Timecode Hookup Examples - Yamaha D24 Owner's Manual

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Chapter 12—Timecode

Timecode Hookup Examples

The following system examples show several timecode configurations.
MTC with MIDI Sequencer
In the following example, the D24 is the timecode master and the personal computer
running MIDI sequencing software is the timecode slave. Since the D24 does not sup-
port MMC when it's configured as a timecode slave, it must be the timecode master (see
"Timecode & the D24" on page 134).
D24 (timecode master)
OVER OVER
–dB 0 0 –dB
2 2
6 6
10 12 12
14 20 20
18 30 30
20
42 42
26 60 60
READY READY
L R
1 2 3 4 5 6 7 8
RECORD
READY
SOLO/
SELECT
PEAK AUTO ALL
FORMAT CHASE
HOLD INPUT INPUT
MONITOR SELECT
TC source: MASTER
SMPTE/EBU & Two D24s
In this example, two D24s are used with a digital mixing console. D24-A is the timecode
master, and the D24-B and digital mixing console are timecode slaves. The digital mix-
ing console uses the external timecode for automix synchronization. The timecode sig-
nal is transmitted from D24-A to D24-B via the 15-pin sync cable, and to the digital
mixing console via the SMPTE/EBU cable. Alternatively, timecode could be transmit-
ted to the digital mixing console as MTC.
D24-A (WC master, TC master)
OVER OVER
–dB 0 0 –dB
2 2
6 6
10 12 12
SYNC OUT
14 20 20
18 30 30
20
42 42
26 60 60
READY READY
L R
1 2 3 4 5 6 7 8
RECORD
READY
SOLO/
SELECT
PEAK AUTO ALL
FORMAT CHASE
HOLD INPUT INPUT
MONITOR SELECT
WC: INT 44.1K, TC: Master/30 fps
Sync cable
D24-B (WC slave, TC slave)
OVER OVER
–dB 0 0 –dB
2 2
6 6
10 12 12
14 20 20
18 30 30
20
42 42
26 60 60
READY READY
L R
1 2 3 4 5 6 7 8
RECORD
READY
SOLO/
REMOTE IN/ SELECT
PEAK AUTO ALL
HOLD INPUT INPUT FORMAT CHASE
SYNC IN
MONITOR SELECT
WC: REMOTE IN, TC: REMOTE IN/30 fps
D24—Owner's Manual
TIME DISPLAY DIGITAL MULTITRACK RECORDER
CAPTURE ABS/REL REMAIN
ABS H M S F
VARI
UTILITY SETUP
SPEED
LOCK WC INT FS 48K
V. TRACK UNDO/
EDIT
BIT 24 TC MASTER SELECT REDO
PROJECT SEARCH LAST REC
AUTO
PROJECT IN OUT SET PUNCH
7 8 9 JOG ON
SELECT
LOC MEM
4 5 6 RTN TO ROLL REPEAT
RECALL A B REHE
ZERO BACK A B
1 2 3 LOC MEM
STORE
REW FF STOP PLAY REC
0/-
CANCEL ENTER LOCATE
JOG/DATA SHUTTLE/
CURSOR
TIME DISPLAY DIGITAL MULTITRACK RECORDER POWER
CAPTURE ABS/REL REMAIN
ABS H M S F
VARI
SPEED UTILITY SETUP
LOCK WC INT FS 48K
V. TRACK EDIT UNDO/ ON OFF
BIT 24 TC MASTER SELECT REDO
PROJECT SEARCH LAST REC
AUTO
PROJECT IN OUT SET PUNCH
7 8 9 SELECT JOG ON
LOC MEM
4 5 6 RTN TO ROLL REPEAT
RECALL A B REHE
ZERO BACK A B
0 10
PHONES
LEVEL
1 2 3 LOC MEM
STORE
REW FF STOP PLAY REC
0/- CANCEL ENTER LOCATE
PHONES
JOG/DATA SHUTTLE/
CURSOR
TIMECODE OUT
TIME DISPLAY
DIGITAL MULTITRACK RECORDER POWER
CAPTURE ABS/REL REMAIN
ABS H M S F
VARI UTILITY SETUP
SPEED
LOCK WC INT FS 48K V. TRACK UNDO/
EDIT ON OFF
BIT 24 TC MASTER SELECT REDO
PROJECT SEARCH LAST REC
AUTO
PROJECT IN OUT SET
7 8 9 JOG ON PUNCH
SELECT
LOC MEM
4 5 6 RECALL RTN TO ROLL A REPEAT REHE
B
ZERO BACK A B
0 10
PHONES
LEVEL
LOC MEM
1 2 3
STORE
REW FF STOP PLAY REC
0/- CANCEL ENTER LOCATE
PHONES
JOG/DATA SHUTTLE/
CURSOR
MTC
POWER
MIDI OUT MTC IN
ON OFF
MMC
0 10
PHONES
LEVEL
PHONES
MIDI OUT
MIDI IN
02R (WC slave, TC slave)
SMPTE/EBU
SMPTE
TIMECODE
INPUT
Personal computer running
MIDI sequencing software
TC source: External MTC
WC: SLOT 1, TC: SMPTE/30 fps