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Yamaha O2R Owner's Manual

Yamaha digital recording console owner's manual.
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YAMAHA
YAMAHA
®
AUTHORIZED
PRODUCT MANUAL
D I G I T A L R E C O R D I N G C O N S O L E

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   Summary of Contents for Yamaha O2R

  • Page 1

    YAMAHA YAMAHA ® AUTHORIZED PRODUCT MANUAL D I G I T A L R E C O R D I N G C O N S O L E...

  • Page 2

    YAMAHA DIGITAL RECORDING CONSOLE OWNER’S MANUAL...

  • Page 3

    1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

  • Page 4: Important Information

    Important Information Important Information Please read the following before operating your Digital Recording Console 02R. Precautions Installing the 02R The unit should be connected only to an AC receptacle of the type described in the owner’s manual or as marked on the unit. Be careful to prevent the 02R from getting wet;...

  • Page 5

    Important Information Do not handle the power plug with wet hands. Otherwise, you may receive an electrical shock. When you remove the power plug, be sure to hold the plug. Never pull on the cord. Otherwise, the power cord will become damaged, resulting in fire or electrical shock.

  • Page 6

    Important Information If an abnormality occurs while operating the 02, remove the plug from the AC outlet If you notice any abnormality--such as smoke, odor, noise, etc.--turn off the power to the 02R immediately, and remove the power plug from the AC outlet. Confirm that the abnormality is no longer present, then consult your dealer for repair.

  • Page 7: Package Contents

    All other trademarks and registered trademarks are the property of their respective holders. Package Contents Your Digital Recording Console 02R package contains the following items. If you do not have them all, please contact your Yamaha dealer. Digital Recording Console 02R This Getting Started Guide This Owner’s Manual consists of: A Getting Started Guide section and A User’s Guide section.

  • Page 8: Getting Started Guide

    DIGITAL RECORDING CONSOLE Getting Started Guide...

  • Page 9: Introduction To The 02r

    Contents Contents Introduction to the 02R..... . 1 Digital Recording Console 02R ......2 User Guides .

  • Page 10: Digital Recording Console 02r

    Contents Mixing and Automation....67 What is 02R Automation? ....... . 68 Real-Time Automation .

  • Page 11: User Guides

    Introduction to the 02R Introduction to the 02R In this chapter... Digital Recording Console 02R ........2 User Guides .

  • Page 12: Features

    DSP technology comes the Digital Recording Console 02R – the most advanced digital mixing console in the world. All of YAMAHA’s experience and innovation has been applied to the 02R, to create a perfect mixer for use with the current generation of modular digital multitrack tape and disk recorders.

  • Page 13

    Introduction to the 02R RISC Technology To provide powerful system control and full dynamic automation, the 02R is driven by a RISC technology CPU. With all this power and sonic quality, the 02R will become the heart of your digital recording studio. User Guides The Digital Recording Console 02R is supplied with an Owner’s Manual which consists of two sections –...

  • Page 14: Top And Rear Panels

    Introduction to the 02R Top and Rear Panels Digital Recording Console 02R Getting Started Guide...

  • Page 15: General Features

    Linear 20-bit 8-times oversampling D/A convertors 105 dB dynamic range (typical) 32-bit precision internal processing with a dynamic range of over 190 dB using YAMAHA's 32-bit proprietary audio DSP General Features 40 input channel mixer, with full dynamic processing and 4-band parametric equalization Dynamic automation –...

  • Page 16: Optional Features

    RISC technology CPU SMPTE and MTC synchronization plus full MIDI implementation Optional Features Optional digital I/O cards: Alesis ADAT TASCAM TDIF-1 YAMAHA AES/EBU Digital Cascade Optional analog input/output card Optional 1MB memory expansion kit Optional meter bridge Optional wooden side panels...

  • Page 17: Key Features

    Introduction to the 02R Key Features This section looks at some of the key features of the Digital Recording Console 02R, what they mean to you, and some hints about how you can use them. Dynamic Automation One of the most demanding jobs of the recording engineer is taking all the raw material produced during a multitrack recording session and mixing it all together into an artistically satisfying master recording.

  • Page 18: User Interface

    Introduction to the 02R Recalling the scene is even easier – just press the [RECALL] button. You should be careful that your scene memories flow into each other smoothly. The instant recall means that you can have very abrupt level changes or the unexpected intrusion of a very loud channel.

  • Page 19

    The Digital Recording Console 02R features eight auxiliary sends, two of which are routed to the internal multi-effects stereo processors: Effect1 and Effect2.Using the power of YAMAHA’s proprietary effects processor chip, the 02R has a startling range of special effects available to apply to your mix.

  • Page 20

    Introduction to the 02R Similar to the internal stereo effects, the dynamics processors are patched directly into the signal path while the audio data remains in the digital domain. Signal quality is unaffected by conversion to and from digital as would be the case if you used an external dynamics processor.

  • Page 21: Getting Started

    Introduction to the 02R Digital Recording Console 02R Sonic Performance The Digital Recording Console 02R uses linear 20-bit 64-times oversampling analog-to-digital converters to provide a typical dynamic range of 105 dB. This means that an audio program’s dynamic range, from low to high levels, is processed intact.

  • Page 22: Basic Assumptions

    Getting Started 13 Getting Started In this chapter... Basic Assumptions ..........14 Making the Connections .

  • Page 23: Basic Assumptions, What You Will Need, Making The Connections

    G e t t i n g S t a r t e d Basic Assumptions The Digital Recording Console 02R was designed to be the perfect digital mixing console for a studio using the current generation of modular digital multitrack tape and disk recorders. Although the 02R can also be used as a sound-reinforcement mixer, the typical user will own a project recording or post-production studio with some form of multitrack recorder.

  • Page 24: Getting Started, Basic Setup

    Getting Started 15 Basic Setup The following illustration shows how to set up a minimal system that will allow you to perform the following tutorials. Digital Recording Console 02R Getting Started Guide...

  • Page 25: Power Off, Power On/off, Setting The Synchronization

    Getting Started Power ON/OFF This section explains how to power the Digital Recording Console 02R on and off. Power ON It is always important to observe the correct order for powering up equipment in a studio. Always start with the multitrack and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear.

  • Page 26: Recall Scene Memory

    Getting Started 17 Recall Scene Memory 0 Before you start the tutorials, you should set the 02R to its initial mixer settings. 2. Use the SCENE MEMORY increment or decrement buttons to select scene memory 0 “0 Initial Data”. 3. Press the (RECALL) button. This is a read-only scene memory that contains the default settings for the system.

  • Page 27: Introductory Recording Tutorial

    Introductory Recording Tutorial Introductory Recording Tutorial In this chapter ... Setting the Input Level.................20 Applying EQ ......................24 Using the EQUALIZER Library ................30 Routing......................35 Panning .........................38 Digital Recording Console 02R Getting Started Guide...

  • Page 28: Setting The Input Level

    Introductory Recording Tutorial Setting the Input level Assuming that Digital Recording Console 02R is powered ON and your music source is playing, the very first thing you need to do is set up a basic control room monitor mix. When you recall Scene Memory 0 “0 Initial Data ”, all the channel faders are set to the 0 dB mark.

  • Page 29

    Introductory Recording Tutorial Setting the GAIN 1. Press the (METER) button. The METER Display function appears showing the signal level for MIC/LINE 1. 2. Press the (SEL) button for MIC/LINE 1. You are now monitoring the input channel MIC/LINE 1. 3.

  • Page 30

    Introductory Recording Tutorial Back off the GAIN control a little until the PEAK indicator illuminates very occasionally. The GAIN control should be set with some care. If it is set too low, the signal-to-noise performance will suffer, and if it is set too high, signal clipping and distortion may occur.

  • Page 31

    Introductory Recording Tutorial The peak level is indicated by an empty square box. Peak Hold is very useful for level checking before recording. You can leave a mix to play through unattended while Peak Hold watches out for signal peaks. If any levels reach CLIP, back off the relevant GAIN control or use the Ø/ATT display function to attenuate the signal and run through the mix again.

  • Page 32: Applying Eq

    Introductory Recording Tutorial Applying EQ The next step is to apply equalization to MIC/LINE 1. The Digital Recording Console 02R has a four-band fully parametric equalizer, with variable bandwidth (Q), frequency (F), and gain (G). The power of the 02R user interface means that there are two ways of adjusting the equalization for MIC/LINE 1.

  • Page 33

    Introductory Recording Tutorial 2. Press the (EQ) button. The EQUALIZER display function appears showing the equalization curve and settings for MIC/LINE 1. 3. Use the CURSOR buttons to select the EQ ON icon. If the equalizer is ON, the icon will be highlighted in reverse video. The –...

  • Page 34

    26 Introductory Recording Tutorial The gain increases in 0.5 dB steps and the EQ curve on the display changes to reflect this. 3. Rotate the encoder wheel counterclockwise to reduce the gain. You can also adjust the “G” rotary encoder to reduce the gain. The gain decreases in 0.5 dB steps.

  • Page 35

    Introductory Recording Tutorial Setting the Frequency 1. Select the frequency (F) icon for the LOW band using the CURSOR buttons. 2. Use the encoder wheel to sweep through the frequency range. You can also adjust the “F” rotary encoder of the EQUALIZER controls to achieve the same effect.

  • Page 36

    Introductory Recording Tutorial Setting the Bandwidth The L-MID and H-MID bands are peaking type equalizers. The LOW and HIGH bands are initially configured as shelving type equalizers, however, they can also be configured as peaking type equalizers. The LOW band can also be configured as a HPF (high-pass filter) and the HIGH band as a LPF (low-pass filter).

  • Page 37

    Introductory Recording Tutorial Resetting the Equalizer 1. Press and hold the (LOW/HPF) button and then press the (HIGH/LPF) button of the SELECTED CHANNEL - EQUALIZER controls. All equalizer values will be reset to their defaults. LOW/HPF L-MID H-MID HIGH/LPF HIGH SHELF LOW SHELF Peak - 0.7 Peak - 0.7...

  • Page 38: Using The Equalizer Library

    Introductory Recording Tutorial Using the EQUALIZER Library The Equalizer Library is used to access and store EQ settings - stored as programs. There are 32 preset programs (1 to 32) for you to recall and 96 user programs (33 to 128 plus UNDO) for you to store your own EQ settings.

  • Page 39

    Introductory Recording Tutorial 4. Use the encoder wheel to select an EQ program. As the 02R scrolls through the list of EQ programs, a small diagram of the response curve of the highlighted EQ program is shown to the right of the list.

  • Page 40

    Introductory Recording Tutorial Undoing a Recall If you decided you did not want to replace the current equalization curve with the program you selected from the EQ library, you can recall the previous curve. 1. Use the CURSOR buttons to select the RECALL icon and rotate the encoder wheel until program “U”...

  • Page 41

    Introductory Recording Tutorial 2. Select the STORE icon with the CURSOR buttons. In order to scroll through the list of EQ programs, the cursor must be on the STORE, RECALL, COPY, or PASTE icons. 3. Use the encoder wheel to select an EQ program. If you select one of the preset programs (1 to 32), an error message will flash on the screen when you attempt to store your program.

  • Page 42

    Introductory Recording Tutorial You can select the “INS.” control icon to insert a space (blank) at the current cursor location in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” control icon is used to delete the character under the current cursor location in the TITLE EDIT box.

  • Page 43: Routing

    02R. • YAMAHA (CD8-Y) -This single slot card supports an 8-channel YAMAHA modular digital multitrack recorder. It provides eight input channels and eight output channels. You can insert as many as four of these cards in the 02R.

  • Page 44

    Introductory Recording Tutorial Using the ROUTING Display Function Similar to the equalization function, there are two ways of adjusting the routing for MIC/LINE 1. One method is to use the ROUTING display function. The more convenient method is to use the buttons of the ROUTING block of the SELECTED CHANNEL controls.

  • Page 45

    Introductory Recording Tutorial Selecting the Routing 1. Press the (ROUTING) button. The ROUTING display function appears showing the selected routes for MIC/LINE 1. 2. Use the ROUTING buttons of the SELECTED CHANNEL controls to select the routes for MIC/LINE 1. As you press the ROUTING buttons, the LED inset in the button illuminates and the corresponding icon on the ROUTING display function screen changes to reverse video.

  • Page 46: Panning

    Introductory Recording Tutorial P a n n i n g Similar to the equalization and routing functions, there are two ways of adjusting the pan for MIC/LINE 1. One method is to use the PAN display function. The more convenient method is to use the buttons and controls of the PAN block of the SELECTED CHANNEL controls.

