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MP25
CLUB MIXER
Phones
PGM 1
The Headphone Monitor provides stereo or mono Split Cue
A1 A2
A1 A2
D1
A3
D2
A3
operation.
P1
A4
P2
• In Stereo operation, the
OFF
+6
SOURCE
SOURCE
HIGH
and the stereo Main Mix.
4
6
4
6
• In
operation, the
Split Cue
2
8
2
Cue in the left ear and mono Main Mix in the right ear.
0
10
OFF
+6
0
10
• Individual
buttons are provided for PGM 1, PGM 2,
Cue
LEVEL
MID
LEVEL
PGM 3, PGM 4 and the FlexFx Loop.
• The Headphone
Level
LOW
HIGH
OFF
+6
LOW
HIGH
front panel 3.5 mm and ¼˝ output jacks.
FILTER
LOW
FILTER
• The headphone output includes 2-band full-cut tone controls.
A
B
POST
Tone control range is Off to +6 dB. These headphone tone
FLEXFX
FLEXFX
10
controls are adjusted from the computer using the MP25
9
driver control panel.
8
CUE
CUE
7
6
Main Mix and Main/Zone Outputs
5
The Main Mix is made from PGM 1, PGM 2, PGM 3, PGM 4
4
and the FlexFx Mix.
3
• Mono the Main Mix by pressing the front panel
2
1
ton. To mono only a specific output, use the rear panel Mono
0
switch on the Main Outs, or the auto-mono single plug feature
of the Zone and Booth Outs.
• Apply effects to the entire Main Mix by engaging the Main
Mix (blue)
button. This button instantly sends PGMs
FlexFX
1-4 and Mic 1-2 to the FlexFX Bus.
• The Main Mix is metered using a stereo rms/peak signal meter
with peak-hold.
The Main Mix feeds these outputs:
•
Main Outs
• Front panel
Balance
(left/right) and overall levels respectively.
•
The rear panel
Mono
channels of the Main output, and an attenuator controls
the
from 8 Vrms (0 dB) to 0.5 Vrms (-24 dB).
Max Out dB
• The Main Output is available on balanced XLR and unbal-
anced RCA connectors.
•
and
Booth
Zone Outs
• Front panel Booth and Zone
responding output level.
• Booth and Zone Outputs are available on balanced ¼˝
TRS jacks. Left and right jacks automatically provide a
mono signal if the other plug is not inserted.
•
Record Outs
• Stereo unbalanced RCA and S/PDIF outputs.
•
The
S/PDIF
output is a 24-bit 48 kHz digital output.
•
The Main Mix, Mic 1, or Mic 2, may be recorded via USB
record channel six. Record source selection is made in the
computer's MP25 driver control panel.
Manual-4
PGM 2
PGM 3
A1 A2
D3
A3
A4
P3
A4
Pan
control pans between stereo Cue
OFF
+6
OFF
SOURCE
HIGH
HIGH
4
6
control pans between Mono
Pan
8
2
8
OFF
+6
0
10
OFF
MID
LEVEL
MID
control sets the level in the both the
OFF
+6
LOW
HIGH
OFF
LOW
FILTER
LOW
A
B
A
POST
POST
FLEXFX
10
10
9
9
8
8
CUE
7
7
6
6
5
5
4
4
3
3
2
2
1
1
0
0
and
controls manage the relative
Level
switch combines the left and right
Level
controls adjust the cor-
PGM 4
A1 A2
D4
A3
P4
A4
+6
OFF
+6
SOURCE
HIGH
4
6
2
8
+6
0
10
OFF
+6
LEVEL
MID
+6
LOW
HIGH
OFF
+6
FILTER
LOW
B
A
B
POST
FLEXFX
10
9
8
CUE
7
6
5
4
3
but-
Mono
2
1
0
Magnetic Crossfader
The MP25's crossfader is a field replaceable, no-noise, no-bleed
magnetic fader.
• Assign each PGM channel to the A-side, B-side or Post-Cross-
fader with switches in the program strips.
• Select one of three crossfader slopes with the
Crossfader Questions and Answers
Q: Can I install magnetic crossfaders in any other mixer?
A: The connectors may be similar, but the circuits are very differ-
ent. Connecting the fader to anything other than the intend-
ed cable in the MP25 could permanently damage it.
Q: Can I install another crossfader in my MP25?
A: No. The cable connections are specially designed for Rane
magnetic faders.
See Magnetic Fader Maintenance on page Manual-8.
FLEXFX
ZONE
4
4
6
2
2
8
0
10
0
SEND
LEVEL
4
6
EXT LOOP
2
8
0
10
RETURN
USB LOOP
4
6
2
8
CUE
0
10
LEVEL
FLEXFX ON
CONTOUR
MAIN
6
4
6
8
2
8
10
0
10
LEVEL
LEFT
RIGHT
BALANCE
MONO
FLEXFX
MP25
CLUB MIXER
Contour
switch.
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