Solid State Logic XL-Desk Owner's Manual page 25

6) At this point as the engineer you have some decisions to make as to how you
want to record. The direct channel output (CHOP) can be set post-fader or pre-
fader using the CHOP POST button. You can process the input recording
channels using external rack gear connected to the insert points (INS button)
or the 500-series rack slots (500 button).
7) Set up 8 tracks in your DAW session to record the 8
microphone signals. This tutorial assumes that the
first 8 direct channel outputs have been connected
to the first 8 inputs of your DAW's audio interface.
8) In your DAW record arm the 8 channels for
recording. Route the outputs of these tracks into
DAW INPUT 9-16 on XL-Desk.
9) Press the DAW button for channels 9-16 and
you will see signal coming into the desk.
Route these channels to Mix Bus A using
the A routing button (above the CUT
button).
Ensure that the MIX A master fader is
raised and that MON SOURCE is set to
MIX A.
Don't forget to un-select the Mix Bus B AFL button when you want to hear the DAW returns. At any point, you
can choose whether you're listening to the input signals on Mix B or the DAW returns on Mix A by simply
toggling the Mix B AFL button on or off.
XL-Desk – Owner's Manual
CHANNEL OUT 1 - 8
Channel outputs to
Analogue
DAW interface
MADI
MADI RATE CLOCK LEVEL OUTPUTS
POWER
MADI RATE CLOCK LEVEL INPUTS
POWER
MADI RATE CLOCK LEVEL INPUTS
POWER
DAW INPUT 9 - 16
INSERT SEND 9 - 16
inputs
MX
INPUTS 16 - 4
MX
OUTPUTS
4 - 16
MX
OUTPUTS 4 - 16
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