Page 1 DIGITAL RECORDING CONSOLE...
Page 2 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
Page 3: Important Information
Important Information Please read the following before operating your 02R Digital Recording Console. Precautions Installing the 02R • The unit should be connected only to an AC receptacle of the type described in the owner’s manual or as marked on the unit. •...
Page 4 02R Owner’s Manual • Do not handle the power plug with wet hands. Otherwise, you may receive an electrical shock. • When you remove the power plug, be sure to hold the plug. Never pull on the cord. Otherwise, the power cord will become damaged, resulting in ﬁre or electrical shock.
Page 5 If an abnormality occurs while operating the 02, remove the plug from the AC outlet • If you notice any abnormality—such as smoke, odor, noise, etc—turn off the power to the 02R immediately, and remove the power plug from the AC outlet. Conﬁrm that the abnormality is no longer present, then consult your dealer for repair.
Page 6 Version 1 of Project Manager is not compatible with the 02R Version 2 and may cause data loss. To obtain Version 2 of Project Manager, contact Zeep in Canada at <http://www.zeep.com/> or tel: 514-272-2224 or fax: 514- 272-2888. Alternatively, contact your Yamaha dealer for additional information about archiving 02R Version 2 data.
Page 7 DIGITAL RECORDING CONSOLE Getting Started Guide...
Page 8: Table Of Contents
Contents Introduction to the 02R..... . 1 02R ........... . . 2 User Guides .
Page 9 02R Getting Started Guide Mixing and Automix..... . . 67 What is 02R Automix? ........68 Real-time Automix .
Page 10: Introduction To The 02R
Introduction to the 02R Introduction to the 02R In this chapter... 02R ............2 User Guides .
Page 11 02R. The cards allow you to select from any of the currently used formats (ADAT®, TDIF™, Yamaha, or AES/EBU). The optional cards allow you to route up to 16 outputs directly to your modular digital multitrack recorder. In addition,...
Page 12: User Guides
Introduction to the 02R RISC Technology To provide powerful system control and full dynamic automix, the 02R is driven by a RISC technology CPU. With all this power and sonic quality, the 02R will become the heart of your digital recording studio. User Guides The 02R is supplied with an Owner’s Manual that consists of two guides—a Getting Started Guide and a User’s Guide.
Page 13: Top And Rear Panels
+48V +48V +48V +48V +48V 20dB 20dB 20dB 20dB 20dB GAIN GAIN GAIN GAIN GAIN PEAK PEAK PEAK PEAK PEAK SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL DISPLAY ACCESS SCENE DIGITAL SETUP UTILITY MEMORY MIDI PAIR AUTOMIX GROUP CONFIGURATION Ø/ATT DELAY ROUTING METER VIEW DYNAMICS...
Page 14: Features
• 105 dB dynamic range (typical) • 32-bit precision internal processing with a dynamic range of over 190 dB using Yamaha’s 32-bit proprietary audio DSP General Features • 40 input channel mixer, with full dynamic processing and 4-band parametric equalization •...
Page 15 SMPTE and MTC synchronization plus full MIDI implementation Options • Digital I/O cards: • ADAT (CD8-AT) • TASCAM (CD8-TDII) • Yamaha (CD8-Y) • AES/EBU double slot card (CD8-AE) • AES/EBU single slot card (CD8-AE-S) • Cascade Kit (CD8-CS) • Analog I/O cards •...
Page 16: Key Features
Introduction to the 02R Key Features This section looks at some of the key features of the 02R, what they mean to you, and some hints about how you can use them. Dynamic Automix One of the most demanding jobs of the recording engineer is taking all the raw material produced during a multitrack recording session and mixing it all together into an artistically satisfying master recording.
Page 17 02R Getting Started Guide Recalling the scene is even easier—just press the [RECALL] button. You should be careful that your scene memories ﬂow into each other smoothly. The instant recall means that you can have very abrupt level changes or the unexpected intrusion of a very loud channel.
Page 18 The 02R features eight aux sends, two of which are routed to the internal multi-effects stereo processors: Effect 1 and Effect 2. Using the power of Yamaha’s proprietary effects processor chip, the 02R has a startling range of special effects available to apply to your mix. Shimmering reverbs, clean and precise delays, ﬂanging and chorus, and a myriad of other effects are...
Page 19 Introduction to the 02R domain. The dynamics program settings are stored in the dynamics library. There are 40 preset programs for you to recall and 88 user programs for you to store your own dynamics programs Parametric EQ with Library The 02R contains a high-performance four-band, fully parametric EQ.
Page 20 Introduction to the 02R 02R Sonic Performance The 02R uses linear 20-bit 64-times oversampling analog-to-digital converters to provide a typical dynamic range of 105 dB. This means that an audio program’s dynamic range, from low to high levels, is processed intact.
Page 21 Introduction to the 02R 02R Getting Started Guide...
Page 22: Getting Started
Getting Started Getting Started In this chapter... Basic Assumptions..........14 Making the Connections.
Page 23: Basic Assumptions
WARNING! Before making any connections, make sure that all your equipment is turned OFF. WARNING! The 02R should be connected only to an AC receptacle of the voltage type marked on its rear panel. 02R Getting Started Guide Basic Assumptions The 02R was designed to be the perfect digital mixing console for a studio using the current generation of modular digital multitrack tape and disk recorders.
Page 24: Basic Setup
Getting Started Basic Setup The following illustration shows how to set up a minimal system that will allow you to perform the following tutorials. Ampliﬁer Sound Source Multitrack recorder 02R Getting Started Guide...
Page 25: Power On/Off
POWER ON/ OFF 02R Getting Started Guide Power ON/OFF This section explains how to power the 02R on and off. Power ON It is always important to observe the correct order for powering up equipment in a studio. Always start with the multitrack and mastering recorders and the signal processors, then the 02R, and ﬁnally the monitoring ampliﬁers and other downstream gear.
Page 26: Recall Scene Memory 0
Getting Started Recall Scene Memory 0 Before you start the tutorials, you should set the 02R to its initial mixer settings. 1. Use the SCENE MEMORY increment or decrement buttons to select scene memory 0 “0 Initial Data”. 2. Press the [RECALL] button. STORE RECALL This is a read-only scene memory that contains the default settings for the...
Page 27 Getting Started 02R Getting Started Guide...
Page 28: Introductory Recording Tutorial
Introductory Recording Tutorial Introductory Recording Tutorial In this chapter... Setting the Input Level ......... . 20 Applying EQ .
Page 29: Setting The Input Level
STEREO 2TR-D2 2TR-A2 2TR-D3 AUX 5 AUX 6 MONO CONTROL ROOM LEVEL 02R Getting Started Guide Setting the Input Level Assuming that the 02R is powered ON and your music source is playing, the very ﬁrst thing you need to do is set up a basic control room monitor mix.
Page 30: Setting The Gain
Setting the GAIN 1. Use the [METER] button to locate the METER 1/3 page. The MIC/LINE 1 signal is metered. METER 2. If the sound is distorted, the PEAK indicator is illuminated, or the level is going up to CLIP , press the 20 dB (pad) switch to attenuate 20dB the input signal for MIC/LINE 1.
Page 31: Peak Hold
Ø/ATT METER 02R Getting Started Guide Back off the GAIN control a little until the PEAK indicator illuminates very occasionally. The GAIN control should be set with some care. If it is set too low, the signal-to-noise performance will suffer, and if it is set too high, signal clipping and distortion may occur.
Page 32 Introductory Recording Tutorial The peak level is indicated by an empty square box. Peak Hold is very useful for level checking before recording. You can leave a mix to play through unattended while Peak Hold watches out for signal peaks. If any levels reach CLIP, back off the relevant GAIN control or use the /ATT display function to attenuate the signal and run through the mix again.
Page 33: Applying Eq
02R Getting Started Guide Applying EQ The next step is to apply EQ to MIC/LINE 1. Each 02R channel features a four-band fully parametric EQ, with variable bandwidth (Q), frequency (F), and gain (G). The power of the 02R user interface means that there are two ways of adjusting the EQ for MIC/LINE 1.
Page 34 The EQ 1/2 page appears, showing the EQ curve and settings for MIC/LINE 1. 3. Use the CURSOR buttons to select the EQ ON icon. If the EQ is ON, the icon will be highlighted. The LED inset in the [EQ ON] button of the SELECTED CHANNEL—EQUALIZER block controls will also be illuminated.
Page 35 02R Getting Started Guide The gain increases in 0.5 dB steps and the EQ curve on the EQ page changes to reﬂect this. 3. Rotate the encoder wheel counterclockwise to reduce the gain. The gain decreases in 0.5 dB steps. Alternatively, you could use the EQUALIZER G control.
Page 36 Setting the Frequency 1. Select the frequency (F) icon for the LOW band using the CURSOR buttons. 2. Use the encoder wheel to sweep through the frequency range. Alternatively, you could use the EQUALIZER F control. All four bands of the 02R parametric EQ cover virtually the entire audio spectrum, from 21 Hz to 20.1 kHz.
Page 37 02R Getting Started Guide Setting the Bandwidth The L-MID and H-MID bands are peaking type EQs. The LOW and HIGH bands are initially conﬁgured as shelving type EQs, however, they can also be conﬁgured as peaking type EQs. The LOW band can also be conﬁgured as a HPF (high-pass ﬁlter) and the HIGH band as a LPF (low-pass ﬁlter).
Page 38 Resetting the EQ 1. Press and hold the [LOW/HPF] button and then press the [HIGH/LPF] button of the SELECTED CHANNEL—EQUALIZER controls. All EQ values will be reset to their initial values. LOW/HPF L-MID LOW SHELF Peak – 0.7 125 Hz 1.00 kHz H-MID HIGH/LPF...
Page 39: Using The Eq Library
Introductory Recording Tutorial Using the EQ Library The EQ Library is used to access and store EQ settings—stored as programs. There are 32 preset programs (1 to 32) for you to recall and 96 user programs (33 to 128 plus UNDO) for you to store your own EQ settings.
Page 40 Introductory Recording Tutorial The EQ program is recalled. The EQ curve for MIC/LINE 1 is set accordingly. The EQ curve at the top of the display is updated. Your sound source is modiﬁed by the program you recalled. If the sound doesn’t change, check if you have left the EQ ON switch turned OFF on the EQ 1/2 page.
Page 41 Introductory Recording Tutorial Storing an EQ Program 1. Use the [EQ] button to locate the EQ 2/2 page shown below. 2. Select the STORE icon with the CURSOR buttons. In order to scroll through the list of EQ programs, the cursor must be on the STORE, RECALL, CLEAR, COPY, or PASTE icons.
Page 42 5. Select the individual character positions with the CURSOR buttons and rotate the encoder wheel to select the characters. You can create a name of up to 16 characters long. It can contain any of the following characters: “ & You can select the “INS.”...
Page 43 Introductory Recording Tutorial CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button.
Page 44: Routing
02R. • YAMAHA (CD8-Y)—This single slot card supports an 8-channel YAMAHA modular digital multitrack recorder. It provides eight input channels and eight output channels. You can insert up to four of these cards in the 02R.
Page 45 02R Getting Started Guide Using the ROUTING Display Function There are two ways to operate the Routing function. One method is to use the ROUTING 1/2 page. The more convenient method is to use the buttons of the ROUTING block of the SELECTED CHANNEL controls.
Page 46 Selecting the Routing 1. Use the [ROUTING] button to locate the ROUTING 1/2 page shown below. ROUTING 2. Use the ROUTING buttons of the SELECTED CHANNEL controls to route the MIC/LINE 1 channel. As you press the ROUTING buttons, the LED inset in the button illuminates and the corresponding icon on the ROUTING page appears highlighted.
Page 47: Panning
Introductory Recording Tutorial Panning There are two ways to use the Pan function. One method is to use the PAN 1/1 page. The more convenient method is to use the buttons and controls of the PAN block of the SELECTED CHANNEL controls. L/ODD R/EVEN EVEN...
Page 48 Introductory Recording Tutorial Ganging Pans You can gang the pan controls of two adjacent channels for simultaneous pan adjustment 1. Press the [SEL] button for MIC/LINE 1. You can also select the MIC/LINE 1 icon using the CURSOR buttons. 2. Press the [ENTER] button to connect the channels together. You can also gang channels together by simultaneously pressing the [L/ODD] and [R/EVEN] buttons of the PAN block of the SELECTED CHANNEL group.
Page 49 Introductory Recording Tutorial 02R Getting Started Guide...
Page 50: Secondary Recording Tutorial
Secondary Recording Tutorial Secondary Recording Tutorial In this chapter... Aux Sends ........... . . 42 Setting the Aux Send Level .
Page 51 AUX 1 AUX 2 AUX 3 AUX 4 AUX 7 AUX 8 AUX 5 AUX 6 EFF1 EFF2 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 EFF1 EFF2 SEND LEVEL 02R Getting Started Guide Aux Sends The 02R has eight aux sends.
Page 52: Setting The Aux Send Level
Setting the Aux Send Level In this tutorial, MIC/LINE 1 channel is sent to AUX 1. 1. Press the [AUX 1] button. The AUX 1 1/1 page shown below appears. AUX 1 The faders change from channel level controls to aux send level controls. To FADER STATUS INPUT indicate the change, the AUX LED of the FADER STATUS indicator...
Page 53 Secondary Recording Tutorial 4. To change the signal level, adjust the fader for MIC/LINE 1 until the desired value is obtained. You can use the rotary encoders for the tape returns or press the [FLIP] button. Then the tape return channels can be operated by the faders. The effect returns can only be adjusted with the rotary encoders.
Page 54: Creating A Monitor Mix
Creating a Monitor Mix The 02R has two different monitoring outputs—the control room outputs and the studio outputs—plus, of course, the PHONES output (which is a duplicate of the control room output). During a multitrack recording session, what you want to listen to in the control room is often very different from what the musicians need in the studio.
Page 55: Applying Effects
AUX 7 EFF1 02R Getting Started Guide Applying Effects The 02R features two internal multi-effects stereo processors: Effect 1 and Effect 2. These are fed by AUX 7 and AUX 8, and the processed signals are returned via EFF 1 RTN and EFF 2 RTN, respectively. When you use the internal effects, the signal gets processed without ever leaving the digital domain.
