Peavey DPM V3 Owner's Manual page 50

imum (99). Since each modulation input can also vary the level received from a
modulation source such as the LFO, this parameter may seem redundant. However, it
can act as a "global" control. Example: Assume you've set up LFO routings to
several modulation inputs, and decide you'd like to lower the overall LFO depth.
Rather than re-adjust each modulation input setting, simply reduce this amount.
Page 2 (AMT) Parameters
AMod1 (Off, Velocity, Keyboard, Pressure, Envelopes 1-4, LFO 1, LFO 2, Mod Wheel,
Foot Pedal, External MID! Control)
Chooses the LFO amount modulation source. For details on modulation sources, see
sections 3.1d and 3.8.
TE
Amount (-99 to +99) i
e
Seis the modulation degree and polarity (positive or negative) from the previously-
selected source. This modulates the baseline amount set by the LFO's amount
parameter on the first page.
Page 3 (AMT) Parameters
AMod2 Amount
These parameters perform the same functions as AMod1 and its associated Amount
control. Thus, the LFO amount can be modified by two different modulation sources.
Applications: Use pressure to increase the amount of LFO modulation as you press
harder on.a key once it is down. This is very useful for adding expressive vibrato ef-
fects. Use the footpedal to provide foot-controlled LFO modulation.
Page 4 (RATE) Parameters
RMod (Off, Pressure, Mod Wheel, Envelopes 1-4, Foot Pedal, External MIDI Control)
Chooses the LFO rate modulation source. For details on modulation sources, see sec-
tions 3.1d and 3.8.
Amount (-99 to +99)
Sets the modulation degree and polarity (positive or negative) from the previously-
selected source. This modulates the baseline rate set by the LFO's rate parameter on
the first page.
Applications: Use an envelope to change the rate over time; a slight attack time will
increase the rate.
3.22