  • Page 47

    Introductory Recording Tutorial 2. Press the (SEL) button for MIC/LINE 1 and rotate the pan rotary encoder. The LED inset in the [L/ODD] button will be illuminated. The current pan position is indicated on the adjacent LED bargraph. As an alternative, you can use the CURSOR buttons to select the PAN icon for MIC/LINE 1 and rotate the encoder wheel until the desired value is shown.

  • Page 48: Auxiliary Send Channels

    Secondary Recording Tutorial Secondary Recording Tutorial In this chapter... Auxiliary Send Channels ........Setting the Auxiliary Send Level .

  • Page 49: Auxiliary Send Channels

    Secondary Recording Tutorial Auxiliary Send Channels The Digital Recording Console 02R has eight auxiliary send channels. AUX7 and AUX8 are used to feed the internal effects processors, with the signal remaining entirely in the digital domain. The other auxiliary sends - AUXl through AUX6 - can be used to feed external signal processors and effects units, foldback amplifiers, or multitrack recording equipment.

  • Page 50: Setting The Auxiliary Send Level

    Secondary Recording Tutorial Setting the Auxiliary Send Level The following example shows setting the send level for MIC/LINE 1 to the first auxiliary channel, AUXl. 1. Press the (AUX 1) button. The AUXl display function appears: The faders change from channel level controls to auxiliary send level controls.

  • Page 51

    Secondary Recording Tutorial The PRE icon becomes the POST icon and is highlighted in reverse video when the signal is pre-fader. 4. To change the signal level, adjust the fader for MIC/LINE 1 until the desired value is obtained. You can use the rotary encoders for the tape returns or press the [FLIP] button.

  • Page 52: Creating A Monitor Mix

    Secondary Recording Tutorial Creating a Monitor Mix The Digital Recording Console 02R has two different monitoring outputs - the control room outputs and the studio outputs - plus, of course, the PHONES output (which are a duplicate of the control room output). During a multitrack recording session, what you want to listen to in the control room is often very different from what the musicians need in the studio.

  • Page 53: Applying Effects

    Secondary Recording Tutorial Applying Effects The Digital Recording Console 02R features two internal multi-effects stereo processors: Effect1 and Effect2. These are fed by AUX7 and AUX8, and the processed signals are returned via EFFl RTN and EFF2 RTN, respectively. When you use the internal effects, the signal gets processed without ever leaving the digital domain.

  • Page 54

    Secondary Recording Tutorial 2. Select MIC/LINE 1 using the (SEL) buttons or the CURSOR buttons. Turn the auxiliary send on by pressing the [AUX 7] button and then the [ON] button in the AUX group of the SELECTED CHANNEL controls. 3.

  • Page 55

    Secondary Recording Tutorial As the effect return signal is entirely digital, if CLIP is reached, you will experience digital clipping distortion. Note: In many cases, clipping in the effect return channel is caused by the send level being too high. You may need to adjust the send levels as well as the attenuation if you experience clipping.

  • Page 56: Recalling And Editing Effects

    Secondary Recording Tutorial Recalling and Editing Effects Once you have applied effects to MIC/LINE 1, you need to know how to recall effects programs from the effects library and to adjust their parameters in order to create your own effect programs. Recalling Effects Programs 1.

  • Page 57: Editing Effects

    Secondary Recording Tutorial 3. Use the CURSOR buttons to select the RECALL icon. Rotate the encoder wheel to select an effects program. The 02R will scroll through the available effects programs. The program that is highlighted is the program that will be recalled when you press the [ENTER] button.

  • Page 58

    Secondary Recording Tutorial 2. Select the various parameter icons with the CURSOR buttons. Adjust the value with the encoder wheel. As you adjust the parameters, you should listen carefully to the results. Some of the parameters of some of the effects are very subtle in their effect, others are quite obvious.

  • Page 59

    Secondary Recording Tutorial 2. Use the CURSOR buttons to select the TITLE EDIT box: 3. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters. You can create a name of up to characters long.

  • Page 60

    Secondary Recording Tutorial You can select the “INS.” control icon to insert a space (blank) at the current cursor location in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” control icon is used to delete the character under the current cursor location in the TITLE EDIT box.

  • Page 61: Patching In A Dynamics Processor

    Secondary Recording Tutorial Patching in a Dynamics Processor The Digital Recording Console 02R features comprehensive dynamics processors for all the channel inputs, tape returns, and stereo and bus outputs. These processors allow you to compress, expand, compress/expand (compand), gate, or duck the signals passing through the mixer.

  • Page 62

    Secondary Recording Tutorial Compressing the Stereo Output You can apply dynamics to the input channels, for example, the channel you have used throughout these tutorials — MIC/LINE 1. The selection of dynamics program would depend on the input material: a gate for a noisy guitar amp, a compressor for an unpredictable vocalist, and so on.

  • Page 63

    Secondary Recording Tutorial 3. Use the CURSOR buttons to select the DYNAMICS OFF icon and press the (ENTER) button to turn the processor on. The icon is highlighted in reverse video with the text changed to ON. Being able to easily turn the dynamics processor on and off allows you to perform quick A-B listening tests.

  • Page 64: Using The Dynamics Library

    Secondary Recording Tutorial Using the Dynamics Library Once you have applied a dynamics processor to the stereo bus, you need to know how to recall dynamics programs from the library and to adjust the parameters to create your own dynamics programs. Recalling Dynamics Programs 1.

  • Page 65

    Secondary Recording Tutorial Editing Dynamics Programs You can edit the preset dynamics programs and then store them as user programs. The Digital Recording Console 02R has 40 preset programs (1 through 40). Each program is a variation on the six basic dynamics processors available: Compressor (CMP) Gate (GAT)

  • Page 66

    Secondary Recording Tutorial Storing a User Dynamics Program The Digital Recording Console 02R has 88 user dynamics program locations (41 through 128) for you to store your own settings. You can store your dynamics program in the Dynamics Library, or you can just rely on the 02R scene memory to recall your settings.

  • Page 67

    Secondary Recording Tutorial Move the cursor to the first character position with the CURSOR buttons. Rotate the encoder to select the desired character. Move the cursor to the second character position and repeat: You can select the “INS.” control icon to insert a space (blank) at the current cursor location in the TITLE EDIT box.

  • Page 68

    Secondary Recording Tutorial CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds — the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” control icon and press the [ENTER] button.

  • Page 69: Scene Memories

    Secondary Recording Tutorial Scene Memories The Digital Recording Console 02R scene memories are a snapshot of all the digital parameters of the mixer. The 02R has 64 mix scene memory locations. Each can be named for easy identification. There are two special scene memories. “0 Initial Data” is a read-only scene memory that resets the 02R to its default settings.

  • Page 70: Scene Memories

    Secondary Recording Tutorial CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds — the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” control icon and press the [ENTER] button.

  • Page 71

    Secondary Recording Tutorial 3. Use the CURSOR buttons to select the title edit box. 4. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters. You can create a name of up to 16 characters long. It can contain any of the following characters: Move the cursor to the first character position with the CURSOR buttons.

  • Page 72: Recalling A Scene Memory

    Secondary Recording Tutorial Recalling a Scene Memory Scene memories are recalled using the [RECALL] button. They can also be recalled by the automation system or by using MIDI Program Change Messages. 1. Use the SCENE MEMORY increment or decrement buttons to select the desired scene memory.

  • Page 73

    Mixing and Automation Mixing and Automation In this chapter... What is 02R Automation? ........68 Real-Time Automation .

  • Page 74: What Is 02r Automation

    Mixing and Automation What is 02R Automation? There are three basic steps to making a multitrack recording: Setup and initial tracks Overdubbing Mixdown Each step is vital in order to produce a satisfactory recording, but the most difficult one for most engineers is the mixdown. The musicians have finished their work.

  • Page 75: Mixing And Automation, Real-time Automation

    Mixing and Automation Real-Time Automation These tutorials have assumed you are using your Digital Recording Console 02R with one or more of the optional I/O cards installed and a multitrack recorder connected. In this section, you will be synchronizing your multitrack recorder to the 02R. There are three basic ways of doing this: If your multitrack recorder is equipped with a SMPTE timecode output connector, you use an audio cable to connect it to the SMPTE...

  • Page 76

    Mixing and Automation 3. Use the CURSOR buttons to select the desired “Frame” rate and press the (ENTER) button. The 02R supports four industry standard frame rates: 30 - 30 frames per second. 30D - 29.97 frames per second (30 drop frame). 25 - 25 frames per second.

  • Page 77

    Mixing and Automation Creating a New Automix To record an entire mixing session with the Digital Recording Console 02R automation system, you must first create a new automix. When a new automix is created, the contents of the current automix (referred to as “events”) are deleted and the current automix is returned to its default settings.

  • Page 78

    Mixing and Automation 4. Use the CURSOR buttons to select the “NEW” control icon and press the (ENTER) button. The 02R will display a popup confirmation request message asking if you want to make a new automix. The popup has two control icons: “CANCEL”...

  • Page 79

    Mixing and Automation Recording the First Session 1. Press the (AUTOMIX) button repeatedly to get to the “Main” screen. You can stop pressing the [AUTOMIX] button when the “Automix Main” screen reappears: 2. Select the “REC” (record) icon with the CURSOR buttons and press the (ENTER) button.

  • Page 80

    Mixing and Automation When timecode is received when the 02R is in AUTOMIX RECORD READY status, the “RECORD” icon will change to steady illumination (reverse video) and automix recording will begin. The timecode will be displayed in real-time in the “Time Code” field of the “Automix Main” screen.

  • Page 81

    Mixing and Automation 6. When you have completed recording the automix session, use the CURSOR buttons to select the “STOP” icon and press the (ENTER) button. You may find it faster and more convenient to stop the automix recording session by stopping the device that is providing the timecode. In this case, the effect is the same as if you selected the STOP function on the 02R: The “RECORD”...

  • Page 82: Editing Automation Events

    Mixing and Automation Editing Automation Events Overwriting Events You can overwrite the events that have been recorded into the current automix. You can alter events on an already recorded channel or you can record new events onto another channel. For example, you may first record the faders for the rhythm section to the automix and then overwrite the fader operations for the lead parts and vocals.

  • Page 83

    Mixing and Automation 5. Start the device that is providing the timecode. It should have been rewound and again start from a location before the music starts. The previously recorded automix will playback. 6. While monitoring the recording, adjust the parameters you want to overwrite.

  • Page 84

    Mixing and Automation 5. Monitor the recording. At the punch-in location, press the (SEL) buttons for the tape return channels you want to fix. Recording will begin from the location where you pressed the [SEL] button. Note: From this point, new events will be recorded and previously existing events will be deleted.

  • Page 85

    Mixing and Automation 3. Press the (AUTOMIX) button several times. You can stop when the “Fader Edit” screen appears: This display allows you to watch the fader movements as dynamic bargraphs. Several features make this display convenient to use while you perform detailed fader/encoder edits.

  • Page 86

    Mixing and Automation direction the fader has to be moved to return to the previously recorded position: If the fader is moved to a position lower If the fader is moved to a position higher than the previously recorded position than the previously recorded position 9 .

  • Page 87: Off-line Automix Editing

    Mixing and Automation Off-Line Automix Editing Editing Scene and Library Recall You can edit the timing and contents of scene and library recall events that have been recorded into the current automix. 1. Press the (AUTOMIX) button several times. You can stop when the “Event Edit (MEMORY)” screen appears: This display consists of a table listing Time Code, Memory, and Channel of the scene and library recall events recorded into the current automix.

  • Page 88

    Mixing and Automation CH.Lib. - channel library recall. The number indicates the channel library number (from 1 to 64). Channel - the channel that the recall applies to. For scene memory recall, this field is blank. 3. Rotate the encoder wheel to change the value at the current cursor location.

  • Page 89

    Mixing and Automation This display consists of a table listing Time Code, Channel, and ON/OFF of the channel on/off events recorded into the current automix. It also has two control icons which allow you to insert (INSERT) or delete (DELETE) events.

  • Page 90: Deleting Events

    Mixing and Automation Deleting Events You can delete specific events that have been recorded into the current automix. You can select a timecode range, the channels desired, and the specific events you want to delete. 1. Press the (AUTOMIX) button again. You can stop when the “Event Extract”...

  • Page 91

    Mixing and Automation 4. Select the “Parameters” to delete with the CURSOR buttons and press the (ENTER) button to switch a parameter on or off. You can select one or more parameters to delete from the following: LEVEL – fader/encoder events, controlling the input level of a channel. CH ON –...

  • Page 92: Using The Automix Library

    Mixing and Automation Using the AUTOMIX library Storing an Automix The Digital Recording Console 02R has 16 automix program locations (1 through 16) for you to store the current automix. The following instructions show you how to store your automix program in the library. 1.

