Korg Kronos Operation Manual page 27

• Insert Effect outputs
• Individual Programs in a Combination or Song (or
the sum of the Program's oscillators in Program
mode)
• Audio tracks
• Audio inputs
You can use these to isolate or group together sounds
for recording, or for complex live performance setups.
1. Connect the (INDIVIDUAL) 1...4 outputs to the
your amp or mixer inputs.
2. Use the Bus Select parameters to send the desired
sounds, audio tracks, inputs, or effects to the
individual outputs, as either mono (1...4) or stereo
(1/2 and 3/4) signals.
If the signal is going through one or more insert effects,
the output is set at the last IFX in the chain, via the Bus
Select parameter on the P8‐5 Insert FX page.
If a Program, Timbre, or Track is not going through any
insert effects, the output is set using the Bus Select
parameters on the P8‐1 or 8‐2 Routing page.
7. Connections to computers
Computer
6. USB device connections
CD-R/RW, hard disk,
removable disks etc.
USB MIDI Controller
AC power supply
Power cable (Included)
to an AC outlet
1. Connecting the power cable
3. Analog audio input
connections
USB
USB cable
USB A
Power switch
7. Connections to MIDI equipment
To assign audio inputs directly to outputs, use Bus
Select parameters in the P0– Audio Input (Sampling)
page.
In Global mode, the Audio page L/R Bus Indiv. Assign
setting lets you mirror the MAIN stereo L/R output on
any pair of individual outputs. You can use this to
create a private monitoring setup in live and studio
environments. For more information, see "L/R Bus
Indiv. Assign" on page 761 of the Parameter Guide.
Note: The MAIN VOLUME knob doesn't affect the
volume of the individual outputs.
Headphones
1. If you're using headphones, connect them to the
KRONOS' headphone jack.
2. Use the VOLUME slide to adjust the volume of the
headphones. The KRONOS' headphone jack
outputs the same signal as the (MAIN) L/MONO
and R jacks.
Tip: To monitor the signals from the individual
outputs, use an external mixer.
2. Analog audio output connections
Monitor
INPUT
OUTPUT
MIC 1 MIC 2
BAL OR OR BAL
UNBAL UNBAL
LINE IN 1 LINE IN 2
LOW CUT LOW CUT
18dB/OCT 75Hz 18dB/OCT 75Hz
U U
10 60 10 60
10dB + -40dB 10dB + -40dB
TRIM TRIM
U AUX U AUX
1 1
MON/ EFX MON/ EFX
+15 +15
U U
2 2
EFX EFX
+15 +15
Powered
U EQ U EQ
HI HI
12kHz 12kHz
-15 +15 -15 +15
U U
MID MID
2.5kHz 2.5kHz
-12 +12 -12 +12
monitors, U U
LOW LOW
80Hz 80Hz
+15
-15 -15 +15
PAN PAN
L R L R
1 2
etc.
MUTE MUTE
A LT 3 – 4 A LT 3 – 4
dB dB
10 SOLO 10 SOLO 10
5 5
U U
5 5
10 10 10
20 20
30
30
40 40
50 50
60 60
Guitar
Mic
Effect unit
AUDIO INPUT
USB B
Synthesizer
S/P DIF
OUT IN
Digital Recorder, etc.
Setup Connections
MIC 3 MIC 4 MIC 5 MIC 6 STEREO AUX RETURNS AUX SEND TAPE TAPE MAIN OUTS
1 1 INPUT OUTPUT L
L
2 2 R
R
LEFT (1/MONO) RIGHT ALL BAL/UNBAL BAL/UNBAL
OR BAL OR BAL BAL OR BAL OR MONO MONO MONO MONO
UNBAL UNBAL UNBAL UNBAL
L L L L
LINE IN 3 LINE IN 4 LINE IN 5 LINE IN 6
BAL BAL BAL BAL
LOW CUT LOW CUT 75Hz LOW CUT LOW CUT OR OR OR OR
75Hz 18dB/OCT 18dB/OCT 75Hz 18dB/OCT 18dB/OCT 75Hz UNBAL UNBAL UNBAL UNBAL
R R R R
U U U U
LEVEL LEVEL LEVEL LEVEL
10 60 10 60 10 60 10 60 +4 -10 +4 -10 +4 -10 +4 -10 PHONES
+ 10dB -40dB + 10dB -40dB + 10dB -40dB + 10dB -40dB
TRIM TRIM TRIM TRIM LINE IN 7-8 LINE IN 9-10 LINE IN 11-12 LINE IN 13-14
U AUX U AUX U AUX U AUX U AUX U AUX U AUX U AUX U U Mixer
1 1 1 1
1 1 1 1 MON/ MON/
MON/ EFX MON/ EFX MON/ EFX MON/ EFX MON/ EFX EFX MON/ EFX EFX 1
+15 +15 +15 +15 +15 +15 +15 +10 +20
+15 AUX 1 MASTER U NORMALLED
U U U U U U U U
2 2 2 2 2 2 2 2 2
EFX EFX EFX EFX EFX EFX EFX PRE POST
EFX AUX 1 EFX TO AUX
+15 +15 +15 +15 +15 +15 +15 +15 SELECT MONITOR +20 RETURNS
U EQ U EQ U EQ U EQ U EQ U EQ U EQ U EQ SOURCE LEFT RIGHT
HI
HI HI HI HI HI HI HI MAIN +28 CLIP
12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz MIX
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 +10
U U U U U U U U +7
ALT
MID MID MID MID MID MID MID MID 3-4 +4
2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz
+2
-12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12
U U U U U U U U TAPE 0
-2
LOW LOW LOW LOW LOW LOW LOW LOW
80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz -4
+15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
-15 -7
PAN PAN PAN PAN PAN PAN PAN PAN TO MAIN MIX ASSIGN -10
-20
NORMAL(AFL)
LEVEL SET(PFL) -30
L R L R L R L R L R L R L R L R SOLO 0dB=0dBu
3 4 5 6 7–8 9–10 11–12 13–14 MODE
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE RUDE SOLO LIGHT
A LT 3 – 4 A LT 3 – 4 A LT 3 – 4 A LT 3 – 4 A LT 3 – 4 A LT 3 – 4 A LT 3 – 4 A LT 3 – 4 PHANTOM POWER
ROOM CONTROL / PHONES MAIN MIX
dB dB dB dB dB dB
dB dB dB 10 dB 10 10 10 10 10
SOLO 10 SOLO 10 SOLO SOLO 10 SOLO SOLO SOLO SOLO
5 5 5 5 5 5 5 5 5 5
U U U U U U U U U U
5 5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10
20 20 20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40 40 40
50 50 50 50 50 50 50 50 50 50
60 60 60 60 60 60 60 60 60 60
AUDIO OUTPUT
PHONES
5. Pedal connections etc.
ASSIGNABLE
PEDAL
ASSIGNABLE
SWITCH
DAMPER
DIGITAL OUT
4. Digital audio
input/output connections
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