Page 56 Sends to the effects are usually post fader. This means the signal level feed into the effects processor follows the “dry” channel level. 4. Adjust the fader for MIC/LINE 1 until the desired signal level is obtained. Adjusting the Effect Return The effect return channel is similar to one of the input channels except that it has no analog input, and therefore no gain or input pad need to be applied.
Page 57 Secondary Recording Tutorial By default (assuming you are still working with Scene Memory 0 “0 Initial Data”) the effect return channel is routed to the stereo bus. Note: Although you cannot route the effect return channel to the direct outputs, you can route it to the same bus that the input channel is routed to, allowing you to record the effect together with the input signal.
Page 58: Recalling And Editing Effects
Recalling and Editing Effects Once you have applied effects to MIC/LINE 1, you need to know how to recall effects programs from the effects library and to adjust their parameters in order to create your own effect programs. Recalling Effects Programs 1.
Page 59: Editing Effects
02R Getting Started Guide 3. Use the CURSOR buttons to select the RECALL icon. Rotate the encoder wheel to select an effects program. The 02R will scroll through the available effects programs. The program that is highlighted is the program that will be recalled when you press the [ENTER] button.
Page 60 2. Select the various parameters with the CURSOR buttons, and adjust the value with the encoder wheel. As you adjust the parameters, you should listen carefully to the results. Some of the parameters of some of the effects are very subtle in their effect, others are quite obvious.
Page 61 02R Getting Started Guide 2. Use the CURSOR buttons to select the TITLE EDIT box, as shown below. 3. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters. You can create a name of up to 16 characters long. It can contain any of the following characters: “...
Page 62 Secondary Recording Tutorial You can select the “INS.” icon to insert a space (blank) at the cursor position in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” icon is used to delete the character at the cursor position.
Page 63: Patching In A Dynamics Processor
Secondary Recording Tutorial Patching in a Dynamics Processor The 02R features comprehensive dynamics processors for all the channel inputs, tape returns, and stereo and bus outputs. These processors allow you to compress, expand, compress/expand (compand), gate, or duck the signals passing through the mixer. The dynamics processors are generally used to correct or control signal levels, giving you unparalleled sonic quality and ﬂexibility.
Page 64 Compressing the Stereo Output You can apply dynamics to the input channels, for example, the channel you have used throughout these tutorials—MIC/LINE 1. The selection of dynamics program would depend on the input material: a gate for a noisy guitar amp, a compressor for an unpredictable vocalist, and so on. In this case, apply a compressor to the stereo bus to add punch to the output signal.
Page 65 02R Getting Started Guide 3. Use the CURSOR buttons to select the DYNAMICS OFF icon and press the [ENTER] button to turn the processor on. The icon is highlighted with the text changed to ON. Being able to easily turn the dynamics processor on and off allows you to perform quick A-B listening tests.
Page 66: Using The Dynamics Library
Using the Dynamics Library Once you have applied a dynamics processor to the stereo bus, you need to know how to recall dynamics programs from the library and to adjust the parameters to create your own dynamics programs. Recalling Dynamics Programs 1.
Page 67 02R Getting Started Guide Editing Dynamics Programs You can edit the preset dynamics programs and then store them as user programs. The 02R has 40 preset programs (1 through 40). Each program is a variation on the six basic dynamics processors available: •...
Page 68 Storing a User Dynamics Program The 02R has 88 user dynamics program locations (41 through 128) for you to store your own settings. You can store your dynamics program in the Dynamics Library, or you can just rely on the 02R scene memory to recall your settings.
Page 69 Secondary Recording Tutorial You can select the “INS.” icon to insert a space (blank) at the current cursor position in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” icon is used to delete the character at the cursor position.
Page 70 Secondary Recording Tutorial CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button.
Page 71: Scene Memories
STORE RECALL SCENE MEMORY SCENE MEMORY 02R Getting Started Guide Scene Memories The 02R scene memories are a snapshot of all the digital parameters of the mixer. The 02R has 96 mix scene memory locations. Each can be named for easy identiﬁcation.
Page 72 CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The scene memory is stored.
Page 73 02R Getting Started Guide 5. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters. You can create a name of up to 16 characters long. It can contain any of the following characters: “...
Page 74: Recalling A Scene Memory
Secondary Recording Tutorial Recalling a Scene Memory Scene memories are recalled using the [RECALL] button. They can also be recalled using the automix or by using MIDI Program Change Messages. 1. Use the SCENE MEMORY increment or decrement buttons to select the desired scene memory.
Page 75 Secondary Recording Tutorial 02R Getting Started Guide...
Page 76: Mixing And Automix
Mixing and Automix Mixing and Automix In this chapter... What is 02R Automix?......... . . 68 Real-time Automix .
Page 77: What Is 02R Automix
02R Getting Started Guide What is 02R Automix? There are three basic steps to making a multitrack recording: • Setup and initial tracks • Overdubbing • Mixdown Each step is vital in order to produce a satisfactory recording, but the most difﬁcult one for most engineers is the mixdown.
Page 78: Real-Time Automix
Real-time Automix These tutorials have assumed you are using your 02R with one or more of the optional I/O cards installed and a multitrack recorder connected. In this section, you will be synchronizing your multitrack recorder to the 02R. There are three basic ways of doing this: •...
Page 79: Creating A New Automix
02R Getting Started Guide • 30D—29.97 frames per second (30 drop frame). • 25—25 frames per second. • 24—24 frames per second. These frame rates apply to the SMPTE, MTC, and INT time references. 4. Select the “Time Reference” with the CURSOR buttons and press the [ENTER] button.
Page 80 If you want to keep the contents of the current automix, store them into an available memory location before proceeding. 1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. AUTOMIX 2. Use the SCENE MEMORY increment or decrement buttons to select your starting scene memory and press the [RECALL] button.
Page 81 Mixing and Automix CANCEL is the default. To cancel the NEW operation, either press the [ENTER] button or wait about 10 seconds—the NEW operation will be automatically cancelled. To create the new automix, use the CURSOR buttons to select the “EXECUTE”...
Page 82 Recording the First Session 1. Use the [AUTOMIX] button to locate the AUTOMIX 1/7 page. AUTOMIX 2. Select the “REC” (record) icon with the CURSOR buttons and press the [ENTER] button. The “REC” icon will ﬂash, indicating AUTOMIX RECORD READY status: 3.
Page 83 02R Getting Started Guide begin. The timecode will be displayed in real-time in the “Time Code” ﬁeld of the “Automix Main” page. Note: If the timecode is not being displayed correctly in the “Time Code” ﬁeld, check the following: • Are your cables connected between the timecode source device and the 02R correctly? •...
Page 84 6. When you have completed recording the automix session, use the CURSOR buttons to select the “STOP” icon and press the [ENTER] button. You may ﬁnd it faster and more convenient to stop the automix recording session by stopping the device that is providing the timecode. In this case, the effect is the same as if you selected the STOP function on the 02R: The “REC”...
Page 85: Editing Automix Events
AUTOMIX WARNING! Be careful that previously recorded events are not accidentally overwritten when you make these selections. 02R Getting Started Guide Editing Automix Events Overwriting Events You can overwrite the events that have been recorded into the current automix. You can alter events on an already recorded channel or you can record new events onto another channel.
Page 86 6. While monitoring the recording, adjust the parameters you want to overwrite. 7. When you have completed the automix overwriting session, use the CURSOR buttons to select the “STOP” icon and press the [ENTER] button. You may ﬁnd it faster and more convenient to stop the automix recording session by stopping the device that is providing the timecode.
Page 87 AUTOMIX 02R Getting Started Guide 5. Monitor the recording. At the punch-in location, press the [SEL] buttons for the tape return channels you want to ﬁx. Recording will begin from the location where you pressed the [SEL] button. Note: From this point, new events will be recorded and previously existing events will be deleted.
Page 88 3. Use the [AUTOMIX] button to locate the AUTOMIX 3/7 page. This display allows you to watch the fader movements as dynamic bargraphs. Several features make this display convenient to use while you perform detailed fader/encoder edits. 4. Use the CURSOR buttons to select “Fader Edit Out—RET” and press [ENTER] to change its value.
Page 89 02R Getting Started Guide direction the fader has to be moved to return to the previously recorded position: If the fader is moved to a position lower than the previously recorded position 9. When you have ﬁnished adjusting the fader, press the [SEL] button again.
Page 90: Off-Line Automix Editing
Off-line Automix Editing Editing Scene and Library Recall Events The Event Edit (Scene/Lib.) page, shown below, allows you to duplicate and delete mix scene and library recall events, and insert new events. Timecode addresses can be captured on-the-ﬂy, and new events inserted at the captured points.
Page 91 02R Getting Started Guide • EF.Lib.—effect library recall. The number indicates the effect library number (from 1 to 128). • CH.Lib.—channel library recall. The number indicates the channel library number (from 1 to 64). • Channel—the channel that the recall applies to. For scene memory recall, this ﬁeld is blank.
Page 92 Editing Channel On, Pan, & Fader events The Event Edit (CH ON, PAN, FADER) page, shown below, allows you edit channel on/off, pan, and fader events, and duplicate, delete, and insert new events. Timecode addresses can be captured on-the-ﬂy, and new events inserted at the captured points.
Page 93 Mixing and Automix When the INSERT icon is pressed, a new event is inserted at the captured timecode address. The type of event depends on which of the CH ON, PAN, FADER check boxes is checked. The new event can be edited as required.
Page 94 Erasing Events The Event Copy page, shown below, allows you to copy, move, erase and trim the level of automix events. In this tutorial just the Erase function is used. See “Event Copy” on page 153 of the User’s Guide for information about the other functions.
Page 95 Mixing and Automix 4. Use the CURSOR buttons and encoder wheel to set the In Time. 5. Use the CURSOR buttons and encoder wheel to set the Out Time. The Extract function allows you to delete the selected parameters from the selected channels between the In Time and Out Time points.
Page 96: Using The Automix Library
Using the Automix Library Storing an Automix An automix can be stored in one of the 16 automix memories available on the Memory Management page shown below. 1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. AUTOMIX 2. Use the CURSOR buttons to select the TITLE EDIT box. 3.
Page 97: Automix Memory
02R Getting Started Guide 4. Use the CURSOR buttons to select the STORE icon. Use the encoder wheel to select an automix and press the [ENTER] button. The 02R will display a popup conﬁrmation request message asking if you want to store your settings in the selected automix program. The popup has two icons: “CANCEL”...
Page 98: Recalling An Automix
Mixing and Automix Recalling an Automix 1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. AUTOMIX 2. Use the CURSOR buttons to select the RECALL icon. Use the encoder wheel to select an automix. The 02R will scroll through the available automixes. The program that is highlighted will be recalled when you press the [ENTER] button.
Page 99: Index
Index Attenuation 22 Audio quality 2 Automix about 7 editing 76 editing faders and encoders 78 editing scene and library recalls extracting events 85 frame rate 69 making new automixes 70 memories 68 memory expansion 88 off-line editing 81 overwriting 76 punch-in 77 real-time operation 69 recalling automixes 89...
Page 100 Naming See Titling. Noise gate 54 Off-line editing 81 ON buttons 23 On/off event editing 83 Options 6 Overwriting automix events 76 Pad 21 about 38 editing events 83 ganging 39 setting 38 Parametric EQ, about 10 Peak hold 22 Phase 22 Powering on/off 16 Programs...
Page 101 Index 02R Getting Started Guide...
Page 102 DIGITAL RECORDING CONSOLE User’s Guide...
Page 103 Contents at a Glance Controls and Connections....1 User Interface ......17 Mixing and Monitoring.
Page 104 Contents at a Glance 02R User’s Guide...
Page 105 Contents Controls and Connections....1 Front Panel ..........2 Rear Panel.
Page 106 02R User’s Guide Metering ..........41 View .
Page 107 Internal Effects ......103 About Effects ......... . 104 Preset Effects Programs .
Page 108 02R User’s Guide Groups and Pairs ......181 Grouping Faders ........182 Grouping Mutes .
Page 109 Dimensions..........248 Options .
Page 110 viii Contents 02R User’s Guide...
Page 111: Controls And Connections
Controls and Connections Controls and Connections In this chapter... Front Panel ........... . . 2 Rear Panel .
Page 112: Front Panel
Analog input controls Display screen and related controls DISPLAY ACCESS controls Faders 02R User’s Guide Front Panel SELECTED CHANNEL controls Analog output controls Monitor controls Scene memory controls Display controls...
Page 113 Analog input controls +48V 20dB GAIN PEAK SIGNAL Phantom switches (channels 1 to 8) These switches turn the +48 V DC phantom power ON and OFF for the XLR-3-31 connectors. A/B switches (channels 1 to 8) These switches select between the XLR-3-31 connectors and the phone connectors.
Page 114 T/B LEVEL STUDIO PHONES LEVEL LEVEL 02R User’s Guide Analog output controls T/B LEVEL control and microphone This control sets the volume level of the built-in talkback microphone. STUDIO LEVEL control This control sets the level of the signal sent to the STUDIO MONITOR OUTPUT connectors.