  • Page 93

    Mixing and Automation Move the cursor to the first character position with the CURSOR buttons. Rotate the encoder to select the desired character. Move the cursor to the second character position and repeat: You can select the “INS.” control icon to insert a space (blank) at the current cursor location in the TITLE EDIT box.

  • Page 94

    Mixing and Automation CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds - the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” control icon and press the [ENTER] button.

  • Page 95

    Mixing and Automation Recalling an Automix 1. Press the (AUTOMIX) button until the “Memory Management” screen appears: AUTOMIX 2. Use the CURSOR buttons to select the RECALL icon. Rotate the encoder wheel to select an automix program. The 02R will scroll through the available automix programs. The program that is highlighted is the program that will be recalled when you press the [ENTER] button.

  • Page 96

    Index Index ONE/ALL – confirmation popup....84 “Out Time” field ..........85 “Parameters” check boxes......... 85 automation system popup – ALL icon..........84 automix memory............68 popup – ONE icon..........84 AUTOMIX RECORD READY........73 UNDO icon............85 connections and setup..

  • Page 97

    Index STORE – confirmation popup ......53 DYNAMICS OFF icon..........56 TITLE EDIT box ..........52 KEY IN icons ............... 56 A/B switch ................14 KEY IN prompt............56 LIB icon ................ 57 parameter icons............56 DYNAMICS Library display function channel COPY icon ..............

  • Page 98: Index

    AES/EBU (CD8-AE) ..........35 TITLE EDIT box ............33 Alesis ADAT (CD8-AT) ..........35 Analog AD/DA (CD8-AD) ........35 TASCAM TDIF-1 (CD8-TD)........35 YAMAHA (CD8-Y) ............ 35 fader levels, setting............20 fader status................43 FADER STATUS indicator AUX LED ..............43 20dB (pad) switch...............

  • Page 99

    Index H-MID button ............. 26 L-MID button .............. 26 LOW/HPF button ............25 routing Q (bandwidth) rotary encoder........28 direct outputs .............. 35 SELECTED CHANNEL – PAN eight output buses ............35 LED bargraph.............. 39 selecting the routes ............. 37 L/ODD button............

  • Page 100

    DIGITAL RECORDING CONSOLE User’s Guide...

  • Page 101

    Sections Sections Controls and Connections....1 User Interface ......17 Mixing and Monitoring.

  • Page 102: Table Of Contents

    C o n t e n t s i i i Contents Controls and Connections....1 Front Panel ..........2 Rear Panel.

  • Page 103: Table Of Contents

    Contents Metering ..........View .

  • Page 104: Table Of Contents

    C o n t e n t s v Scene Memories......113 What are Scene Memories? ......What is Stored in a Scene Memory?.

  • Page 105: Table Of Contents

    Contents Oscillator ..........Emphasis Monitor .

  • Page 106

    Controls and Connections Controls and Connections In this chapter... Front Panel ........... . . Rear Panel .

  • Page 107: Controls And Connections, Front Panel

    Controls and Connections Front Panel SELECTED CHANNEL controls Analog output controls Analog input controls Display screen and related controls DISPLAY ACCESS controls Monitor controls Scene memory controls Display controls Faders Digital Recording Console 02R User’s Guide...

  • Page 108

    Controls and Connections Analog input controls Phantom switches (channels 1 to 8) These switches turn the +48 V DC phantom power ON and OFF for the XLR-3-31 connectors. A/B switches (channels 1 to 8) These switches select between the XLR-3-31 connectors and the phone connectors.

  • Page 109

    Controls and Connections Analog output controls T/B LEVEL control and microphone This control sets the volume level of the built-in talkback microphone. STUDIO LEVEL control This control sets the level of the signal sent to the STUDIO MONITOR OUTPUT connectors. PHONES LEVEL control and connector This control sets the level of signal output to a pair of stereo headphones plugged into the connector.

  • Page 110

    Controls and Connections MIXING buttons These buttons access the corresponding Display function. Description Button Ø/ATT Set phase and attenuation. DELAY Set the channel delay. Set the pan position. ROUTING Set the channel routing. METER Meter the levels from the individual input channels, the tape and effect return chan- nels, the 8 main busses, and the 8 auxiliary busses.

  • Page 111

    Controls and Connections Display screen and related controls SCENE MEMORY indicator This 2-digit (7-segment) LED shows the currently selected Scene Memory program. It also contains the Edit Indicator, which will start flashing when the current mix scene is first adjusted. FADER STATUS indicators These LED indicators show the status of the faders.

  • Page 112

    Controls and Connections SELECTED CHANNEL controls ROUTING buttons These buttons set the routing for the currently selected channel. AUX buttons and controls These buttons and controls set the auxiliary send channel and level for the currently selected channel. PAN buttons and controls These buttons and controls set the pan position for the currently selected channel.

  • Page 113: Monitor Controls

    Controls and Connections Monitor controls STUDIO buttons These buttons select the monitor signal sent to the STUDIO MONITOR OUTPUT connectors. CONTROL ROOM buttons These buttons select the monitor signal sent to the C-R MONITOR OUT connectors. TALKBACK buttons These buttons allow the control room to talk to the studio and to SLATE control room information to the output busses.

  • Page 114

    Controls and Connections Faders Tape and Effect return controls These continuously rotary controls set the level of the tape and effect returns. The current level of a return channel is shown by the corresponding icon on the bottom of the display screen. SEL buttons These buttons select the individual channels.

  • Page 115

    Controls and Connections FLIP button This button interchanges the functions of MIC/LINE channels 1 to 16 and TARE RETURN channels 1 to 16. This allows you to set the tape return levels with the Faders rather than the Tape Return controls.

  • Page 116: Rear Panel

    Controls and Connections CURSOR buttons These buttons select the parameters and options on the display screen. ENTER button This button either confirms a parameter setting made with the Encoder wheel or it sets a parameter that only has two possible values.

  • Page 117

    These are pairs of balanced 1/4” phone jacks with a -40 to +4 dB nominal input level. You can connect the return from a stereo effects unit (for example the YAMAHA D5000 digital delay) to these input channels. The signals from 2TR IN DIGITAL (1) can be routed to channels 17/18 and the signals from 2TR IN DIGITAL (2) can be routed to channels 19/20.

  • Page 118: Midi Connectors

    Controls and Connections POWER switch This is a push-type power switch. It is recessed to prevent accidental operation. Press once to power ON; press again to power OFF. METER connector This 15-pin Dsub connector sends the meter information from each of the input channels, tape and effect return channels, auxiliary channels, etc., to the optional meter bridge (MB02).

  • Page 119

    - 32 ch) Digital l/O TDIF-1 CD8-TD Single 1 ~ 4 (max 4 cards - 32 ch) 1 ~ 4 (max 4 YAMAHA CD8-Y Single cards - 32 ch) 1 or 2 (max 2 AD/DA CD8-AD Double Analog l/O...

  • Page 120

    Block Diagram...

  • Page 121

    User Interface 17 User Interface In this chapter... About the User Interface......... 18 DISPLAY ACCESS Buttons .

  • Page 122: Display Access Buttons

    User Interface About the User lnterface Digital Recording Console 02R user interface is powerful but very intuitive. There are two main methods of working with the 02R Use the DISPLAY ACCESS controls to modify one parameter at a time across the entire recording console. Use the SELECTED CHANNEL controls to modify all of the parameters of the currently selected channel.

  • Page 123

    User interface 19 The [DIGITAL I/O] button is used to select the word clock source, define the digital input/output connectors, control the cascade configuration, and set the word dither. The [SETUP] button is used to control the solo function and defines system preferences.

  • Page 124: Cursor Buttons

    User Interface The [AUX 7] and [AUX 8] buttons also set the send levels to the corresponding auxiliary buss and can select pre or post fader. However, these two sends are routed to the internal effects unit. Therefore, the buttons also allow you to select and set the effects parameters.

  • Page 125

    User Interface 21 The CURSOR buttons are also used to position the cursor in a name when naming automation mixes, scene memories, equalizer programs, effects programs, dynamics programs, and channel library programs. When a display left or right icon appears at the left or right side of the display, indicating that another display page is available, the CURSOR buttons are used to select that display Encoder Wheel...

  • Page 126: Display Functions

    User Interface Display Functions The following table lists all the Digital Recording Console 02R display functions and briefly explains what they do. Display Function Description SCENE Store and recall mix scenes. DIGITAL l/O Sets digital I/O parameters and selects word clock.

  • Page 127

    User Interface 23 SELECTED CHANNEL Controls These controls are very similar in setup to the controls of an analog mixer. You may find working with the buttons and controls of this section of the 02R is much faster and more intuitive than working through the screens of the DISPLAY ACCESS functions.

  • Page 128

    User Interface PAN controls These controls allow you to select the pan position of the selected channel. The buttons select one of two channels (channels are always paired for the pan function). Use the rotary encoder to adjust the pan position.

  • Page 129: Table Of Contents

    Mixing and Monitoring Mixing and Monitoring In this chapter... Analog Inputs..........26 Phantom Power .

  • Page 130: Analog Inputs, Phantom Power

    Mixing and Monitoring Analog Inputs The Digital Recording Console 02R is equipped with 24 individual analog input connectors. The first sixteen channels, 1 through 16, are monophonic input channels designed for microphone to line level signal inputs. The last eight channels, 17 through 24, are stereo pairs designed for line level signals only.

  • Page 131: Sel Buttons

    Mixing and Monitoring The Pad function attenuates input signals by 20 dB. This is useful when inputting high level signals that would otherwise overload the input preamplifier. By increasing the effective range of the GAIN control, high-level signals can be adjusted accurately. Pad can be set individually for the mono input channels 1 through 16.

  • Page 132

    Mixing and Monitoring ON Buttons The [ON] buttons are used to turn channels on and off. The input channel, tape return channel, effect return channel, and stereo output [ON] buttons turn their respective channels on and off. When a channel is turned on, the LED set in the corresponding button lights up.

  • Page 133: Analog Outputs, Monitor Selector Switches

    The buttons select the monitor signal sent to the control room monitor system. This is usually a large pair of near-field loudspeakers. Many studios also use a smaller speaker system, such as the YAMAHA NS-l0M, to monitor a “typical” listening environment.

  • Page 134

    Mixing and Monitoring SOLO Button You can monitor input channels in isolation by pressing the [SOLO] button. The LEDs in the centre of the selected channel [ON] buttons are extinguished. You select the channel(s) you want to solo by pressing the corresponding [ON] button.

  • Page 135

    MIXING Display Functions MIXING Display Functions In this chapter... Phase and Attenuation ......... . 32 Delay .

  • Page 136: Phase And Attenuation

    MIXING Display Functions Phase and Attenuation 1. Press the (Ø/ATT) button. Phase The Phase (Ø) function inverts the phase of the selected signal. When the phase of an channel is inverted against a corresponding channel, it can cause attenuation of both channels due to phase-cancellation. This can be caused by incorrectly wired cables or connectors.

  • Page 137

    MIXING Display Functions Display Screens There are two screens in the Ø/ATT display function. Shown below is the first - MIC/LINE 1 through 16 and LINE 17/18 through 23/24: Select this screen by pressing a [SEL] button for one of the MIC/LINE channels.

  • Page 138

    MIXING Display Functions Delay 1. Press the (DELAY) button. The DELAY display function is used to apply a small amount of delay to input or return signals to compensate for situations such as line or cabling delays or the gap between the record and playback heads (or circuitry) of your multitrack recorder.

  • Page 139

    MIXING Display Functions The following illustration shows the second screen - TAPE 1 through 16 and the effect returns, EFFl and EFF2: Select this screen by pressing a [SEL] button for the tape or effect returns channels. Fine-Tuning the Delay You can adjust the delay either samples [Smpl] or milliseconds [mSEC] with coarse or fine precision just by the placement of the cursor on the selected channel.

  • Page 140: Pan And Balance

    MIXING Display Functions Pan and Balance 1. Press the (PAN) button. The PAN display function is used to pan and balance signals. The input channels, including the stereo input channels, and the tape and effect returns can be panned, and the stereo output can be balanced. Display Screens The PAN display function appears.

  • Page 141

    MIXING Display Functions Pan Positions Including center, there are 33 pan positions: Stereo-Pair Pans Odd and even pairs of channels can be linked together in GANG mode providing simultaneous pan adjustment. This function can be set by pressing [ENTER] when one of a pair of channels is selected. The GANG is 1.

  • Page 142

    MIXING Display Functions Switching to GANG mode allows you to reposition the stereo signal within the stereo field. For example, you could set L5 and R10 before you GANG the channels. After you press [ENTER], adjusting either channel moves the other a corresponding amount.

