Roland VC-2 Owner's Manual page 57

V-card software series vocal designer for v-synth xt
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Parameter
Value
Enhan Sens
0–127
Enhan Fre-
0–127
quency
Enhan Mix
0–127
Level
Enhan Level
0–127
EQ Low Freq
50–4000 Hz
EQ Low Gain
-15– +15 dB
EQ Mid Freq
50–20000 Hz
EQ Mid Q
0.5, 0.7, 1.0, 2.0,
4.0, 8.0
EQ Mid Gain
-15– +15 dB
EQ Hi Freq
2000–20000 Hz
EQ Hi Gain
-15– +15 dB
Delay Time
0–1300 ms,
note
Delay Feed-
-98– +98 %
back
Low Damp
50–4000 Hz
Freq
Low Damp
-36–0 dB
Gain
Hi Damp
2000–20000 Hz
Freq
Hi Damp
-36–0 dB
Gain
Delay Level
0–127
34: Guitar Multi
Guitar Multi provides Comp/Limiter, Overdrive or
Distortion, Chorus or Flanger, and Delay effects connected in
series.
Parameter
Value
Comp Sw
OFF, ON
Comp
-60–0 dB
Threshold
Comp At-
0–127
tack
Description
Sensitivity of the enhancer
Sets the lower limit of the frequen-
cies to which the enhancement ef-
fect is added.
Level of the overtones generated
by the enhancer
Volume of the enhancer sound
Frequency of the low range
Gain of the low range
Frequency of the middle range
Gain of the middle range
Set a higher value for Q to narrow
the range to be affected.
Gain of the middle range
Frequency of the high range
Gain of the high range
Adjusts the delay time from the di-
rect sound until the delay sound is
heard.
Adjusts the proportion of the de-
lay sound that is fed back into the
effect. Negative (-) settings will in-
vert the phase.
Adjusts the frequency below
which sound fed back to the effect
will be cut.
The Low Damp function damps
the low frequency band of the de-
lay sound quicker than other
bands, which makes for a clearer
delay effect.
Degree of Low Damp
Adjusts the frequency above
which sound fed back to the effect
will be cut.
High Damp, by attenuating the
higher frequencies first, makes the
delay sound more natural.
Degree of High Damp
Volume of the delay sound.
Description
Turns the comp/limiter on/off.
Sets the volume level at which the
compression begins.
Sets the time after the sound vol-
ume is crossed the compressor
threshold until compression be-
gins.
Parameter
Value
Comp Re-
0–127
lease
Comp Ratio
1.5:1, 2:1, 4:1,
100:1
Comp Gain
-60– +12 dB
Od/Ds Sw
OFF, ON
Drive Mode
OD, DS
Drive
0–127
Amp Sim Sw
OFF, ON
Amp Type
SMALL,
BUILT-IN,
2-STACK,
3-STACK
Distortion
0–127
(DS) Level
Mod Mode
CHORUS,
FLANGER
Mod Rate
0.05–10.0 Hz,
note
Mod Depth
0–127
Mod Phase
0–180 deg
Mod Pre De-
0–50.0 ms
lay
Mod Feed-
-98– +98 %
back
Mod Xover-
500–15000 Hz,
LPF
THRU
Mod Xover-
THRU,
HPF
50–800 Hz
Mod Level
0–127
Delay Time
0–1300 ms,
note
Delay Feed-
-98– +98 %
back
Hi Damp
500–15000 Hz,
Freq
THRU
Delay Level
0–127
Effects List
Description
Specifies the time from when the
volume drops below the compres-
sor threshold until compression is
no longer applied.
Sets the "source sound:output
sound" compression ratio.
Adjusts the output gain.
Selects whether to use overdrive or
distortion.
Selects whether to use overdrive
(OD) or distortion (DS).
Degree of distortion
Turns the amp simulator on/off.
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Volume of the overdrive or distor-
tion sound.
Selects whether to use chorus or
flanger.
Adjusts the speed of modulation
for the chorus or flanger.
Adjusts the depth of modulation
for the chorus or flanger.
Sets how the chorus or flanger
sound is spread.
Adjusts the delay time from the di-
rect sound until the chorus or
flanger sound is heard.
Adjusts the proportion of the effect
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.
Adjusts the cutoff frequency of the
low pass filter. (THRU: no filter is
used)
Adjusts the cutoff frequency of the
high pass filter. (THRU: no filter is
used)
Volume of the chorus or flanger
sound.
Adjusts the delay time from the di-
rect sound until the delay sound is
heard.
Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.
Adjusts the frequency above which
sound fed back to the effect will be
cut.
High Damp, by attenuating the
higher frequencies first, makes the
delay sound more natural.
Volume of the delay sound.
57

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