Page 115 MIXING buttons These buttons access the corresponding Display function. Button /ATT Set phase and attenuation. DELAY Set the channel delay. Set the pan position. ROUTING Set the channel routing. METER Meter the levels from the individual input channels, the tape and effect return chan- nels, the 8 main busses, and the 8 auxiliary busses.
Page 116 02R User’s Guide Display and related controls Edit Indicator SCENE MEMORY FADER STATUS INPUT 1 2 3 4 5 6 7 8 SELECTED CHANNEL MIC/LINE TAPE/RTN OUTPUT SCENE MEMORY indicator This 2-digit (7-segment) LED shows the currently selected Scene Memory program. It also contains the Edit Indicator, which will start ﬂashing when the current mix scene is ﬁrst adjusted.
Page 117 SELECTED CHANNEL controls SELECTED CHANNEL DIRECT ROUTING L/ODD R/EVEN LOW/HPF L-MID H-MID EQ ON ROUTING buttons These buttons set the routing for the currently selected channel. AUX buttons and controls These buttons and controls set the auxiliary send channel and level for the currently selected channel.
Page 118 AUX 5 AUX 6 STUDIO 2TR-D1 2TR-A1 2TR-D2 2TR-A2 2TR-D3 AUX 5 AUX 6 MONO CONTROL ROOM SLATE TALKBACK SOLO LEVEL 02R User’s Guide Monitor controls STUDIO buttons These buttons select the monitor signal sent to the STUDIO MONITOR OUTPUT connectors. CONTROL ROOM buttons These buttons select the monitor signal sent to the C-R MONITOR OUT connectors.
Page 119 Faders TAPE TAPE TAPE Tape and Effect return controls These continuously rotary controls set the level of the tape and effect returns. The current level of a return channel is shown by the corresponding icon at the bottom of the display. SEL buttons These buttons select the individual channels.
Page 120 02R User’s Guide FLIP button This button interchanges the functions of MIC/LINE channels 1 to 16 and TAPE RETURN channels 1 to 16. This allows you to set the tape return levels with the Faders rather than the Tape Return controls.
Page 121: Rear Panel
Display controls Rear Panel +4dB INPUT INPUT INPUT AUX SEND +4dB -10dBV STUDIO C- R -10dBV 2TR IN INPUT INPUT INPUT +4dB MONITOR MONITOR STEREO OUT ANALOG ANALOG +4dB +4dB COAXIAL AES/EBU POWER ON/ OFF STEREO OUT METER DIGITAL SMPTE THRU TIME CODE INPUT...
Page 122 02R User’s Guide C-R MONITOR OUT connectors These are balanced 1/4” phone connectors with a +4 dB nominal output level. They are wired TRS. They output the signal selected by the CONTROL ROOM buttons. STEREO OUT ANALOG (1 and 2) connectors STEREO OUT (1) are balanced XLR-3-32 type connectors with a +4 dB nominal output level.
Page 123 INSERT I/O (1 to 8) are unbalanced phone jack connectors. Both the nominal output and input levels are +0 dB. Wiring is sleeve–ground, tip–out, and ring–in. Connect external dynamic processors and other analog devices here. POWER switch This is a push-type power switch. It is recessed to prevent accidental operation.
Page 124 Card Format AES/EBU CD8-AE ADAT Digital I/O TDIF-1 YAMAHA CD8-Y AD/DA Analog I/O Cascade Kit Use slots 1 and 2 for direct output lines to your multitrack recorder. See Section 14, “Installing Options” on page 217 of the User’s Guide for further details.
Page 125: Block Diagram
Block Diagram...
Page 126 Controls and Connections 02R User’s Guide...
Page 127: User Interface
User Interface User Interface In this chapter... About the User Interface......... 18 DISPLAY ACCESS Buttons .
Page 128: About The User Interface
DISPLAY ACCESS SCENE DIGITAL SETUP UTILITY MEMORY MIDI PAIR AUTOMIX GROUP CONFIGURATION 02R User’s Guide About the User Interface The 02R user interface is powerful but very intuitive. There are two main methods of working with the 02R: • Use the DISPLAY ACCESS controls to modify one parameter at a time across the entire recording console.
Page 129 • • • • • • MIXING group Ø/ATT DELAY ROUTING These buttons access the Display Functions that set mixer parameters for the entire recording console. VIEW DYNAMICS METER MIXING • • • • • • • • AUX group AUX 1 AUX 2 AUX 3...
Page 130: Display
02R User’s Guide these two sends are routed to the internal effects unit. Therefore, the buttons also allow you to select and set the effects parameters. Display The large backlit 320 240 pixel graphical display provides clear indication of mix settings and operating status. As well as showing parameter values numerically, faders and rotary controls are represented graphically, so you can actually see pan positions and fader positions.
Page 131: Cursor Buttons
User Interface CURSOR Buttons The CURSOR buttons are used to select parameters and options on the display. The selected parameter or option usually appears highlighted. CURSOR The CURSOR buttons are also used to position the cursor in a name when naming automix mixes, scene memories, EQ programs, effects programs, dynamics programs, and channel library programs.
Page 132: Display Functions
02R User’s Guide Display Functions The following table lists all the 02R display functions and brieﬂy explains what they do. Display Function SCENE Store and recall mix scenes. DIGITAL I/O Sets digital I/O parameters and selects word clock. SETUP Sets the solo parameters and system prefer- ences.
Page 133: Selected Channel Controls
SELECTED CHANNEL Controls These controls are very similar in setup to the controls of an analog mixer. You may ﬁnd working with the buttons and controls of this section of the 02R is much faster and more intuitive than working through the pages of the DISPLAY ACCESS functions.
Page 134 02R User’s Guide PAN controls L/ODD R/EVEN These controls allow you to set the pan position of the selected channel. The [L/ODD] and [R/EVEN] buttons select the left/odd and right/even channels. Use the rotary encoder to adjust the pan position. The current position is indicated on the adjacent LED bargraph.
Page 135: Mixing And Monitoring
Mixing and Monitoring Mixing and Monitoring In this chapter... Analog Inputs..........26 Phantom Power .
Page 136: Analog Inputs
INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT +48V 02R User’s Guide Analog Inputs The 02R is equipped with 24 analog input connectors. The ﬁrst sixteen channels, 1 through 16, are mono input channels designed for microphone to line level signal inputs. The last eight channels, 17 through 24, are stereo channels designed for line level signals only.
Page 137: Pad
The Pad function attenuates input signals by 20 dB. This is useful when inputting high level signals that would otherwise overload the input 20dB preampliﬁer. By increasing the effective range of the GAIN control, high-level signals can be adjusted accurately. Pad can be set individually for the mono input channels 1 through 16.
Page 138: On Buttons
STEREO FLIP 02R User’s Guide ON Buttons The [ON] buttons are used to turn channels on and off. The input channel, tape return channel, effect return channel, and stereo output [ON] buttons turn their respective channels on and off. When a channel is turned on, the LED set in the corresponding button lights up.
Page 139: Analog Outputs
The buttons select the monitor signal sent to the control room monitor system. This is usually a large pair of near-ﬁeld loudspeakers. Many 2TR-D1 2TR-A1 studios also use a smaller speaker system, such as the YAMAHA NS-10M, to monitor a “typical” listening environment. 2TR-D2 2TR-A2 You can select one of ﬁve 2TR IN inputs, three of which are digital (the...
Page 140: Monitor Level Controls
SOLO SLATE TALKBACK LEVEL T/B LEVEL STUDIO LEVEL PHONES LEVEL 02R User’s Guide SOLO Button You can monitor input channels in isolation by pressing the [SOLO] button. The LEDs in the center of the selected channel [ON] buttons are extinguished. You select the channel(s) you want to solo by pressing the corresponding [ON] button.
Page 141: Mixing Display Functions
MIXING Display Functions MIXING Display Functions In this chapter... Phase and Attenuation ......... . 32 Delay .
Page 142: Phase And Attenuation
1. Press the [ /ATT] button. Ø/ATT /ATT page appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. To change the phase, press the [ENTER] button. The NOR icon changes to REV and is highlighted. 4.
Page 143 MIXING Display Functions Phase & Attenuation Pages There are two pages to the 1/1 function. The ﬁrst page, shown below, contains the Phase and Attenuation controls for MIC/LINE channels 1 to 24, and appears when one of these channels is selected. The second page, shown below, contains the Phase and Attenuation controls for TAPE channels 1 to 16, effects returns (EFF 1 and EFF 2), and the stereo output, and appears when one of these channels is selected.
Page 144: Delay
1. Press the [DELAY] button. DELAY The DELAY display function appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. By default, the delay is off. Press the [ENTER] button to turn it on. The OFF icon, highlighted, changes to ON.
Page 145 MIXING Display Functions The second page, shown below, contains the Delay controls for TAPE channels 1 to 16 and effects returns (EFF 1 and EFF 2), and appears when one of these channels is selected. Fine-Tuning the Delay You can adjust the delay, either samples [Smpl] or milliseconds [mSEC] with coarse or ﬁne precision just by the placement of the cursor on the selected channel.
Page 146: Pan And Balance
1. Press the [PAN] button. The PAN display function appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. To change the pan position, rotate the encoder wheel until the desired value is shown. 02R User’s Guide Pan and Balance The PAN display function is used to pan and balance signals.
Page 147: Pan Gang
1. Press the [PAN] button. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. Press the [ENTER] button to connect the odd and even channels together. Pans can also be linked by pressing the PAN L/ODD and R/EVEN buttons at the same time.
Page 148: Pan Controls
MIXING Display Functions Switching to Gang mode allows you to reposition the stereo signal within the stereo ﬁeld. For example, you could set L5 and R10 before you Gang the channels. After you press [ENTER], adjusting either channel moves the other a corresponding amount.
Page 149: Routing
1. Press the [ROUTING] button. ROUTING The ROUTING display function appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. Use the CURSOR buttons to select the routing destinations and press the [ENTER] button to switch a route ON or OFF. Routing The ROUTING display function is used to select the bus routing of the input channels and tape and effect return signals.
Page 150: Routing Buttons
DIRECT ROUTING 02R User’s Guide The second page, shown below, contains the Routing controls for TAPE channels 1 to 16 and effects returns (EFF 1 and EFF 2), and appears when one of these channels is selected. ROUTING buttons You can also set the routing for the selected channel with the ROUTING buttons in the SELECTED CHANNEL group.
Page 151: Metering
1. Use the [METER] button to select the METER pages. METER 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. Use the CURSOR buttons to select the PEAK HOLD icon and press the [ENTER] button to switch the function on or off.
Page 152: Aux Sends
Setting the Bus Out and Aux Send Levels 1. Use the CURSOR buttons to select one of the fader icons. 2. Adjust the level by rotating the encoder wheel. 02R User’s Guide The third METER page contains the meters for the bus outs, aux sends, and the stereo output, plus the master faders for the bus outs and aux sends, and appears when one of these channels is selected.
Page 153 By changing the meter source points, you can easily observe the effect of changing the EQ or channel fader levels on the signal. Note: Switching the meter source point for the input channels switches it for the tape and effect returns as well. Switching it for the tape and effect return changes the input channels.
Page 154: View
1. Use the [VIEW] button to locate the VIEW 1/2 page. VIEW 2. Select a channel by pressing one of the [SEL] buttons. 3. Use the CURSOR buttons to select an item. 4. Adjust the value of the item using the encoder wheel and/or the [ENTER] button.
Page 155 MIXING Display Functions When you press the [ENTER] button, the channel will be linked with its adjacent channel in GANG mode. Dotted lines will indicate the connection to the corresponding channel. Press the [ENTER] button again to switch back to INDIVIDUAL mode. See “Pan and Balance”...
Page 156 MIXING Display Functions Groups and Channel ON Use the CURSOR buttons to select the fader and mute group icons. Each time you press the [ENTER] button, the selected group will alternately be set or cancelled. Remember that a channel can only belong to one fader group and one mute group.
Page 157 MIXING Display Functions If the selected channel is one of the effect return channels, dynamics is replaced by the EFFECT TYPE display. It shows the name of the current effects program for the channel. Use the CURSOR buttons to select the effects program name and press the [ENTER] button.
Page 158: Channel Library
1. Use the [VIEW] button to select the VIEW 2/2 page. VIEW Storing Channel Programs 1. Select the STORE icon with the CURSOR button and use the encoder wheel to select a program number. 2. Use the CURSOR buttons and encoder wheel to name the program.
Page 159: Recalling And Editing Effects
When you conﬁrm a STORE operation, any existing data in the selected program location will be overwritten. YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX! • RECALL—This icon is used to recall a program from the library. Select the icon with the CURSOR buttons.
Page 160 02R User’s Guide rotate the encoder wheel until the UNDO buffer is the current program, and press the [ENTER] button. The previous settings are restored. Program Name Channel program names can be up to 16 characters long and can contain any of the following characters: “...
Page 161 1. Use the (EQ) button to select the EQ 1/2 page. 2. Select a channel using the [SEL] buttons. 3. Use the CURSOR buttons to select the EQ ON icon. Press the [ENTER] button to turn the EQ on or off. The icon changes from ON to OFF.
Page 162 02R User’s Guide This control duplicate Attenuation function. See “Phase and Attenuation” on page 32 of the User’s Guide. Note: The attenuator rotary icon is adjusting the same parameter as in the /ATT display function. When you boost the gain of the equalization curve, you may cause the overall signal level to reach CLIP.
Page 163: Eq Controls
EQ controls You can also adjust the equalization for the selected channel with the EQUALIZER controls in the SELECTED CHANNEL group. LOW/HPF L-MID H-MID EQ ON These controls allow you to adjust the equalization of the selected channel. Select the band you want to adjust with one the buttons in the top row: [LOW/HPF], [L-MID], [H-MID], or [HIGH/LPF].
Page 164: Eq Programs