  • Page 143: Direct Outputs

    MIXING Display Functions Routing 1. Press the (ROUTING) The ROUTING display function is used to select the bus routing of the button. input channels and tape and effect return signals. The first sixteen input channels, 1 through 16, can also be routed to the direct outputs. By default, all channels are routed to the stereo bus.

  • Page 144

    MIXING Display Functions Shown below is the second screen - TAPE 1 through 16, EFFl and EFF2, and STEREO output (balance): Select this screen by pressing a [SEL] button for the tape or effect returns channels or the master stereo output. ROUTING buttons You can also adjust the routing for the selected channel with the ROUTING buttons in the SELECTED CHANNEL group.

  • Page 145

    MIXING Display Functions Metering Press the (METER) button. The Digital Recording Console 02R features comprehensive signal level metering. The mono and stereo input channels, the tape and effect returns, and the auxiliary sends and buses are all metered using the METER display function.

  • Page 146

    MIXING Display Functions The third screen shows the output and auxiliary buses and the stereo Setting the Bus levels output, plus level faders for the buses: 1. Use the CURSOR buttons to select one of the bus fader icons. 2. Adjust the level of the bus by rotating the encoder wheel.

  • Page 147

    MIXING Display Functions By changing the meter source points, you can easily observe the effect of changing the EQ or channel fader levels on the signal. Note: Switching the meter source point or the input channels switches it for the tape and effect returns as well.

  • Page 148: Display Screen

    MIXING Display Functions View 1. Press the (VIEW) button. The VIEW display function allows you to see all the parameters of an individual channel at a glance and adjust any parameter that you feel requires a change. You can view the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24) and the tape and effect return channels (TAPE 1 through 16, EFF1 and EFF2).

  • Page 149

    MIXING Display Functions Pair Each time you press the [ENTER] button, PAIR will alternately be set or cancelled. Pair only applies to the individual input and tape return channels. See “Pairing Channels” on page 150 of the User’s Guide. If the selected channel is one of the stereo input channels or the effect return channels, the PAIR function does not apply.

  • Page 150: Auxiliary Sends

    MIXING Display Functions Auxiliary Sends Select an auxiliary channel with the CURSOR buttons. Each time you press the [ENTER] button, the setting alternates between pre and post-fader. To adjust the signal or to turn the send on or off, you need to use the AUX controls in the SELECTED CHANNEL group.

  • Page 151: Channel Library

    MIXING Display Functions Channel library 1. Press the (VIEW) button The Channel Library is used to access and store channel settings—stored as again. programs. There are 64 user programs (plus an UNDO buffer) for you to store your channel settings. You can access this screen from the VIEW display function by selecting the LIB icon with the CURSOR buttons and pressing the [ENTER] button.

  • Page 152

    MIXING Display Functions To store your settings, use the CURSOR buttons to select the “EXECUTE” control icon and press the [ENTER] button. The program is stored. When you confirm a STORE operation, any existing data in the selected program location will be overwritten. YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS ITS CONFIRMATION POPUP MESSAGE! RECALL - This icon is used to recall a program from the library.

  • Page 153

    MIXING Display Functions Equalizer 1. Press the (EQ) button. The Digital Recording Console 02R is equipped with a four-band, fully parametric equalizer, with variable bandwidth, center frequency, gain, and ON/OFF parameters. EQ can be applied to the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24), the tape and effect return channels (TAPE 1 through The EQUALIZER display 16, EFFl and EFF2), and the stereo output.

  • Page 154

    MIXING Display Functions Rotary icons–There is an icon for bandwidth (Q), center frequency (F), • and gain (G) for each of the four bands, LOW, L-MID, H-MID, and HIGH. Use the CURSOR buttons to select the desired icon and adjust its value with the rotary encoder.

  • Page 155

    MIXING Display Functions EQUALIZER controls You can also adjust the equalization for the selected channel with the EQUALIZER controls in the SELECTED CHANNEL group. These controls allow you to adjust the equalization of the selected channel. Select the band you want to adjust with one the buttons in the top row: [LOW/HPF], [L-MID], [H-MID], or [HIGH/LPF].

  • Page 156: Equalizer Programs

    MIXING Display Functions Equalizer Programs These are the preset equalizer programs. Program Name Program Name A.G. Stroke 2 Bass Drum 1 A.G. Arpeggio 1 Bass Drum 2 A.G. Arpeggio 2 Snare Drum 1 Brass Section Snare Drum 2 Tom-tom 1 Male Vocal 1 Male Vocale 2 Cymbal...

  • Page 157

    MIXING Display Functions Equalizer Library 1. Press the (EQ) button The Equalizer Library is used to access and store EQ settings — stored as again. programs. There are 40 preset programs (1 to 40) for you to recall and 88 user programs (41 to 128 plus UNDO) for you to store your own EQ settings.

  • Page 158

    MIXING Display Functions Exiting the library Selecting the LIB icon and pressing the [ENTER] button switches back to the EQUALIZER display function. You can also press the [EQ] button again. Control Icons • STORE - This icon is used to store the current program to the library. Select the icon with the CURSOR buttons.

  • Page 159

    MIXING Display Functions UNDO Operation When the 02R stores or recalls a program, the previous settings are always preserved in the UNDO buffer. If you discover you have made a mistake, you can always recall the UNDO buffer (displayed as “U:” in the scrolling list of programs).

  • Page 160: Preset Eq Program Parameters

    MIXING Display Functions Preset EQ Program Parameters Parameter Description N a m e H-MID L-MID HIGH PEAKING PEAKING PEAKING Emphasize the low range H.SHELF of the bass drum and the Bass Drum 1 attack created by the 99Hz 1.05kHz 5.33kHz 265Hz beater.

  • Page 161

    MIXING Display Functions Parameter N a m e Description L - M I D H - M I D HIGH PEAKING PEAKING PEAKING H.SHELF Unlike program 9, this emphasizes the high E. Bass 2 range of the electric bass. 111HZ 111Hz 2.24kHz 4.00kHz...

  • Page 162

    MIXING Display Functions Parameter N a m e Description L-MID H-MID HIGH Emphasizes the bright PEAKING PEAKING PEAKING H.SHELF tones of an acoustic A.G. Stroke 1 guitar. 1 0 5 H z 1 . 0 0 k H z 1 . 8 8 k H z 5 . 3 3 k H z -2.0dB 0.0dB +1.0dB...

  • Page 163

    MIXING Display Functions Parameter Name Description L-MID HIGH H-MID PEAKING PEAKING Use on the STERO bus PEAKING H.SHELF during the mixdown. For more Total EQ 1 effect, try it with a 94Hz 944Hz 211kHz 160kHz compressor. -3.0dB 0.0dB +6.5dB -0.5dB PEAKING H.SHELF PEAKING...

  • Page 164

    MIXING Display Functions P a r a m e t e r Name Description L - M I D H-MID H I G H PEAKING PEAKING PEAKING H.SHELF Use for recording a voice reading a text. 0.63 Narrator F 105Hz 707Hz 10.0kHz 2.52kHz...

  • Page 165

    Dynamics 6 1 Dynamics In this chapter... Dynamics Processors ..........62 Preset Dynamics Programs .

  • Page 166: Preset Dynamics Programs

    Dynamics Dynamics Processors Dynamics processors are generally used to correct or control signal levels. However, you can also use them creatively to shape the volume envelope of a sound. The Digital Recording Console 02R features comprehensive dynamics processors for all the input channels, tape returns, and the bus and stereo outputs.

  • Page 167

    D y n a m i c s 6 3 Compressor A compressor provides a form of automatic level control. By attenuating high levels, thus effectively reducing the dynamic range, the compressor makes it much easier to control signals and set appropriate fader levels. Reducing the dynamic range also means that recording levels can be set higher, therefore improving the signal-to-noise performance.

  • Page 168

    Dynamics Knee sets the transition of the signal at the threshold. With a hard knee, the transition between uncompressed and compressed signal is immediate. With the softest knee, knee5, the transition starts before the signal reaches the threshold and gradually ends above the threshold. Release determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold.

  • Page 169

    Dynamics 6 5 Expander An expander is another form of automatic level control. By attenuating the signal below the threshold, the expander reduces low-level noise and effectively increases the dynamic range of the recorded material. Expander (EXP) parameters: Parameter Value (55 points) Threshold (dB) -54 to 0...

  • Page 170

    Dynamics Compander A compander is a compressor-expander - a combination of signal compression and expansion. The compander attenuates the input signal above the threshold as well as the level below the width. For very dynamic material, this program allows you to retain the dynamic range without having to be concerned with excessive output signal levels and clipping.

  • Page 171

    Dynamics 67 Gate and Ducking A gate, or noise gate is an audio switch used to mute signals below a set threshold level. It can be used to suppress background noise and hiss from valve (tube) amps, effects pedals, and microphones. Ducking is used to automatically reduce the levels of one signal when the level of a source signal exceeds a specified threshold.

  • Page 172

    Dynamics For ducking, this controls how soon the signal is ducked once the duck has been triggered. With a fast attack time, the signal is ducked almost immediately. With a slow attack time, ducking fades the signal. Too fast an attack time may sound abrupt.

  • Page 173

    Dynamics 69 DYNAMICS Display Function 1. Press the [DYNAMICS) Dynamics can be applied to the input channels (MIC/LINE 1 through 16, button. LINE 17/18 through 23/24), the tape return channels (TAPE 1 through 16), the internal bus outputs (BUS 1 through 8), and the stereo output. For stereo channels when the link is on, the dynamics processor is applied equally to both channels.

  • Page 174: Patching In A Processor

    Dynamics Patching in a Processor 1. To turn the dynamics DYNAMICS Icon processor on, use the CURSOR buttons to The DYNAMICS ON/OFF icon is used to turn the dynamics processor on select the DYNAMICS or off for the selected channel. icon and press the (ENTER) button.

  • Page 175: Dynamics Processor Meters

    Dynamics 71 Dynamics Processor Meters The amount of processor gain reduction (GR) and the output signal levels are metered on the DYNAMICS display function, as shown below: Gain reduction is the amount by which a signal’s level is reduced. The output signal levels are conventional level meters which work from bottom-to-top.

  • Page 176: Key In And Link Indicators

    Dynamics KEY IN and LINK Indicators The channel KEY IN settings and LINK settings are shown below. The settings can be changed with the CURSOR buttons, and the encoder wheel, or the [ENTER] button. The following table shows the meaning of the KEY IN icons.

  • Page 177: Dynamics Library

    Dynamics 73 Dynamics library 1. Press the (DYNAMICS) The Dynamics Library is used to access and store dynamics programs. button again. There are 40 preset programs (1 to 40) for you to recall and 88 user programs (41 to 128 plus UNDO) for you to store your own dynamics programs.

  • Page 178

    Dynamics Exiting the library Selecting the LIB icon and pressing the [ENTER] button switches back to the DYNAMICS display function. You can also press the [DYNAMICS] button again. Control Icons • STORE -This icon is used to store the current program to the library. Select the icon with the CURSOR buttons.

  • Page 179

    Dynamics 75 UNDO Operation When the 02R stores or recalls a program, the previous settings are always preserved in the UNDO buffer. If you discover you have made a mistake, you can always recall the UNDO buffer (displayed as “U:” in the scrolling list of programs).

  • Page 180: Preset Dynamics Program Parameters

    Dynamics Preset Dynamics Program Parameters The "Release", "Hold" and “Decay” values shown in the following table are valid when the 02R is set at a sampling frequency of 44.1kHz. Type Name Parameter Value Description Compressor that gives the best Threshold(dB) results with an acoustic bass Ratio (:1) drum.

  • Page 181

    Dynamics 77 T y p e P a r a m e t e r N a m e Value Description Gate for the same purpose as Threshold (dB) program 5. Range(dB) A.Dr.SN "GAT G a t e Attack (ms) Hold (ms) 0.63 Decay (ms)

  • Page 182

    Dynamics N a m e T y p e Description P a r a m e t e r Value Threshold (dB) Compressor to brighten the tonal Ratio (:1) color of a piano. Attack (ms) Piano1 “CMP Compressor 1 . 0 Outgain (dB) Hard K n e e...

  • Page 183

    Dynamics 79 N o . P a r a m e t e r D e s c r i p t i o n N a m e Value Type Threshold (dB) Compressor intended for brass sounds with fast and strong R a t i o ( : 1 ) attack.

  • Page 184

    Dynamics Name Parameter Value Type D e s c r i p t i o n Threshold (dB) A variation on program 27. R a t i o ( : 1 ) Attack (ms) Solo Vocal2 “CMP Compressor Outgain (dB) 1 .

