F3) Controller Set (Modulation) - Yamaha SY99 Owner's Manual

VOICE EDIT MODE
Zoned After Touch Mode (all, top, bottom, split
hi, split lo): This setting determines which notes
of the voice will be affected by aftertouch. Note
that this includes aftertouch pitch bend set in
and also any Modulation, Pan, or Other param-
eter controlled by aftertouch. For example, if you
have assigned pitch modulation to be affected by
aftertouch, pressure on the keyboard will in-
crease the pitch modulation only for the note(s)
determined by this Zoned After Touch Mode
setting. Refer to the following sections 12.(F3)-
12.(F5).
All: Aftertouch will affect all notes of the voice.
Top: Aftertouch will affect only the highest of the
currently played notes.
Bottom: Aftertouch will affect only the lowest of
the currently played notes.
Split hi: Aftertouch will affect only notes at or
above the split point specified in
Split lo: Aftertouch will affect only notes below
the split point specified in
COMMON DATA
Summary: Specify the controller device that will add
vibrato (pitch modulation), tremolo (amplitude
modulation), and wah-wah (filter modulation).
Procedure:
From: Common Data job directory (JUMP #201)
Select: job 12:Ctrllr
Press: F3 (Mod)
Specify: the controller and depth for each
parameter
Pitch Modulation Depth (0...127): This setting
determines the range over which the specified
device will add vibrato (pitch modulation). For a
setting of 127, the selected controller will be
able to add the maximum amount of vibrato. For
a setting of 0, the selected controller will not be
able to add vibrato.
128

12. (F3) Controller set (Modulation)

(JUMP #226)
Split Point (C-2...G8): This determine the split
point for Zoned After Touch Mode settings of
"split hi" or "split lo". If the Zoned After Touch
Mode is set to "all", "top", or "bottom, this
Split Point setting will have no effect.
After Touch Pitch Bend Range (-12...+12): This
determines how aftertouch will affect the pitch.
Pressing strongly down on the keyboard after
playing a note will move the pitch down one oc-
tave (for a setting of -12) or up one octave (for a
setting of + 12).
To make controller settings for Pitch Bend,
Modulation, Pan, or Other, press Fl, F3, F4, or
F5. Refer to sections 12.(F1), 12.(F3), 12.(F4),
or 12.(F5).
Keyboard: When the cursor is located at Split
Point, you can press F8 (Kbd) and then press a
note to set the split point.
Amplitude Modulation Depth (0...127): This
setting determines the range over which the
specified device will add tremolo (amplitude
modulation). Details are the same as in
Filter Modulation Depth (0...127): This setting
determines the range over which the specified
device will add wah-wah (filter modulation).
Details are the same as in
MIDI Ctrl No. & Device (1... 120, After Touch):
These settings determine the controller devices
that will add Pitch modulation. Amplitude modu-
lation, and Filter modulation. The selected MIDI
control number (1...120) is displayed at left, and
the function which is defined for that number is
displayed at right. Control numbers 0 and 32 are
reserved for the Bank Select message, and can-
not be selected here.
To make controller settings for Pitch Bend,
Aftertouch, Pan, or Other, press Fl, F3, F4, or P5.
Refer to sections 12.(F1), 12.(F3), 12.(F4) or
12.(F5).
JUMP #226