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Manuals
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Solid State Logic Manuals
Music Mixer
SL 4000 G Series
Operator's manual
Solid State Logic SL 4000 G Series Operator's Manual
Master studio system
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Contents
Table of Contents
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Table of Contents
Contents
About this Manual
Differences between the SL 4000 G and the SL 6000 E
Definition of Terms
Product View
The SL 611G Input/Output Module
Channel Input Section
Dynamics Section
Compressor/Limiter
Filters and Parametric Equaliser Section
Overload Indicator
Cue and Aux Sends
Insert Point
Group Output Section
Routing Matrix
Solo Isolate
The Routing Matrix and Status Logic Switching
Monitor Input Section
Small Fader Source and Destination
Small Fader Cut and solo
Quad Pans
Ready Group/Tape Selections and the Supercue System
In the Control Room
In the Headphones
Small Faders as Extra Auxiliary Sends
Monitor Cut and solo
Large (VCA) Fader
VCA Fader Subgrouping
The SL 611S Stereo Channel Module
Input Section
The Routing Matrix
Dynamic Section
Stereo Equaliser and Filter Section
Overload Indicators
Cue and Auxiliary Sends
Remote Facilities
Meter Controls
Image Controls
Fader
SL 651G Master Facilities Module and the Centre Section
Power Supply Indicators
Oscillator Control Panel
Talkback Level Controls
Cue-Aux Sends
Stereo Echo Returns
Control Room Monitoring System
Monitor Cuts and Trims
Studio Loudspeakers and External Sources to Cue Sends
Quad Compressor
Status Buttons
VCA Trim, Auto Fade and AFL
Plasma Bargraph Controls
Meters
Communications
Stereo Patchable Vcas
The Keyboard
The Option Switches
VCA Group Faders
Local Aux Sends Panel
In-Board Video Monitor
Blank 682 Panels
The Meter Bridge
Input/Output Module Meters
Stereo Module Meters
Centre Section Meters
Auxiliary Meters
The Patch
I/O Module Patch Wiring on Consoles with more than 56 Channels
Stereo Modules
Basic Routing and Signal Flow
The Six Key Points in the SL611G
The Channel Input
The Large VCA Fader
The Multitrack Routing Matrix
Record Status
The Monitor Input Section
The Small Fader
The Quad Pan Controls
Key to Signal Flow Diagrams
Record + Vcas to Monitor
Record + Vcas to Monitor Signal Flow Schematic
Float
Master Channel Input Flip
Replay Status
MIX Status
Small Faders Used to Control Additional Inputs to the MIX
Subgrouping
Signal Flow of Small Fader Inputs Subgrouped to Large Faders
The Small Fader Used as an Extra Effects Send
Record + MIX Status (Overdub Mode)
Record + MIX + Vcas to Monitor
The Dirrect Button
Signal Processor Routing
Input/Output Module Sends
Master Send Controls on the SL651G
The Local Aux Sends Panel
Options
Signal Flow
Applications Guide
I/O and Stereo Modules
Music Recording
Basic Track Laying
Split Console Recording
Overdubbing
G Series Automation and Total Recall
Mixing
Large Faders to Large Faders
Large Faders to Small Faders
Small Faders to Large Faders
Small Faders to Small Faders
Remote (Mobile) Recording
Method 1
Method 2
Audio Post-Production
Room Setup
Beginning the Typical Session
Track Laying
Automation During Track Laying
Setting up
The MIX
Automation
Film Mixing and Scoring
Basic Fault Finding
Locating the Problem
Fixing the Fault
Replacing Modules and SL615G Cards
The SL611G I/O Module
Replacing I/O Module Cards
MIC/Line Input Card - 82E291
VCA Card - 82E13
Group Card - 82E294
Dynamic Card - 82E10
Equaliser and Filters Card - 82E292
The SL611S Stereo VCA and Image Control (under TR Card)
The SL651G Cardframe - Side View
Index
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