02R User’s Guide EQ Programs These are the preset EQ programs. Program Name Bass Drum 1 Bass Drum 2 Snare Drum 1 Snare Drum 2 Tom-tom 1 Cymbal High Hat Percussion E.Bass 1 E.Bass 2 Syn.Bass 1 Syn.Bass 2 Piano 1 Piano 2 E.G.Clean E.G.Crunch 1...
Page 165: Recalling Eq Programs
1. Use the [EQ] button to select the EQ 2/2 page. Recalling EQ Programs 1. Select a channel using the [SEL] buttons. 2. Use the CURSOR buttons to select the RECALL icon and select an EQ program with the encoder wheel. 3.
Page 166 02R User’s Guide select a program and press the [ENTER] button. The 02R displays a conﬁrmation dialog box asking if you want to store your settings in the selected program. The box has two icons: “CANCEL” and “EXECUTE”. Note: You can customize your 02R to prevent the conﬁrmation dialog box appearing during the STORE operation.
Page 167 • INS. —This icon is used to insert blank characters into the TITLE EDIT box at the current cursor location. Select the icon with the CURSOR buttons and press the [ENTER] button. • DEL.—This icon is used to delete characters from the TITLE EDIT box at the current cursor location.
Page 168: Preset Eq Program Parameters
Preset EQ Program Parameters MIXING Display Functions Name Bass Drum 1 Bass Drum 2 Snare Drum 1 Snare Drum 2 Tom-tom 1 Cymbal High Hat Percussion E.Bass 1 02R User’s Guide Parameter L-MID H-MID PEAKING PEAKING PEAKING 99Hz 265Hz 1.05kHz +3.5dB –3.5dB 0.0dB...
Page 169 Name PEAKING E.Bass 2 111Hz +3.0dB PEAKING Syn.Bass 1 83Hz +3.5dB PEAKING Syn.Bass 2 125Hz +2.5dB L.SHELF Piano 1 94Hz –6.0dB PEAKING Piano 2 223Hz +3.5dB PEAKING 0.18 E.G.Clean 265Hz +2.0dB PEAKING E.G.Crunch 1 140Hz +4.5dB PEAKING E.G.Crunch 2 125Hz +2.5dB L.SHELF E.G.Distortion 1...
Page 170 Name A.G.Stroke 1 A.G.Stroke 2 A.G.Arpeggio 1 A.G.Arpeggio 2 Brass Section Male Vocal 1 Male Vocal 2 Female Vocal 1 Female Vocal 2 Chorus & Harmony 02R User’s Guide Parameter L-MID H-MID PEAKING PEAKING PEAKING 105Hz 1.00kHz 1.88kHz –2.0dB 0.0dB +1.0dB L.SHELF PEAKING...
Page 171 Name PEAKING Total EQ 1 94Hz –0.5dB PEAKING Total EQ 2 94Hz +4.0dB L.SHELF Total EQ 3 66Hz +1.5dB PEAKING Bass Drum 3 118Hz +3.5dB L.SHELF Snare Drum 3 223Hz 0.0dB L.SHELF Tom-tom 2 88Hz –9.0dB PEAKING Piano 3 99Hz +4.5dB PEAKING Piano Low...
Page 172 Name Piano High Fine-EQ(Cass) Narrator Note: The EQ programs were programmed for recording acoustic musical instruments. If you are using them for a sampler, synthesizer, or rhythm machine, adjust the parameters accordingly. Note: Programs 33 to 40 contain preset programs and are listed in the table above. However, you can store your own settings to these programs.
Page 173: Surround Pan
Surround Pan Surround Pan In this chapter... About Surround Pan ..........64 Selecting a Surround Mode .
Page 174: About Surround Pan
Mode BUS 1 (front left) (left) 3+2+1 (front left) 02R User’s Guide About Surround Pan The 02R Surround Pan function supports 2+2, 3+1, and 3+2+1 surround modes, making it ideal for sophisticated surround sound production. Sounds can be moved freely around a two-dimensional sound space, or along preset circle, ellipse, semicircle, or diagonal trajectories.
Page 175: Selecting A Surround Mode
1. Use the [ROUTING] button to locate the ROUTING 2/4 page. ROUTING 2. Use the CURSOR buttons to select the SURROUND icon, and press the (ENTER) button. A conﬁrmation dialog box appears. 3. Select EXECUTE and press the (ENTER) button. 4.
Page 176 02R User’s Guide 3+1 Surround Mode Four-channel surround sound consisting of left (L), center (C), right (R), and surround (S) channels. Ideal for Dolby Surround authoring. Bus Out 1 DIGITAL RECORDING CONSOLE Bus Out 2 Bus Out 3 Bus Out 4 Recorder 3+2+1 Surround Mode Six-channel surround sound consisting of front left (FL), front center (FC),...
Page 177: Panning Sounds Freely
1. Use the [ROUTING] button to locate the ROUTING 3/4 page. ROUTING 2. Use the CURSOR buttons to select the MIC, LINE, or TAPE icon, and press the (ENTER) button. 3. Use the [SEL) buttons to select a channel. 4. Use the CURSOR buttons to select the left/right or front/rear parameter.
Page 178 Surround Pan The TAPE page, shown below, contains surround pan controls for TAPE inputs 1 to 16. 02R User’s Guide...
Page 179: Panning Sounds Using The Trajectories
1. Use the [ROUTING] button to locate the ROUTING 4/4 page. ROUTING This page can also be accessed from the ROUTING 3/4 page by pressing the (ENTER) button while a surround pan graph is selected. 2. Use the [SEL) buttons to select a channel.
Page 180 02R User’s Guide Trajectories The following surround pan trajectories are available. Left to right—The sound moves from left to right. The following illustrations show some typical left to right trajectories. Front to rear—The sound moves from front to back. The following illustrations show some typical front to rear trajectories.
Page 181 Surround Pan Left to right semicircle—The sound moves from left to right on a semicircular trajectory. Use the width and depth parameters to set the size and shape of the semicircle. The shape can be adjusted from a semicircle to a narrow oval. Use the offset parameters to offset the trajectory to the left, right, front, or rear.
Page 182: Linking Channels For Surround Pan
1. Use the [ROUTING] button to locate the ROUTING 4/4 page. ROUTING 2. Use the [SEL) buttons to select a channel. 3. Use the CURSOR buttons to select the ST LINK icon, and then press the (ENTER) button. 4. Use the CURSOR buttons to select the PATTERN parameter, and the encoder wheel to select...
Page 183: Csr (Center:side Ratio)
1. Use the [ROUTING] button to locate the ROUTING 4/4 page. ROUTING 2. Use the [CURSOR) buttons to select the CSR control. 3. Use the encoder wheel to set the CSR ratio. CSR (Center:Side Ratio) For the 3+1 and 3+2+1 surround modes that use a center speaker, the CSR (Center:Side Ratio) control can be used to set the amount of front-center sound heard through the center and left and right front speakers.
Page 184 Surround Pan 02R User’s Guide...
Page 185: Dynamics
Dynamics Dynamics In this chapter... Dynamics Processors..........76 Preset Dynamics Programs .
Page 186: Dynamics Processors
02R User’s Guide Dynamics Processors Dynamics processors are generally used to correct or control signal levels. However, you can also use them creatively to shape the volume envelope of a sound. The 02R features comprehensive dynamics processors for all the input channels, tape returns, and the bus and stereo outputs. These processors allow you to compress, expand, compress-expand (compand), gate, or duck the signals passing through the mixer, giving you unparalleled sonic quality and ﬂexibility.
Page 187: Compressor
Compressor Compression ratio = 2:1 A compressor provides a form of automatic level control. By attenuating high levels, thus effectively reducing the dynamic range, the compressor Threshold = -20dB makes it much easier to control signals and set appropriate fader levels. Knee = hard Reducing the dynamic range also means that recording levels can be set higher, therefore improving the signal-to-noise performance.
Page 188 Dynamics Knee sets the transition of the signal at the threshold. With a hard knee, the transition between uncompressed and compressed signal is immediate. With the softest knee, knee5, the transition starts before the signal reaches the threshold and gradually ends above the threshold. Release determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold.
Page 189: Expander
Expander Expansion ratio = 2:1 An expander is another form of automatic level control. By attenuating the Knee = hard signal below the threshold, the expander reduces low-level noise and Threshold = -10dB effectively increases the dynamic range of the recorded material. Expander (EXP) parameters: Input Level Threshold (dB)
Page 190: Compander
Width Threshold Input Level 02R User’s Guide Compander A compander is a compressor-expander—a combination of signal compression and expansion. The compander attenuates the input signal above the threshold as well as the level below the width. For very dynamic material, this program allows you to retain the dynamic range without having to be concerned with excessive output signal levels and clipping.
Page 191: Gate And Ducking
Gate and Ducking A gate, or noise gate is an audio switch used to mute signals below a set Threshold = -10dB threshold level. It can be used to suppress background noise and hiss from valve (tube) amps, effects pedals, and microphones. Range = -30dB Ducking is used to automatically reduce the levels of one signal when the level of a source signal exceeds a speciﬁed threshold.
Page 192 Dynamics For ducking, this controls how soon the signal is ducked once the duck has been triggered. With a fast attack time, the signal is ducked almost immediately. With a slow attack time, ducking fades the signal. Too fast an attack time may sound abrupt.
Page 193: Dynamics Display Function
1. Use the [DYNAMICS] button to locate the DYNAMICS 1/2 page. DYNAMICS 2. Select a channel using the [SEL] buttons. Note: Press the [SEL] button for the STEREO channel to access the dynamics processors for the output buses. DYNAMICS Display Function Dynamics can be applied to the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24), the tape return channels (TAPE 1 through 16), the internal bus outputs (BUS 1 through 8), and the stereo output.
Page 194: Patching In A Processor
1. To turn the dynamics processor on, use the CURSOR buttons to select the DYNAMICS icon and press the [ENTER] button. The icon changes from OFF to ON and is highlighted. 2. Use the CURSOR buttons to select the KEY IN prompt and rotate the encoder wheel or press the [ENTER] button to...
Page 195: Dynamics Processor Meters
Dynamics Dynamics Processor Meters The amount of processor gain reduction (GR) and the output signal levels are shown on the DYNAMICS 1/2 and 2/2 pages, as shown below. Gain reduction is the amount by which a signal’s level is reduced. The output signal levels are conventional level meters which work from bottom-to-top.
Page 196: Key In And Link Indicators
02R User’s Guide KEY IN and LINK Indicators The channel KEY IN settings and LINK settings are shown below. The settings can be changed with the CURSOR buttons, and the encoder wheel, or the [ENTER] button. The following table shows the meaning of the KEY IN icons: Icon SELF –...
Page 197: Using The Automix Library
1. Use the [DYNAMICS] button to locate the DYNAMICS 2/2 page. DYNAMICS The DYNAMICS Library page appears. Recalling Dynamics Programs 1. Select a channel using the [SEL] buttons. 2. Use the CURSOR buttons to select the RECALL icon and rotate the encoder wheel to select a dynamics program .
Page 198 02R User’s Guide Icons • STORE —This icon is used to store the current program to the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button. The 02R displays a conﬁrmation dialog box asking if you want to store your settings in the selected program.
Page 199 • PASTE—This icon is used to paste a program name previously selected with the COPY operation into the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The program name is pasted from the edit buffer into the TITLE EDIT box for subsequent editing.
Page 200: Preset Dynamics Program Parameters
Dynamics Preset Dynamics Program Parameters The “Release”, “Hold”, and “Decay” values shown in the following table are valid when the 02R is set at a sampling frequency of 44.1 kHz. Name A.Dr.BD "CMP Compressor A.Dr.BD "EXP Expander A.Dr.BD "GAT Gate A.Dr.BD "CPH CompanderH...
Page 201 Name A.Dr.SN "GAT Gate A.Dr.SN "CPS CompanderS A.Dr.Tom "EXP Expander A.Dr.OverTop "CPS CompanderS E.B.finger "CMP Compressor E.B.slap "CMP Compressor Syn.Bass "CMP Compressor Type Parameter Threshold (dB) –8 Range (dB) –23 Attack (ms) Hold (ms) 0.63 Decay (ms) Threshold (dB) –8 Ratio ( :1) Attack (ms) Outgain (dB)
Page 202 Name Piano1 "CMP Compressor Piano2 "CMP Compressor E.Guitar "CMP Compressor A.Guitar "CMP Compressor Strings1 "CMP Compressor Strings2 "CMP Compressor Strings3 "CMP Compressor 02R User’s Guide Type Parameter Threshold (dB) –9 Ratio ( :1) Attack (ms) Outgain (dB) Knee hard Release (ms) Threshold (dB) –18 Ratio ( :1)
Page 203 Name BrassSection "CMP Compressor Syn.Pad "CMP Compressor SamplingPerc "CPS CompanderS Sampling BD "CMP Compressor Sampling SN "CMP Compressor Hip Comp "CPS CompanderS Solo Vocal1 "CMP Compressor Type Parameter Threshold (dB) –18 Ratio ( :1) Attack (ms) Outgain (dB) Knee Release (ms) Threshold (dB) –13 Ratio ( :1)
Page 204 Name Solo Vocal2 "CMP Compressor Chorus "CMP Compressor Compander(H) "CPH CompanderH Compander(S) "CPS CompanderS Click Erase "EXP Expander Announcer "CPH CompanderH Easy Gate "GAT Gate 02R User’s Guide Type Parameter Threshold (dB) –8 Ratio ( :1) Attack (ms) Outgain (dB) Knee Release (ms) Threshold (dB)
Page 205 Name BGM Ducking "DUK Ducking Limiter1 "CMP CompanderS Limiter2 "CMP Compressor Total Comp1 "CMP Compressor Total Comp2 "CMP Compressor Total Comp3 "CMP Compressor Type Parameter Threshold (dB) –19 Range (dB) –22 Attack (ms) Hold (ms) 1.20 S Decay (ms) 6.32 S Threshold (dB) –8 Ratio ( :1)
Page 206 Dynamics 02R User’s Guide...
Page 207: Auxiliary Channels
Auxiliary Channels Auxiliary Channels In this chapter... About the 02R Auxiliaries ........98 The AUX Buttons .
Page 208: About The 02R Auxiliaries
AUX 1 AUX 2 AUX 3 AUX 4 AUX 7 AUX 8 AUX 5 AUX 6 EFF1 EFF2 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 EFF1 EFF2 SEND LEVEL 02R User’s Guide About the 02R Auxiliaries The 02R has eight auxiliary sends: AUX 1, AUX 2, AUX 3, AUX 4, AUX 5, AUX 6, AUX 7, and AUX 8.
Page 209: The Aux Buttons
1. Press the [AUX 1] button. AUX 1 The AUX 1 page appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. To turn the send on, press the [ON] button in the AUX group of the SELECTED CHANNEL controls.
Page 210 Auxiliary Channels Select a channel with the [SEL] buttons. Select the auxiliary bus with the [AUX 1] through [AUX 8/EFF 2] buttons. Turn the send on or off with the [ON] button. Adjust the send level with the SEND LEVEL encoder. SEND LEVEL AUX Pages The channel aux send level controls for each aux send are displayed on two...
Page 211: Stereo Input Channels
Auxiliary Channels Stereo Input Channels Input channels 1 through 16 are mono inputs. The stereo input channels 17 through 24 are paired together and handle two signals: left and right. Before feeding a stereo input signal to the auxiliary level controls, the left and right signals are summed to form a mono L+R mix.
Page 212: Monitor Mix
1. Press the [AUX 5] button. AUX 5 The AUX 5 page appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. Set the send on and set it to pre/post fader as detailed previously. 4. Press the [AUX 5] button of the STUDIO buttons group.
Page 213: Internal Effects
Internal Effects Internal Effects In this chapter... About Effects ..........104 Preset Effects Programs .