  • Page 185

    Dynamics 81 Name Value Description Type Parameter N o . Threshold (dB) Ducking background music for voiceovers typically keyed from R a n g e ( d B ) the announcer's channel. BGM Ducking “DUK Ducking A t t a c k ( m s ) 1.20 S H o l d ( m s ) D e c a y ( m s )

  • Page 186

    About the O2R Auxiliaries ........

  • Page 187: About The 02r Auxiliaries

    Auxiliary Channels About the 02R Auxiliaries The Digital Recording Console 02R has eight auxiliary send channels: AUX1, AUX2, AUX3, AUX4, AUX5, AUX6, AUX7, and AUX8. The auxiliary sends can be configured pre-fader or post-fader. AUX7 and AUX8 are used to feed the internal effects processors: Effect1 and Effect2.

  • Page 188: The Aux Buttons

    Auxiliary Channels 85 The AUX Buttons The AUX functions for AUX 1 through AUX 6 set the channel send levels to Press the (AUX 1) button. each of the auxiliary buses. With this function, you can select an auxiliary bus and then set the levels of a group of input channels simultaneously. You can also select whether to send the signal pre or post fader.

  • Page 189

    Auxiliary Channels Select a channel with the [SEL] buttons. Select the auxiliary bus with the [AUX1] through [AUX8/EFF2] buttons. Turn the send on or off with the [ON] button. Adjust the send level with the SEND LEVEL encoder. Display Screens There are two screens in the AUX display functions.

  • Page 190: Stereo Input Channels, Aux Pre Or Post

    Auxiliary Channels 87 Stereo Input Channels Input channels 1 through 16 handle only a single signal. The stereo input channels 17 through 24, are paired together and handle two signals: left and right. Before feeding a stereo input signal to the auxiliary level controls, the left and right signals are summed to form a mono L+R mix.

  • Page 191: Monitor Mix

    Auxiliary Channels POST – the auxiliary send signal is sourced after the channel fader. This means that the signal is controlled by the channel fader as well as the send level. In order to send a signal to the auxiliary bus, you must have that fader raised as well.

  • Page 192

    Internal Effects 89 Internal Effects In this chapter... About Effects ..........Preset Effects Programs .

  • Page 193: About Effects

    Internal Effects About Effects The Digital Recording Console 02R features two internal multi-effects stereo processors: Effect1 and Effect2. These are fed by AUX7 and AUX8, and the processed signals are returned via EFF1 RTN and EFF2 RTN, respectively. The auxiliary sends can be configured pre-fader or post-fader. Effects can be applied to input channels, the tape return channels, or the stereo output channel.

  • Page 194: Preset Effects Programs

    Internal Effects 91 Preset Effects Programs These are the preset effects programs: Program Name Program Name REVERB HALL1 REVERSE GATE REVERB HALL2 DELAY->EARLY REF REVERB ROOM1 DELAY L-C-R 1 REVERB ROOM2 DELAY L-C-R 2 REVERB STAGE CHORUS->DLY LCR REVERB PLATE MONODLY->CHORUS REV AMBIENCE1 STEREO INI.DLY ECHO...

  • Page 195: Aux 7 And Aux

    Internal Effects AUX 7 and AUX 8 The AUX functions for AUX 7 and AUX 8 set the channel send levels to 1. Press the (AUX 7) button. either of these effects buses. Similar to the functions for AUX 1 through AUX 6, you select an effect bus and then set the levels of a group of input channels.

  • Page 196

    Internal Effects 93 Display Screens There are four screens in the AUX display functions. Two screens access the channels to send to the effects buses, the other two screens allow you to select and set-up the effects. Shown below is the first – MIC/LINE 1 through 16 and LINE 17/18 through 23/24: Select this screen by pressing a SEL button for one of the MIC/LINE channels.

  • Page 197

    Internal Effects Effects 1. Press the (AUX 7) button The Digital Recording Console 02R is equipped with two internal again. multi-effects stereo processors. These processors have a startling range of special effects available to apply to your mix – shimmering reverbs, clean, precise delays, flanging and chorus, and a myriad of other effects are available.

  • Page 198: Effects Library

    Internal Effects 95 Effects library 1. Press the (AUX 7) button The Effects Library is used to access and store effects programs. There are again. 40 preset effects programs (1 through 40) and 88 user effects programs (41 through 128 plus an UNDO buffer) for you to store your own settings. You can access this screen from the EFFECT display function by selecting the LIB icon with the CURSOR buttons and pressing the [ENTER] button.

  • Page 199

    Internal Effects Exiting the library Selecting the LIB icon and pressing the [ENTER] button switches back to the EFFECT display function. You can also press the [AUX 7] button again. You may have to press it several times to get to the EFFECT display function. Control Icons STORE –...

  • Page 200

    Internal Effects 97 UNDO Operation When the 02R stores or recalls a program, the previous settings are always preserved in the UNDO buffer. If you discover you have made a mistake, you can always recall the UNDO buffer (displayed as “U:” in the scrolling list of programs).

  • Page 201: Preset Effects Program Parameters

    Internal Effects Preset Effects Program Parameters Program 1 – REVERB HALL1 This simulates the reverberation in a larger concert hall, and adds spread to sounds such as strings and brass. Parameter Setting Range Description Rev.Time 2.8s 0.3~30.0s Reverb time. Hi.Ratio 0.1~1.0 High frequency decay ratio.

  • Page 202

    Internal Effects 99 Program 4 – REVERB ROOM2 This is a variation on program 3. Parameter Setting Range Description Rev.Time 1.8s Hi.Ratio Diff. Ini.Dly 17.0ms Density Same as program 1 Same as program 1 9.0kHz 80Hz Rev.Dly 4.0ms Rev.Bal Program 5 – REVERB STAGE This has a slightly brighter effect than the REVERB HALL programs.

  • Page 203

    100 Internal Effects Program 7 – REV AMBIENCE1 This creates space (a smaller space than created by the REVERB ROOM programs) around instruments. A small amount of these effects is effective on vocal and chorus, as well as percussion instruments. Parameter S e t t i n g Range...

  • Page 204

    Internal Effects 101 Program 10 – REV LIVE ROOM2 This is a variation on program 9. Parameter Setting Range Description Rev.Time 2.2s Hi.Ratio Diff. Ini.Dly 12.0ms Density Same as program 1 Same as program 1 4.0kHz THRU Rev.Dly 3.0ms Rev.Bal Program 11 –...

  • Page 205

    102 Internal Effects Program 13 – REV SN.ROOM This is a reverb variation to enhance the sound of a snare drum. Parameter Setting Range Description Rev.Time 1.3s Hi.Ratio Diff. Ini.Dly 26.0ms Density Same as program 1 Same as program 1 10.0KHz 180Hz Rev.Dly...

  • Page 206

    Internal Effects 103 Program 16 – FLANGE->REVERB1 Flange effect followed by reverb. This effect is more appropriate to emphasize modulation effects than the CHORUS->REVERB program. Use the reverb Depth parameter to adjust the amount of reverberation. Parameter Setting Range Description Freq.

  • Page 207

    104 Internal Effects Program 19 – EARLY REF.2 This is a variation on program 18. It produces a thicker sound. Parameter Setting Range Description S-Hall Type RoomSize Liveness Diff. Ini.Dly 4.8ms Same as program 18 Same as program 18 ER Num. Hi.Ratio FB.Gain 11.0kHz...

  • Page 208

    Internal Effects 105 Program 22 – DELAY->EARLY REF This effect creates early reflection sound after a delay. Setting Range Description Parameter 256.0ms 0.1~320.0ms Delay time. Delay Feedback gain. The amount of signal returned to the effect. -99 ~ +99% FB.Gain +43% High frequency decay ratio.

  • Page 209

    106 Internal Effects Program 25 – CHORUS->DLY LCR Chorus effect is followed by a three-part delay (L-C-R) with feedback. Parameter Setting Range Description 0.1~40.0Hz Chorus modulation frequency. Freq. 0.8Hz Depth 0~100% Chorus depth. The amount of modulation. 0.0~255.0ms Chorus delay. The delay time before modulation starts. Mod.Dly 5.9ms 26.4ms...

  • Page 210

    Internal Effects 107 Program 28 — ECHO This is a common echo effect. Parameter Setting Range Description 220.0ms 0.1~500.0ms Left channel delay time. Dly(L) FB.G(L) +44% -99 ~ +99% Left channel feedback gain. 180.0ms 0.1~500.0ms Right channel delay time. Dly(R) FB.G(R) -55% -99 ~ +99%...

  • Page 211

    108 Internal Effects Program 31 — CHORUS 1 A stereo chorus. Creates a rich, thickening effect. Setting Range Parameter Description Freq. 0.6Hz 0.1~40.0Hz Modulation frequency. AM Depth 0~100% Amplitude modulation depth. PM Depth 0~100% Pitch modulation depth. LSF F 220Hz 32Hz~1.0kHz Low shelving filter frequency.

  • Page 212

    Internal Effects 109 Program 34 — FLANGE Stereo flanger. Creates a rich, swirling effect, full of harmonics. Parameter Setting Range Description Freq. 1.2Hz 0.1~40.0Hz Modulation frequency. 2 5 % D e p t h 0~100% Modulation depth. FB.Gain +45% -99 ~ +99% Feedback gain.

  • Page 213

    110 Internal Effects Program 37 — AUTO PAN This effect performs automatic panning across the stereo image. Parameter Setting R a n g e Description F r e q . 0.5Hz 0.1~40.0Hz Modulation frequency. 0~100% LR Depth Left to right pan depth. FR Depth 0~100% Front to rear pan depth.

  • Page 214

    Internal Effects 111 Program 40 — VOCAL DOUBLER This is a thin harmonizing effect obtained by setting a longer delay, Parameter Setting Range Description Pitch Fine(1) Fine(2) Out(1) +100 Out(2) +100 Same as program 39 Same as program 39 P a n ( 1 ) P a n ( 2 ) +10% FB.G(1)

  • Page 215

    Scene Memories 113 Scene Memories In this chapter... What are Scene Memories? ........114 What is Stored in a Scene Memory? .

  • Page 216: What Are Scene Memories

    114 Scene Memories What are Scene Memories? Scene memories are a snapshot of all the Digital Recording Console 02R mixer setting. There are 64 mix scene memory locations. Each can be named for easy identification. They can be stored and recalled manually using the [STORE] and [RECALL] buttons.

  • Page 217: What Is Stored In A Scene Memory, What Is The Edit Buffer

    Scene Memories 115 What is Stored in a Scene Memory? Virtually all Digital Recording Console 02R mix settings are stored in a scene memory. Settings that are not stored consist mainly of analog controls and switches. They are: +48V phantom switches, A/B input switches, 20dB (pad) switches, GAIN controls, T/B LEVEL control, STUDIO LEVEL control, PHONES LEVEL control, C-R LEVEL control, and the display CONTRAST control.

  • Page 218: Storing Mix Scenes

    116 Scene Memories Storing Mix Scenes 1. Use the increment or The Digital Recording Console 02R has 64 scene memory locations. You can decrement buttons to save additional scenes to a MIDI data filer. Scene memories can be named select a scene memory. for easy identification.

  • Page 219

    Scene Memories 117 Naming a Scene Memory Press the (SCENE To name a scene memory, you need to select the scene memory display MEMORY) button. functions. Display Screen MEMORY Shown below is the first SCENE display function: A SCENE MEMORY display function appears.

  • Page 220

    118 Scene Memories Character Set A scene memory name can be up to 16 characters long and can contain any of the following characters: Control Icons INSERT - This icon is used to insert blank characters into the title edit box at the current cursor location.

  • Page 221: Recalling Scene Memories

    Scene Memories 119 Recalling Scene Memories Scene memories are recalled using the [RECALL] button. They can also be recalled using MIDI Program Changes. Note: When you recall a scene memory, all mix settings in the Edit Buffer (current mix scene) are overwritten. You may want to store the Edit Buffer to an unused scene memory before recalling, just in case.

  • Page 222: Fader Recall Safe

    120 Scene Memories Fader Recall Safe 1. Press the (SCENE The Digital Recording Console 02R has two methods of protecting the MEMORY) button system from sudden volume level changes when a scene memory is repeatedly until the recalled. You can select individual channels to safety. When the scene “Fader Recall Safe”...

  • Page 223: Fade Time

    Scene Memories 121 Fade Time 1. Press the (SCENE The second method of protecting the system from sudden volume level MEMORY) button changes is to set the fade time for each channel. When the scene memory is repeatedly until the recalled, the fader level will change from its previous level to the new level “Fade Time”...

  • Page 224

    Automation 123 Automation In this chapter... What is the Automation Function?.......124 What is Timecode?.

