Cue Mixes And Zero-Latency Monitoring - PRESONUS AudioBox Stereo Quick Start Manual

reverb. You could then route the FX Channel output to a Sub Out Channel and back to your
audio interface, where it can be mixed with the zero-latency dry signal.
When adding time-based effects, such as reverb or delay, you generally don't have to be
concerned about plug-in delay and latency that could result from using software plug-ins on a
live input source. A few milliseconds of processing delay on a reverb will probably not be
audible.
5.10

Cue Mixes and Zero-Latency Monitoring

Studio One features powerful hardware integration with certain audio interfaces from
PreSonus. In this section, we will discuss how to take advantage of this integration to create
cue mixes and use zero-latency monitoring.
5.10.1 Creating a Cue Mix Output
In Studio One, it is possible to quickly and easily create multiple cue mixes. A cue mix is
separate from the main mix and is usually provided to musicians for monitoring purposes
during recording.
For instance, when recording vocals, the engineer and vocalist will probably want to hear
different mixes. Most vocalists want to hear more of their vocals in the mix, possibly with some
reverb to make it sound natural, while the engineer might focus on how the performance
balances with the rest of the mix. Together, Studio One and a FireStudio™-series interface
make this simple.
The first step in building a cue mix is to create another Output Channel. To do this, open the
Song/Song Setup/Audio I/O Setup menu in a Song, switch to the Outputs tab, and add a new
Stereo Output channel. Next, specify that this output is a cue-mix output by clicking on the
channel's Cue Mix checkbox. You can create as many cue mixes as your audio interface has
available stereo outputs.
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