Peavey DPM V3 Owner's Manual page 77

propriately. Make sure that the tuning table is set to EQUAL (section 6.4a). Here are
some possibilities:
14 Tone Tuning Set PMod to keyboard and Amount to -50. Set the Coarse tuning to
-14 and Fine to +50.
1/s Tone Tuning Set PMod to keyboard and Amount to -75. Set the Coarse tuning to -21
and Fine to +75.
17-Tone Tuning (C3 to F3 covers one octave) Set PMod to keyboard and Amount to
-29. Set the Coarse tuning to +08 and fine to +17.
Other variations will give other tunings.
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6.5 SUPER STEREO EFFECTS: -
Combis preserve the stereo panning of the patches within the Combi, which allows for
some hot stereo effects. To check this out, create two different single patches that play
the right and left versions of a sound (e.g., Trumpet L and Trumpet R, with each
panned appropriately). Now call up Trumpet L and make it a Combi patch, with
Trumpet R being another patch in the Combi. You now have a patch with separate
signals in the left and right channels. Try turning on the delay line for one of the
sounds, set for 20 to 40 ms. This should spread out the sound even more.
If you don't want to use up two programs, there is a workaround that can get a nice
stereo spread from a single program. Call up a program and set it to Combi. Now call
up the same program again for the second program of the Combi. If you select the
panning parameter, this will affect the base program only and not the second pro-
gram, allowing you to pan them to opposite sides of the stereo field. You can make
any other modifications you want to the base program — set delays, change LFO, etc.
The only catch is that if you save the program, the second program will immediately
adopt whatever changes you made to the base program. This does work well, though,
if you simply want to tum a sound into a wider stereo image: Create a Combi with
the two patches, then set panning and delay as needed when you call up the patch.
Speaking of the delay line, try setting it to a time that falls in with the beat of the music
(e.g., a quarter-note delay, or eighth-note triplet) and play one of these stereo patches.
The sound will bounce back and forth in stereo, in a rhythmically interesting way.
6.6 BLANK "TEMPLATE" PATCHES
When creating programs from scratch, you can always use an initialized preset.
However, you can save time by reserving some programs as template patches (with
6.9