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Part VIII
TONE
Set the sound and pitch of each tone
.
TONE EDIT
TONE
4ijoRim~LI
[Wiiffil~
OM
GROUP
&
TOME SELECT KEY
TUNE
·~
'rm•
B:..:::::BII;
'
.
..
,.
-lllil
4
2ND
OFF
A - Piano
0
+
~
4 SUB
OFF A -
Piano
0
0
.....
.....
..,.
.....
......
~ffi
ffi
f±)f±)
1.
Select the tone to modify (1ST
,
2ND or SUB)
.
2.
Use the
1\
and
v
buttons at the bottom of each
column to change the setting in the column
.
LEVEL
Adjust the volume and key touch attributes of
each tone
.
TONE EDIT
LEVEL
4I~IGNtJ
IWiihE!•
VOLUHE
TOUCH CURVE
SLOPE KEY
LIH
4 h.:11
•lli=-m
JD'~I·
~Ill
IE!
It·
1.8.1:l.t11 :1
4 2ND
114
+15
0
-10
FllS-G
B
4
SUB
114
+15
0
-10
FllS-G
8
.....
.....
.....
.....
.....
...,
[±]
ffif±J!Bffi!B
1.
Se lect the tone to modify (1ST
,
2ND or SUB)
.
2.
Use the
1\
and
v
buttons at the bottom of each
column to change the setting in the column
.
VOLUME
Adjust the volume of the tone (0 to 127)
.
TOUCH
Set th
e
degree of volume change in proportion
to key velocity (-50 to
+50).
• At- settings
,
the softer the keyboard is played,
the louder the sound
.
At + settings
,
the harder
the keyboard is played
,
the louder the sound
.
-
-
--.
_
__
....
--
- -
136
Creating sounds
ON/OFF
ON
:
The tone is generated
.
OFF
:
The tone is not generated
.
GROUP
&
TONE SELECT
Select the kind of tone
.
•
Tones are classified in groups named A to
N.
A list of tones can be found in the separate
"REFERENCE
GUIDE"
provided.
KEY
Specify the amount of key-shift in semitone in-
crements
(-
24 to +24)
.
TUNE
Fine-adjustment of the pitch (-50 to +50).
•
Slight differences in the TUNE values between
the tones add fullness to the sound
.
3.
Repeat steps 1 and 2 for the other tones as
desired
.
CURVE
Select the type (curve) of volume increase when
the keyboard is played harder (-3 to +3)
.
• For details about CURVE types, refer to the
separate "REFERENCE GUIDE" provided
.
SLOPE
Specify the slope of the volume change (-50 to
+50) with
F~
4 as the center
.
KEY LIM
Specify the range of the keyboard which is af-
fected by the volume change settings (CO to G8)
.
LOW KEY
LIMIT
HIGH KEY
LIMIT
3.
Repeat steps 1 and 2 for the other tones as
desired.
--
-
----.
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--·
-
-
-
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--
--
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