Page 214: About Effects
AUX 1 AUX 2 AUX 3 AUX 4 AUX 7 AUX 8 AUX 5 AUX 6 EFF1 EFF2 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 EFF1 EFF2 SEND LEVEL 02R User’s Guide About Effects The 02R features two internal multi-effects stereo processors: Effect 1 and Effect 2.
Page 215: Preset Effects Programs
Preset Effects Programs These are the preset effects programs: Program Name REVERB HALL1 REVERB HALL2 REVERB ROOM1 REVERB ROOM2 REVERB STAGE REVERB PLATE REV AMBIENCE1 REV AMBIENCE2 REV LIVE ROOM1 REV LIVE ROOM2 REVERB VOCAL1 REVERB VOCAL2 REV SN.ROOM REV SN.PLATE CHORUS->REVERB FLANGE->REVERB1 FLANGE->REVERB2...
Page 216: Aux 7 And Aux 8
1. Press the [AUX 7] button. AUX 7 EFF1 The AUX 7 page appears. 2. Select a channel using the [SEL] buttons or the cursor buttons. 3. To turn the send on, press the [ON] button in the AUX group of the SELECTED CHANNEL controls.
Page 217 Internal Effects AUX Pages The channel aux send level controls for each aux send are displayed on two pages. The ﬁrst page, shown below, shows aux controls for MIC/LINE channels 1 to 24. Select this page using a MIC/LINE [SEL] button. The second page shows aux controls for TAPE channels 1 to 16 and a single effects return.
Page 218: Effects
1. Use the [AUX 7] button to locate the AUX 7 2/3 page. AUX 7 EFF1 2. Select an icon using the cursor buttons. 3. To change the value of the selected item, rotate the encoder wheel until the desired value is shown.
Page 219: Effects Library
1. Use the [AUX 7] button to locate the AUX 7 3/3 page. AUX 7 EFF1 Recalling Effects Programs 1. Use the CURSOR buttons to select the RECALL icon and select an effects program with the encoder wheel. 2. Press the [ENTER] button. The effects program is recalled.
Page 220 02R User’s Guide Exiting the Library Selecting the LIB icon and pressing the [ENTER] button switches back to the EFFECT 2/3 page. Icons • STORE —This icon is used to store the current program to the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button.
Page 221 • COPY—This icon is used to copy the name of a library program. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button. The program name is copied into an edit buffer. •...
Page 222: Preset Effects Program Parameters
Preset Effects Program Parameters Internal Effects Program 1 — REVERB HALL1 This simulates the reverberation in a larger concert hall, and adds spread to sounds such as strings and brass. Parameter Setting Rev.Time 2.8s 0.3–30.0s Hi.Ratio 0.1–1.0 Diff. 0–10 Ini.Dly 40.0ms 0.1–200.0ms Density...
Page 223 Program 4 — REVERB ROOM2 This is a variation on program 3. Parameter Setting Rev.Time 1.8s Hi.Ratio Diff. Ini.Dly 17.0ms Density Same as program 1 9.0kHz 80Hz Rev.Dly 4.0ms Rev.Bal Program 5 — REVERB STAGE This has a slightly brighter effect than the REVERB HALL programs. Applying a small amount of this effect to an entire mix will create the feel of live acoustic environment.
Page 224 Program 7 — REV AMBIENCE1 This creates space (a smaller space than created by the REVERB ROOM programs) around instruments. A small amount of these effects is effective on vocal and chorus, as well as percussion instruments. Parameter Setting Rev.Time 1.2s Hi.Ratio Diff.
Page 225 Program 10 — REV LIVE ROOM2 This is a variation on program 9. Parameter Setting Rev.Time 2.2s Hi.Ratio Diff. Ini.Dly 12.0ms Density Same as program 1 4.0kHz THRU Rev.Dly 3.0ms Rev.Bal Program 11 — REVERB VOCAL1 This is useful for vocal and chorus. Parameter Setting Rev.Time...
Page 226 Program 13 — REV SN.ROOM This is a reverb variation to enhance the sound of a snare drum. Parameter Setting Rev.Time 1.3s Hi.Ratio Diff. Ini.Dly 26.0ms Density Same as program 1 10.0KHz 180Hz Rev.Dly 4.0ms Rev.Bal Program 14 — REV SN.PLATE This is also for snare drums, similar to program 13.
Page 227 Program 16 — FLANGE–>REVERB1 Flange effect followed by reverb. This effect is more appropriate to emphasize modulation effects than the CHORUS–>REVERB program. Use the reverb Depth parameter to adjust the amount of reverberation. Parameter Setting Freq. 2.4Hz 0.1–40.0Hz Depth 0–100% FB.Gain +37% –99 to +99%...
Page 228 Program 19 — EARLY REF.2 This is a variation on program 18. It produces a thicker sound. Parameter Setting Type S-Hall RoomSize Liveness Diff. Ini.Dly 4.8ms Same as program 18 Same as program 18 ER Num. Hi.Ratio FB.Gain 11.0kHz THRU Program 20 —...
Page 229 Program 22 — DELAY–>EARLY REF This effect creates early reﬂection sound after a delay. Parameter Setting Delay 256.0ms 0.1–320.0ms FB.Gain +43% –99 to +99% Hi.Ratio 0.1–1.0 Type Random ER type RoomSize 0.1–20 Liveness 0–10 Diff. 0–10 Ini.Dly 8.0ms 0.1–200.0ms ER Num. 1–15 Depth 0–100%...
Page 230 Program 25 — CHORUS–>DLY LCR Chorus effect is followed by a three-part delay (L-C-R) with feedback. Parameter Setting Freq. 0.8Hz 0.1–40.0Hz Depth 0–100% Mod.Dly 5.9ms 0.0–255.0ms Dly(L) 26.4ms 0.1–1000.0ms Dly(R) 33.2ms 0.1–1000.0ms Dly(C) 13.1ms 0.1–1000.0ms Level(C) –100 to +100 FB.Dly 40.5ms 0.1–1000.0ms FB.Gain...
Page 231 Program 28 — ECHO This is a common echo effect. Parameter Setting Dly(L) 220.0ms 0.1–500.0ms FB.G(L) +44% –99 to +99% Dly(R) 180.0ms 0.1–500.0ms FB.G(R) –55% –99 to +99% Hi.Ratio 0.1–1.0 THRU 1.0kHz–THRU THRU THRU–8.0kHz Ini.Dly 0.1ms 0.1–320.0ms L->R Bal 0–100% R->L Bal 0–100% Program 29 —...
Page 232 Program 31 — CHORUS1 A stereo chorus. Creates a rich, thickening effect. Parameter Setting Freq. 0.6Hz 0.1–40.0Hz AM Depth 0–100% PM Depth 0–100% LSF F 220Hz 32Hz–1.0kHz LSF G +3dB –12 to +12dB Mod.Dly 12.1ms 0.0–255.0ms EQ F 560Hz 160Hz–8.0kHz EQ G –1dB –12 to +12dB...
Page 233 Program 34 — FLANGE Stereo ﬂanger. Creates a rich, swirling effect, full of harmonics. Parameter Setting Freq. 1.2Hz 0.1–40.0Hz Depth 0–100% FB.Gain +45% –99 to +99% LSF F 63Hz 32Hz–1.0kHz LSF G –12 to +12dB Mod.Dly 14.6ms 0.0–255.0ms EQ F 630Hz 160Hz–8.0kHz EQ G...
Page 234 Program 37 — AUTO PAN This effect performs automatic panning across the stereo image. Parameter Setting Freq. 0.5Hz 0.1–40.0Hz LR Depth 0–100% FR Depth 0–100% LSF F 140Hz 32Hz–1.0kHz LSF G +4dB –12 to +12dB Dir. L<–>R Pan direction EQ F 630Hz 160Hz–8.0kHz EQ G...
Page 235 Program 40 — VOCAL DOUBLER This is a thin harmonizing effect obtained by setting a longer delay. Parameter Setting Pitch Fine(1) Fine(2) –10 Out(1) +100 Out(2) +100 Same as program 39 Same as program 39 Pan(1) Pan(2) FB.G(1) +10% FB.G(2) –10% Delay 60.0ms...
Page 236 Internal Effects 02R User’s Guide...
Page 237: Scene Memories
Scene Memories Scene Memories In this chapter... What are Scene Memories? ........128 What is Stored in a Scene Memory? .
Page 238: What Are Scene Memories
Scene Memories What are Scene Memories? Scene memories are a snapshot of all the 02R mixer setting. There are 96 mix scene memory locations. Each can be titled for easy identiﬁcation. They can be stored and recalled manually using the [STORE] and [RECALL] buttons.
Page 239: What Is Stored In A Scene Memory
Scene Memories What is Stored in a Scene Memory? Virtually all 02R mix settings are stored in a scene memory. Settings that are not stored consist mainly of analog controls and switches. They are: +48V phantom switches, A/B input switches, 20 dB (pad) switches, GAIN controls, T/B LEVEL control, STUDIO LEVEL control, PHONES LEVEL control, C-R LEVEL control, and the display CONTRAST control.
Page 240: Storing Mix Scenes
1. Use the increment or decrement buttons to select a scene memory. STORE RECALL SCENE MEMORY 2. Press the [STORE] button. A conﬁrmation dialog box appears. 3. Use the CURSOR buttons to select “EXECUTE” and press the [ENTER] button. The mix scene is stored. 02R User’s Guide Storing Mix Scenes The 02R has 96 scene memory locations.
Page 241: Naming A Scene Memory
1. Use the [SCENE MEMORY] button to locate the SCENE 1/5 page. SCENE MEMORY 2. Use the CURSOR buttons to select the title edit box. 3. Select the individual character positions with the CURSOR buttons. Rotate the encoder wheel to select characters for your title.
Page 242 02R User’s Guide Character Set A scene memory name can be up to 16 characters long and can contain any of the following characters: “ & Icons • INSERT—This icon is used to insert blank characters into the title edit box at the current cursor location.
Page 243 Scene Memories If you change your mind, the cleared mix scene can be retrieved by recalling the Undo scene memory (U). 02R User’s Guide...
Page 244: Protecting Scene Memories
Scene Memories Protecting Scene Memories You can protect stored mix scenes against accidental overwriting using this Memory Protect function. This is useful when you’ve set up many mix scenes for repeated use, or when inexperienced users operate 02R. When the Memory Protect is checked, mix settings cannot be stored using the [STORE] button.
Page 245: Fader Recall Safe
1. Use the [SCENE MEMORY] button to locate the SCENE 2/5 page. SCENE MEMORY 2. Use the CURSOR buttons to select the “Enable/Disable” options and use the [ENTER] button to ENABLE the safe function. 3. Select the individual channels with the [SEL] buttons or the CURSOR buttons.
Page 246: Fade Time
1. Use the [SCENE MEMORY] button to locate the SCENE 3/5 page. SCENE MEMORY 2. Select the individual channels with the [SEL] buttons or the CURSOR buttons. Rotate the encoder wheel to set the fade time value. 3. Press the [STORE] button. Respond to the conﬁrmation dialog box by selecting “EXECUTE”...
Page 247: Automix
Automix Automix In this chapter... What is the Automix Function? ........138 What is Timecode?.
Page 248: What Is The Automix Function
02R User’s Guide What is the Automix Function? One of the most demanding jobs of the recording engineer is taking all the raw material produced during a multitrack recording session and mixing it all together into an artistically satisfying master recording. The ability to setup portions of the mix and then have them playback automatically as you work on other portions is probably the most important feature of any digital recording studio.
Page 249 • REMOTE 1–4—MIDI Remote events • SURR—Surround pan events (SURROUND overwrite check box) • EQLIB—EQ library program recall events • CHLIB—Channel library program recall events • DYLIB—Dynamics library program recall events • EFLIB—Effects library program recall events To record a mix scene or library program recall in real time, start automix recording and then recall the scene or program as normal.
Page 250: What Is Timecode
02R User’s Guide What is Timecode? Timecode is a signal that contains a chronological record of the absolute time in a recording. It is used for synchronizing different recorders. It can be used for electronic editing. Timecode was initially invented for the motion picture business, as a method of synchronizing the pictures recorded in the frames of a camera to the sound recorded on tape recorder.
Page 251 Connections If the connected device can directly output SMPTE timecode, use an audio cable to connect the output to the TIME CODE INPUT—SMPTE connector on the back of the 02R. If the connected device does not have a dedicated SMPTE output connector, record the timecode onto a spare track (in the case of a multitrack recorder) or a special track (in the case of a video recorder or ﬁlm post-production recorder) and connect the output from that track to...
Page 252: Using Midi Clock
Automix MIDI IN jack, any MTC arriving at the MTC jack is ignored, and vice versa. MIDI Time code TIME CODE INPUT (MTC) MIDI IN MIDI OUT (MTC OUT) MIDI sequencer Note: When transmitting MTC to the 02R, you should use a dedicated output on the connected device.
Page 253: Automix Function
Automix Automix Function The Automix function consists of six pages. 1/7 Automix Main The Automix Main page controls the record and playback operations. Select the timecode frame rate, and the timecode input. Set the initial start time and enable the editing operations. 2/7 Memory Management The Memory Management page is used to name the AUTOMIX and perform store and recall operations.
Page 254: Automix Main
1. Use the [AUTOMIX] button to locate the AUTOMIX 1/7 page. AUTOMIX 2. Select the “INT Start Time” with the CURSOR buttons and set the desired value by rotating the encoder wheel. 3. Use the CURSOR buttons to select the desired “Frame”...
Page 255 Time Code Counter The timecode counter displays the incoming timecode. For the SMPTE, MTC, and INT time references, timecode is displayed in hours, minutes, seconds, and frames. If you select INT (internal) timecode, the timecode counters starts straightaway. For MIDI Clock, timecode is displayed in bars, beats, and MIDI clocks.
Page 256 Automix Overwrite Mode The Overwrite check boxes can be used to select certain parameters for automix recording. These are: FADER, CH ON, PAN, EQ or SURROUND. The FADER check box includes rotary encoders and AUX send levels. The following parameters are not affected by the Overwrite check boxes and can be recorded at any time: mix scene recalls, MIDI Remote actions, and EQ, channel, dynamics, and effects program recalls.
Page 257 Using the Transport Controls 1. Use the CURSOR buttons to select a transport icon. 2. Press the [ENTER] button to operate the selected automix control. Transport Controls The following ﬁve operations have been made as icons: AUTOREC, REC, PLAY, STOP, ABORT. Use the CURSOR buttons to select the desired operation and press the [ENTER] button.
Page 258: Memory Management
1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. AUTOMIX 2. Use the encoder wheel to select an AUTOMIX memory from the scrolling list. 3. Select the RECALL icon with the CURSOR buttons and press the [ENTER] button. 4.
Page 259 AUTOMIX Name Edit Functions AUTOMIX memory names can be up to 16 characters long and can contain any of the following characters: “ & • COPY—This icon is used to copy the name of an AUTOMIX program. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button.
Page 260 02R User’s Guide • RECALL—This icon is used to recall an AUTOMIX program from the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select an AUTOMIX program and press the [ENTER] button. The 02R displays a conﬁrmation dialog box asking if you want to recall the selected program.
Page 261: Fader Edit
1. Use the [AUTOMIX] button to locate the AUTOMIX 3/7 page. AUTOMIX 2. Use the CURSOR buttons to select the MOTOR ON icon and press [ENTER] to change its value. 3. Select the “Fader Edit Out” RETURN check box with the CURSOR buttons and press the [ENTER] button.
Page 262 02R User’s Guide ABSOLUTE—In Absolute mode, real-time fader edits are recorded as is (i.e., the new fader movements overwrite the existing events). RET (Return)—With the RET option on, the fader returns to the position previously recorded at the point recording stops. You can specify the return time from 0.0 to 3.0 seconds.
Page 263: Event Copy
