23: Flanger
This is a stereo flanger . (The LFO has the same phase for left and
right .) It produces a metallic resonance that rises and falls like a jet
airplane taking off or landing . A filter is provided so that you can
adjust the timbre of the flanged sound .
L in
Flanger
Feedback
Feedback
Flanger
R in
Parameter
Value
Filter Type
OFF, LPF, HPF
Cutoff Freq
200–8000 Hz
Pre Delay
0 .0–100 .0 ms
0 .05–10 .00 Hz,
Rate #
note
Depth
0 –127
Phase
0–180 deg
Feedback #
-98–+98 %
Low Gain
-15–+15 dB
High Gain
-15–+15 dB
D100:0W
Balance #
–D0:100W
Level
0 –127
Balance D
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Balance D
Explanation
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard .
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back into
"-"
the effect . Negative
settings will
invert the phase .
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
24: Step Flanger
This is a flanger in which the flanger pitch changes in steps . The
speed at which the pitch changes can also be specified in terms of a
note-value of a specified tempo .
Balance D
L in
Step Flanger
Feedback
Feedback
Step Flanger
R in
Parameter
Value
Filter Type
OFF, LPF, HPF
Cutoff Freq
200–8000 Hz
Pre Delay
0 .0–100 .0 ms
0 .05–10 .00 Hz,
Rate #
note
Depth
0–127
Phase
0–180 deg
Feedback #
-98–+98 %
0 .10–20 .00 Hz,
Step Rate #
note
Low Gain
-15–+15 dB
High Gain
-15–+15 dB
D100:0W
Balance #
–D0:100W
Level
0–127
MFX Parameters
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Balance D
Explanation
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard .
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back into
"-"
the effect . Negative
settings will
invert the phase .
Rate (period) of pitch change
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
81