate and press the button labeled SATURATION in the FILTERS section.
Page 12 The term used to describe the efficiency of a filter is „slope.“ The unit of measurement is the so-called filter pole: the more poles a filter has, the greater its slope. Each filter in the Virus normally features 2 poles. However in the FILTER ROUTING operating mode SER 6, Filter 1 operates with 4 poles, so the signal patched through Filter 1 (FILTER BALANCE to the far left) is trimmed more drastically than when it is routed through Filter 2 (FILTER BALANCE to the far right).
Page 13 The final parameter we’ll discuss for the time being is FILTER ROUTING. This feature offers several filter routing options which allow you to operate the filters in series, i.e. patch one after the other in the signal chain, or in parallel, which means side by side in the signal chain: The filters are switched in series;...
Page 14: The First Oscillator
The Virus is equipped with two main oscillators and a so-called suboscillator. We will first take a look at Oscillator 1, which is the oscillator you have already heard in action during your experiments thus far.
Page 15: The Second Oscillator
The Second Oscillator As we mentioned previously, in addition to the other sound sources, the Virus is equipped with a second oscillator. Judging from the amount of control features on this oscillator’s section of the control panel, you have probably already gathered that it has more sound-shaping options than Oscillator 1.
Page 16 VIRUS Owner’s Manual oscillators are the source of this effect. The oscillators of the Virus oscillate freely, consequently every time you play a note, the phase constellation between the two oscillators is different. For now, leave the OSC BAL POT at the center position (12 o’clock).
Page 17: The Mixer Section
(SUB OSCILLATOR WAVE SQUARE/TRIANGLE). The final voice-internal signal source of the Virus has no visible control features on the control panel: the Noise Generator. It has no dedicated sound parameters, only the option of determining its volume (NOISE VOLUME in the EDIT menu).
Page 18: The Lfos
(periodic volume control). Another option you might like to have at your disposal is random parameter control. In the Virus, both of these tasks are executed by a so-called LFO (low frequency oscillator) that oscillates at frequencies below the audible range. An LFO is similar to the oscillators you have encountered thus far, but it oscillates significantly slower so that its output signal is too low for human hearing.
Page 19 Here are the definitions for the modulation targets: refers to the frequency of oscillator 1 OSC 1 refers to the frequency of oscillator 2 OSC 2 means that the pulse widths of both oscillators are controlled in unison PW 1+2 RESO 1+2 refers to the resonances of both filters.
Page 20: Lfo 2
VIRUS Owner’s Manual You may have gathered that the LFOs of the Virus are polyphonic: If several notes are played simultaneously, these are controlled by dedicated LFOs, each with a slightly varied rate. This effect livens up the sound of chords, especially when they are sustained. To enhance this effect, activate the LFO 1 KEY FOLLOW button.
Page 21: Lfo 3
This is why the Virus is equipped with a programmable volume pot for each SINGLE PROGRAM. It enables you to balance out the volume levels of your sound programs.
Page 22: Velocity
VIRUS Owner’s Manual Velocity Velocity is one of the preferred modulation sources of keyboard players. In the Virus you have ten modulation targets available for Velocity. Locate the VELOCITY section in the CTRL menu. There you will find the modulation intensities for...
Page 23: The Delay Effect
Virus, only the basic components and how they affect the sound of the Virus. You should now be able to come to terms with the in-depth look at the Virus in the following section.
Page 24: Comprehensive Overview
This section of the manual deals with the basic operating modes of the Virus: SINGLE MODE and MULTI MODE. Then we’ll take a look at the general handling and operation guidelines for the Virus. Finally you will be presented with a comprehensive list of all functions in the Virus with a brief explanation of each function.
Page 25: Operating Conventions
This distinction is apparent in handling and operation of the Virus: All essential sound parameters feature a dedicated knob or button so that you can access these directly - especially while you are playing!. In just a few cases (where appropriate or where it facilitates better handling), the control features have dual functions.