1. Use the [AUTOMIX] button to locate the AUTOMIX 4/7 page. AUTOMIX 2. Use the CURSOR buttons and (ENTER) button to select channels and parameters. 3. Use the CURSOR buttons to select “IN Time” and set using the encoder wheel. 4.
Page 264 02R User’s Guide The In Time and Out Time parameters are used to select the range of automix data for editing. The Copy To parameter is used with the Copy and Move/Merge function. When the Source parameter is set to Current, data from the current automix between the In Time and Out Time parameters can be copied or moved to a point speciﬁed using the Copy To parameter.
Page 265: Event Edit (Scene/Lib.)
1. Use the [AUTOMIX] button to locate the AUTOMIX 5/7 page. AUTOMIX 2. Use the CURSOR buttons to select an event to edit. 3. Use the CURSOR buttons to select the DUPLICATE icon and press [ENTER] to duplicate an event. 4.
Page 266: Event Edit (Ch On, Pan, Fader)
1. Use the [AUTOMIX] button to locate the AUTOMIX 6/7 page. AUTOMIX 2. Use the CURSOR buttons to select an event to edit. 3. Use the CURSOR buttons to select the INSERT icon and press [ENTER] to insert an event. 4.
Page 267: Midi
MIDI MIDI In this chapter... MIDI and the 02R..........158 Setup .
Page 268: Midi And The 02R
THRU MIDI 02R User’s Guide MIDI and the 02R The 02R supports the following MIDI messages: • Program Changes for mix scene recalls (page 160) • Control Changes for remote control of 02R mix parameters (page 164) • System Exclusive for mix parameter control (page 262) •...
Page 269: Setup
1. Use the [MIDI] button to locate the MIDI 1/5 page. MIDI 2. Use the CURSOR buttons to select the item you want to change and press the [ENTER] button. Setup The MIDI Setup page is used to conﬁgure basic 02R MIDI parameters, such as MIDI transmit and receive channels, OMNI on/off, and echo on/off.
Page 270: Program Change Assign
1. Use the [MIDI] button to locate the MIDI 2/5 page. MIDI 2. Select a Program Change number with the CURSOR buttons. Use the encoder wheel to change the value of the corresponding Scene Memory number. Press the [ENTER] button to enable or disable the current Scene Memory number.
Page 271: Bulk Dump/Request
1. Use the [MIDI] button to locate the MIDI 3/5 page. MIDI 2. Select the “TYPE” of data you want to dump or request with the CURSOR buttons and press the [ENTER] button. 3. Use the CURSOR buttons to select the “NUMBER” ﬁeld and use the encoder wheel to select the desired program or...
Page 272 02R User’s Guide • BULK DUMP—the data of the selected type and number will be output to the connected MIDI device. • BULK REQUEST—the 02R will request the selected type and number from the connected MIDI device. • DUMP ALL—all the programs or memories of the selected data type will be transmitted to the connected MIDI device.
Page 273: Fader Start
Fader Start When the Fader Start preference is checked (“Preferences” on page 198), a MIDI Note On message (velocity 127) is transmitted when a fader is raised from inﬁnity (oo). When the fader is moved back to inﬁnity, a corresponding MIDI Note Off message (velocity 0) is transmitted. This can be used in conjunction with a “MIDI to trigger”...
Page 274: Midi Control Change Assign
(MIC 1–16, LINE 17–24, TAPE 1–16, EFF1, EFF 2, ST MASTER). Parameters can be reset to the initial assignments using the 02R Initialize function. In addition, Control Change to parameter maps for Yamaha’s Programmable Mixer 01 and 03D Digital Mixing Console are provided. Use these maps when controlling the 02R from one of these consoles.
Page 275: Midi Remote
The following MIDI equipment can be controlled from the 02R. • Bus/Aux Master (controls bus and send levels on 02R) • MIDI Machine Control • Digital mixers—Yamaha Programmable Mixer 01, 02R, 03D • GM tone generator • XG tone generator •...
Page 276 1. Use the [MIDI] button to locate the MIDI 5/5 page. MIDI The [FLIP] button ﬂashes. To get to the MIDI 5/5 quickly, hold down the [FLIP] button for about one second. 2. Use the CURSOR buttons to select a REMOTE icon, and press the [ENTER] button to activate it.
Page 277 MIDI BUS/AUX Master The Bus/Aux Master page is not really a MIDI Remote page because it controls the bus out, aux send, and stereo master levels of the 02R itself. Although similar to the METER 3/3 page, this page allows you to use the 02R faders instead of the encoder wheel to set the levels.
Page 278: Midi Machine Control
02R User’s Guide MIDI Machine Control 02R controls can be used to remotely control the following parameters of a a device that supports MMC (MIDI Machine Control), such as a recorder. 02R Controls [ON] buttons MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6...
Page 279 Yamaha Programmable Mixer 01 02R controls can be used to remotely control the following parameters of a Yamaha Programmable Mixer 01. 02R Controls Faders MIC 1–16 17/18 STEREO Rotary encoders TAPE 1–16 EFF1 & EFF2 [ON] buttons MIC 1–16 EFF1 & EFF2...
Page 280 MIDI There are two pages for Programmable Mixer 01 remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the ﬁrst page, while operating fader 17/18 displays the second page.
Page 281 Yamaha 02R Digital Mixing Console 02R controls can be used to remotely control the following parameters of a Yamaha 02R Digital Mixing Console. 02R Controls Faders MIC 1–16 LINE 17–24 STEREO Rotary encoders TAPE 1–16 EFF1 & EFF2 [ON] buttons MIC 1–16...
Page 282 MIDI There are two pages for 02R remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the ﬁrst page, while operating fader 17/18 displays the second page.
Page 283 Yamaha 03D Digital Mixing Console 02R controls can be used to remotely control the following parameters of a Yamaha 03D Digital Mixing Console. 02R Controls Faders MIC 1–16 17/18 STEREO Rotary encoders TAPE 1–16 EFF1 & EFF2 [ON] buttons MIC 1–16 EFF1 &...
Page 284 MIDI There are two pages for 03D remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the ﬁrst page, while operating fader 17/18 displays the second page.
Page 285 02R transmits a Volume message with a value corresponding to the VOL fader displayed on the 02R. If you use this page to control a MIDI sequencer, for example, the Yamaha QY700, on the MIDI 1/5 page of the 02R disable the Program Change and Control Change parameters.
Page 286 02R User’s Guide XG Tone Generator 02R controls can be used to remotely control the following parameters of an XG-compatible tone generator. 02R Controls Faders MIC 1–16 LINE 17/18 LINE 19/20 LINE 21/22 LINE 22/23 STEREO Rotary encoders TAPE 1–16 EFF 1 RTN EFF 2 RTN [ON] buttons...
Page 287 XG tone generator are copied to the 02R. If you use this page to control an XG MIDI sequencer, for example, the Yamaha QY700, on the MIDI 1/5 page of the 02R disable the Program Change and Control Change parameters.
Page 288 02R User’s Guide ProR3 & REV500 02R controls can be used to remotely control the following parameters of a Yamaha ProR3 & REV500. 02R Controls Faders MIC 1–16 Rotary encoders TAPE 1–16 Display functions REV500 Setup On the REV500, use the UTILITY button to locate the MIDI Channel page, and set to the same MIDI Channel as that of the REV500 MIDI Remote page (CH).
Page 289 MIDI When the 02R or ProR3/REV500 is ﬁrst connected, or turned on, use the CONNECT function to update the 02R controls so that they match those of the ProR3/REV500. When the CONNECT function is used, the settings from the ProR3/REV500 are copied to the 02R. 02R User’s Guide...
Page 290 02R User’s Guide Pro Tools 02R controls can be used to remotely control the following parameters of a Pro Tools system. 02R Controls Faders MIC 1–16 [ON] buttons MIC 1–16 CURSOR buttons and [ENTER] button Pro Tools Setup Pro Tools 4.0x—In the MIDI Controller area of the Peripheral dialog box, set the MIDI Controller type to either MM16 or DC16.
Page 291 Groups and Pairs Groups and Pairs In this chapter... Grouping Faders ..........182 Grouping Mutes.
Page 292: Grouping Faders
1. Use the [GROUP] button to locate the GROUP 1/2 page. GROUP 2. Use the CURSOR buttons to select from group A through D. 3. Use the [SEL] buttons to add or remove faders to and from the selected group. Another method is to use the CURSOR buttons to select the faders and...
Page 293: Grouping Mutes
1. Use the [GROUP] button to locate the GROUP 2/2 page. GROUP 2. Use the CURSOR buttons to select from group E through H. 3. Use the [SEL] buttons to add or remove channels to and from the selected group. Another method is to use the CURSOR buttons to select the channels and...
Page 294: Pairing Channels
1. Use the [PAIR] button to locate the PAIR 1/2 page. PAIR 2. Use the CURSOR buttons to select a pair of channels, and press the [ENTER] button to activate the pair. 1. Press the [PAIR] button again to select the PAIR 2/2 page.
Page 295 The second PAIR page, shown below, contains pair hearts for the aux sends and bus outs. The following functions are linked when aux channels are paired: • Input channel aux send level (depends on input channel pan) • Aux master levels •...
Page 296: Ms Decoding
1. Use the [PAIR] button to locate the PAIR 1/2 page. PAIR 2. Use the CURSOR buttons to select the MS icons, and the (ENTER) button to set them. The MS function can also be set on the View 1/2 page.
Page 297: Digital I/O, Setup, And Utilities
Digital I/O, Setup, and Utilities Digital I/O, Setup, and Utilities In this chapter... Word Clock Select ..........188 Input Signal Select .
Page 298: Word Clock Select
1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 1/5 page. DIGITAL Note: The 02R always recalls the last page visited even after you turn the power off and back on again. 2. Use the CURSOR buttons to select a wordclock source and press the [ENTER] button.
Page 299 Cascade (CD8-CS) • ADAT (CD8-AT) • TDIF-1 (CD8-TDII) • AES/EBU (CD8-AE/CD8-AE-S) • YAMAHA (CD8-Y) • Analog AD/DA (CD8-AD) • Analog A/D (CD8-AD-S) • No Connection Beside each optional slot indicator is a row of four boxes deﬁning the connections to the card inserted in the corresponding slot.
Page 300: Input Signal Select
1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 2/5 page. DIGITAL 2. Use the CURSOR buttons to select the desired icons. Change the setting by pressing the [ENTER] button. Note: If there is no digital I/O card or signal present when you select a digital input, the default analog selection will not be changed.
Page 301: Cascade Configuration
1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 5/5 page. DIGITAL 2. Use the CURSOR buttons to specify which of the internal auxiliary buses the cascade AUX A and AUX B buses will be assigned to. Press the [ENTER] button to make the selection.
Page 302 Digital I/O, Setup, and Utilities Cascade Aux Bus Assign The Cascade Digital I/O card kit (CD8-CS) has two paired auxiliary buses: AUX A and AUX B. You can assign these buses to any pair of the 02R’s internal auxiliary buses—but not to the same pairs. If a cascade card is not inserted in the 02R, this display is grayed-out.
Page 303: Dither
1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 4/5 page. DIGITAL 2. Use the CURSOR buttons to select the ON/OFF icon for the desired bus and press the [ENTER] button to change the value. 3. Select the Word Length with the CURSOR buttons and press the [ENTER] button.
Page 304: Slot Output Select
1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 3/5 page. DIGITAL 2. Use the CURSOR buttons to chose one of the four SLOT icons, and the [ENTER] button to select Slots can also be selected by pressing the left or right cursor button repeatedly.
Page 305 Digital I/O, Setup, and Utilities 02R User’s Guide...
Page 306: Solo
1. Use the [SETUP] button to locate the SETUP 1/4 page. SETUP 2. Use the CURSOR buttons to select the desired “Mode” and press the [ENTER] button. 3. Use the CURSOR buttons to select a “Status” and press the [ENTER] button. Recording mode: 4.
Page 307 • Solo Safe—Tape, Mic, Line, and Effects—These functions disable solo On/Off selection. If you set a channel to Solo Safe while it was set to Solo ON, the channel remains unconditionally ON in “Mixdown Mode” when you select Solo. This function has no effect in “Recording Mode”. How to use Solo 1.
Page 308: Preferences
1. Use the [SETUP] button to locate the SETUP 3/4 or SETUP 4/4 page. SETUP 2. Use the CURSOR buttons to select a preference. 3. Enable or disable the preference by pressing the [ENTER] button. 02R User’s Guide Preferences The 02R is a very ﬂexible mixer. You can customize its behavior to suit your needs using the preferences, which are divided into two pages: SETUP 3/4 and SETUP 4/4.
Page 309 When you conﬁrm a STORE or CLEAR operation, any existing data in the selected program location will be overwritten or cleared. YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX! • Recall Conﬁrmation—With this option checked, the 02R will request you conﬁrm any scene memory or library recall operation.
Page 310 02R User’s Guide detects an error in the digital input or output, your recorded data may be compromised. However, some modular digital multitrack recorders will cause this error while performing synchronization during start-up. • MIDI Warning OFF—With this option checked, the 02R will not report a warning when it receives a MIDI error.
Page 311 Preferences 2 Shown below is the SETUP 4/4 page—Preferences 2. • MIX Update Conﬁrmation—With this option checked, a conﬁrmation dialog box appears after performing an automix edit asking whether or not you want to keep the new edit, thereby updating the automix. •...
Page 312 02R User’s Guide • Surround SWF Edit—With this option checked, surround pan SWF (subwoofer level) movements can be recorded in an automix. The Extract, Copy, and Move functions on the AUTOMIX 4/7 page only affect the SWF data when this box is checked. •...
Page 313: Aux Output Select
1. Use the [SETUP] button to locate the SETUP 2/4 page. SETUP 2. Use the CURSOR buttons to select the AUX and BUS icons, and the (ENTER) button to set them. Preferences 2—Factory Settings Option / Setting MIX Update Confirmation OFF Surround SWF Edit REC Recall Safe Faders OFF Link Surround Master...
Page 314: 24-Bit Recording
The following I/O cards can be used with 24-bit Recording mode: ADAT (CD8-AT), Tascam (CD8-TDII), Yamaha (CD8-Y), AES Single (CD8-AE-S), and AES Double (CD8-AE). The following I/O cards can be used with 24-bit Recording mode: ADAT (CD8-AT), Tascam (CD8-TDII), Yamaha (CD8-Y), AES Single (CD8-AE-S), and AES Double (CD8-AE).
Page 315 Digital I/O, Setup, and Utilities Shown below is the SCENE 5/5 page—24bit Recording Mode. If you attempt to set 24bit MODE when the Input Patch for a slot is assigned one or more buses, the conﬁrmation dialog box shown here appears. Choose EXECUTE to cancel the Input Patching and activate 24bit MODE.
Page 316: Input Patching
