Roland RD-700GX Owner's Manual page 165

45: SERIAL DLY (SERIAL DELAY)
This delay connects two delay units in series. Feedback can be
applied independently to each delay unit, allowing you to
produce complex delay sounds.
MFX Control Balance, Delay1, Delay2, Pan
Parameter Value
Delay1 Mode ms, note
Delay1 (ms) 1–1300 ms
Delay1 ( ) note (*1)
Delay1
-98– +98%
Feedback
200–8000 Hz,
Dly1 HF Damp
BYPASS
Delay2 Mode ms, note
Delay2 (ms) 1–1300 ms
Delay2 ( ) note (*1)
Delay2
-98– +98%
Feedback
200–8000 Hz,
Dly2 HF Damp
BYPASS
Pan L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
46: MOD DELAY (MODULATION DELAY)
Adds modulation to the delayed sound.
MFX Control Balance, Depth, Delay L, Delay R
Parameter Value
Delay L Mode ms, note
Delay L (ms) 1–1300 ms
Delay L ( ) note (*1)
Delay R Mode ms, note
Delay R (ms) 1–1300 ms
Delay R ( ) note (*1)
NORMAL,
Feedback Mode
CROSS
Feedback -98– +98%
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Delay time from when sound is input to
delay 1 until the delay sound is heard
(Hz)
Delay time from when sound is input to
delay 1 until the delay sound is heard
(note)
Proportion of the delay sound that is to
be returned to the input of delay 1
(negative values invert the phase)
Frequency at which the high-frequency
content of the delayed sound of delay
1 will be cut (BYPASS: no cut)
When this is set to "note," the effect is
synchronized with the tempo.
Delay time from when sound is input to
delay 2 until the delay sound is heard
(Hz)
Delay time from when sound is input to
delay 2 until the delay sound is heard
(note)
Proportion of the delay sound that is to
be returned to the input of delay 2
(negative values invert the phase)
Frequency at which the high-frequency
content of the delayed sound of delay
2 will be cut (BYPASS: no cut)
Panning of the delay sound
Amount of boost/cut for the low-
frequency range
Amount of boost/cut for the high-
frequency range
Volume balance of the original sound
(D) and delay sound (W)
Output volume
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay sound
is heard. (Hz)
Adjusts the time until the delay sound
is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Selects the way in which delay sound
is fed back into the effect.
Adjusts the amount of the delay sound
that's fed back into the effect.
Negative (-) settings invert the phase.
Parameter Value
200–8000 Hz,
HF Damp
BYPASS
Rate Mode Hz, note
Rate (Hz) 0.05–10.00 Hz
Rate ( ) note (*1)
Depth 0–127
Phase 0–180 deg
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
47: 3TP PAN DLY (3TAP PAN DELAY)
Produces three delay sounds; center, left and right.
MFX Control Balance, Delay C, Delay L, Delay R
Parameter Value
Delay L Mode ms, note
Delay L (ms) 1–2600 ms
Delay L ( ) note (*1)
Delay R Mode ms, note
Delay R (ms) 1–2600 ms
Delay R ( ) note (*1)
Delay C Mode ms, note
Delay C (ms) 1–2600 ms
Delay C ( ) note
Center
-98– +98%
Feedback
200–8000 Hz,
HF Damp
BYPASS
Left Level 0–127
Right Level 0–127
Center Level 0–127
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
Effect/Parameter List
Description
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay sound
is heard. (Hz)
Adjusts the time until the delay sound
is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Settings of the Delay C
The parameters are the same as for
the Delay L.
Adjusts the amount of the delay sound
that's fed back into the effect.
Negative (-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Volume of each delay
Volume of each delay
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
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