Page 26: Display Of Numeric Parameter Values
VIRUS Owner’s Manual The PARAMETER buttons provide access to the parameters in the EDIT, CTRL and local menus. Simply press the corresponding button to scroll through the parameters in the desired direction. If you press and hold a PARAMETER button and simultaneously press the other PARAMETER button, the menu scrolls through groups in the direction of the button you are holding down so that you can comfortably select from all oscillator-related parameters and all filter-related parameters.
Page 27 3. The triangle always indicates which of the two numbers is currently valid, in other words, the value that is actually implemented by the Virus sound generators. In JUMP and RELATIVE MODEs, this is always the number at the right, while in SNAP MODE the triangle jumps from the left hand side to the right as soon as the valid parameter value is exceeded.
Page 28: Operating Modes
Controller Assignments Virtually all of the parameters in the Virus are accessible via MIDI. For instance, you can record a knob adjustment to a sequencer and have the Virus play it back later. MIDI Controllers are great for these...
Page 29: Edit Mode
PARTs. This of course doesn’t make a great deal of sense since one of the reasons you are using several PARTs on a single channel is it that you can double up on different sounds. Consequently, the Virus has a convention dictating that in the case of several PARTs on a single MIDI Channel, only the PART with the lowest PART number of all incoming Controllers is addressed;...
Page 30: The Parameters
VIRUS Owner’s Manual THE PARAMETERS The following section lists all parameters in the Virus, each with a brief definition or explanation. This list is subdivided into: Sound parameters with a dedicated control element and an entry in local menus Sound parameters with a dedicated control element and an entry in local menus...
Page 31: Lfo 2
section), including everything from a descending sawtooth to a conventional triangle and on to an ascending sawtooth. KEY FOLLOW Activates a function in which the LFO frequency is controlled via the note number. When EXPERT MODE is active, you have the option of setting the control intensity in the EDIT menu under LFO 1 KEY FOLLOW AMT (see appropriate section).
Page 32: Oscillator 1
1. When SHAPE has a value lower than that of the center position, then WAVE SEL/PW lets you select from the 64 waveshapes available in the ROM of the Virus. Waveshape 1 is a sine wave; No. 2 a triangle, the remainder of the waves feature different combinations of frequencies.
Page 33: Oscillator 2
The modulation waveshape of the first oscillator is - regardless of the selected waveshape - always a triangle. In the Virus you have the option of combining the two functions called oscillator synchronization (SYNC) and frequency modulation (FM AMOUNT) to generate new harmonic spectra.
Page 34: Mixer
SELECT setting, ENV AMOUNT affects the first filter, the second filter or both filters. In contrast to virtually all other modulation intensity parameters in the Virus, ENV AMOUNT is a unipolar parameter. The polarity of the modulation can be changed individually for each filter via the FILTER ENV POLARITY function in the EDIT menu.
Page 35: Filter Routing
When you set CUTOFF 2 to the center position, both filters have the same CUTOFF frequency. in EXPERT MODE, you can access FILTER 2 CUTOFF LINK ON/OFF to sever the link between CUTOFF and CUTOFF 2. In this case the two knobs CUTOFF and CUTOFF 2 are independent cutoff controls for Filters 1 and 2, respectively.
Page 36 LEDs. To control both filters simultaneously via the knobs, you must first press both buttons simultaneously. SELECT pertains to the corresponding knob located on the Virus only, but not to the sound parameters it controls. These parameters exist separately in both filters regardless of the SELECT setting.
Page 37: Amplifier
DECAY Determines the amount of time it takes for the filter envelope to fade out. The higher the DECAY value, the longer it takes for the envelope to fall from its peak level to the SUSTAIN value. SUSTAIN Determines a variable level for the filter envelope at which it remains after the end of the DECAY phase (see appropriate section).