1. Use the [SCENE MEMORY] button to locate the SCENE 4/5 page. SCENE MEMORY 2. Use the CURSOR buttons to select an input icon, and the (ENTER) button to select that input channel group. You can also use the [SEL] buttons to select input channel groups.
Page 317 Digital I/O, Setup, and Utilities Likewise, if a slot is conﬁgured for 24bit MODE, all buses are assigned to the card inputs, and you attempt to select a card input, the conﬁrmation dialog box shown here appears. Choose EXECUTE to cancel all the bus assignments. Shown below is the MIC 1–8 page of SCENE 4/5.
Page 318 Digital I/O, Setup, and Utilities Shown below is the LINE 17–24 page of SCENE 4/5. On this page you can select internal input (LINE), bus, or 2TR IN (17/18, 19/20 only). These parameters also appear on the DIGITAL I/O 2/5 (Input Signal Select) page. 02R User’s Guide...
Page 319: Oscillator
1. Use the [UTILITY] button to select the UTILITY 1/4 page. UTILITY 2. Use the CURSOR buttons to select the ON or OFF icon and press the [ENTER] button. 3. Select the “Level” icon with the CURSOR buttons. Rotate the encoder wheel to set the oscillator output level.
Page 320: Emphasis Monitor
1. Use the [UTILITY] button to locate the UTILITY 2/4 page. UTILITY 02R User’s Guide Emphasis Monitor This function allows you to monitor the emphasis information of the digital inputs. If an input digital signal was recorded with emphasis—a technique used in early digital recordings to compensate for the deﬁciencies of the hardware of the period, similar to Dolby®...
Page 321: Channel Status Monitor
1. Use the [UTILITY] button to locate the UTILITY 3/4 page. UTILITY 2. Use the CURSOR buttons to select an input signal—“SLOT1”, “SLOT2”, “SLOT3”, “SLOT4”, or “2TR”—and press the [ENTER] button. If applicable, the 02R will show the channel status information for the selected input.
Page 322 Digital I/O, Setup, and Utilities Magnetic—Magnetic tape device and magnetic disk device D. Broadcast—Digital broadcast reception Instruments—Musical instruments, microphones and the sources that generate the original signal A/D Conv—A/D Converter (Without copyright information) A/D Conv with (C)—A/D Converter (With copyright information) Solid Memory—Solid memory device Experimental—Experimental device Unknown—Unknown...
Page 323: Battery Check
Note: If this message appears, your important data in memory, such as scene memories, automix memories, and libraries, may be lost. Ask your nearest Yamaha dealer or Yamaha Service Center to replace the battery as soon as possible. 02R User’s Guide...
Page 324: Communication Speed
1. Use the [UTILITY] button to locate the UTILITY 4/4 page. UTILITY 02R User’s Guide Communication Speed The Communications Speed section of the UTILITY 4/4 page allows you to monitor the TO HOST port speed, and is for use with computer software such as Project Manager or Visualizer.
Page 325: 02R System Initialization
1. Turn off the 02R. 2. Press and hold the left CURSOR button. CURSOR 3. Turn the 02R back on. A conﬁrmation dialog box appears. 4. Select the EXECUTE icon by with the CURSOR buttons and press the [ENTER] button. The 02R initializes itself.
Page 326 Digital I/O, Setup, and Utilities 02R User’s Guide...
Page 327: Installing Options
Installing Options Installing Options In this chapter... 02R Options ..........218 Installing 02R Options .
Page 328: 02R Options
These cards support direct digital interconnection to the latest generation of modular digital multitrack recorders. Alesis ADAT, TASCAM TDIF-1, YAMAHA, and AES/EBU cards are available. In addition, you can insert a Digital Cascade card into one of the I/O slots, allowing you to cascade multiple 02Rs together to create a larger digital mixing system.
Page 329 They are used to connect the 02R to a digital multitrack recorder—either tape or disk based. Cards supporting ADAT, TDIF-1, YAMAHA, and AES/EBU formats are available. Except for the CD8-AE card, these cards are single slot, allowing you to insert up to four cards giving you a maximum 32 tracks of digital mixdown.
Page 330 The memory expansion kit (ME4M) expands the 02R automix system memory from the standard 512K to either 1.5 MB or 2.5 MB. Note: Take the 02R to your YAMAHA dealer or authorized service center for installation of the ME4M kit. Doing the installation yourself invalidates the warranty.
Page 331: Installing 02R Options
Installing 02R Options Single Slot Cards 1. Turn off the 02R. TO PREVENT ELECTRICAL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU OPEN ANY OF THE SLOT COVERS! Note: Before you install a card in the 02R, be certain to turn the power off.
Page 332 02R User’s Guide Double Slot Cards 1. Turn off the 02R. TO PREVENT ELECTRICAL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU OPEN ANY OF THE SLOT COVERS! Note: Before you install a card in the 02R, be certain to turn the power off.
Page 333 02R or the ME4M. Please take your 02R to your YAMAHA dealer or a YAMAHA service center to have the Memory Expansion Kit (ME4M) installed in the 02R. 02R User’s Guide...
Page 334: Analog I/O Card-Ad/Da (Cd8-Ad)
02R User’s Guide Analog I/O Card—AD/DA (CD8-AD) The CD8-AD is used to connect an analog multitrack recorder or other analog devices to the 02R. Installing the CD8-AD The CD8-AD is a double slot card. For installation instructions, see “Double Slot Cards” on page 222 of the User’s Guide. Before you install the CD8-AD, you need to set the individual input and output level switches.
Page 335: Digital I/O Card-Aes/Ebu (Cd8-Ae/Cd8-Ae-S)
Digital I/O Card—AES/EBU (CD8-AE/CD8-AE-S) The AES/EBU digital I/O cards (CD8-AE/CD8-AE-S) are used to connect AES/EBU compatible multitrack digital recorders or other similar digital devices to the 02R. Installing the CD8-AE/CD8-AE-S The CD8-AE card is a double slot card (see “Double Slot Cards” on page 222).
Page 336 02R User’s Guide Wordclock Selection 1. Turn on your AES/EBU compatible multitrack digital recorder and then the 02R. It is always important to observe the correct order for turning on equipment in a studio. Start with the AES/EBU compatible multitrack and mastering recorders and the signal processors, then the 02R, and ﬁnally the monitoring ampliﬁers and other downstream gear.
Page 337: Digital I/O Card-Adat (Cd8-At)
Digital I/O Card—ADAT (CD8-AT) The ADAT digital I/O card (CD8-AT) is used to connect Alesis ADAT compatible modular digital multitrack recorders to the 02R. Installing the CD8-AT The ADAT digital I/O card (CD8-AT) is a single slot card. For installation instructions, see “Single Slot Cards”...
Page 338 02R User’s Guide Wordclock Selection 1. Power on your ADAT modular digital multitrack recorder and then the 02R. It is always important to observe the correct order for powering up equipment in a studio. Start with the ADAT and mastering recorders and the signal processors, then the 02R, and ﬁnally the monitoring ampliﬁers and other downstream gear.
Page 339: Digital Cascade Kit (Cd8-Cs)
Digital Cascade Kit (CD8-CS) The digital cascade kit (CD8-CS) is used to connect two or more 02Rs together. The kit consists of two cascade I/O cards and a special cable. When two or more 02Rs are connected together, they share the output buses 1 through 8, four auxiliary buses (two paired buses, AUX A and AUX B), the stereo bus, and the solo bus.
Page 340 02R User’s Guide 3. Use a BNC cable to plug the WORD CLOCK—OUT connector on the back of the ﬁrst 02R into the WORD CLOCK—IN connector on the second 02R. The 02R that is the cascade master should be receiving a wordclock signal from a wordclock master device, such as a modular digital multitrack recorder or other appropriate device.
Page 341 If your multitrack digital recorder has a dedicated wordclock output connector, use the CURSOR buttons to select the W.CLK IN box and press the [ENTER] button. Otherwise, select a box from the appropriate I/O slot row and press the [ENTER] button. The current wordclock source is indicated by a highlighted icon.
Page 342 02R User’s Guide MIDI Link When several 02Rs are cascaded together, the master 02R can control a number of functions, listed below, of the slave 02Rs via MIDI. Master and slave 02Rs should be connected as shown below. MIDI MIDI MIDI THRU 02R Slave (3)
Page 343: Solo Function
Solo function When two or more 02R units are cascaded together, only the [SOLO] button on the cascade master continues to function. When you press the [SOLO] button on the cascade master, however, you can solo individual channels on the cascade slaves. 1.
Page 344: Digital I/O Card-Tdif-1 (Cd8-Tdii)
02R User’s Guide Digital I/O Card—TDIF-1 (CD8-TDII) The TDIF-1 digital I/O card (CD8-TDII) is used to connect TASCAM TDIF-1 modular digital multitrack recorders such as the DA-88 to the 02R. Installing the CD8-TDII The TDIF-1 digital I/O card (CD8-TDII) is a single slot card. For installation instructions, see “Single Slot Cards”...
Page 345 Wordclock Selection 1. Power on your DA-88 modular digital multitrack recorder and then the 02R. It is always important to observe the correct order for powering up equipment in a studio. Start with the DA-88 and mastering recorders and the signal processors, then the 02R, and ﬁnally the monitoring ampliﬁers and other downstream gear.
Page 346: Peak Meter Bridge (Mb02)
MIC·LINE·TAPE TAPE CLIP –3 –6 –9 –12 –15 –18 –24 –30 –36 –42 –48 02R User’s Guide Peak Meter Bridge (MB02) The Peak Meter Bridge (MB02) allows you to quickly and easily check the levels of the input channels, the tape and effect returns, the output buses 1 through 8, the auxiliary buses 1 through 8, and the stereo bus.
Page 347 4. PEAK HOLD button This button is used to enable or cancel the Peak Hold function. Note: The operation of this button duplicates the function of the PEAK HOLD icon in the METER display function. See “Metering” on page 41 and “Peak Hold”...
Page 348 Installing Options 02R User’s Guide...
Page 349: Specifications
Specifications Speciﬁcations In this chapter... General Speciﬁcations ......... . 240 Input Speciﬁcations .
Page 350: General Specifications
Speciﬁcations General Speciﬁcations Number of scene memories Sampling frequency Signal delay Fader resolution Total harmonic distortion (THD) Frequency response Dynamic range Hum & Noise (20 Hz to 20 kHz) *, Rs = 150 , Input gain max. Input pad = 0 dB Input sensitivity = –60 dBV Maximum Voltage Gain Crosstalk(@1kHZ)
Page 351 MIC/LINE 1 through 8 (pre A/D) Pad switch 0/20 dB attenuation AD converter 20 bit linear / 64 times oversampling I/O option ADAT / TASCAM / YAMAHA Attenuator 0 to 96 dB (1 dB step) Filter DC cut filter / de-emphasis ON/OFF LOW/HPF 10 to 0.1 (Peaking)
Page 352 Compressor / Expander Threshold Ratio Out gain Knee Attack Release Gate / Ducking Threshold Range Dynamics Attack Hold Decay CompanderH / CompanderS Threshold Ratio Out gain Width Attack Release Delay 0 to 2600 samples Phase NORMAL / REVERSE Channel ON/OFF ( 1 to 20) Channel SEL ( 1 to 20) 100 mm motorized Fader (1 to 20)
Page 353 12 points displays of the pre-EQ / post-EQ / post-fader levels of all channel input are displayed on the screen. Tape Input channel (TAPE 1 through 16) I/O option ANALOG, ADAT, TASCAM, AES/EBU, YAMAHA Filter DC cut filter / de-emphasis Attenuator...
Page 354 12 points displays of the pre/post fader levels of all channel input are displayed Meter on the screen. I/O option ANALOG, ADAT, TASCAM, AES/EBU, YAMAHA Level rotary encoder 12 points displays of the pre/post fader levels of all channel input are displayed Meter on the screen.
Page 355 31kg Free-air operating 10 to 35 C temperature range DIGITAL I/O CARD (ADAT) Options A/D CARD AD/DA CARD DIGITAL I/O CARD (TDIF-1) DIGITAL I/O CARD (YAMAHA) STUDIO MONITOR OUT TALKBACK 120V 60 Hz 240V 50 Hz 230V 50 Hz 685 mm...
Page 356: Input Specifications
Input Speciﬁcations Input PAD GAIN connection impedance –60 CH INPUT 3k (XLR) MIC/LINE 1 4k (Phone through16 jack) –16 –40 CH INPUT LINE 17 through 24 INSERT IN MIC/LINE 1 through 8 2 TRACK INPUT [ L,R ] *1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23V) or the nominal output level when the unit is set to maximum gain.
Page 357: Output Specifications
Output Speciﬁcations Output connection STEREO OUT (L, R) STUDIO MONITOR OUT (L, R) 150 CONTROL ROOM MONITOR OUT (L, R) AUX (1, 2, 3, 4, 5, 6) INSERT OUT MIC/LINE 1 through 8 PHONES *1 INSERT OUTPUT phone jacks are balanced. (Tip=OUT, Ring=IN, Sleeve=GND) In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 volts RMS.
Page 358: Dimensions
Specifications Dimensions W : 672 Speciﬁcations and external appearance are subject to change without notice. 02R User’s Guide...
Page 359: Options
Digital I/O Card Specifications Digital Input/Output Input/Output DA88/DA38 (BUS/DIRECT OUT, TAPE IN) TDIF-1 ADAT (BUS/DIRECT OUT, TAPE IN) AES/EBU (BUS/DIRECT OUT, TAPE IN) YAMAHA (BUS/DIRECT OUT, TAPE IN) CASCADE (BUS/DIRECT OUT, TAPE IN) For use with nom- Sensitivity inal –6 dB...
Page 360: Troubleshooting
Troubleshooting If there is any trouble, check the situation and follow the corrective actions described below. The power is not turned on. • Did you plug the power cord to a correct AC outlet? • Is the POWER switch ON? No sound is produced.
Page 361: Error Messages
Error Messages Follow the corrective actions described below when the error messages are shown on the display: Error Message 2TR-D1 No Input! 2TR-D2 Cascade Disabled 2TR-D2 No Input! 2TR-D3 No Input! Automix Aborted! Automix Disabled! Automix REC Ready! Automix Recording! Automix Running! Automix Updated! Byte Count Error!
Page 362 02R (see “Bulk Dump/Request” on page 161 of the User’s Guide ), and ask your dealer to replace the battery. Consult the nearest YAMAHA service center. Consult the nearest YAMAHA service center. Consult the nearest YAMAHA service center.
Page 363 Too many cascade in/out cards. Shut off the power and check slot, please. Corrective Action Consult the nearest YAMAHA service center. MIDI data being transmitted is too large. MIDI data being received is too large. Check the MIDI connection. Check the MIDI connection.
Page 364 Specifications 02R User’s Guide...
Page 365: Appendix: Midi
Appendix: MIDI Scene Memory to Program Change Table Program Initial User Change # Scene # Scene # Program Initial User Change # Scene # Scene # Program Initial User Change# Scene # Scene # — — — — — — —...
Page 366 Parameter to Control Change Table (02R & User Maps) Control Change # 02R Map NO ASSIGN FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER...
Page 367 Control Change # 02R Map FADER CHANNEL FADER CHANNEL FADER CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT...
Page 368 Control Change # 02R Map PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL BALANCE NO ASSIGN NO ASSIGN NO ASSIGN FADER AUX 7 SEND FADER AUX 7 SEND FADER...
Page 369 Parameter to Control Change Table (03D & Programmable Mixer 01 Maps) Control Change # 03D Map NO ASSIGN FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER...
