Table of Contents
Advertisement
17. INPUT/TUNER
P1 Ch1–8: Select the inputs for mixer
channels 1–8
Here you can select the inputs for mixer channels 1–8.
1
1. Ch1...8 .. [Input1..8, CD-L, -R, S/P DIF L, R, RhythmL, R]
Select a channel icon "Ch1"–"Ch8," and specify the
source that will be input to each channel.
Input1...8: The analog output of the instrument or device
connected to the [INPUT 1]–[INPUT 8/GUITAR IN]
jacks will be input to the channel.
CD-L, -R: The output of the audio CD inserted in the
CD-R/RW drive will be input to the channel. Select "L"
for an odd-numbered channel, and "R" for an even-
numbered channel. These CD inputs can be selected
only if "DigiIn" is "Off."
S/PDIF L, R: The digital output of the DAT or other
device connected to the [S/P DIF IN] jack will be input
to the channel. This can be selected only if "DigiIn" is
"On."
Insert effects cannot be used.
Rhythm L, R: The rhythm you selected in "SelRhythm"
(→p.116) will be input to the channel. If you select this,
the rhythm will sound during recording and playback
regardless of the "Rhythm" (→p.116) "On/Off" setting.
This rhythm can be recorded (→p.72). Select "L" for an
odd-numbered channel, and "R" for an even-numbered
channel.
2. DigiIn........................................................... [On, Off]
This setting is common to the "Ch9...16" tab page.
On: Select this if you want to use digital input
(i.e., select "SPDIF L" or "SPDIF R") for "Ch1"–"Ch16."
When you turn this "On," the "Obey Copyright Rules"
message will appear. Carefully read the owner's manual
section "COPYRIGHT WARNING" (→p.iii). If you
accept the terms, press the "Yes" button in response to
the "Are You Sure?" message. Digital input will be ena-
bled.
Insert effects cannot be used.
Off: Select this if you want to use audio CD
output (i.e., select "CD-L" and "CD-R") for "Ch1"–
"Ch16."
3. SubIn.........................................................................
3a
3b
3c
3d
Make these settings when you wish to use the inputs as
"sub inputs" (→p.60) for inputting the return from an
4
external effect to the [INPUT 1]–[INPUT 8/GUITAR IN]
2
jacks, or so that the sound of an instrument connected to
3
these jacks can be mixed with the track playback.
After completing a song on the D1600mkII, you can
synchronize a sequencer to the D1600mkII and use sub
inputs to mix the sequenced sounds with the track
playback of the D1600mkII.
These inputs are sent via the stereo/mono switch
through the balance and fader settings, and then to the
master LR bus.
Use the [AUX OUT] jack to transmit the effect send
to your external effect processor. For details, refer to
[MASTER EFFECT/AUX] "AuxSend" tab page
(→p.130)
3a. Stereo/Mono .................................[Stereo, Mono]
Stereo: Odd-numbered channel inputs will be sent
to the master L bus, and even-numbered channel inputs
will be sent to the master R bus.
Mono: Odd-numbered and even-numbered channel
inputs will be summed, and the same signal will be sent
to the master L bus and R bus.
Use this when the input is received on only one channel.
If the sound distorts when this is set to "Mono," ad-
just the level on the input device or using the [TRIM]
knob.
3b. Balance..................................... [L63...CNT...R63]
Adjust the balance for when the sub input is sent in
stereo to the master LR bus.
3c. Fader ................................................. [000...100]
Adjust the amount of sub input signal that is sent to the
master LR bus.
3d. Mute...................................................... [On, Off]
On: The sub input will be muted; it will not be sent
to the master LR bus.
Off: The sub input will not be muted; it will be sent
to the master LR bus.
4. Pair ...........................................................................
This lets you pair adjacent mixer channels.
Press the "
" button to access the following screen.
4a
Channels that are paired will be controlled by the
knobs and fader of the odd-numbered channel.
Operating the knobs or fader of the even-numbered
channel will not control anything.
4b
123
Advertisement
Table of Contents