Page 38: Sound Parameters In The Edit Menu (Single)
27 volume increments when you are dealing with exceptionally low-level sound settings. PATCH VOLUME is not identical to the MIDI Standard Volume Controller 7. In MULTI MODE, you can also access PART VOLUME (see appropriate section), which provides further volume reserves (headroom).
Page 39: Twin Mode
When you select an internal aux path as a signal output, you of course must route the signal of another PART to this aux path via INPUT SELECT before you can establish a signal connection between the two PARTS. Several PARTs can simultaneously access the external input or the internal aux paths via OUTPUT SELECT.
Page 40: Chorus
VIRUS Owner’s Manual PAN SPREAD Stereo panorama spread of the two TWIN MODE voices. PAN SPREAD also determines the stereo spread of the two filters when the FILTER ROUTING (see appropriate section) option SPLIT is active. LFO PHASE (EX) Shifts the phases of the two TWIN MODE voices’ LFOs relatively. This effect livens up modulations. The value range of -64 to +63 is equivalent to -180 to +177 degrees.
Page 41: Delay
Delay (including EFFECT SEND) affect the MULTI PROGRAM and are stored along with it. If the Virus is in MULTI MODE or MULTI SINGLE MODE and you activate a new SINGLE, the Delay parameters of the SINGLE are ignored and the Delay parameters of the current MULTI PROGRAM are activate.
Page 42 VIRUS Owner’s Manual TIME Controls the delay time in Milliseconds (max. 693ms) CLOCK When you set it to OFF, the absolute delay time is determined in milliseconds. If you select a note value, then the delay time is set to the value of this note. The absolute length of this note value depends on the value entered to CLOCK TEMPO in the global clock generator (refer to this section).
Page 43: Punch
SHAPE (EX) Determines the waveshape of the Delay LFO. You can select from sine, triangle, sawtooth, pulse, an incremental random modulation (S&H; abb. for Sample & Hold) and a continual random modulation S&G (abb. for: Sample & Glide) waves. PUNCH INTENSITY Here you can influence the attack of the amplifier envelope to enhance the sound with a more percussive, snappy kind of feel.
Page 44: Oscillator 2
VIRUS Owner’s Manual Negative values generate opposite control intensities. OSCILLATOR 2 WAVE (EX) Selects among of 64 waveshapes. This parameter is identical to WAVE SEL/PW (see appropriate section) when SHAPE (see appropriate section) is set to the left half of its control range. However, in contrast to WAVE SEL/PW, WAVE is always available regardless of the current SHAPE setting.
Page 45: Noise
NOISE VOLUME Controls the level of the Noise Generator. This volume level is independent of the parameter OSC VOL (see appropriate section) FILTERS FILTER 1 ENV POLARITY (EX) Switches back and forth between positive (POS) and negative (NEG) ENV AMOUNTs for Filter 1 (see appropriate section).
Page 46: Lfo 1
VIRUS Owner’s Manual KEYFOLLOW BASE (EX) This feature determines the base note for the filter KEYFOLLOW: When you press the key selected here, the filter frequency you determined manually has priority - i.e. it is not influenced in any manner - regardless of the KEY FOLLOW setting (see appropriate section ) for the filters.
Page 47: Lfo 2
TRI SYMMETRY (EX) This is a bipolar parameter that influences the shape of the triangle wave: If TRI SYMMETRY is set to 0, the triangle wave oscillates in the conventional manner; as you set increasingly negative values, the symmetry of the wave’s oscillation shifts towards the shape of a descending sawtooth; at increasingly positive values, the symmetry of the wave’s oscillation shifts towards the shape of an ascending sawtooth.
Page 48: Lfo 3
VIRUS Owner’s Manual TRI SYMMETRY (EX) Same as LFO 1; see paragraph above. LFO 3 RATE Determines the speed of the LFO. DESTINATION Determines the modulation destination of the LFO. You can select from: The pitch of Oscillator 1 OSC 1...
