Table of Contents
Advertisement
KARMA GE guide
Range Parameters
These parameters affect the pitch range of the repeating
notes as they transpose, and what happens when they go
outside of the range. They also control a range for triggering
by velocity.
Range Mode
0: Absolute
1: Lowest Note Relative
2: Highest Note Relative
3: Lowest/Highest Note Relative
Selects one of several options for how the "Wrap Bottom"
and "Wrap Top" values are used, which specify a range
within which repeated notes will be maintained. This can be
either an "absolute range," or a "sliding range" that tracks
your hands around the keyboard. When notes go beyond this
range, they will either stop repeating, wrap around or
rebound, as determined by the "Rebound" setting.
0: Absolute
The "Range Bottom (abs)" and "Range Top (abs)"
parameters are used, specifying Note Number values for the
absolute bottom and top of the pitch range for repeated
notes. For example, 36 is C2 and 72 is C5.
1: Lowest Note Relative
The "Range Bottom (rel)" and "Range Top (rel)" parameters
are used, defining a "sliding range" with regards to the
lowest note played, represented as +/- semitones. For
example, if you set bottom to -12 and top to +12, this means
that the notes will be kept in range from an octave below the
lowest note played to an octave above the lowest note
played.
2: Highest Note Relative
The same as above, but relates to the highest note played.
3: Lowest/Highest Note Relative
The "Range Bottom (rel)" parameter relates to the lowest
note played, and the "Range Top (rel)" parameter relates to
the highest note played. Therefore, you control the overall
range according to the spread of the notes that are played.
For example, if you set both the bottom and top to 0 in this
mode, then repeated notes would never be generated outside
of the range of the lowest to highest note that were provided
as input.
Range Bottom (Abs)
Range Top (Abs)
Specifies an absolute pitch range within which to keep
repeated notes that are being transposed. The Bottom and
Top values are Note Numbers in the range 0–127/C-1–G7.
When the pitches of repeated notes exceed this range, the
setting of the "Rebound" parameter comes into effect.
Note: These settings are only effective when the "Range
Mode" parameter is 0: Absolute.
Range Bottom (Rel)
Range Top (Rel)
Specifies a relative (sliding) pitch range within which to
keep repeated notes that are being transposed, based on the
position of input notes played on the keyboard. The Bottom
1086
[0...3]
[0...127: C-1...G7]
[0...127: C-1...G7]
[–64...+63 semitones]
[–64...+63 semitones]
and Top values are semitone offsets in the range –64–+63.
When the pitches of repeated notes exceed this range, the
setting of the "Rebound" parameter comes into effect.
Note: These settings only have an effect when the "Range
Mode" parameter is one of the 1.3: Relative settings.
Vel. Range Bottom
Vel. Range Top
Specifies a Velocity Range for initiating the generation of
repeated notes. Input notes with velocities outside of this
range will not generate repeats.
When "GE Type" (p.1045) is 3: Real-Time, these specify a
velocity range within which input notes will trigger the
generation of repeated notes. Notes outside of the velocity
range will not generate repeats. This is an easy way to allow
the velocity with which you play to control the triggering of
repeated notes.
When "GE Type" is any of the other options, these specify a
velocity range within which generated notes (such as notes
from the Note Series, or Drum Pattern notes) will trigger the
generation of repeated notes. Notes outside of the velocity
range will not generate repeats. This allows only certain
notes within certain velocity ranges to trigger the generation
of repeated notes, while others will not.
Repeats can not be generated when "GE Type" (p.1045)
= 1: Generated-Gated and "Gate Type" (p.1045) is one
of the CC Types, since notes are not actually generated in
this mode, but a sustained set of notes is manipulated by a
selected CC, i.e. "chopped" by CC#11 (Expression).
[1...127]
[1...127]
Advertisement
Table of Contents
