Roland JX-305 Owner's Manual page 80

Chapter 5. Creating Original Sounds (Patch Edit)
fig.5-72 (=MC fig.3-68)
TONE 3
W/P
TONE 1
W/P
TYPE1
TONE 2
W/P
TONE 3
W/P AMP
TONE 1
W/P AMP
TYPE2
TONE 2
W/P
TONE 3
W/P AMP
TONE 1
W/P AMP
TYPE3
TONE 2
W/P
TONE 3
W/P AMP
TONE 1
W/P AMP
TYPE4
TONE 2
W/P
5
TONE 3
W/P AMP
TONE 1
W/P AMP
TYPE5
TONE 2
W/P
TONE 3
W/P AMP
TONE 1
W/P AMP
TYPE6
TONE 2
W/P
TONE 1
W/P FILTER AMP
TONE 1
W/P FILTER AMP
TYPE7
TONE 2
W/P
TONE 3
W/P FILTER AMP
TONE 1
W/P FILTER AMP
TYPE8
TONE 2
W/P
TONE3
W/P FILTER AMP
TONE 1
W/P FILTER AMP
TYPE9
TONE 2
W/P FILTER
TONE3
W/P FILTER AMP
TONE 1
W/P FILTER AMP
TYPE10
TONE 2
W/P FILTER
80
FILTER AMP
FILTER AMP
AMP
FILTER AMP
FILTER
FILTER
AMP
FILTER AMP
FILTER
FILTER
B
FILTER AMP
FILTER AMP
FILTER
FILTER
B
FILTER AMP
FILTER AMP
FILTER
FILTER
R
FILTER AMP
FILTER AMP
FILTER
FILTER
R
FILTER AMP
FILTER AMP
R
FILTER AMP
FILTER AMP
R
FILTER AMP
FILTER AMP
R
AMP
AMP
R
AMP
AMP
TYPE 1: This is the most basic type. Tones 1 and 2 (3
and 4) are independent. Select this when
you wish to utilize the waveform of each
tone without change, or when you wish to
layer tones to create a richer sound.
This type combines the two filters to
TYPE 2:
strengthen their characteristics. The AMP of
tone 1 (3) will control the volume balance of
the two tones.
This type mixes the sound of tone 1 (3) and
TYPE 3:
tone 2 (4), applies a filter, and then applies
a booster to distort the waveform.
TYPE 4: This type applies a booster to distort the
waveform, and then combines the two fil-
ters. The AMP of tone 1 (3) adjusts the
depth of the booster.
TYPE 5: This type uses a ring modulator to create
new overtones, and combines the two fil-
ters. The AMP of tone 1 (3) adjusts the
depth of ring modulation.
TYPE 6: This type uses a ring modulator to create
new overtones, and in addition mixes in the
sound of tone 2 (4) and stacks the two fil-
ters. The AMP of tone 1 (3) adjusts the
depth of ring modulation.
TYPE 7: This type applies a filter to tone 1 (3) and
ring-modulates it with tone 2 (4) to create
new overtones.
TYPE 8: This type applies a filter to tone 1 (3) and
ring-modulates it with tone 2 (4), then
mixes it with the sound of tone 2 (4) and fil-
ters the result.
TYPE 9: This type passes the filtered sound of each
tone through a ring modulator to create
new overtones.
TYPE 10: This type passes the filtered sound of each
tone through a ring modulator to create
new overtones, and also mixes in the sound
of tone 2 (4).
* With TYPE 2–10 selected, turning off one of the paired
tones will cause the other tone to sound as TYPE 1.