Roland CD-2 Owner's Manual page 89

Patch Name
Unison VOX
M&F Duet
VOX Detune
CHIPS & MUNK
Deep Voice
■ GTR (Guitar/Bass Group)
Patch Name
JC Clean
Rock Lead
TW Clean
TEXAS
Driven Lead
Metal Lead
SWEET LEAD
Delayed Lead
80's Hard
90's Metal
7TH STRINGS?
JAZZ GT
PH CRUNCH
JET FLANGER
AC SimCuttin
ACOUSTY
AC Sim Lead
Brite Acustc
Tight Bass
Loose Bass
A.GTR Fat
A.GTR LEAD
MIC'D ACUSTC
WIDE ACUSTC
SLAP'n POP
FRETLESS B.
PHASE BASS
FLANG BASS
STD BASS
DRIVIN' BASS
JC-120+COMP
CRUNCH+COMP
BLUES+COMP
HVY CM + VO
S-PZO+DL EFX
SIM+50msDL
SIM+HVY CM
H-ENH+LNG DL
Function
Adds a octave down voice to the vocal.
Transforms a voice into a male part and female part.
Adds a detune voice to the vocal.
Pitch shifting effect that raises the octave of the voice.
Pitch shifting effect that lowers the octave of the voice.
Function
Roland JC-120. Use chorus on the mixdown.
Straight-ahead distortion sound with delay.
American-made vacuum tube combo amp from the black-face period.
Driven sound of an American-made vacuum tube amp from the 50's.
Replica of a British combo amp modified for high gain.
A lead sound suitable for metal.
Large vacuum tube amp stack popular in British hard rock of the 70's.
Straight-ahead distortion sound with delay.
Powerful high-gain metal sound.
Large vacuum tube amp popular for American heavy metal.
The sound of a large vacuum tube amp for heavy metal using a seven-string guitar.
The sound of a vacuum tube combo amp.
Natural-sounding crunch distortion.
Distortion with a metallic-sounding flanging effect.
A tone with a strong attack that won't get buried by other instruments in the band.
Use this with a humbucking pickup guitar to obtain the tone of an acoustic guitar.
Use this with a single-coil pickup guitar to obtain the tone of an acoustic guitar.
Simulates the sound of the pickups installed in an electric-acoustic. A compressor is lightly applied to the attack.
Transforms an electric guitar into a crisp-sounding bass guitar.
Transforms an electric guitar into the sound of a bass guitar strung with heavy strings.
Simulates a fat-sounding acoustic guitar.
Simulates an acoustic guitar suitable for lead playing.
Produces the sound of an acoustic guitar recorded through a mic.
Simulates an acoustic guitar with a wide left/right spatial spread.
Hard-compressed sound suitable for slap playing.
Simulates a fretless bass.
Produces the sound of a bass with a phaser effect applied.
Produces the sound of a bass with a flanger effect applied.
Produces the vintage sound of an early transistor amp.
A large double-stack vacuum tube amp with a distinctive ultra-low sound and edge.
An algorithm for simultaneously recording a guitar sent through the JC-120 together with a vocal.
Suitable for simultaneously recording a crunch sound with natural distortion together with a vocal.
Suitable for simultaneously recording a midrange lead sound suitable for blues together with a vocal.
Suitable for simultaneously recording the Liverpool sound of the 60's together with a vocal.
Suitable for simultaneously recording an electric-acoustic pickup simulation together with a vocal.
Suitable for simultaneously recording the sound of a large-bodied acoustic guitar together with a vocal.
Suitable for simultaneously recording an acoustic guitar with a strong attack together with a vocal.
Suitable for simultaneously recording an acoustic guitar sound together with a vocal with a long delay applied.
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