Page 49: Input
INPUT In the Virus you have the option of using the external analog inputs instead of the internal oscillators as signal sources that can be processed by the filters, envelopes and the internal effects. In addition to the external analog inputs, you also have two internal stereo aux paths or subgroups available as signal sources in MULTI MODE.
Page 50 In contrast to DYNAMIC mode, in STATIC mode one or two voices (depending on the INPUT SELECT setting, see appropriate section) of the Virus are activated automatically without you actually playing notes on this PART. The filters and the amplifier are switched permanently open, the envelopes are deactivated and incoming notes are ignored.
Page 51 For instance you can blend the output signal of another sound generator with the output signal of the Virus and send the mixed signal to Output 1 without having to use an external mixing console. INPUT DIRECT THRU controls the level of this direct signal path.
Page 52: Sound Parameters In The Ctrl Menu (Single)
VIRUS Owner’s Manual Sound Parameters in the CTRL Menu (Single) PART PART ENABLE This PART parameter is a MULTI MODE parameters and is stored along with the current MULTI PROGRAM. Consequently, it is available in MULTI MODE. It is also available in the SINGLE CTRL menu when MULTI SINGLE MODE is active.
Page 53 CLOCK TEMPO The Virus is equipped with a dedicated clock generator which can trigger the LFOs, control the arpeggiator and set the delay to a - in musical terms - practical, sensible value. It enables you to create a...
Page 54: Arpeggiator
MULTI PROGRAM. This feature lets you control the LFOs and arpeggiators of several MULTI PARTS in a common rhythmic context. If you activate the MIDI CLOCK in a connected sequencer and send it to the Virus, the Virus clock generator is AUTOMATICALLY synchronized to the incoming MIDI CLOCK; the internal CLOCK TEMPO setting is ignored.
Page 55: Velocity
Sustained notes are arpeggiated in the sequence that they are played. It is possible to AS PLAYED latch the Arpeggiator with the sustain pedal. ARPEGGIATOR OCTAVES Controls the ascending transposition of arpeggios by octaves. Control range: 1 to 4 octaves. VELOCITY VELOCITY OSC 1 SHAPE Determines the intensity of the VELOCITY control for the first oscillator’s SHAPE parameter (see...
Page 56 VIRUS Owner’s Manual VELOCITY FILT 1 ENV AMT Determines the intensity of the VELOCITY control for the modulation of Filter 1’s cutoff frequency by the filter envelope. VELOCITY FILT 2 ENV AMT Determines the intensity of the VELOCITY control for the modulation of Filter 2’s cutoff frequency by the filter envelope.
Page 57: Assign 1-3
CONTROLLER ASSIGN ASSIGN 1 SOURCE Selects the modulation source for the first modulation assignment. For a list of available modulation sources, please consult the Appendix of this manual. ASSIGN 1 DESTINATION Selects the modulation destination for the first modulation assignment. For a list of available modulation destinations, please consult the Appendix of this manual.
Page 58: Definable 1/2
Controls the intensity of the third modulation assignment for the third modulation destination. DEFINABLE 1 / DEFINABLE 2 Two knobs labeled DEFINABLE are located on the control panel of the Virus. These can be used for direct control of a number of parameters that are not normally assigned to dedicated knobs.
Page 59 DEFINABLE 1 GLOBAL This is where you enter the parameter assignment for the DEFINABLE 1 knob. The entry remains valid regardless of the currently selected SINGLE PROGRAM. The entry is only active when DEFINABLE 1 MODE is set to GLOBAL or SINGLE; although in the latter case DEFINABLE 1 SINGLE in the current SINGLE PROGRAM must be set to OFF before the entry is activated.
Page 60: Global Parameters / System Parameters / Midi Parameters
MIDI DUMP RX If you want to send MIDI data to the Virus, you don’t have to log in first. The Virus automatically accepts incoming data via its MIDI In port. However, you can determine where the data of a complete incoming bank is stored.
