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BOOTH
4
6
2
8
0
10
LEVEL
PHONES
4
6
2
8
0
10
LEVEL
CUE
MAIN
PAN
SPLIT CUE
Mixer Controls
Mic Inputs
Two Microphone Inputs are fully independent, each with these
controls:
•
Level
control.
•
the signal from Left to Right.
Pan
•
/
2-band, full-cut tone controls. The range is Off to
High
Low
+6 dB, with unity gain at 12 o'clock.
•
Assign takes the signal out of the Main Mix and sends
FlexFx
it to the FlexFx Loop.
•
adds the Mic to the Main Mix as a program input. If
Mic On
Talkover is engaged on the other Mic, this Mic is ducked like
any other program input.
•
engages the Mic in the Main Mix and ducks all
Talkover
program inputs. If Talkover is engaged on the other Mic, this
Mic is not ducked.
•
Peak signal / rms meter
hold.
•
front panel connector is intended for a wired dynamic
Mic 1
mic. A gooseneck mic is not recommended as it could damage
the jack and not be covered under Rane's Warranty.
•
Mic 2
allows selection of a Mic- or Line-level input via the
rear panel switch. Line-level is usually for wireless mics.
• Mic 1, Mic 2, or the Main Mix may be recorded via USB
Record-6. Record source selection is made in the computer's
MP25 driver control panel.
MIC 1
MIC 2
4
6
4
6
D1
P1
2
8
2
8
0
10
0
10
SOURCE
LEVEL
LEVEL
2
LEFT
RIGHT
LEFT
RIGHT
PAN
PAN
OFF
+6
OFF
+6
LOW
HIGH
HIGH
OFF
+6
OFF
+6
LOW
LOW
FLEXFX
FLEXFX
MIC ON
MIC ON
TALKOVER
TALKOVER
displays the signal level with peak-
PGM 1
PGM 2
A1 A2
A1 A2
A3
D2
A3
A4
P2
A4
OFF
+6
SOURCE
HIGH
4
6
4
6
8
2
8
0
10
OFF
+6
0
10
LEVEL
MID
LEVEL
HIGH
OFF
+6
LOW
HIGH
FILTER
LOW
FILTER
A
B
POST
FLEXFX
FLEXFX
10
10
9
9
8
8
CUE
CUE
7
7
6
6
5
5
4
4
3
3
2
2
1
1
0
0
Program Strips
Four program input strips include the following controls:
•
selection: Each program input x may select from
Source
D
x,
A1
,
A2
•
adjustment is Off to +12 dB, with unity gain at 12
Level
o'clock.
•
High
/
Mid
+6 dB, with unity gain at 12 o'clock.
•
with Low-pass and High-pass:
Filter
• Flat response is in the center at 12 o'clock.
• Low-pass filter cut-off moves from 20 kHz toward 20 Hz as
the knob is turned counter-clockwise.
• High-pass filter cut-off moves from 20 Hz toward 20 kHz
as the knob is turned clockwise.
•
The filter resonance can be switched high or low in the
computer's MP25 driver control panel.
• The
A-B-Post
B-side, or Post-Crossfader.
•
assign takes the channel out of the Main Mix and
FlexFx
sends it to the FlexFx Bus (post-fader).
•
Cue
select assigns the channel to the headphones (pre-fader).
•
Peak signal / rms meter
peak-hold.
• A 60 mm long-throw program fader controls the level of the
program channel in the Main Mix.
• PGM 1-4 post-fader, stereo program channels are streamed
to the computer via USB record channels 1-4. These channels
may be recorded for post production editing and mix-down.
PGM 3
A1 A2
D3
A3
P3
A4
OFF
+6
OFF
+6
SOURCE
HIGH
HIGH
4
6
2
8
OFF
+6
0
10
OFF
+6
MID
LEVEL
MID
OFF
+6
LOW
HIGH
OFF
+6
LOW
FILTER
LOW
A
B
A
POST
POST
FLEXFX
10
9
8
CUE
7
6
5
4
3
2
1
0
,
A3
, or
A4
.
/
Low
3-band, full-cut tone control range is Off to
switch assigns the program channel to A-side,
displays a mono signal level with
MP25
CLUB MIXER
PGM 4
A1 A2
D4
A3
P4
A4
OFF
+6
SOURCE
HIGH
4
6
2
8
0
10
OFF
+6
LEVEL
MID
USB LOOP
LOW
HIGH
OFF
+6
FILTER
LOW
B
A
B
POST
FLEXFX
FLEXFX ON
10
9
8
CUE
7
6
5
4
3
2
1
0
x,
P
Manual-3
FL
4
2
0
S
4
EXT LOOP
2
0
RE
4
2
CUE
0
L
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