Akai CD3000XL Operator's Manual page 12

PROGRAM EDITING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 6
WHAT IS A KEYGROUP? ....................................................................................... 57
KEYGROUP ZONES ............................................................................................. 58
OVERLAPPING AND CROSSFADING KEYGROUPS ................................................... 59
ASSIGNABLE PROGRAM MODULATION .................................................................. 60
EDIT SINGLE ...................................................................................................... 64
NAMING PROGRAMS - COPYING AND RENAMING .................................................... 65
DELETING PROGRAMS ........................................................................................ 66
MIDI PAGE ......................................................................................................... 69
OUTPUT LEVELS PAGE ........................................................................................ 71
PAN PAGE.......................................................................................................... 74
THE TUNE PAGE.................................................................................................. 76
MODULATION PAGES .......................................................................................... 77
PITCH BEND ........................................................................................... 78
LFO1 ..................................................................................................... 79
SETTING LFO1 MODULATION DEPTH.......................................................... 82
LFO2 ..................................................................................................... 83
SETTING UP THE SOFT PEDAL .................................................................. 86
PORTAMENTO ........................................................................................ 87
KEYGROUP PARAMETERS - CREATING KEYGROUPS............................................... 90
MAPPING OUT YOUR KEYGROUPS - SETTING KEYSPAN .............................. 93
ASSIGNING SAMPLES TO KEYGROUPS AND ZONES - SMP1...................................... 95
SMP2..................................................................................................... 98
SMP3..................................................................................................... 100
THE FILTERS ...................................................................................................... 101
ENV1 - SHAPING AMPLITUDE ................................................................................ 104
ENV2 - SHAPING THE FILTER ................................................................................ 106
USING THE FILTER AND ENVELOPE GENERATORS...................................... 107
THE SECOND FILTERS ......................................................................................... 108
CREATING 24db/8ve 4-POLE LOWPASS FILTER ........................................... 112
THE TONE PAGE ..................................................................................... 114
ENV3 ................................................................................................................. 116
KEYGROUP PITCH/AMPLITUDE MODULATION ......................................................... 117
EDIT MULTI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1 9
SCREEN DIFFERENCES IN EDIT MULTI ................................................................... 120
SAMPLE MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2 1
WHAT IS SAMPLING? ........................................................................................... 122
RECORD MODE ................................................................................................... 124
THE MAIN RECORD PAGE ..................................................................................... 126
RECORDING FROM AUDIO CDs.............................................................................. 126
NAMING SAMPLES IN THE RECORD PAGE .............................................................. 127
ADJUSTING THE RECORDING AND THRESHOLD LEVELS .......................................... 128
RECORDING ON THE CD3000XL............................................................................. 129
DIGITAL RECORDING........................................................................................... 130
EDIT SAMPLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 3 2
NAMING SAMPLES - COPYING AND RENAMING ....................................................... 134
DELETING SAMPLES ........................................................................................... 135
TRIMMING SAMPLES ........................................................................................... 136
LOOPING ........................................................................................................... 140
LOOP AUTO FIND AND CROSSFADE LOOPING......................................................... 141
MAKING A GOOD LOOP............................................................................ 142
LEVEL NORMALISATION ...................................................................................... 144
DSP FUNCTIONS - TIMESTRETCH, RE-SAMPLING AND EQ......................................... 145
TIMESTRETCH ........................................................................................ 145
PERFORMING A TIMESTRETCH ................................................................. 148
RE-SAMPLING ........................................................................................ 149
PERFORMING A RE-SAMPLE..................................................................... 150
EQ ........................................................................................................ 151
EQ'ING A SAMPLE ................................................................................... 153
USING THE EQ ........................................................................................ 153
FURTHER EDITING FUNCTIONS ............................................................................. 154