  • Page 225: What Is The Automation Function

    124 Automation What is the Automation Function? One of the most demanding jobs of the recording engineer is taking all the raw material produced during a multitrack recording session and mixing it all together into an artistically satisfying master recording. The ability to setup portions of the mix and then have them playback automatically as you work on other portions is probably the most important feature of any digital recording studio.

  • Page 226

    Automation 125 yourself running out of memory, you can download unused AUTOMIX memories to a storage device, such as a MIDI data filer, then clear the memories. You can also expand the available memory with 1Mbyte expansion kits (ME4M). You can install up to two of these kits in the 02R, resulting in a maximum memory size of 2.5Mbytes.

  • Page 227: What Is Timecode

    126 Automation What is Timecode? Timecode is a signal that contains a chronological record of the absolute time in a recording. It is used for synchronizing different recorders. It can be used for electronic editing. Timecode was initially invented for the motion picture business, as a method of synchronizing the pictures recorded in the frames of a camera to the sound recorded on tape recorder.

  • Page 228

    Automation 127 If the connected device does not have a dedicated SMPTE output connector, record the timecode onto a spare track (in the case of a multitrack recorder) or a special track (in the case of a video recorder or film post-production recorder) and connect the output from that track to the timecode input connector on the 02R.

  • Page 229: Automation Function

    128 Automation Automation Function 1. Press the (AUTOMIX) The AUTOMIX display function is divided into six screens: button. Main The Main screen controls the record and playback operations. Select the AUTOMIX frame-per-second rate, and the timecode input. Set the initial start time One of the AUTOMIX and enable the editing operations.

  • Page 230: Main Screen

    Automation 129 Main Screen Press the (AUTOMIX) The first AUTOMIX display function screen is shown below. This is the button repeatedly to Main screen. From the first three screens - this screen, the Memory get to the “Main” Management screen, or the Fader Edit screen - you can operate the screen.

  • Page 231

    130 Automation ...continued Time Code Display 8. Use the CURSOR buttons The 02R displays the received timecode in this large area on the screen. If to select the “Edit Out” you select INT (internal) timecode, the timecode display immediately RETURN check box and starts to count the time.

  • Page 232

    Automation 131 [SEL] button (edit key) has been pressed. If the parameter has been selected and the channel [SEL] button has been pressed, automation playback for that parameter will be stopped, and you can record new data. Note: It is possible to change a parameter during automation playback, but automation playback has priority.

  • Page 233

    132 Automation REC - Selecting this icon will cause the unit to enter REC ready mode. The icon will flash. The 02R starts recording when it receives timecode during REC ready mode. The icon will be highlighted in reverse video. Selecting this icon during AUTOMIX playback will cause the 02R to enter REC ready mode.

  • Page 234: Memory Management

    Automation 133 Memory Management Press the (AUTOMIX) The second AUTOMIX display function is the Memory Management button. screen shown below: AUTOMIX An AUTOMIX display function appears. Press the (AUTOMIX) button repeatedly to get to the “Memory Management” screen. Use the encoder wheel to select an AUTOMIX memory from the scrolling list.

  • Page 235

    134 Automation AUTOMIX Name Edit Functions AUTOMIX memory names can be up to 16 characters long and can contain any of the following characters: COPY - This icon is used to copy the name of an AUTOMIX program. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button.

  • Page 236

    Automation 135 RECALL - This icon is used to recall an AUTOMIX program from the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select an AUTOMIX program and press the [ENTER] button, The 02R will display a popup confirmation request message asking if you want to recall the selected program.

  • Page 237

    136 Automation Fader Edit Press the (AUTOMIX) The third AUTOMIX display function is the Fader Edit screen shown button. below: AUTOMIX An AUTOMIX display function appears. Press the (AUTOMIX) button repeatedly to get to the “Fader Edit” F a d e r E d i t O u t F a d e r E d i t M o d e...

  • Page 238

    Automation 137 Fader Edit When you record a fader overdub, this display shows the previously recorded level and the new fader setting, plus an arrow indicating which direction the fader will have to be moved to return to the previous level. Refer to the following diagram: If the fader is moved to a position higher If the fader is moved to a position lower...

  • Page 239

    138 Automation Event Edit (MEMORY) Press the (AUTOMIX) The fourth AUTOMIX display function is the Event Edit (MEMORY) button. screen shown below: AUTOMIX An AUTOMIX display function appears. Press the (AUTOMIX) button repeatedly to get to the the “Event Edit (MEMORY)”...

  • Page 240

    Automation Event Edit (CH ON) 1. Press the (AUTOMIX) The fifth AUTOMIX display function is the Event Edit (CH ON) screen button. shown below: An AUTOMIX display function appears. Press the (AUTOMIX) button repeatedly to get to the “Event Edit (CH ON)”...

  • Page 241

    140 Automation Event Extract Press the (AUTOMIX) The last AUTOMIX display function is the Event Extract screen shown button. below: AUTOMIX An AUTOMIX display function appears. Press the (AUTOMIX ) button repeatedly to get to the “Event Extract” screen. Select the desired “Tape”...

  • Page 242

    MIDI 141 MIDI In this chapter... MID and the 02R ..........1 4 2 Setup .

  • Page 243: Midi And The 02r, Midi Display Function

    142 MIDI MIDI and the 02R The Digital Recording Console 02R is equipped with SMPTE and MTC synchronization plus a MIDI implementation. You will find that for most operations, MIDI is not required - indeed, because of the complexity of the 02R and the number of parameters available for adjustment, it is not possible to operate the unit by sending MIDI control change messages.

  • Page 244: Receive Channel

    MIDI 143 Setup 1. Press the (MIDI) button. Set the basic MIDI Receive and Transmit functions and select the MIDI channels you want the 02R to transmit and receive on. Display Screen MIDI Shown below is the first MIDI display function - the MIDI Setup screen: A MIDI display function appears.

  • Page 245: Program Change Assign

    144 MIDI Program Change Assign The 02R uses MIDI Program Change messages to recall scene memories. 1. Press the (MIDI) button. Display Screen MIDI Shown below is the second MIDI display function - the MIDI Program A MIDI display function Change Assign screen: appears.

  • Page 246: Bulk Dump/request

    MIDI 145 Bulk Dump/Request Press the (MIDI) button. The 02R uses MIDI Bulk Dump and Request messages to store or recall scene memories, automix memories, system setup and program change tables, and effect, dynamics, equalizer, and channel library programs. MIDI Display Screen A MIDI display function appears.

  • Page 247

    146 MIDI Execute There are four commands you can execute: BULK DUMP - the data of the selected type and number will be output to the connected MIDI device. BULK REQUEST - the 02R will request the selected type and number from the connected MIDI device.

  • Page 248

    Groups and Pairs Groups and Pairs In this chapter... Grouping Faders ..........Grouping Mutes.

  • Page 249: Grouping Faders

    148 Groups and Pairs Grouping Faders 1. Press the (GROUP) The Digital Recording Console 02R allows you to group the faders for button. multiple fader control using only one fader. This makes it easy to control several faders simultaneously. The input channel and the tape and effect returns can be grouped.

  • Page 250: Grouping Mutes

    Groups and Pairs Grouping Mutes 1. Press the (GROUP) The 02R also allows you to group channel status controls for multiple button. channel control using only one channel ON button. The channels in a group can be on or off depending on their status when they were grouped. Pressing a channel ON button toggles the status of all the channels in the group.

  • Page 251

    Groups and Pairs Pairing Channels 1. Press the (PAIR) button. Adjacent channels can be paired for stereo operation. This makes it easy to work with stereo signals, because you only have to adjust one channel to control both left and right signals. The 02R allows you to link the input channels - MIC/LINE 1 through 16 - the tape return channels - TAPE 1 through 16 - and the auxiliary send channels AUX 1 through AUX 6.

  • Page 252

    Groups and Pairs Auxiliary Pair Display Screen Shown below is the second PAIR display function - the Aux Pair screen. You can pair the auxiliary send channels - AUX 1 through AUX 6: Use the CURSOR buttons to select a channel pair and press the [ENTER] button to pair or separate them.

  • Page 253

    Digital I/O, Setup, and Utilities Digital I/O, Setup, and Utilities In this chapter... Word Clock Select..........154 Input Signal Select .

  • Page 254: Word Clock Select

    Digital I/O, Setup, and Utilities Word Clock Select 1. Press the (DIGITAL l/O) The Digital Recording Console 02R processes audio data at 44.1 kHz or button. 48 kHz using its internal clock, and can run at any frequency from 32 kHz -6% to 48 kHz +6% when an external wordclock is applied. Wordclock A DIGITAL I/O display When you connect a number of digital audio devices together, all the...

  • Page 255: Adat (cd8-at), Aes/ebu (cd8-ae)

    Cascade (CD8-CS) ADAT (CD8-AT) TDIF-1 (CD8-TD) AES/EBU (CD8-AE) YAMAHA (CD8-Y) Analog AD/DA (CD8AD) No Connection Beside each optional slot indicator is a row of four boxes defining the connections to the card inserted in the corresponding slot. Note: When a cascade card is inserted in any slot, the boxes defining the connections remain on the screen.

  • Page 256: Input Signal Select

    Digital I/O, Setup, and Utilities Input Signal Select 1. Press the (DIGITAL I/O) The 02R has 24 built-in analog input connectors; the individual input button. channels (MIC/LINE 1 through 16) and the stereo input channels (LINE 17/18 through 23/24). You can route two of the 2-track digital inputs to the stereo input channels (2TR IN D1 to LINE 17/18 and 2TR IN D2 to LINE 19/20).

  • Page 257: Cascade Configuration

    Digital I/O, Setup, and Utilities Cascade Configuration Press the (DIGITAL I/O) Just like the modular digital multitrack recorders it is intended to work button. with, the 02R was designed to be easily expandable from a basic 16-track (40 input) system up to a 64-track (160 input) system. It uses Cascade Digital I/O card kits (CD8-CS) to accomplish this.

  • Page 258

    Digital I/O, Setup, and Utilities Cascade Aux Bus Assign The Cascade Digital I/O card kit (CD8-CS) has two paired auxiliary buses: AUX A and AUX B. You can assign these buses to any pair of the 02R’s internal auxiliary buses - but not to the same pairs. If a cascade card is not inserted in the 02R, this display is greyed-out.

  • Page 259

    Digital I/O, Setup, and Utilities Dither 1. Press the (DIGITAL I/O) When you connect a number of digital audio devices together, you may button. find their digital word size is different. For example, the 02R uses a 20-bit word size for input and output and a 32-bit word size for internal processing.

  • Page 260: Recording Mode

    Digital I/O, Setup, and Ultilities Solo 1. Press the (SETUP) button. The SETUP display function consists of two screens: the “Solo” screen and the “Preferences” screen. Display Screen A SETUP display function Shown below is the first SETUP display function - the Solo screen: appears.

  • Page 261

    Digital I/O, Setup, and Utilities Solo Safe – Tape, Mic, Line, and Effects – These functions disable solo On/Off selection. If you set a channel to Solo Safe while it was set to Solo ON, the channel remains unconditionally ON in “Mixdown Mode”...

  • Page 262

    Digital I/O, Setup, and Utilities Preferences 1. Press the (SETUP) button The Digital Recording Console 02R is a very flexible mixer. You can until the “Preferences” customize its behaviour to suit your needs using the preferences options. screen appears. Display Screen Shown below is the second SETUP display function - the Preferences screen: 2.

  • Page 263

    Digital I/O, Setup, and Utilities You should leave this option in its default state when your 02R is going to be operated by an inexperienced person. Forcing them to respond to a confirmation message may prevent the accidental loss of your valuable data.

  • Page 264

    Utilities Digital I/O, Setup, and DIO Warning OFF - With this option selected, the 02R will not report a warning when an error is detected in the digital signals being input from one of the digital I/O cards. When the 02R detects an error, the message “DIGITAL I/O Error!”...

  • Page 265

    Digital I/O, Setup, and Utilities Oscillator 1. Press the (UTILITY) button. Before starting a recording session, many engineers like to record a few seconds of sine wave tones. These tones are used to compare the performance of multitrack recorders when you take the master tapes from one studio to another.

  • Page 266: Emphasis Monitor

    Digital I/O, Setup, and Utilities Emphasis Monitor 1. Press the (UTILITY) button. This function allows you to monitor the emphasis information of the digital inputs. If an input digital signal was recorded with emphasis - a technique used in early digital recordings to compensate for the deficiencies of the hardware of the period, similar to Dolby®...

