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NORD MODULAR V3.0
O O O O
S S S S
C C C C
S S S S C C C C
L L L L V V V V
This slave oscillator produces a Sawtooth wave. It has a FMA modulation input.
M M M M
S S S S T T T T I I I I N N N N P P P P U U U U T T T T
The gray control input from a master oscillator. If you connect a master LFO to this input, the slave os-
cillator will track the LFO five octaves above the pitch of the LFO.
D D D D
I I I I S S S S P P P P L L L L A A A A Y Y Y Y B B B B O O O O X X X X
Click on the info window to switch between Semitones, Hz and Ratio. Range: C-1 to G9 (7.94 Hz to
12910 Hz or x 0.0241 to x 39.152).
P P P P
A A A A R R R R T T T T I I I I A A A A L L L L S S S S
Select a preset transposition value of the slave oscillator. The transposition ratio will be displayed as mul-
tiples of the frequency of the master oscillator. Range 1:32 to 32:1.
D D D D
E E E E T T T T U U U U N N N N E E E E
Set the detune of the slave oscillator, in semitone steps. The tuning will relate to the tuning of the master
oscillator connected to the Mst input. The preset value is 0 (1:1). If you select the Semitone display, a
second number inside a parenthesis will indicate a musical interval (a fifth, a seventh etc.).
F F F F
I I I I N N N N E E E E
Fine-tunes the slave oscillator. The range is +/– half a semitone, divided in 128 increments. Click on the
triangle above the control to reset the fine-tuning to 0, which is the preset value.
FMA
FMA
FMA
FMA
M M M M O O O O D D D D U U U U L L L L A A A A T T T T I I I I O O O O N N N N I I I I N N N N P P P P U U U U T T T T
A red modulation input where a signal will affect the pitch of the oscillator in a linear way. The FM
amount is attenuated with the rotary knob next to the input. See
page 35
for more info.
M M M M
Click on this button to mute the audio output of the oscillator.
O O O O
U U U U T T T T
Signal: Bipolar.
[A
[A
[A
[A
T T T T
II]
II]
II]
II]
T T T T T T T T E E E E N N N N U U U U A A A A T T T T O O O O R R R R
Y Y Y Y P P P P E E E E
7. Module reference: Oscillator group
"Frequency modulation (FM)" on
Page 109
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