5. In the
poly mod
lation applied to Oscillator A.
6. In the
filter
7. Set the
env amount
8. In the
filter envelope
and
release
9. Play some notes. Classic hard-sync lead!
10. Experiment with the Filter Envelope's Attack, Decay, Sustain, and
Release settings to better understand how these affect the shape of pitch
modulation routed to Oscillator 1.
11. Also experiment with Oscillator A's
A Final Word
The examples provided are pretty basic, but they give you some idea of
the power of synthesis. Imagine what you can create by experimenting
more with the oscillators, filter, envelopes, LFOs, and Poly Mod.
It's often useful to start with a simple sound and make it progressively
more complex, saving edited versions as you go so that you can retrace
your steps and branch off at different points in the sound design process
if you want. Enjoy exploring the Prophet-5!
52
Creating a Hard-Sync Lead
section, set
filt env
section, set the
cutoff
to 3.
section, set
to 5. This will set the "shape" of the modulation.
to 7. This sets the amount of modu-
to 8 and
resonance
to 4,
attack
decay
setting.
freq
to 2.
to 7,
to 4,
sustain
Sequential
Need help?
Do you have a question about the prophet 5 and is the answer not in the manual?