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Part VIII
FILTER
Make major changes to the sound by eliminating
spec ific frequency
ranges.
TONE EDIT
FILTER
•i[OR1GNLI
lwRnEH
TYPE CUT
TCH CURV SLOPE KEY
Ll11
...... "1!
-··
.,.
at!•
..
.~.=11
-··
lfiiiC~:
•
2ND
0
112
45
26
0
C
0-G
8
•
SUB
0
102
34
26
•
4
C 0-G
8
.....
.....
.....
.....
.....
.....
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f±Jf±)f±Jffi~f±lffi
1.
Select
the
tone
to
modify
(1ST,
2ND or SUB).
2. Use the
1\
and
v
buttons at the bottom of each
column
to change the setting
in
the column.
TYPE
0:
Low-pass filter
Low-range signals are unchanged. High-
range signals are cut according to the CUT
value.
to 4: Low-pass filter + high-boost filter
A low-pass filter which emphasizes high-
range signals when the CUT value
is
large.
• With this
type
of filter, the higher the num
-
ber,
the lower the range that is emphasized.
5 to 6: Low-pass filter
+
resonance
A
low-pass
filter which
emphasizes
the har-
monic components of frequencies close to
the CUT value
.
• There is little emphasis when the CUT value
is
small.
• With this type of filter, the higher the num-
ber,
the
greater the amount of emphasis
.
THRU
:
No
filter
effect is applied.
-
-
-·
-
- -
··
- - -
138
Creating sounds
CUT
Set the frequency range which is cut by the filter
(0 to
127).
TCH
Set the filter strength in proportion to
key
velocity
(0 to 50)
.
CURV
Set the cut-off frequency in relation to key
velocity (-3 to +3)
.
• For details about CURVE types, refer
to
the
separate "REFERENCE GUIDE" provided
.
SLOPE
Set the slope of the filter effect (-50 to
+50)
with
F:4 as the center.
KEY LIM
Specify the range of
the keyboard
which
is af-
fected by the filter (CO to G8)
.
LOW KEY
LIMIT
F
1
4
~
I~
.
--~
HIGHKEY
·
LIMIT
- - - - - - - - - - - -
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