  • Page 267: Channel Status Monitor

    Digital I/O, Setup, and Utilities Channel Status Monitor 1. Press the (UTILITY) button. This function shows the channel status information of digital audio signal. Channel status information is only present in IEC958 digital audio interconnect signals. Display Screen A UTILITY display function appears.

  • Page 268

    Digital I/O, Setup, and Utilities Category –This shows the status of the “category bit” which is implemented only for the IEC958 Part2 (Consumer) format. The following items are included: General - Used temporarily. Laser Optical - Laser optical device D/D Conv - Digital-to-digital converter and signal processor Magnetic - Magnetic tape device and magnetic disk device D.

  • Page 269: Battery Check

    Note: If this screen appears, your important data in memory, such as scene memories, automix memories, and libraries, may be lost. Ask your nearest Yamaha dealer or Yamaha Service Center to replace the battery as soon as possible. Digital Recording Console 02R User’s Guide...

  • Page 270: R System Initialization

    Digital I/O, Setup, and Utilities 02R System Initialization 1. Turn the 02R power off. This operation allows you to reset the Digital Recording Console 02R to its factory default settings. This operation deletes all scene memories, automix 2. Press and hold the left programs, and clears all user library programs from the channel, dynamics, CURSOR button.

  • Page 271

    Installing Options Installing Options In this chapter... Digital Recording Console 02R Options......172 Installing 02R Options ......... 175 Analog I/O Card -AD/DA (CD8-AD) .

  • Page 272: Digital Recording Console 02r Options

    These cards support direct digital interconnection to the latest generation of modular digital multitrack recorders. Alesis ADAT, TASCAM TDIF-1, YAMAHA, and AES/EBU cards are available. In addition, you can insert a Digital Cascade card into one of the I/O slots, allowing you to cascade multiple 02Rs together to create a larger digital mixing system.

  • Page 273: Peak Meter Bridge

    They are used to connect the 02R to a digital multitrack recorder - either tape or disk based. Cards supporting ADAT, TDIF-1, YAMAHA, and AES/EBU formats are available. Except for the AES/EBU format, these cards are single slot, allowing you to insert up to four cards giving you a maximum 32 tracks of digital mixdown.

  • Page 274

    512 Kbytes to either 1.5 Mbytes or 2.5 Mbytes. Note: You cannot install the Memory Expansion Kit ME4M without invalidating the warranty. Take your 02R to your YAMAHA dealer or authorized service centre for installation of the ME4M kit.

  • Page 275: Installing 02r Options, Single Slot Cards

    Installing Options 175 Installing 02R Options Single Slot Cards 1. Turn OFF the power to the 02R by pressing the POWER switch on the back panel. TO PREVENT ELECTRICAL SHOCK, ENSURE THE 02R IS POWERED OFF BEFORE YOU OPEN ANY OF THE OPTIONAL SLOT COVERS! Note: Before you install a card in the 02R, be certain to turn the power off.

  • Page 276: Double Slot Cards

    176 Installing Options Double Slot Cards 1. Turn OFF the power to the 02R by pressing the POWER switch on the back panel. TO PREVENT ELECTRICAL SHOCK, ENSURE THE 02R IS POWERED OFF BEFORE YOU OPEN ANY OF THE OPTIONAL SLOT COVERS! Note: Before you install a card in the 02R, be certain to turn the power off.

  • Page 277

    Digital Recording Console 02R or the ME4M. Please take your 02R to your YAMAHA dealer or a YAMAHA service centre to have the Memory Expansion Kit (ME4M) installed in the unit.

  • Page 278

    178 Installing Options Analog I/O Card - AD/DA (CD8-AD) The analog I/O card (CD8–AD) is used to connect an analog multitrack recorder or other analog devices to the 02R. Installing the CD8-AD The analog I/O card (CDS-AD) is a double slot card. For installation instructions, see “Double Slot Cards”...

  • Page 279

    Installing Options 179 Digital I/O Card - AES/EBU (CD8-AE) The AES/EBU digital I/O card (CD8-AE) is used to connect AES/EBU compatible multitrack digital recorders or other similar digital devices to the 02R. Installing the CD8-AE The AES/EBU digital I/O card (CD8-AE) is a double slot card. For installation instructions, see “Double Slot Cards”...

  • Page 280

    180 Installing Options Wordclock Selection 1. Power on your AES/EBU compatible multitrack digital recorder and then the 02R. It is always important to observe the correct order for powering up equipment in a studio. Start with the AES/EBU compatible multitrack and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear.

  • Page 281

    Installing Options Digital I/O Card - ADAT (CD8-AT) The ADAT digital I/O card (CD8-AT) is used to connect Alesis ADAT compatible modular digital multitrack recorders to the 02R. Installing the CD8-AT The ADAT digital I/O card (CD8–AT) is a single slot card. For installation instructions, see “Single Slot Cards”...

  • Page 282

    182 Installing Options Wordclock Selection 1. Power on your ADAT modular digital multitrack recorder and then the 02R. It is always important to observe the correct order for powering up equipment in a studio. Start with the ADAT and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear.

  • Page 283: Digital Cascade Kit (cd8-cs)

    Installing Options 183 Digital Cascade Kit (CD8-CS) The digital cascade kit (CD8-CS) is used to connect two or more Digital Recording Console 02R units together. The kit consists of two cascade I/O cards and a special cable. When two or more 02R units are connected together, they share the output buses 1 through 8, four auxiliary buses (two paired buses, AUX A and AUX B), the stereo bus, and the solo bus.

  • Page 284

    184 Installing Options 3. Use a BNC cable to plug the WORD CLOCK - OUT connector on the back of the first 02R into the WORD CLOCK - IN connector on the second 02R. The 02R that is the cascade master should be receiving a wordclock signal from a wordclock master device, such as a modular digital multitrack recorder or other appropriate device.

  • Page 285: Cascade Settings

    Installing Options 185 5. Use the CURSOR buttons to select the wordclock source. If your multitrack digital recorder has a dedicated wordclock output connector, use the CURSOR buttons to select the W.CLK IN box and press the [ENTER] button. Otherwise, select a box from the appropriate I/O slot row and press the [ENTER] button.

  • Page 286: Solo Function

    186 Installing Options Solo function When two or more 02R units are cascaded together, only the [SOLO] button on the cascade master continues to function. When you press the [SOLO] button on the cascade master, however, you can solo individual channels on the cascade slave units.

  • Page 287

    I n s t a l l i n g O p t i o n s 1 8 7 Digital I/O Card - TDIF- 1 (CD8-TD) The TDFI-1 digital I/O card (CD8-TD) is used to connect TASCAM TDFI-1 modular digital multitrack recorders such as the DA-88 to the 02R.

  • Page 288

    188 Installing Options Wordclock Selection 1. Power on your DA-88 modular digital multitrack recorder and then the 02R. It is always important to observe the correct order for powering up equipment in a studio. Start with the DA-88 and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear.

  • Page 289: Peak Meter Bridge (mb)

    Installing Options 189 Peak Meter Bridge (MB02) The Peak Meter Bridge (MB02) allows you to quickly and easily check the levels of the input channels, the tape and effect returns, the output buses 1 through 8, the auxiliary buses 1 through 8, and the stereo bus. Using the MB02 1.

  • Page 290

    190 Installing Options 4. PEAK HOLD button This button used to enable or cancel the peak hold function of the m e t e r s . Note: The operation of this button duplicates the function of the PEAK HOLD icon in the METER display function. See “Metering” on page 41 and “Peak Hold”...

  • Page 291

    Specifications 191 Specifications In this chapter... General Specifications ………………………………………………… 192 Input Specifications ……………………………………………………… 198 Output Specifications ……………………………………………………… 199 Digital Input and Output Specifications ………………………………… 199 Dimensions ……………………………………………………………… 200 Options ………………………………………………………………… 201 Troubleshooting ……………………………………………………… 202 Error Messages..........203 MIDI Data Format .

  • Page 292: Specifications, General Specifications

    192 Specifications General Specifications Number of scene memories 44.1 kHz, 48 kHz Internal Sampling frequency External (32 kHz -6%) to (48 kHz +6%) Less than 2.5 ms. MIC/LINE input to STEREO output. Signal delay dB (128 steps/100 mm) input faders. +10 to -90-, Fader resolution 0 to -120,...

  • Page 293

    0/20 dB attenuation Pad switch 20 bit linear / 64 times oversampling AD converter MIC/LINE 1 through 16 ADAT / TASCAM / YAMAHA l/O option 0 to 96 dB (1 dB step) Attenuator DC cut filter / de-emphasis F i l t e r...

  • Page 294

    194 Specifications Input channel (MC/LINE 1 through 24) Compressor / Expander -54 dB to 0 dB (1 dB steps) Threshold 1,1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, Ratio points) (0.5 dB steps) 0 dB to +18 dB Out gain Knee h a r d , 1 , 2 , 3 , 4 , 5...

  • Page 295

    12 points displays of the pre-EQ / post-EQ / post-fader levels of all channel input are displayed on the screen. Tape Input channel (TAPE 1 through 16) I/O option ANALOG, ADAT, TASCAM, AES/EBU, YAMAHA F i l t e r DC cut filter / de-emphasis Attenuator...

  • Page 296

    12 points displays of the pre/post fader levels of all channel input are displayed M e t e r on the screen. I/O option ANALOG, ADAT, TASCAM, AES/EBU, YAMAHA AUX OUT (AUX1 through AUX8) L e v e l rotary encoder...

  • Page 297

    DIGITAL CASCADE KIT AD/DA CARD CD8-AD PEAK METER BRIDGE MB02 DIGITAL I/O CARD (TDIF-1) KIT ME4M CD8-TD MEMORY EXPANSION Options WOODEN SIDE PANEL W02SP DIGITAL I/O CARD (YAMAHA) CD8-Y DIGITAL I/O CARD (AES/EBU) CD8-AE Digital Recording Console 02R User’s Guide...

  • Page 298: Input Specifications

    198 Specifications Input Specifications Input level Actual For use Input Mixer load with PAD GAIN Max. connection connector nominal Sensitivity*1 Nominal impedance before clip -70 dB -60 dB -40 dB 245µV (775µV) (7.75mV) XLR-3-31 CH INPUT 50 to 600 3k (XLR) -26 dB -16 dB + 4 dB...

  • Page 299: Output Specifications, Digital Input And Output Specifications

    Specifications 199 Output Specifications Output level Actual For use Output connection with Mixer connector source Max be- Nominal impedance nominal fore clip +4dB +24 dB 6 0 0 l i n e s XLR-3-32 type (1.23V) (12.3V) STEREO OUT (L, R) -10 dBV +10 dBV RCA/phono...

  • Page 300

    200 Specifications D i m e n s i o n s Specifications and external appearance are subject to change without notice. Digital Recording Console 02R User’s Guide...

  • Page 301: Analog Input, Analog Output

    ADAT (BUS/DIRECT OUT, TAPE IN) ADAT OPTICAL XLR-3-31 type (INPUT) AES/EBU (BUS/DIRECT OUT, TAPE IN) AES/EBU RS422 XLR-3-32 type (OUTPUT) YAMAHA (BUS/DIRECT OUT, TAPE IN) YAMAHA RS422 D-SUB 25PIN YAMAHA CASCADE (BUS/DIRECT OUT, TAPE IN) RS422 D-SUB 25PIN Digital Recording Console 02R User’s Guide...

  • Page 302: Troubleshooting

    2 0 2 Specifications Troubleshooting If there is any trouble, check the situation and follow the corrective actions described below. The power is not turned on. Did you plug the power cord to a correct AC outlet? Is the POWER switch ON? No sound is produced.

  • Page 303: Error Messages

    Specifications 203 Error Messages Follow the corrective actions described below when the error messages are shown on the display: Error Message Corrective Action Correct digital signal is not input to 2TR-D1 . 2TR-D1 No Input! (C-R monitoring is not available.) 2TR-D2 cannot be routed to STEREO BUS.

  • Page 304

    02R (see “Bulk Dump/Request” on page 145 of the User’s Guide). and ask your dealer to replace the batter-v. MAIN SCI0 Framing Err. Consult the nearest YAMAHA service center. MAIN SCI0 OverRun Err. Consult the nearest YAMAHA service center.

  • Page 305

    Specifications 205 Error Message Corrective Action SUB SCI0 Party Err. Consult the nearest YAMAHA service center. MIDI data being transmitted is too large. SUB SCI0 RxBuf. Full SUB SCI0 TxBuf. Full MIDI data being received is too large. SUB SCI1 Framing Err.

  • Page 306: Midi Data Format, Program Change

    Specifications 2 0 6 MIDI Data Format 1. General remarks This section describes the MIDI functionality of the 02R. Electrical characteristics and message formats are in compliance with MIDI standard 1.0. 2. Messages transmitted and received 2-1. Program change Transmission/reception can be turned ON or OFF using the “MIDI Setup” display function (see “Setup” on page 143 of the User’s Guide).