Page 61: Midi
PROGRAMs in MULTI MODE. In MULTI SINGLE MODE, the MULTI MODE switching option is locked (permanently deactivated). The number in the upper left of the display shows the MIDI Global Channel in Single Mode and the current Partnumber if the VIRUS is in Multi Mode or Multi Single Mode. MIDI PANEL DESTINATION INTERNAL All types of control operations are sent directly to the Virus sound generation components and not to the MIDI Out.
Page 62: Midi Control
MIDI DEVICE ID Here you can enter the identification number for system exclusive data transfer. To enable communication between two Virus units - i.e. to exchange system exclusive data - you must assign the same MIDI DEVICE ID to both units.
Page 63 SYSTEM LCD CONTRAST Lets you adjust the contrast of the LC display to different light conditions and viewing angles. SYSTEM KNOB MODE Provides a selection of several knob operating modes which you can activate depending on personal preference or suitability to the tasks you currently dealing with: The knobs are inactive.
Page 64 VIRUS Owner’s Manual SYSTEM LED MODE Here you can chose between two operating modes for the RATE LEDs of LFO 1 and 2: The LEDs indicate the oscillations of the LFOs. The LEDs serve as level indicators for the two external audio inputs (RATE 1 = Input L;...
Page 65: Multi Parameters In The Edit Menu
MULTI Parameters in the EDIT menu SINGLE SELECT Activates a SINGLE PROGRAM for the current PART. PART TRANSPOSE Transposes the PART in semitone steps. PART DETUNE Fine-tunes the PART. PART VOLUME Controls the volume level of the PART. In addition to PATCH VOLUME (in the EDIT menu, see appropriate section) and MIDI Volume (Controller 7), PART VOLUME is the third option for determining the volume level of a PART within a MULTI program.
Page 66: Output Select
When you select an internal aux path as a signal output, you of course must route the signal of another PART to this aux path via INPUT SELECT before you can establish a signal connection between the two PARTS. Several PARTs can simultaneously access the external input or the internal aux paths via OUTPUT SELECT.
Page 67: Delay Multi
Delay (including EFFECT SEND) affect the MULTI PROGRAM and are stored along with it. If the Virus is In MULTI MODE or MULTI SINGLE MODE and you activate a new SINGLE, the Delay parameters of the SINGLE are ignored and the Delay parameters of the current MULTI PROGRAM are valid.
Page 68 VIRUS Owner’s Manual Determines the speed of the Delay LFO. DEPTH Controls the intensity of the delay modulation by the LFO. Like the Chorus LFO, the Delay LFO modulates the left and right sides of the signal antiphase, which generates a true stereo effect.
Page 69: Multi Parameters In The Ctrl Menu
MULTI Parameters in the CTRL Menu PART SELECT 1 - 16 Lets you chose one of the 16 PARTs for further processing. The current Partnumber is displayed in the upper left of the LCD. You can also switch from PART to PART by pressing and holding the MULTI button and simultaneously selecting a new PART via the VALUE buttons or the VALUE knob.
Page 70: Midi Volume Enable
VIRUS Owner’s Manual MIDI VOLUME ENABLE Switches a given PART’s MIDI receive mode for MIDI Controller 7 (volume) ON and OFF. HOLD PEDAL ENABLE Switches a given PART’s MIDI receive mode for MIDI Controller 64 (Sustain) ON and OFF. PRG CHG ENABLE Switches a given PART’s MIDI receive mode for MIDI Program Change messages ON and OFF.
Page 71: Appendix
DEFINABLE 1/2 Parameter 0-91 Patch Volume 0..127 Channel Volume 0..127 0-10 Panorama -64..0..+63 Left..Center..Right 0-93 Transpose -64..+63 Portamento Time 0..127 0-98 Twin Detune 0..127 0-99 Panorama Spread 0..127 0-100 Twin Lfo Phase -64..+63 0-18 Osc1 Pulsewidth 0..127 0-19 Osc1 Wave Select 0..64 Sine, Triangle, Wave 3..64 0-20...
