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The COMPOSER enables you to create your own accompaniment patterns or to edit preset
accompani-
ment patterns. Your original pattern is then stored in a memory and can be used just like the preset
rhythms
in the
RHYTHM GROUP section.
!J
Example of a rhythm pattern
""""
ACCOMP1
v
..;.
11
v
'-._..../
II
"
h
ACCOMP2
v
_/1
ACCOMPJ
0)
v
v
v
BASS
f:!l:
J_
_J_
~~
J
DRUMS
"'
I
~
I
Com!»OJ'!ents
oa
~
uuhynRim
B»inUUarU1
You
can store up to 12 different rhythms (6 each
in
banks A and B).
o
Each pattern is comprised of five parts:
DRUMS, BASS, and ACCOMP 1, 2 and 3.
o
When
you
set the COMPOSER mode to the
EXPAND MODE, you can also create INTRO,
FILL IN and ENDING patterns.
(Refer
to page
102
.)
• The recorded
contents
can be saved on a disk
for recall at a later time. (Refer to page 107.)
Memory capacity
J
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T}
'-'
..___...
~-
-
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h
v
v
v
v
v
J
J
J
J
J J J
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J
;
.
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;
There are two ways to create
and
record a
rhythm
.
1!1
Edit a preset rhythm
Use the COPY function to copy a preset rhythm
to a MEMORY
,
change parts of
it, and then
store
it as a new rhythm
.
e Create a completely new rhythm
Clear the memories and compose a completely
new
'rhythm
from scratch.
o
You can use either or both of two recording
methods. Realtime recording allows you
to
store your rhythm exactly as play
it
on the
keyboard. But for diff
icult
phrases,
you
may
want to use the STEP RECORD
mode
to
store
the notes one by one
,
just
as you might write
a music score
.
Expressed
in
terms of notes
,
the
total
number
of notes
which
can be
stored in all the
COMPOSER
memories is about 8600.
The rema ining
memory
available for recording
is shown
on
the
RECORD
display as a percentage
(MEMORY=%)
.
o
When
"Memory
full!" appears on the display, no more data can be
stored
in the COMPOSER.
o
It is a
good pract
ice
to
save your
completed rhythm patterns on disks before
clearing any of
the
COMPOSER memories
.
93
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