  • Page 307: Echo Back

    Specifications 207 If parameter change reception is ON and a parameter request is received on the specified MIDI channel, the contents of the corresponding parameter will be transmitted on the specified MIDI channel regardless of whether transmission is ON or OFF. If parameter change reception is ON and a parameter change is received on the specified MIDI channel, the contents of the corresponding parameter will be modified.

  • Page 308

    208 Specifications 5. Receive Condition Digital Recording Console 02R User’s Guide...

  • Page 309: Parameter Change And Request Format

    Specifications 209 Parameter Change and Request Format PARAMETER CHANGE (basic format) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer’s ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=O-15(Tx/Rx Channel No.1-16) MODEL ID MODEL ID (02R) 00111101 3d PARAM TYPE...

  • Page 310

    You can modify two or more continuous bytes by increasing pairs of "data(H), and “data(L)“. PARAMETER CHANGE (bit operation for type number 0:edit buffer) STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID No.(YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0001nnnn 1n MODEL ID...

  • Page 311

    0ddddddd dd2 End Of Exclusive 11110111 F7 PARAMETER CHANGE (fader remote) STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID No.(YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0001nnnn 1n MODEL ID MODEL ID (02R) 00111101 3d PARAM TYPE...

  • Page 312

    212 Specifications PARAMETER CHANGE (fader remote) No. (0-20:fader 1-21 (st mas) DATA 0ddddddd dd0 64-87:encoder tape1-16,rtn1-2,aux,pan,q,f,g,entry) data(fader 0~127/encoder -64~+63) 0ddddddd dd1 End Of Exclusive 11110111 F7 Digital Recording Console 02R User’s Guide...

  • Page 313: Bulk Dump And Request Format

    -1(2’s complement), resetting MSB(bit7). check sum = (-sum) & 0x7F Scene Memory Bulk Dump Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID No.(YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0000nnnn 0n FORMAT No. Universal Bulk Dump...

  • Page 314

    214 Specifications Scene Memory Bulk Dump Request Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID (YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0010nnnn 2n FORMAT No. Universal Bulk Dump 01111110 7E 01001100 4C ‘M’ 01001101 4D...

  • Page 315

    0eeeeeee ee End Of Exclusive 11110111 F7 Program Change Assignment Table-Bulk Dump Request Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer's ID (YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0010nnnn 2n FORMAT No. Universal Bulk Dump 01111110 7E...

  • Page 316

    0eeeeeee ee End Of Exclusive 11110111 F7 Setup Memory Bulk Dump Request Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID (YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0010nnnn 2n Universal Bulk Dump FORMAT No. 01111110 7E...

  • Page 317

    Specifications 217 Effect Library Bulk Dump Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID No.(YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0000nnnn 0n FORMAT No. Universal Bulk Dump 01111110 7E 00000000 00 BYTE COUNT 72(23x2+16+10)bytes (HIGH/LOW)

  • Page 318

    Effect library transmission from the 02R is possible for programs 41-128 only. Equalizer Library Bulk Dump Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID No.(YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0000nnnn 0n FORMAT No. Universal Bulk Dump...

  • Page 319

    Equalizer library receive is effective for programs 33-128 only. Equalizer Library Bulk Dump Request Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer's ID (YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0010nnnn 2n FORMAT No. Universal Bulk Dump...

  • Page 320

    Dynamics library receive is effective for programs 41-128 only. Dynamics Library Bulk Dump Request Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID (YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0010nnnn 2n FORMAT No. Universal Bulk Dump...

  • Page 321

    CHECK SUM 0eeeeeee ee End Of Exclusive 11110111 F7 Channel Library Bulk Dump Request Format System Exclusive Message STATUS 11110000 F0 Manufacturer’s ID (YAMAHA) ID No. 01000011 43 n=0-15(Tx/Rx Channel No.1-16) SUB STATUS 0010nnnn 2n Universal Bulk Dump FORMAT No.

  • Page 322

    Channel Library Bulk Dump Request Format End Of Exclusive 11110111 F7 Automix Bulk Dump Format System Exclusive Message 11110000 F0 STATUS Manufacturer’s ID No.(YAMAHA) ID No. 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0000nnnn 0n FORMAT No. Universal Bulk Dump...

  • Page 323

    Specifications 223 Automix Bulk Dump Request Format STATUS System Exclusive Message 11110000 F0 ID No. Manufacturer’s ID (YAMAHA) 01000011 43 SUB STATUS n=0-15(Tx/Rx Channel No.1-16) 0010nnnn 2n FORMAT No. Universal Bulk Dump 01111110 7E ' L ' 01001100 4C 01001101 4D...

  • Page 324

    Glossary 225 Glossary A/D converter – The conversion of analog signals into digital signals. The analog signal is sampled every few milliseconds and its level is quantized into a digital word. The larger the digital word, the more accurate the representation of the analog value.

  • Page 325

    226 Glossary Bit – A single unit of digital data. It can have a value of 1 or 0. Bulk Dump – A MIDI function that allow the transfer of system specific data, such as sample files or mixer settings, between MIDI capable devices. The data are transmitted as MIDI System Exclusive messages.

  • Page 326

    Digital Signal Processor (DSP) — A specialized circuit, usually a chip, that is designed to manipulate large quantities of data in real-time. YAMAHA has developed world renowned expertise in proprietary musical application specific digital signal processing.

  • Page 327

    228 Glossary Expander — An expander is another form of automatic level control. By attenuating the signal below the threshold, the expander reduces low-level noise or expands the dynamic range of the recorded material. See Dynamics Processor F (frequency) — The center frequency of an equalizer band. See Equalizer. Fader calibration —...

  • Page 328

    Glossary 229 Modulation — Using a low frequency oscillator (LFO) to control a signal’s frequency (pitch) or amplitude (level). The internal effects programs use modulation for a number of their programs. See Internal Effects. Nyquist Sampling Theorem — This theorem defines the process of sampling audio with a digital system.

  • Page 329

    230 Glossary Routing - The process of assigning input or tape and effect returns to the output buses or the stereo bus. Sampling frequency - The rate at which measurements of an audio signal are taken during A/D and D/A conversion. Once in the digital domain, the data usually remains at the same sampling frequency.

  • Page 330: References And Further Reading

    The Art of DigitaI Audio, John Watkinson, Focal Press (Butterworth Group), 1990. The MIDI Ins, Outs & Thrus, Jeff Rona, Hal Leonard Publishing, 1992. Yamaha Sound Reinforcement Handbook, Gary Davis and Ralph Jones, second edition, Hal Leonard Publishing Corporation, 1990. Digital Recording Console 02R User's Guide...

  • Page 331

    I n d e x 233 Index Event Extract screen channel icons............. 140 EXTRACT icon..........140 analog input connectors............. 26 “IN Time” field ..........140 attenuation, digital.............. 32 ONE/ALL – confirmation popup....140 automation system “Out Time” field ..........140 current buffer..

  • Page 332

    234 I n d e x send level icon ............. 87 COPY icon ..............48 send OFF indicator ............. 87 DEL. (delete) icon ............48 Tape/Effect screen............86 EXIT icon..............47 AUX 5 button............... 88 INS. (insert) icon ............48 AUX 7 button ...............

  • Page 333

    I n d e x 235 DYNAMICS ..............69 Cascade Configuration screen DYNAMICS Library ..........73 Attenuator icon ..........158 Cascade Aux Bus Assign check boxes..158 EQUALIZER..............49 Cascade Input Attenuator icons ..... 158 EQUALIZER Library ..........53 GROUP..

  • Page 334

    236 I n d e x L-MID box ..............50 description ..............62 LOW box..............50 ducking Q (bandwidth) icon ............ 50 description ............67 parameters ............67 also see Getting Started Guide dynamics library ............73 equalizer library description ..............53 dynamics programs exiting the library ............

  • Page 335: Table Of Contents

    I n d e x 237 channel group icons.......... 149 EXECUTE icons ..........146 “Enable” group select icons......149 NUMBER field ..........145 PGM TABLE icon ..........145 REQUEST ALL icon ......... 146 SCENE MEM icon ..........145 SETUP icon............145 input controls STATUS field.............

  • Page 336

    2 3 8 I n d e x TDIF-1 (CD8-TD) ..........173 YAMAHA (CD8-Y)........... 173 Digital I/O Card — ADAT (CD8-AT) rotary encoder (tape and effect return) ......28 installing............. 181 routing workclock selection .......... 182 description ..............39 Digital I/O Card —...

  • Page 337

    I n d e x 239 Scene Memory 0 (0 — Initial Data)......115 MIDI Warning OFF check box......164 store — confirmation popup ........116 Mix Update Confirmation check box .... 163 SCENE MEMORY button ..........117 Pre Fader Direct Out check box......

  • Page 338

    240 I n d e x Emphasis indicator ........... 167 Fs indicator ............167 SLOT1 icon............167 wordclock SLOT2 icon............167 definition of............... 154 SLOT3 icon............167 indicators ..............155 SLOT4 icon............167 2TR icon.............. 167 Emphasis Monitor screen ........

  • Page 339

    YAMAHA [Digital Recording Console] Date:22-Aug-1995 Model: MIDI Implementation Chart Version:1.0 Function... Transmitted Recognized Remarks Basic Default 1-16 1-16 Memorized Changed Channel 1-16 1-16 Default OMNI off/OMNI on Memorized Messages Mode Altered ************** Note : True voice ************** Number Velocity Note ON Note OFF Key’s...

  • Page 340

    User Setting Sheet...

  • Page 341

    To establish and maintain two-way communications regarding Yamaha Digital Audio equipment and peripherals for the professional user. Strategy: Quarterly conferences conducted by Yamaha on location in key cities. Newsletter / Technical Bulletins to be distributed by mail and Internet. Specifics: Discuss key points on Yamaha Digital Mixing: Applications, Interfacing, and Operation.

  • Page 342

    CD8AE S Cable - Allows interface of AES devices with XLR connectors to Yamaha CD8-AE Single card. Suggested Retail Price: To Be Announced TDIF Cable - 25-pin D-sub cable for interface of TDIF devices to Yamaha CD8-TD card. One cable = 8 channel bi-directional interface. Suggested Retail Price: $45.00 ADAT Cable - Fiber-optic cable - Single cable = 8 channels one direction interface.

  • Page 343

    Zeep.com - Localizer - Surround sound plug-in for 02R Project Manager Pro permits surround sound panning of selected channel signals. Furniture Yamaha - 02R Stand - Sturdy stand for single 02R console. Height is adjustable. Black finish. Suggested Retail Price: $199.00. Nigel B Furniture - 02R Digital Mixer Stand - Adjustable height.

  • Page 344: Quick Reference Guide, System Setup

    YAMAHA QUICK REFERENCE GUIDE System Setup 1. Remove rear panel plates covering card slots. Plug in appropriate format digital interlace cards (adat, Tascam, AES/EBU etc.). Use slot 1 for an 8 track system, slots 1 and 2 for 16 track Slots 3 and 4 are for accommodating up to 16 additional digital inputs for 32 total returns.

  • Page 345

    6. Cursor to CLEAR and select ENTER to remove specific mixes from memory locations. Cursor to A. CLEAR to remove all mixes. 02R Archival Data Storage 1. Archive AUTOMIX, SCENE MEMORY, and LIBRARY data to a MIDI DATA FILER (Yamaha MDF-2 or MDF-1) via MIDI bulk dump mode. Select MIDI key to access specific MIDI download parameters.

  • Page 346

    YAMAHA ProMix 01 QUICK REFERENCE GUIDE SYSTEM SETUP: • Condenser microphones or lines to inputs 1-8. Rear panel Phantom Master switch ON. • Connect Dynamic microphones or line level signals to inputs 9-16. • Connect XLR Stereo Outputs to a sound system, tape recorder etc.

  • Page 347

    YAMAHA DMC-1000 QUICK REFERENCE GUIDE SYSTEM SETUP: (Use Previous and Next keys in LCD Control Section) • Select WCLK Sel. for Word Clock status: If console is master, set to Internal. If slave, set to proper digital input connector (example:AES Ch 1/2).

  • Page 348

    YAMAHA YAMAHA CORPORATION 95 11 100D AP Printed in Japan P.O.Box 1, Hamamatsu, Japan...

  • Page 349

    YAMAHA Yamaha Corporation of America 6600 Orangethorpe Avenue, P.O. Box 6600, Buena Park, CA 90622-6600 3/24/97 25363...

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