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3.
SETUP ORDER
When
the
camera
setup
is required,
proceed
it
according to the following steps.
(1}
Display
the
"SETUP"
menu.
(See
page
10
for
description and page 12 for procedure}
(2}
Camera
Identification
setting.
(See
page
10 for
description and page 13 for procedure.)
(3)
Electronic
Light Control setting.
(See page
12 for
description and page 14 for procedure)
(4)
Shutter speed setting.
(See page 11 for description
and page 15 for procedure)
(5)
Gain Controt setting. (See page 11 for description and
page 15 for procedure.)
(6)
Synchronization setting. (See page 11 for description
and page 15 for procedúre.)
(7)
White Balance setting.
(See page 12 for description
and page 17 for procedure}
(8)
Backlight Compensation
setting.
(See page
10 for
description and page 18 for procedure.)
(9)
Special Menu setting. (See page 12 for description and
page 21 for procedure}
4,
SETUP MENU
DESCRIPTION
4-t. Camera Identification (CAMERA ID}
Up
to
16
of
alphabetic/numerical
characters
for
camera identification characters can be displayed on
the bottom line of the picture.
Fig. 8
The ID display ON or OFF can be chosen by the primary
setup menu and the editing of displayed characters is
made available in the secondly submenu.
+k SET UP
SYNC
SHUTTER
CAMERA ID
ELC
AGE
WHITE BAL
AWC
(PUSH SW)
END
Fig. 9
Note:
Reter to the SETUP
OPERATION
section for detailed
procedure.
- 10-
4-2. Backlight Compensation (BACKLIGHT COMP)
With conventional cameras, strong background lighting
such
as
a spotlight,
interferes
with the
clarity of
important scene objects, making them appear dark.
This camera is equipped with a backlight compensation
mode to overcome this problem.
:
As shown in the Fig. 6 SETUP MENU TREE, the factory
setup mode of backlight compensation (PRESET ON)
and
field (manual} masking
area
and
video output
level setup (PRESET OFF) (MANUAL SET) modes are
available.
. Factory Setup Mode (PRESET ON)
In normal use the important object in a scene is placed
in the center of the monitor's screen.
In the factory
setup mode, more
photometric
weight is given to the
center of the screen (where the important object is
located ) than is given to the edge of the picture {
where a bright backlight would most likely be located).
In this mode, even though the backlight may vary, the
object at the center of the screen can still be clearly
seen.
Notes:
e
The masking area and the video output level are
factory setup in this mode.
e
Refer
to the
SETUP
OPERATION
section
for
detailed procedure.
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Fig. 10
Field Setup Mode (PRESET OFF)
This mode is effective in conditions where the important
object in the scene is not tocated in the center of the
picture and when a bright light source is located near
the center of the screen. A conventional camera cannot
cope with these situations.
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