Samples Per Buffer - MOTU 828mkII User Manual

If the TOSLink setting does not appear in the
menu, it means that the 828mkII's optical input is
currently either turned off or set to the ADAT
optical format. In either case, choose the TOSLink
format from the Optical input menu (Figure 6-1 on
page 48).
This setting is also useful if you just need to make a
simple, click-free digital transfer between the
828mkII and another device — where a time code
reference and shared transport control are not
needed — without having to set up an elaborate
synchronization scenario.
For further details about this setting, see "Syncing
optical devices" on page 29.
SMPTE
Choose this setting to resolve the 828mkII directly
to SMPTE time code (LTC) being received via the
828mkII's quarter-inch SMPTE input jack. For
details, see "Syncing to SMPTE time code" on
page 27 and chapter 14, "MOTU SMPTE Console"
(page 103).

Samples Per Buffer

The Samples Per Buffer setting lets you reduce the
delay you hear when patching live audio through
your audio software. For example, you might have
a live microphone input that you would like to run
through a reverb plug-in that you are running in
your host audio software. When doing so, you may
hear or feel some "sponginess" (delay) between the
source and the processed signal. If so, don't worry.
This effect only affects what you hear: it is not
present in what is actually recorded.
You can use Samples Per Buffer setting to reduce
this monitoring delay—and even make it
completely inaudible.
☛
If you don't need to process an incoming live
signal with software plug-ins, you can monitor the
signal with no delay at all using CueMix Console,
50
which routes the signal directly to your speakers
via hardware. For details, see chapter 12, "CueMix
Console" (page 97).
Adjusting the Samples Per Buffer setting impacts
the following things:
The strain on your computer's CPU
■
The delay you hear when routing a live signal
■
through your host audio software plug-ins
How responsive the transport controls are in
■
your software
This setting presents you with a trade-off between
the processing power of your computer and the
delay of live audio as it is being processed by
plug-ins. If you reduce the Samples Per Buffer, you
reduce patch thru latency, but significantly increase
the overall processing load on your computer,
leaving less CPU bandwidth for things like real-
time effects processing. On the other hand, if you
increase the Samples Per Buffer, you reduce the load
on your computer, freeing up bandwidth for
effects, mixing and other real-time operations. But
don't set the Samples Per Buffer too low, or it may
cause distortion in your audio.
If you don't process live inputs with software
plug-ins, leave this setting at its default value of
1024 samples. If you do, try settings of 256 samples
or less, if your computer seems to be able to handle
them. If your host audio software has a processor
meter, check it. If it starts getting maxed out, or if
the computer seems sluggish, raise the Samples Per
Buffer until performance returns to normal.
If you are at a point in your recording project where
you are not currently working with live, patched-
thru material (e.g. you're not recording vocals), or
if you have a way of externally monitoring input,
choose a higher Samples Per Buffer setting.
Depending on your computer's CPU speed, you
might find that settings in the middle work best.
M O T U F I R E W I R E C O N T R O L P A N E L ( M A C O S 9 )