Page 370 Control Change # 03D Map PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL PANPOT CHANNEL...
Page 371 Control Change # 03D Map FADER CHANNEL NO ASSIGN FADER CHANNEL NO ASSIGN FADER CHANNEL NO ASSIGN FADER CHANNEL NO ASSIGN NO ASSIGN CHANNEL CHANNEL NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN CHANNEL FADER AUX 7 SEND FADER AUX 7 SEND FADER AUX 7 SEND FADER...
Page 372: Midi Data Format
MIDI Data Format 1. General remarks This section describes the MIDI functionality of the 02R. Electrical characteristics and message formats are in compliance with MIDI standard 1.0. 2. Messages transmitted and received 2-1. Program change Transmission/reception can be turned ON or OFF using the “MIDI Setup” display function (see “Setup” on page 159 of the User’s Guide).
Page 373 If parameter change reception is ON and a parameter request is received on the speciﬁed MIDI channel, the contents of the corresponding parameter will be transmitted on the speciﬁed MIDI channel regardless of whether transmission is ON or OFF. If parameter change reception is ON and a parameter change is received on the speciﬁed MIDI channel, the contents of the corresponding parameter will be modiﬁed.
Page 374 5. Receive Condition PGM OMNI ON MIDI CH? MIDI IN PGM ECHO ON MTC IN 02R User’s Guide PGM R $CnH PROGRAM CHANGE PARAM R SYSTEM EXCLUSIVE $F0H,$43H,$1nH PARAMETER CHANGE $F0H,$43H,$3nH PARAMETER REQUEST SYSTEM EXCLUSIVE $F0H, $43H, $0nH BULK DUMP $F0H, $43H, $2nH BULK REQUEST $CnH MIDI OUT PROGRAM CHANGE $F1H, $...
Page 375: Parameter Change And Request Format
24 recall/store( parameter change only) 25 key remote( parameter change only) r Remote( parameter change only) 26 fader/encode PARAMETER CHANGE (basic format) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) MODEL ID (02R) (type number, bit6:0=byte 1=bit operation) data 0-n End Of Exclusive...
Page 376 0ddddddd dd1 0ddddddd dd2 11110111 F7 02R User’s Guide System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) MODEL ID (02R) (type number, bit6 = 0( byte operation)) address( H) high 7 bits of 14 bits address address( L) low 7 bits of 14 bits address...
Page 377 instruction number 0x00 scene recall 0-96 (memory 0-96) 0x7e (undo) 0x01 eq lib recall 0-127 (library 1-128) 0x02 dynamics lib rcl 0-127 (library 1-128) 0x03 eff lib recall 0-127 (library 1-128) 0x04 channel lib rcl 0-63 (library 1-64) 0x10 scene store 1-96 (memory 1-96) 0x7e (undo) 0x11 eq lib store...
Page 378 0ddddddd dd0 0ddddddd dd1 11110111 F7 02R User’s Guide PARAMETER CHANGE (key remote) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) MODEL ID (02R) key remote (type number) key No.( H) high 7 bits key No.( L) low 7 bits...
Page 379 00llllll L4 00hhhhhh L1 00hhmmmm L2 00mmmmll L3 bus send level control ( receive only) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) MODEL ID (02R) fader remote (type number) 33 ( bus send level) 0-15(mic),16-31(tape),32-35(line),36-37(eff) bus1 24bit coefficient...
Page 380 02R User’s Guide bus send level control ( receive only) bus8 End Of Exclusive surround x,y ( receive only) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) MODEL ID (02R) fader remote (type number) 32 (surround x, y) 0-127...
Page 381 0ddddddd dd0 0ddddddd dd1 11110111 F7 ** Scene Memory recall ** DATA ** Scene Memory store ** DATA ** Automix Memory recall ** DATA ** Automix Memory store ** DATA multiple O2Rs link case 0x1C: automix transport - ABORT } else if(mm==4) { switch(fffff) { case 0x00: setup memory change(byte) case 0x08: setup memory change(bit)
Page 382 ** Automix new ** DATA ** Automix undo ** DATA ** automix transport - AUTO-RECORD ** DATA ** automix transport - RECORD ** DATA ** automix transport - PLAY ** DATA ** automix transport - STOP ** DATA ** automix transport - ABORT ** DATA ** setup data format ** DATA...
Page 383: Bulk Dump And Request Format
CHECK SUM 0eeeeeee ee 11110111 F7 Scene memory receive is effective for programs 1–96 only. Scene Memory Bulk Dump Format System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump 4074(2016x2+32+10)bytes m=0–96,127(Scene Memory No.0–96,current) id 1 id 16...
Page 384 00100000 20 00100000 20 00111000 38 01000001 41 02R User’s Guide Scene Memory(Extended Data) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) Universal Bulk Dump Total 1546(768*2+10) mm=0-96,127(Scene Memory No.0-96,Current) Scene Extended Memory(768*2 byte) ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh End Of Exclusive...
Page 385 00100000 20 Control Change Assign Table(228*2 byte) ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh End Of Exclusive Scene Memory (compact) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) Universal Bulk Dump Total size is variable(SIZE+10) mm=0-96,127(Scene Memory No.0-96,Current) Scene Memory-compact(SIZE byte) (contain Extend Memory) ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh...
Page 386 00110110 36 00110111 37 01010000 50 DATA NAME 00100000 20 02R User’s Guide System Exclusive Message Manufacturer's ID (YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump m=0–96,127(Scene Memory No.0–96,current) End Of Exclusive System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0–15(Tx/Rx Channel No.1–16)
Page 387 BYTE COUNT (HIGH/LOW) 01101010 6A Program Change Table(128x2bytes) ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh End Of Exclusive System Exclusive Message Manufacturer's ID (YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump End Of Exclusive Setup Memory Bulk Dump Format System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0–15(Tx/Rx Channel No.1–16)
Page 388 0ddddddd dsL 02R User’s Guide Setup Memory Bulk Dump Format Setup Memory(128x2bytes) ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh End Of Exclusive Setup Memory (Extended Data) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) Universal Bulk Dump Total 138(64*2+10) Setup Extended Memory(64*2 byte)
Page 389 00110110 36 00110111 37 01010011 53 DATA NAME 00100000 20 11110111 F7 Setup Memory (Extended Data) ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh End Of Exclusive System Exclusive Message Manufacturer's ID (YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump End Of Exclusive 02R User’s Guide...
Page 390 01000011 43 SUB STATUS 0010nnnn 2n FORMAT No. 01111110 7E 02R User’s Guide Effect Library Bulk Dump Format System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump 72(23x2+16+10)bytes m=0–127(Effect Library No.1–128) title1 title16 Effect Library Memory(23x2bytes) ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh...
Page 391 DATA 0ddddddd dsL 0ddddddd deH 0ddddddd deL m=0–127(Effect Library No.1–128) End Of Exclusive Equalizer Library Bulk Dump Format System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump 62(18x2+16+10)bytes m=0–127(Equalizer Library No.1–128) title1 title16 Equalizer Library Memory(18x2bytes) 02R User’s Guide...
Page 392 00110111 37 02R User’s Guide Equalizer Library Bulk Dump Format ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh End Of Exclusive System Exclusive Message Manufacturer's ID (YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump m=0–127(Equalizer Library No.1–128) End Of Exclusive Dynamics Library Bulk Dump Format System Exclusive Message Manufacturer's ID No.(YAMAHA)
Page 393 Library No.1–128) title1 title16 Dynamics Library Memory(9x2bytes) ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh End Of Exclusive System Exclusive Message Manufacturer's ID (YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump m=0–127(Dynamics Library No.1–128) End Of Exclusive Channel Library Bulk Dump Format System Exclusive Message Manufacturer's ID No.(YAMAHA)
Page 394 02R User’s Guide Channel Library Bulk Dump Format 122(48x2+16+10)bytes m=0–63(Channel Library No.1–64) title1 title16 Channel Library Memory(48x2bytes) ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh End Of Exclusive Channel Library(Extended Data) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) Universal Bulk Dump Total 38(14*2+10)
Page 395 Channel Library(Extended Data) mm=0-63(Channel Library No.1-64) Channel Library Extended Memory(14*2 byte) ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh End Of Exclusive System Exclusive Message Manufacturer's ID (YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump m=0–63(Channel Library No.1–64) End Of Exclusive Automix Bulk Dump Format System Exclusive Message Manufacturer's ID No.(YAMAHA)
Page 396 High) block count( Low) [ 0~size] total size( High) total size( Low)[ size–1] title1 title16 Automix Memory(1024x2bytes) ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh End Of Exclusive Automix (compact) System Exclusive Message Manufacturer's ID No.(YAMAHA) n=0-15(Tx/Rx Channel No.1-16) Universal Bulk Dump Total 2078(1024*2+20+10)
Page 397 11110111 F7 Automix (compact) mm=0-15(Automix No.1-16) Automix Memory-compact(1024*2 byte) ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh End Of Exclusive Automix Bulk Dump Request Format System Exclusive Message Manufacturer's ID (YAMAHA) n=0–15(Tx/Rx Channel No.1–16) Universal Bulk Dump m=0–15(Automix No.1–16) End Of Exclusive 02R User’s Guide...
Page 398 Appendix: MIDI 02R User’s Guide...
Page 399: Glossary
Glossary Glossary A/D converter—The conversion of analog signals into digital signals. The analog signal is sampled every few milliseconds and its level is quantized into a digital word. The larger the digital word, the more accurate the representation of the analog value. See Quantization and Sampling frequency. The 02R uses 20-bit linear analog-to-digital converters for most of its analog inputs.
Page 400 Glossary Bit—A single unit of digital data. It can have a value of 1 or 0. Bulk Dump—A MIDI function that allow the transfer of system speciﬁc data, such as sample ﬁles or mixer settings, between MIDI capable devices. The data are transmitted as MIDI System Exclusive messages. Bus—A circuit that connects the input or tape and effect return signals with the output connectors.
Page 401 Digital Signal Processor (DSP)—A specialized circuit, usually a chip, that is designed to manipulate large quantities of data in real-time. YAMAHA has developed world renowned expertise in proprietary musical application speciﬁc digital signal processing.
Page 402 Glossary Expander—An expander is another form of automatic level control. By attenuating the signal below the threshold, the expander reduces low-level noise or expands the dynamic range of the recorded material. See Dynamics Processor F (frequency)—The center frequency of an EQ band. See EQ. Fader calibration—The motorized faders occasionally require re-calibration in order to maintain the highest performance possible.
Page 403 Glossary Modulation—Using a low frequency oscillator (LFO) to control a signal’s frequency (pitch) or amplitude (level). The internal effects programs use modulation for a number of their programs. See Internal Effects. Nyquist Sampling Theorem—This theorem deﬁnes the process of sampling audio with a digital system. Amongst other things, it states that the sampling frequency of a digital audio system must be at least twice that of the highest audio frequency, otherwise aliasing will occur.
Page 404 Glossary Routing—The process of assigning input or tape and effect returns to the output buses or the stereo bus. Sampling frequency—The rate at which measurements of an audio signal are taken during A/D and D/A conversion. Once in the digital domain, the data usually remains at the same sampling frequency.
Page 405: References And Further Reading
The Art of Digital Audio, John Watkinson, Focal Press (Butterworth Group), 1990. • The MIDI Ins, Outs & Thrus, Jeff Rona, Hal Leonard Publishing, 1992. • Yamaha Sound Reinforcement Handbook, Gary Davis and Ralph Jones, second edition, Hal Leonard Publishing Corporation, 1990. 02R User’s Guide...
Page 406 Glossary 02R User’s Guide...
Page 407: Index
Index +48V switches 26 block diagram 15 dimensions 248 front panel 2 initializing 215 MIDI remote 171 options 218 rear panel 11 MIDI remote 173 parameter to control change assign 164 2+2 surround pan 65 20dB pad switches 27 24-bit recording 204 2TR IN ANALOG connectors 12 2TR IN DIGITAL connectors 14 3+1 surround pan 66...
Page 408 Compressor 77 Condenser mics 26 CONFIGURATION buttons 18 Connectors 2TR IN ANALOG 12 2TR IN DIGITAL 14 AUX SEND 11 C-R MONITOR OUT 12 input specifications 246 INSERT 12 METER 13 output specifications 247 STEREO OUT ANALOG 12 STEREO OUT DIGITAL 13 STUDIO MONITOR OUT 11 TIME CODE INPUT 13 TO HOST 13...
Page 409 I/O cards 218 ADAT 227 AES/EBU cards 225 analog card 224 Tascam 234 ID setting, cascade 192 Initial data 129 Initial Data Nominal 200 Initializing the 02R 215 Input channel delay 34 Input patching 206 Input signal select 190 INSERT connectors 12 Insert Tx Bulk Wait 199 Installing I/O cards 221 Internal wordclock 188...
Page 410 METER 1/2 41 METER 2/2 41 METER 3/3 42 MIDI 1/5 159 MIDI 2/5 160 MIDI 3/5 161 MIDI 4/5 164 MIDI 5/5 166 PAIR 1/2 184 PAIR 2/2 185 PAN 1/1 36 PHASE 1/1 33 ROUTING 1/2 39 ROUTING 2/2 65 ROUTING 3/4 67 ROUTING 4/4 69 SCENE 1/5 131...
Page 411 general 240 input connections 246 inputs 241 libraries 245 options 249 output channels 244 output connections 247 Stereo channel inputs 12 STEREO OUT ANALOG connectors STEREO OUT DIGITAL connectors Stereo width 37 ST LINK 72 STOP icon, automix 147 Store Confirmation 198 Storing automixes 148 channel programs 48...
Page 412 YAMAHA [Digital Recording Console] Model: Function... Basic Default Changed Channel Default Messages Mode Altered Note : True voice Number Velocity Note ON Note OFF After Key’s Ch’s Touch Pitch Bend Control Change Prog Change : True # System Exclusive : Song Pos...
Page 413 User Setting Sheet...
Page 414 YAMAHA CORPORATION P.O. Box 1, Hamamatsu, Japan 97 07 5000 AP Printed in Japan...

Yamaha O2R Owner's Manual

Digital Recording Console Getting Started Guide

Getting Started 13 Getting Started

Introductory Recording Tutorial

Secondary Recording Tutorial 41 Secondary Recording Tutorial

Mixing and Automix 67 Mixing and Automix

5 Mixing and Automix

Index

II Contents at a Glance

User Interface 17 User Interface

Mixing and Monitoring 25 Mixing and Monitoring

Mixing Display Functions 31 Mixing Display Functions

Surround Pan 63 Surround Pan

Dynamics 75 Dynamics

Dynamics

Auxiliary Channels

Internal Effects

Scene Memories 127 Scene Memories

Automix 137 Automix

MIDI 157 MIDI

Groups and Pairs 181 Groups and Pairs

Digital I/O, Setup, and Utilities 187 Digital I/O, Setup, and Utilities

Installing Options 217 Installing Options

Specifications 239 Speciﬁcations

Specifications

Appendix: MIDI

Glossary

Index

Quick Links

Chapters

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Summary of Contents for Yamaha O2R