Page 72 VIRUS Owner’s Manual 0-113 Effekt Send 0..127 0-114 Delay Time 0..127 0-115 Delay Feedback 0..127 0-116 Delay Rate 0..127 0-117 Delay Depth 0..127 Lfo3 Rate 0..127 1-12 Osc Lfo3 Amount 0..127 1-16 Clock Tempo 0..127 62..190 BPM 1-35 Osc Init Phase 0..127...
Page 73: Assign 1-3 Source- And Destination Parameter List
ASSIGN 1-3 Source- and Destination-Parameter Sources Sources Pitch Bend Channel Pressure Modulation Breath Controller 3 Foot Controller Data Slider Balance Controller 9 Expression Controller 12 Controller 13 Controller 14 Controller 15 Controller 16 Hold Pedal Portamento Pedal Sostenuto Pedal Destinations Destinations 0-91 Patch Volume...
Page 74 VIRUS Owner’s Manual 0-37 Noise Volume 0..127 0-40 Cutoff 0..127 0-41 Cutoff2 -64..+63 0-42 Filter1 Resonance 0..127 0-43 Filter2 Resonance 0..127 0-44 Filter1 Env Amt 0..127 0-45 Filter2 Env Amt 0..127 0-46 Filter1 Keyfollow -64..+63 0-47 Filter2 Keyfollow -64..+63 0-48 Filter Balance -64..+63...
Page 75 0-113 Effekt Send 0..127 0-114 Delay Time 0..127 0-115 Delay Feedback 0..127 0-116 Delay Rate 0..127 0-117 Delay Depth 0..127 1-47 Osc1 Shape Velocity -64..+63 1-48 Osc2 Shape Velocity -64..+63 1-49 PulseWidth Velocity -64..+63 1-50 Fm Amount Velocity -64..+63 1-52 Filter1 EnvAmt Velocity -64..+63 1-53...
Page 76: Midi Controller Assignments
VIRUS Owner’s Manual MIDI CONTROLLER Assignments MIDI CONTROLLER Assignments Ctrl.No. Ctrl.No. Range Parameter Range Parameter Value Range Value Range Remarks Remarks 0...1 Bank Select 0...1 0: Bank A, 1: Bank B 0...127 Modulation Wheel 0...127 0...127 Portamento Time 0...127 0...127 Channel Volume 0...127...
Page 77 0...127 Amp Env Attack 0...127 0...127 Amp Env Decay 0...127 0...127 Amp Env Sustain 0...127 0...127 Amp Env Sustain Time -64...+63 Fall...Infinite...Rise 0...127 Amp Env Release 0...127 0...127 Hold Pedal 0...127 Lfo1 Rate 0...127 0...5 Lfo1 Shape 0...5 0:Sine 1:Tri 2:Saw 3:Square 4:S&H 5:S&G 0...1 Lfo1 Env Mode...
Page 78: Poly Pressure Controller Assignments
VIRUS Owner’s Manual 0...127 Delay Time 0...127 0...127 Delay Feedback 0...127 0...127 Delay Rate 0...127 0...127 Delay Depth 0...127 0...5 Delay Lfo Shape 0...5 0:Sine 1:Tri 2:Saw 3:Square 4:S&H 5:S&G All Notes Off POLY PRESSURE CONTROLLER Assignments POLY PRESSURE CONTROLLER Assignments 0...4...
Page 79 0...83 Definable1 see Definable List 0...83 Definable2 see Definable List 0...18 Assign1 Source see Assign Sources List 0...83 Assign1 Destination see Assign Destinations List 0...127 Assign1 Amount -64...+63 0...18 Assign2 Source see Assign Sources List 0...83 Assign2 Destination1 see Assign Destinations List 0...127 Assign2 Amount1 -64...+63...
Page 80: Midi Implementation Chart
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