APPENDIX B: FX TRACK PARAMETERS
SATURATOR DELAY
The Saturator Delay adds an echo-like effect to the audio. Thanks to the special features of this effect, it can
also be used to subtly warm or severely distort the delay signal.
DELAY
TIM (Time) sets the delay time. It is relative to the
current BPM and is measured in 128th notes.
TIME setting
128
96
64
48
32
24
16
12
8
6
4
3
2
1
X (Pingpong) sets how the delay signal will act in the
stereo field.
• 0 makes it possible to manually situate the delay
signal in the stereo field. The WID parameter
controls the placement.
• 1 will make the delay signal alternate between
left and right pan positions. The WID parameter
controls the amount of panning.
WID (Width) sets the stereo width or placement of
the delay signal.
FDB (Feedback) sets how much of the delay output
that will be fed back into the input of the delay. With
higher parameter settings, infinite and/or swelling
delays are possible to achieve. Please be aware that
high feedback can lead to a very loud signal, and
that the OVR parameter can further increase the
feedback.
HPF (HP Filter) sets the highpass filtering of the
delay taps.
LPF (LP Filter) sets the lowpass filtering of the delay
taps.
90
Divide ratio
1
1/2.
1/2
1/4.
1/4
1/8.
1/8
1/16.
1/16
1/32.
1/32
1/64.
1/64
1/128
OVR (Overdrive) sets how much the delay signal will
be overdriven. Please note that higher settings will
affect the feedback of the delay.
REV (Reverb Send) sets how much of the Satura-
tor Delay signal that will be sent to the Supervoid
Reverb.
VOL (Mix Volume) adjusts the volume of the Satura-
tor Delay signal.
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